The days are getting short, but we're wrapping up the Summer Of Soundtrack at MASTAS with the longest ep of the three -- on the 17 non-score soundtrack cuts of Almost Famous. Along the way, we talk about the lost America of dressing up for bus rides, liking The Who except when we hate them, if midcentury rock reviews said more about the reviewers than the rock, lyrically exhausting surf-band tracks, and the universal irresistibility of a Reg singalong. When you're done serenading room-service ketchup, we hope you'll have a listen.

Intro and outro by Andrew Byrne; for more information, visit patreon.com/mastas.

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The MASTAS Summer Of Soundtrack swelters on with a look at the soundtrack for City Of Angels, a reimagining of Wings Of Desire that did fairly well at the box office, and even better at Tower Records...and then kind of disappeared? As we join our Patreon supporters in ranking the ten non-instrumental tracks, we're talking about the days when radio wielded power, the 1889 sound of 1969 Hendrix, and the right blues song for a bar-fight scene in a political thriller. Take a break from glazing your compunctions and join us!

Intro and outro by Laura Barger and Jack Baldelli; for more information, visit patreon.com/mastas.

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We're declaring 2026 the Summer Of Soundtrack, contemplating film soundtracks across the decades -- and we're starting with 10 selections from the 1980s John Hughes teen oeuvre, some you'll remember and some you'll forget...or regret. As we contemplate the definitive Hughes tunes (or, for one of us, speak truth to Thompson-Twins power), we're also discussing NuRo wallpaper, post-prom fire hazards, keyboardist video indicating, and the Nirvana-Clash pipeline. Grab that Sport Walkman, folks: it's a very hot! very hot! new episode of MASTAS.

Intro and outro by David Gregory Byrne; for more information, visit patreon.com/mastas.

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Dan Rogge returns -- with our new friends L.V. Beethoven and Phyllis Domain -- to discuss his least favorite William Joel album, 1983's "An Innocent Man." The recurring Diane character, elegant internal rhymes, car-tape-deck privilege, protecting the children from doo-wop, wedding-band improv exercises, and how big a pop star you have to be to get away with pairing Uggs and a tux: keep the faith that we're talking about all of that and much more. Grab a harmonica and join us!

Intro and outro by Andrew Byrne. Visit us on Patreon for more!

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The moment has arrived: the selection of the Dolliest Dolly Parton song of them all. As we investigate whether all Parton-narration roads pass through "Jolene," we're also discussing insightful user comments, the perils of a glass and a half of Chablis, the ugly weakness of love, audition songs, and The Aeneid. Pause that Starsky & Hutch rerun and listen now!

Intro and outro by Andrew Byrne. Visit us on Patreon for more!

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And you think about it, don't you? ...As much as we'd like every one of these Dolly Parton songs to get a participation tiara, we will forge ahead with choosing the championship pair. Along the way, we hear medleys of two of the finalists, contemplate the difference between a "bad" song and a "correct" one, and speculate on Mr. Jolene's double album.

Intro and outro by David Gregory Byrne. Visit us on Patreon for more!

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Today we select our Final 4 in the Dolly 64, after struggling with self-imposed rules that don't serve us, identifying the Dolly songs that won't end up in a commercial for floor polish, and speculating on that waterboy's future coot prospects. Why did it take us this long to come up with the phrase "the Fortress of Dollitude"? Maybe because we inhaled too much pink Partonclave smoke...you'll have to listen to find out.

Intro and outro by Andrew Byrne. Visit us on Patreon for more!

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It's the hardest round in every bracket season in some ways, and the Dolly 64's Sweet 16 ep is no different. How many different lists did Sarah have? Is Mark's "Dolly didn't write it" rule going to last? These questions and many more -- which one old coot shall rule them all; whether every "typical" Dolly is good; how to embody "kuntree" without making it a moral position -- as we rest our boobs on the points scale for our latest episode. Find out whether we ended up with an Elite Eleven and listen now!

Intro and outro by Laura Barger and Jack Baldelli. Visit us on Patreon for more!

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The second half of our Dolly 64 Round Of 32 is still confronting the question of which Dolly Parton narrative voice is the most typical and/or dominant. It's also confronting hashtag coot songs, clarified Miracle Whip, the fine gradations of Tennessee mountain-home ownership, and identifying as kuntree without defensiveness. How many aprons does feminism wear? Listen and find out!

Intro and outro by David Gregory Byrne. Visit us on Patreon for more!

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"What a way to make a living," indeed -- the Dolly 64 Round Of 32 raises a lot of tough questions. Which Dolly are we talking about when we ask which song is the Dolliest? Which tracks unite the coffee shop, or go in a college syllabus? We've really got some feelings about pitiless Southern stories, meeting the old-coot brief, the importance of conveying tumescence in pop music, overrated crayons, and Barry Gibb's avant-garde prepositions, so listen now!

Intro and outro by Andrew Byrne. Visit us on Patreon for more!

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