New Books in Communications

To be heard as complaining is not to be heard, writes Sara Ahmed. In No! The Art and Activism of Complaining, her sweeping exploration of complaint as a means of resistance, Sara Ahmed attunes her “feminist ear” to those who seek to challenge powerful institutions. She shows how complaints can unbury past complaints, getting them out of filing cabinets or from behind closed doors, allowing us to see institutions more clearly—how they work, and for whom they work.

Where complaints live, how complaints are made, who receives them, who buries them and where—Sara Ahmed’s accessible, attentive writing brings to life the lessons learned from people knocking at closed doors, teaching us how to collectively resist the glacial weight of institutional power. This book inspires all of us to persist, to say “No!” and to build new collectivities that break down brick walls together.

Guest: Sara Ahmed is an independent feminist scholar. She has published eleven books, including The Feminist Killjoy Handbook. She lives in Cambridgeshire, England.

Host: Dr. Christina Gessler is an academic writing coach and editor. She is the producer of the Academic Life podcast and newsletter. 

Playlist for listeners:

• How We Show Up
• Indigenous D.C.
• We Refuse:  A Forceful History of Black Resistance
• What Might Be
• Living Resistance
• Leading Toward Liberation
• Leading From The Margins
• Thanks To Life
• I Have Avenged America
• Black Boy Out Of Time
• Shoutin In The Fire
• The Names Of All the Flowers
• Hands Up, Don't Shoot
• That Librarian
• Book Banning

Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 300+ Academic Life episodes? Find them here. And thank you for listening!

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Designing Historical Games for Classrooms: A Practical Guide for Educators (Routledge, 2026) is a complete introductory guide for designing analog games and interactive choice‑based historical texts for history classes. It is designed to support educators who want to design games or who want to guide and assess student game‑making projects in history class.

The chapters in this book lead the educator designer through a range of topics, including the core features of historical games, the educational power of using historical games to study history, and the role of playing and designing analog games and choice‑based texts in the classroom. It also shows how to design historical analog games (such as boardgames, card games, roleplaying games, and choice-based historical text games designed with Twine) using the Historical Problem
Space Framework as a practical design guide to structure, teach, guide, manage, and assess student‑designed historical game projects, both analog games and choice‑based texts. This book provides sample plans, guidelines, and rubrics for fully implementing student‑designed historical game projects, and detailed examples throughout this text—from tabletop and choice‑based text games—provide practical help for teachers and students.

This applied guidebook will be essential reading for pre‑service and in‑service teachers of Social Studies and History Education. It is a guide for any educator who is looking to design historical games for classroom learning or have their students engage in the critical learning of historical game design.

Rudolf Thomas Inderst (*1978) enjoys video games since the early 1980s. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds three PhDs in game studies (LMU Munich, University of Passau & University of Vechta). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm HNU, Germany, holds the position as lead editor at the online journal TITEL kulturmagazin for the game section, and is editor of the weekly game research newsletter Game Studies Watchlist.

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In American history, few tragedies have been as consequential—and as enduringly misunderstood—as the Triangle Shirtwaist Factory fire of 1911. Long remembered as a turning point in the struggle for labor protections, Fire in the Heart of the City: The Triangle Shirtwaist Tragedy and the Origins of Modern Charity (NYU Press, 2026) shows how the fire also helped transform another cornerstone of modern American life: the rise of modern charity.

Set in early twentieth-century New York, the book tells the extraordinary story of what happened when a catastrophic fire in Greenwich Village threw Adolph Ochs, the ambitious new publisher of the New York Times, and Rose Schneiderman, a defiant young labor organizer, into a momentous struggle over who should organize the city’s response: a rising charity sector led by wealthy financiers and civic elites, or the reform-minded unions and activists of Lower Manhattan.

Drawing on newly released archival documents, interviews with the descendants of Times publisher Adolph Ochs and New York labor organizers, previously confidential reports, and long-overlooked private diaries and correspondence, David Conrad-Pérez offers a striking new account of the disaster and its aftermath. He shows how a handful of charities on the brink of irrelevance were suddenly recast as New York’s best answer to the social and economic conditions the fire laid bare—a watershed moment in the rise of modern charity and elite authority over social welfare in the United States.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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How AI is rewiring our social fabric—and how we can better shape our future.
 
