New Books in Language and Translation

Recent years have seen a striking resurgence of anti-imperial and anticolonial rhetoric on the international stage, from Global South to Global North and from the Left to the Right. Why do states deploy these forms of rhetoric in global politics? How do practitioners from the so-called non-Western world differ in their use and performance of rhetoric, and in what ways do they shape international order?

In Rhetorical Powers: How Rising States Shape International Order (Columbia UP, 2026) Sasikumar Sundaram provides a bold new theory of rhetoric as power politics, demonstrating how non-Western states challenge their silencing within the Western-led international order. He argues that, in the deeply hierarchical international system, states in the lower rungs resort to rhetorical performances in order to be heard. Through anti-imperial and anticolonial rhetorical statecraft, states such as India, Brazil, and China seek to expose and exploit the contradictions in the legitimating principles, norms, and rules of the international system—and, in so doing, pursue and exercise power. Today, as Russia, Europe, and even the United States engage in anti-imperial and anticolonial rhetoric, Sundaram shows why lessons from the non-Western world are crucial to recognizing the dynamics of power politics and global disorder. A bracing challenge to established theories of power in international relations, Rhetorical Powers underscores the need to address enduring forms of silencing within the international order. 

Hosted by Sachin Nikarge

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Engages with the life and ideas of the twelfth-century Shaiva mystic and philosopher-poet Allama Prabhu. 

In his last, profoundly innovative work Allama Prabhu and the Shaiva Imagination, D. R. Nagaraj (1954-1998) engages with the twelfth-century Shaiva mystic and philosopher-poet Allama Prabhu, whose enigmatic writings have perplexed many and thus resisted analysis. Nagaraj situates Allama in three intellectual contexts: the medieval philosophical world built around the worship of Shiva; the pan-Indian bhakti tradition; and, most broadly, Indian mystical thought. This framework enables a reconstruction of Allama through the poet's engagement with fellow poet-spiritualists (vachanakaras) such as Basava, as well as with the Kashmiri Shaiva philosopher Abhinavagupta and the founder of Hindu monasticism Gorakhnath. Nagaraj's close readings of Allama's vachanas offer a vision of Shaiva bhakti that seems to contradict the erotic and romantic expressive modes of Sringara rasa while tracing the limits of language for an understanding of the divine. Allama, Nagaraj suggests, is an epistemological iconoclast who expands the horizons of language and thought.

Through these explorations, Nagaraj decolonizes the standard modes of inquiry and critiques certain settled notions in Indian philosophy, revealing himself as a postcolonial scholar whose "hermeneutics of suspicion" leads to a novel understanding of Indian texts and traditions. Unifying literary criticism with critical theory, philosophical inquiry, and the history of ideas, the book's focus on a specific religious tradition--Virashaivism--is never singular, making it as much a work for scholars of Indian spiritualism and religious thought as for those interested in frameworks that transgress Eurocentricism. Translated into English by Kannada philosopher N. S. Gundur, this is a major contribution to studies of Indian philosophy and literature.

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How does an independent press survive by publishing the books the Big Five overlook? Amherst College professor and Spanglish scholar Ilan Stavans joins Sarah Russo to talk about Restless Books, the press he founded to champion immigrant writers, literature in translation, and the books that live between languages. Ilan shares the origin of Restless Books (including the investor who told him to take a finance course first), the creation of the Kellman Prize for Immigrant Literature, and why he considers Spanglish one of the great creative forces in American English. Ilan and Sarah dig into the practical side of publishing in translation: finding the right translator, editing hybrid-language manuscripts, and navigating the politics around a single project. Ilan also offers advice for immigrant and early-career writers, and makes the case that small presses are doing some of the most important work in publishing today.

For more information on Ilan and Restless Books, please visit the website.

Books mentioned in this episode[1] :

“People Who Live Alone Talk Too Much,” by Sofi Stambo
 

“A Nation Wrestles with God: American Prophets, Philosophers, and Firebrands,” edited by Ilan Stavans
 

“The People’s Tongue,” edited by Ilan Stavans
 

“Cecil the Lion Had to Die,” by Olena Stiazhkina, translated by Dominique Hoffmann
 

“Daniel and Ismail,” by Juan Pablo Iglesias and illustrated by Alex Peris
 

“Fictional Translations,” by Ilan Stavans
 

Also mentioned: Don Quixote, Frankenstein, and The Odyssey

Key Moments

2:02 - How a Midlife Crisis Turned Into a Publishing House 📚
Ilan's candid story of the investor who told him to take a finance course before he'd give him a dime.

