Rehumanizing People of the Past: Bioarchaeology, Medical Museums and Archives, and the Human Remains Trade (SUNY Press, 2026) argues that much of the technical

Kristin LaFollette is Associate Professor of English at the University of Southern Indiana. She is the author of Hematology, a full-length collection of poetry, and coeditor of Queer Approaches: Emotion, Expression, and Communication in the Classroom.

Victoria

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Susanna Elm and Kristina Sessa, War and Community in Late Antiquity (Cambridge UP, 2026)

Late Antiquity (ca. 250–600 CE) was a world at war: barbarian migrations, civil wars, raids, and increasingly porous frontiers affected millions of its inhabitants. While military and political historians have long grappled with this history, scholars of late antique society and culture rarely interrogate the consequences of near constant warfare on civilian populations, fighting forces, and the built environment. War and Community in Late Antiquity responds to this oversight by assembling archeologists, art historians, social historians, and scholars of religion to examine the impact of war on communities (households, cities, religious groups, elites and non-elites) and their reactions to ongoing stressors. Topics include the violence of everyday life as backdrop to that of war; the rhetoric of warfare and its significance for Christian authors; the effects of captivity and billeting on households; communal agency and the fortification of civilian spaces; and the challenges of articulating Christian imperial power in wartime.

New Books in Late Antiquity is presented by Ancient Jew Review

Susanna Elm She is the Sidney H. Ehrman Professor of European History at the Department of History at the University of California, Berkeley.

Kristina Sessa is Professor of History at The Ohio State University

Michael Motia teaches in Classics and Religious Studies at UMass Boston

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"Roman theatre" is a term often used to describe the theatre of ancient Italy during the second and third century BCE. Plautus and Terence are referred to as ‘Roman playwrights,’ and Rome itself is generally regarded as the driving force behind the development of theatrical culture in Italy. But was this early theatre in Italy specifically or characteristically Roman? Using previously marginalised archaeological source material and placing it in constructive dialogue with the surviving ancient literature, A New History of Ancient Roman Theatre (Liverpool UP, 2025) offers a significant reinterpretation of how theatre developed in the Italian peninsula, as well as a radical reappraisal of the role of Republican Rome as the impetus for cultural change. Challenging a long-held scholarly consensus, it is argued that whilst Rome would eventually rise to political and cultural dominance, the archaeological evidence does not encourage us to view Rome as a significant factor in the development of theatre in Italy until at least the end of the first century BCE and the construction of the Theatre of Pompey. Our attention is directed instead to other cities in the Italian peninsula during the third and second centuries BCE, which have hitherto been greatly overshadowed by imperialistic narratives of Roman cultural development.

Jessica Clarke is a historian and archaeologist specialising in ancient Roman theatre and entertainment culture. She was awarded her PhD by University College London in 2024.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here

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The story of ancient Rome is predominantly one of great men with great fortunes. Surviving Rome: The Economic Lives of the Ninety Percent (Princeton UP, 2025) unearths another history, one of ordinary Romans, who worked with their hands and survived through a combination of grit and grinding labor.

 Focusing on the working majority, Kim Bowes tells the stories of people like the tenant farmer Epimachus, Faustilla the moneylender, and the pimp Philokles. She reveals how the economic changes of the period created a set of bitter challenges and opportunistic hustles for everyone from farmers and craftspeople to day laborers and slaves. She finds working people producing a consumer revolution, making and buying all manner of goods from fine pottery to children’s toys. Many of the poorest working people probably pieced together a living from multiple sources of income, including wages. And she suggests that Romans’ most daunting challenge was the struggle to save. Like many modern people, saving enough to buy land or start a business was a slow, precarious slog. Bowes shows how these economies of survival were shared by a wide swath of the populace, blurring the lines between genders, ages, and legal status.
Drawing on new archaeological and textual evidence, Surviving Rome presents a radical new perspective on the economy of ancient Rome while speaking to the challenges of today’s laborers and gig workers surviving in an unforgiving global world.

