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The director Celine Song won over audiences and critics alike with her first feature film, “Past Lives,” the semi-autobiographical tale of a married Korean American woman meeting up with her former childhood sweetheart. Now Song is back with another story about love called “Materialists.” This time the main character is a matchmaker, a job that Song did briefly in her early 20s.
Today on the show, Song reads Louise Rafkin’s Modern Love essay “My View From the Margins,” about a relationship columnist who can’t figure out love in her own life. And Song tells us how neither falling in love at age 24 nor making a career of writing about love has brought her any closer to understanding it. “It’s the one thing that makes me feel like a fool,” Song says.
Here’s how to submit a Modern Love essay to The New York Times.
Here’s how to submit a Tiny Love Story.
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.
By The New York Times4.3
83698,369 ratings
The director Celine Song won over audiences and critics alike with her first feature film, “Past Lives,” the semi-autobiographical tale of a married Korean American woman meeting up with her former childhood sweetheart. Now Song is back with another story about love called “Materialists.” This time the main character is a matchmaker, a job that Song did briefly in her early 20s.
Today on the show, Song reads Louise Rafkin’s Modern Love essay “My View From the Margins,” about a relationship columnist who can’t figure out love in her own life. And Song tells us how neither falling in love at age 24 nor making a career of writing about love has brought her any closer to understanding it. “It’s the one thing that makes me feel like a fool,” Song says.
Here’s how to submit a Modern Love essay to The New York Times.
Here’s how to submit a Tiny Love Story.
Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

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