5:31 - The $10,000 Bet That Became an 11-Year Literary Prize 🏆
How the Kellman Prize for Immigrant Literature grew from a scrappy idea into a career-launching institution.

8:16 - Editing a 100-Voice Anthology on Faith in America ✝️
The Lilly Endowment project that brought Obama, Du Bois, Sontag, Ginsberg, Dickenson, Rushdie, and many others into one book.

11:15 - Why Spanglish Isn't a "Broken" Language 🗣️
Ilan on the creative, mestizo identity behind Spanglish, and why he believes there's no single version of it.

19:52 - The Trilingual Children's Book That Took 3 Years to Publish 🌍
Finding an Arabic and a Hebrew translator willing to share a byline was "sheer torture."

24:09 - His Best Advice for Immigrant and First-Time Writers ✍️
Why Ilan refuses to call anyone's English "broken," and what he tells writers drowning in drafts.

[1]not sure if you want to mention the classics he cites at the end: Don Quixote, Frankenstein, and The Odyssey (we sort of have a lot here already)

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Featuring personal essay, manifesto, creative nonfiction, and poetry, Tsunami: Women’s Voices From Mexico (Feminist Press, 2025) gathers the multiplicity of voices being raised in Mexico today against patriarchy and its buried structures. Tackling gender violence, community building, #MeToo, Indigenous rights, and more, these writings rock the core of what we know feminism to be, dismantling its Eurocentric roots and directing its critical thrust towards current affairs in Mexico today.

Asserting plurality as a political priority, Tsunami includes trans voices, Indigenous voices, Afro-Latinx voices, voices from within and outside academic institutions, and voices spanning generations. Tsunami is the combined force and critique of the three feminist waves, the marea verde (“green wave”) of protests that have swept through Latin America in recent years, and the tides turned by insurgent feminisms at the margins of public discourse.

Guest: Gabriela Jauregui’s books include Feral, Many Fiestas, and La memoria de las cosas. She edited and coauthored Tsunami and Tsunami 2, published in Spanish in 2018 and 2021 respectively. She is a Soros New American Fellow, a Borchard Fellow, and was part of the Hay Festival's Bogotá 39 best young authors in Latin America. She holds a PhD in comparative literature from USC and teaches at the National Autonomous University in Mexico (UNAM).

Guest: Heather Cleary is an award-winning translator whose work has been recognized by English PEN, the National Book Foundation, the Best Translated Book Award, and the Mellon Foundation. A member of the Cedilla & Co. translation collective, she was a founding editor of the digital, multilingual Buenos Aires Review. She holds a PhD in Latin American and Iberian cultures from Columbia University, and teaches at Sarah Lawrence College.

Host: Dr. Christina Gessler is a developmental editor and writing coach for scholars in the humanities. She is the producer of the Academic Life podcast, and the show’s newsletter.

Playlist:

• Thanks to Life
• The Madres de la Plaza de Mayo
• The Things We Didn't Know
• In The Garden Behind The Moon
• The Common
• The Translators Daughter
• We Take Our Cities With Us
• A Calm and Normal Heart
• The Names of All the Flowers

Welcome to Academic Life, the podcast for your academic journey—and beyond! Please join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 325+ Academic Life episodes? Find them here. And thank you for listening!

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In this episode of the Language on the Move Podcast, Brynn Quick chats with Professor Dr. Natalia Filatkina, Dr. Kerstin Roth and Research Associate Miriam Hinterholzer. All three work at the University of Hamburg in Germany on a long-term research project, called FSL Digital, that investigates language history, language attitudes and everyday communication in the context of multilingualism in early modern Europe.

As part of this project, today’s guests annotate and analyse multilingual foreign language textbooks from the 15th to 17th centuries.

Today’s guests discuss these textbooks, the research project, and what historical foreign language manuals can tell us about language attitudes and expectations of foreign language learning.

For additional resources, show notes, and transcripts, go here.

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What does it mean for a modernist novel to fail?

Modernism famously celebrates rupture, difficulty, and deviance from literary norms—but that very embrace of formal experimentation creates a paradox: how can we tell the difference between daring innovation and genuinely bad writing? Bad Writing in the Modernist Novel (JHU Press, 2026) takes up this long-overlooked question and argues that modernist aesthetics have made artistic failure uniquely difficult to recognize, both in fiction and in literary criticism itself.