Kim Bowes is professor of archaeology and ancient history at the University of Pennsylvania. She is the author of Houses and Society in the Later Roman Empire and Private Worship, Public Values, and Religious Change in Late Antiquity.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here

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Rapa Nui, known to Western cultures as Easter Island for centuries, has long been a source of mystery. While the massive stone statues that populate the island’s landscape have loomed in the popular Western imagination since Europeans first set foot there in 1722, in recent years, the island has gained infamy as a cautionary tale of eco-destruction. The island’s history as it’s been written tells of Polynesians who carelessly farmed, plundered their natural resources, and battled each other, dooming their delicate ecosystem and becoming a warning to us all about the frailty of our natural world.

But what if that history is wrong?

In The Island at the Edge of the World: The Forgotten History of Easter Island (Bloomsbury, 2025), archeological writer and scholar Mike Pitts offers a direct challenge to the orthodoxy of Rapa Nui, bringing to light new research and documents that tell a dramatic and surprising story about what really led to the island’s downfall. Relying on the latest archaeological findings, he paints a vastly different portrait of what life was like on the island before the first Europeans arrived, investigating why a Polynesian people who succeeded for centuries throughout the South Pacific supposedly failed to thrive in Rapa Nui. Pitts also unearths the vital story of one of the first anthropologists to study Rapa Nui, an Oxford-trained iconoclast named Katherine Routledge, who was instrumental in collecting firsthand accounts from the Polynesians living on Rapa Nui in the late nineteenth and early twentieth centuries. But though Routledge’s impressive scholarship captured the oral traditions of what life had been like pre-1722, her work was widely dismissed because of her gender, her reliance on indigenous perspectives, and her conclusions which contradicted her historical peers.

A stunning work of revisionism, this book raises critical questions about who gets to write history and the stakes of ignoring that history’s true authors. Provocative and illuminating, The Island at the Edge of the World will change the way people think about Easter Island, its colonial legacy, and where the blame for its devastation truly lies.

Mike Pitts is a writer and broadcaster, archaeologist and former museum curator. His books include A Fairweather Eden: Excavations at Boxgrove, Hengeworld, Digging for Richard III, Digging up Britain, and How to Build Stonehenge. He has also written for almost all of the important British newspapers - the Guardian, Observer, Times, Sunday Times, Telegraph, New Scientist, BBC History Magazine, Spectator and other papers and magazines - and conduct original research and publish in peer-reviewed journals. He also edited British Archaeology magazine for 20 years and is a Fellow of the London Society of Antiquaries.

Sidney Michelini is a post-doctoral researcher working on Ecology, Climate, and Violence at the Peace Research Institute of Frankfurt (PRIF).

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In the heyday of Islamic art collecting around the turn of the twentieth century, thousands of premodern ceramic objects circulated on the international antiquities market. Invisible Hands: Fabrication, Forgery, and the Art of Islamic Ceramics (Princeton University Press, 2026) tells the story of how traditional craft skills of the Islamic world, often thought to have died out with the advent of industrialization, were redirected toward a thriving new market in the colonial era: the fabrication and fictionalizing of antiquities, especially ceramics.
In this stunning work of art history, Dr. Margaret Graves shakes the foundations of the discipline, challenging us to reconsider what is and is not art. She traces how sophisticated fabrications—as modern as they were believed to be medieval—moved within an international network of diggers, dealers, and collectors who took advantage of a largely unregulated marketplace to exchange and amass objects that were fabulous in every sense of the word. She looks at canonical artworks as well as many previously unpublished and rarely seen objects, shedding light on the astonishingly varied ways Islamic ceramics were altered and remade by highly skilled craftspeople to meet the demands of Western collectors. Shifting away from the moralizing stance of past studies on reconstructed Islamic ceramics, Dr. Graves shows how fabrication and forgery became a major site of participation in modern global capitalism and establishes an entirely new paradigm in the history of art.
Drawing on a substantive new body of provenance research, archaeology, economic history, and laboratory analysis, Invisible Hands centers previously marginalized objects, reframing the practices of fabrication and forgery as crucial forms of invention and artistic skill worthy of study and admiration.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Recentering Southeast Asia: Politics, Religion and Maritime Connections (Routledge, 2026) assesses the impact of European colonization in the late 19th and early 20th century in ‘restructuring’ the shared past of India and Southeast Asia. It provides case studies that transcend colonial constructs and adopt newer approaches to understanding the shared past. The authors explore these developments through the lens of political figures like Jawaharlal Nehru (1889–1964) and re-examine themes such as the Greater India Society (1926–1959) established in Calcutta, and the role of Buddhism in post-World War II connections, as the repatriation of the mortal remains of Japanese soldiers killed in Burma (Myanmar) acquired urgency.