The age of AI is not what you think. Rather than ushering in a fourth Industrial Revolution, AI has become a crucial social infrastructure of everyday life. It's embedded in the tools, platforms, and systems that organize our most intimate lives and our interactions with the most fundamental institutions of society, from government agencies to banks and schools. In these linkages are embedded assumptions about who we are, what we can do, and where we belong.
 
In Predicted: How AI Is Restructuring Social Life (U California Press, 2026), Mona Sloane offers a pragmatic framework for understanding these transformations around prediction, classification, and linearity, proposing that we think about AI as a social arrangement that we coproduce. Drawing on over a decade of empirical research and real-world examples, this book invites us to see AI for what it is: deeply social, deeply political, and open to change. Clear-eyed and provocative, Predicted is a call to reclaim deliberations about progress and innovation as a public good and to ensure that the futures we chart are the ones we choose—together.

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In our increasingly distrusting and polarized world, accusations of hypocrisy are everywhere. But our attempts to stamp out hypocrisy may backfire, creating what Michael Hallsworth calls The Hypocrisy Trap. In his book The Hypocrisy Trap: How Changing What We Criticize Can Improve Our Lives (MIT Press, 2026) Hallsworth shows how our relentless drive to expose inconsistency between words and deeds can actually breed more hypocrisy and cynicism that corrodes our institutions. Through engaging stories and original research, he argues that while some forms of hypocrisy destroy trust and create harm, others reflect the inevitable compromises of human nature and complex societies. This book offers practical solutions for increasing consistency, navigating accusations wisely, and changing how we judge others’ actions.

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It’s the Pop Culture Professors, and the New York Times has published its list of the best 100 television shows of the 21st Century. We react to this list, ponder what is underrated, overrated, and completely snubbed, and question the value of grand lists in an age of micro-cultures.

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Thomas Schatz returns us to an era when a newly enriched movie industry rediscovered its creative energy, and indie went mainstream without losing its edge.

Between 1989 and 2004, all the old studios either merged with other media giants or were swallowed up by even bigger diversified behemoths, leading to an infusion of money and fast-tracking the digital revolution. Yet even as CGI and piles of cash fueled a new breed of blockbusters—Batman and Titanic, Toy Story and The Lord of the Rings—an indie ethos permeated the industry. And at the crossroads of commodification and aesthetic vision, auteurs ranging from Steven Soderbergh and Quentin Tarantino to Sofia Coppola and Ang Lee became household names.

Power Surge: Conglomerate Hollywood and the Studio System's Last Hurrah with Thomas Schatz (U California Press, 2026) traces these trajectories, which increasingly clashed and commingled during the 1990s and early 2000s, resulting in nothing short of a new golden age—and perhaps the last gasp of the century-old studio system.

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Climate action is at an impasse. Its political opponents are stronger than ever, its advocates powerless. Almost every major government and corporation expresses their commitment to tackling climate change, yet decades of discussion, governance, and action have failed to stop carbon emissions advancing to record annual levels. How has so little been achieved for so long on such an urgent issue? In Climate Hegemony: Confronting the Politics of Environmental Impasse (LSE Press, 2026), Laurie Parsons shows how the architecture of environmental thinking has been locked into ineffective pathways. We don’t need to be coerced into inaction on climate, because our understanding is constrained by metaphors, rhetoric and assumptions so embedded we have long since ceased to see them. To confront this, Climate Hegemony brings us a human’s-eye view of the climate crisis, building up from lived experience to reveal the interests and politics that underpin the impasse. Drawing on almost two decades’ research at the frontline of global development in Cambodia, Parsons reveals the chasm between how climate change appears in a newspaper, or a policy bulletin, and how it appears to those immersed in the places it affects. From this perspective, the limitations of current environmental thinking become clear, but so too do a great many alternatives. In this powerfully argued work, Parsons set out how, if we were to rethink the perspective from which we understand climate change, we can build knowledge from and for marginalised communities, from the ground upwards, challenging the impasse and creating new pathways to address and adapt to the social impacts of climate breakdown.

