We end the Best New Artist season where it all began for the podcast: the Grammys. We're talking today about the 67th Grammy Awards' "big 4" categories, plus a couple of wildcards -- and along the way, the American need for underdogs, nominations of encouragement, Mark's "Folkmore" playlist, Uncanny George Valley nightmares, couples skate, and a purse dog named Aristotle. Grab an electric clarinet and join us! (Throw the clarinet in the garbage first. THEN join us.)

Intro and outro by David Gregory Byrne; for more information, visit patreon.com/mastas.

SHOW NOTES

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It's the Best New Artist Breakdown season finale, featuring a MASTAS greatest-hits line-up, the return of sprung rhythm, grand unifying complaints about breakthrough categories, Elt Zeppelin, and how to evolve past Wolfman Jack in pop-music discovery. Do we agree with the Grammys' most recent BNA choices? Have we decided how to tackle the 2025 nominees? Should jerks win awards? Come spook the Recording Academy herd with us!

Intro and outro by Laura Barger and Jack Baldelli; for more information/to become a patron of the show, visit patreon.com/mastas.

SHOW NOTES

Single 19: Favorite Discoveries on NPR's Women+ Song List

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Our penultimate Best New Artist Breakdown moves into the teens; we're talking about Amy Clonehouses, lost anthems of lady rage, gold-watch nominations, the Overton window of band-name ludicrosity, and much more. Grab those Kendrick Lamar seminar syllabi and have a listen!

Intro and outro by Andrew Byrne; for more information/to become a patron of the show, visit patreon.com/mastas.

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As the Best New Artist Breakdown season rounds the millennium turn, we're talking about which band is playing when Jennifer Love Hewitt flees a serial killer, artists we should like on paper but fall asleep to in practice, the music of shampoo ads, and the basic room in each of our hearts. If Kanye West will make room, join us on the line between genius and madness for our latest episode!

Intro and outro by David Gregory Byrne; for more information/to become a patron of the show, visit patreon.com/mastas.

SHOW NOTES

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We're closing out the twentieth century in our fifth episode, and there are fewer howling embarrassments among our Best New Artist winners this time...but just as much anal-retentive insanity in our prep, plus diversity of sound, nothingburger arrangements saved by a Braxton, convincing Patsy Cline drag, effortful album titles, and the memory-holing of a multi-platinum act. Your dinner-party table in hell is ready, so pull up a chair and listen!

Intro and outro by David Gregory Byrne; for more information/to become a patron of the show, visit patreon.com/mastas.

SHOW NOTES

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Confusing band names, the MTV aura, and what happens if the comedy/tragedy masks and a keyboard mate: it's the 4th episode of our Best New Artist season, which brings us great winners, indefensible losers, and tracks that are more branding exercise than song. Does Mariah tie a whole Reagan-era room together? Listen now and find out!

Intro and outro by Andrew Byrne; for more information/to become a patron of the show, visit patreon.com/mastas.

SHOW NOTES

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Disco, NuRo, and not knowing where to look during "Afternoon Delight" -- it's all part of our third episode, when we're also talking about Starman's dinner party, the mayonnaise filter, the Michael McDonald industrial complex, and Mark's request to dump all the geography-named bands into one planetary supergroup. There's only one way to lift the Best New Artist curse, and that's to listen now.

Intro and outro by Laura Barger and Jack Baldelli. For more information/to become a patron of the show, visit patreon.com/mastas.

SHOW NOTES

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We're wading into the '70s in our second ep, which includes ruminations on inessential classic rock; how Karen Carpenter and Judy Garland can take you whenever they are; holding your nose and throwing your vote at the nomination dartboard; and more. We've only just beguuuuuun / to taaaaaaalk -- and to hear your comments! -- so listen now.

Intro and outro by David Gregory Byrne. For more information/to become a patron of the show, visit patreon.com/mastas.

SHOW NOTES

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The Best New Artist Breakdown season has begun! Instead of pitting the 64 winners of the Grammys' Best New Artist category against each other, we're talking about each year's nominees and winner in the context of their time...and in today's sixties-spanning ep, we're trying to make sense of the 20th century's monocultures, how far in the past most votes had gotten stuck, the weird dominance of the ukelele in the Kennedy years, and the weird ambitions of Mr. Swingle. Ready to go Bach to the future? Listen now!

Intro and outro by Andrew Byrne. For more information/to become a patron of the show, visit patreon.com/mastas.

SHOW NOTES

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Our finale finds us talking about actor/musicians with lasting pop careers: Oscar-winners (Jamie Foxx), Grammy-winners (Childish Gambino), former child stars (Hailee Steinfeld), and Jokers (Jared Leto). After discussing contemporary stank, the competent/memorable axis, music for coffee shops, and the R&B version of that Top Chef challenge where they have to elevate gas-station snacks, we talk about what we've learned about the drive to create art. Grab Ludacris and have a listen.

Intro and outro by David Gregory Byrne; special thanks to Amanda. For more information/to become a patron of the show, visit patreon.com/mastas.

SHOW NOTES

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