Drawing on a diverse range of sources including archaeology, Buddhist texts, the afterlives of the Hindu temples, maritime networks, and inscriptions from Vietnam and central India, the book will be an essential read for scholars and researchers of history, Buddhism, archaeology, heritage studies, cultural studies, and political history as well as South and Southeast Asian history.

Guest: Himanshu Prabha Ray

Interviewer: Natali Pearson

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Located in the Papantla municipality of the Mexican state of Veracruz, El Tajín is a UNESCO World Heritage site but a lesser-known tourist destination and national symbol. The Indigenous Totonac residents of the region know well that the site’s relative absence from discussions of global archaeology and heritage belies a century of wide-ranging labor, extractive industries, and commodity exchange.
In the Shadow of El Tajín: The Political Economy of Archaeology in Modern Mexico (U Nebraska Press, 2025) tells the story of how a landscape of ancient mounds and ruins became an archaeological site, brings to light the network of actors who made it happen, and reveals the Indigenous histories silenced in the process. By drawing on the insights of Indigenous Totonac peoples who have lived and worked in El Tajín for more than a century, Sam Holley-Kline explores historical processes that made both the archaeological site and regional historical memory. In the Shadow of El Tajín decenters discussions of the state and tourism industry by focusing on the industries and workers who are integral to the functioning of the site but who have historically been overlooked by studies of the ancient past. Holley-Kline recovers local Indigenous histories in dialogue with broader trends in scholarship to demonstrate the rich recent past of El Tajín, a place better known for its ancient history.

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For as long as cats have coexisted with humans, they have been feared, revered and respected. They appear as dynamic hunters in Palaeolithic carvings and cave paintings; were venerated as gods in ancient Egypt; and still have the power to fascinate and frighten us, as the popularity of Joe Exotic, the self-styled Tiger King, shows.

How did we go from hunting, and being hunted by, cats to keeping them as pets in our homes? In Cat Tales: A History (Thames & Hudson, 2025), Dr. Jerry Moore presents a wide-ranging and captivating history, charting cats’ journey from the African plains of the Pleistocene through the first human settlements in the Near East and on to ships setting sail for the Americas. What emerges is a complex picture of mutual domestication: cats chose to live with us as much as we chose to live with them, and as our growing cities bring the world’s wild cats into closer contact with humans, we must learn new ways to live together.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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This important new work, Buddhist Landscapes: Art and Archaeology of the Khorat Plateau, 7th to 11th Centuries (NUS Press, 2023) by Stephen Murphy, build on extensive fieldwork and archaeological surveys to reveal the Khorat Plateau as having a distinctive Buddhist culture, including new forms of art and architecture, and a characteristic aesthetic. By combining archaeological and art historical analysis with an historical ecology approach, Murphy traces the outlines of Buddhism’s spread into the region, along its major river systems. In this episode, hosted by Natali Pearson, Murphy shows how he has read this history into and against the Khorat landscape, attending to the emergence of monumental architecture such as stūpa, and Buddha images carved into the rockfaces of hills and mountainsides, and the importance on the Khorat Plateau of the use of boundary markers, or sīmā.

This book provides a new picture of the region in the first and early second millennia, adding to our understanding of the development of Buddhism in Southeast Asia, and offering a new basis for other regionally-focused scholarship to thrive —from textual Buddhology to history to anthropology. As Murphy explains, this opens up new possibilities for understanding the early spread of Buddhism within different landscapes across Asia.

Dr Stephen A. Murphy specialises in the art and archaeology of early Buddhism and Hinduism in Thailand, Laos, Myanmar, Cambodia and Malaysia. He is the Pratapaditya Pal Senior Lecturer in Curating and Museology of Asian Art, and Chair of the Centre of South East Asian Studies, at SOAS University of London.

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