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How was drama experienced in early modern China? It was not tied to a single medium such as the page or the stage, but operated in a media ecology—an environment in which it integrated other arts and media while being refashioned in a variety of arts and media. Playing with Plays: Drama and Early Modern Chinese Media Ecologies (Brill, 2025)
explores a wide range of cultural experimentation, collectively termed “playing with plays:” the theatricality embedded in commentary, the poetic and visual imagination arising from drama illustrations, the interactions between reading and singing arias, the imbrication of reading plays and practicing religion, and the ludic act of writing playful essays on drama. Through engaging these disparate phenomena with media studies, the book advances a new model for thinking about drama history, and shows the entwinement of plays and different forms of media in shaping perception, molding experience, and enabling new subject positions to emerge in early modern China.

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When the Taiwanese political drama Wave Makers appeared in April 2023, few anticipated its impact beyond the screen. Within weeks, survivors in politics, the media, academia and the arts began sharing experiences of sexual harassment and assault, giving momentum to Taiwan’s long-delayed #MeToo movement. 

XinLing Li’s new book, Wave Makers and the Rise of #MeToo in Taiwan: Media, Empathy, and Digital Testimony (Anthem Press, 2026), asks how a fictional series became a cultural catalyst. Li argues that the drama gave form to experiences that had remained unspoken, while social media allowed personal testimony to circulate without institutional permission. 

The book is part of the new short-book series, ‘Anthem Impact in Asian Media, Cinema and Communications’. 

In this podcast, Dr Ming-yeh T. Rawnsley talks with Dr Li about television, empathy, digital testimony, and the opportunities and inequalities within Taiwan's #MeToo movement. Themes include: 

• Why Taiwan’s #MeToo movement came late - the gap between progressive laws and the cultural conditions that still discourage survivors from speaking.
• The ‘perfect victim’ - how Wave Makers challenges the assumption that only women who conform to conventional ideas of femininity deserve belief and justice.
• The feminist snap - why the line ‘Let’s not just let it go this time’ gave viewers a language for recognising accumulated injustice.
• Empathy and narrative identity - how fictional characters help audiences interpret their own experiences and respond to others.
• Digital testimony and affective publics - how social media weakens traditional gatekeeping while introducing new risks and struggles for attention.
• Women’s solidarity - how the drama examines agency, family relationships and the historical expectation that women define themselves through men.
• The limits of visibility - why migrant domestic workers remain especially vulnerable and often unable to speak without risking their livelihoods or immigration status. 

One of the book’s most compelling arguments is that art can give structure to what Raymond Williams called ‘emergent feelings’: experiences without an accepted public language. Through recognisable characters and an accessible story, Wave Makers transformed a familiar instruction to remain silent – ‘just let it go’ – into a shared refusal.

 The podcast also considers how the hashtag changes testimony. Survivors can now address audiences directly, rather than relying entirely on journalists and other institutional gatekeepers. Yet visibility remains uneven. Stories involving celebrities and senior politicians attract attention more readily than those of migrant domestic workers, who may face dismissal, loss of visa status or deportation if they speak publicly. 

Li is cautious about treating Wave Makers as a formula for political change. No television programme can produce a movement on demand. Popular culture can nevertheless offer language and recognition when audiences are ready to respond. 

The story of Wave Makers is ultimately about the unpredictable movement between fiction and public life: a drama helped people recognise experiences they had been encouraged to dismiss, while digital platforms allowed the words ‘me too’ to become testimony, solidarity and action.

Dr Ming-yeh T. Rawnsley is a Research Associate at the Centre of Taiwan Studies, SOAS University of London, and a host for the New Books Network. She is also a co-editor (with Professor Gary Rawnsley) of the short-book series, ‘Anthem Impact in Asian Media, Cinema and Communications’. 

Dr Xinling Li is an independent scholar based in New York. He studied at Cambridge University. 

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