Through incisive close readings of D. H. Lawrence, William Faulkner, Mina Loy, and James Joyce, Nathan Wainstein shows how moments that appear to be mistakes—awkward repetitions, temporal glitches, excessive prose, or stylistic lapses—often hover ambiguously between error and experiment. These moments, he argues, have become privileged objects of interpretation for critics trained to find meaning precisely where form seems to break down. Wainstein situates these textual breakdowns within debates about intentionality, authorial control, and critical authority, showing how modernist fiction unsettles long-standing assumptions about craft and competence. In doing so, the book clarifies why modernist novels continue to generate intense critical attention—and why questions of value and judgment remain so difficult to resolve.

At once a work of modernist literary criticism and a searching reflection on the practice of close reading, Bad Writing in the Modernist Novel rethinks how aesthetic judgment operates in a field shaped by modernism's legacy. By confronting the possibility of genuine failure head-on, Wainstein offers a fresh account of the novelistic form and the pleasures and limits of interpretation.

Nathan Wainstein is an assistant professor of English at the University of Utah. He is the author of Grant Us Eyes: The Art of Paradox in Bloodborne.  He is also the cohost of the podcast Authors Die Twice. 

Daniel Moran’s writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, available here on the New Books Network and wherever podcasts are found.

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With senses that often seem alien to us, bees navigate complex decisions about where to find food, when to fight or flee, and how to work together. The Language of Bees (Princeton University Press, 2026) invites readers into the hidden world of bee communication, a realm where creatures less than an inch long use scent, vibration, movement, and sound to cooperate, share information, and survive.

Drawing on decades of groundbreaking fieldwork, Dr. James Nieh sheds light on the remarkable signals that bees use and the evolutionary forces that shape them. Focusing on social species like bumble bees, honey bees, and stingless bees, he explores how colonies rely on these signals to organize all aspects of their lives, from foraging and warfare to espionage and defense. From the famous waggle dance of honey bees to the secretive trails and potentially coded sounds of stingless bees, he shows how their intricate communication systems reflect a delicate balance between cooperation and conflict and how a changing world disrupts these finely tuned systems. Along the way, Dr. Nieh shares key breakthroughs in animal behavior and offers new insights from his own research on how bees signal, eavesdrop, and adapt. Readers will learn how bees waggle dance better if they have teachers and an engaged audience, how predators and competition help shape bee language, and other astonishing findings.

The Language of Bees is also a story about how failure and unexpected turns lead to discoveries. Blending personal insights with cutting-edge science, this illuminating and informative book reveals how the study of bees continues to deepen our understanding of intelligence, resilience, and the diverse ways that life communicates. 

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Not Everything Unfolds as Anticipated: Selections from Yi Kyubo’s Tongguk Yi Sangguk Chip (University of Hawaii Press, 2026) comprises translations of poems, tales, letters, epitaphs, and funeral orations by Yi Kyubo (1168–1241), the foremost writer and poet of the Koryŏ dynasty (918–1392). Dr. Breuker’s translation and introduction humanize this celebrated poet, whom he reveals as not only a great writer, but a doggedly ambitious man with a reputation for drinking, a son weighed down by his family’s expectations of greatness, and a father who grieved for his dead son. Not Everything Unfolds as Anticipated” is an excellent book for anyone who wants to better understand the famed writer and the political, social, and literary context of the Koryŏ dynasty.

Remco Breuker is a Professor of Korean Studies at Leiden University. His research spans medieval and modern Korea and Northeast Asia, with a particular focus on historiography, identity formation, borders, state formation, and the uses of history in contemporary politics.

He has translated Korean literature into Dutch, and in 2025 he both contributed to and co-edited an English translation of the Samguk Yusa, an important Korean historical text.

Buy Not Everything Unfolds as Anticipated: here

Dr. Breuker’s LinkedIn: here

Dr. Breuker’s Bluesky: here

About the host: Leslie Hickman is an Anthropology graduate student at Emory University. She

has an MA in Korean Studies and a KO-EN translation certificate from the Literature Translation

Institute of Korea. You can contact her at [email protected]

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In this episode of the Language on the Move Podcast, Brynn Quick chats with Dr. Nicole Marinaro, a sociolinguist and postdoctoral researcher at the University of Hamburg. Her work explores how language policies shape people's experiences of accessing healthcare and other public services. Dr. Marinaro’s research focuses on linguistic justice, examining how communication barriers affect patients who speak a language other than the majority language and how these barriers can lead to unequal access to care. Today she and Brynn discuss her 2025 paper "Operationalising linguistic unease for the evaluation of language policies in healthcare".

In this paper, Dr. Marinaro expands on the concept of "linguistic unease" as a practical framework for evaluating whether healthcare language policies truly meet patients' communication needs. Through her research, Dr. Marinaro aims to help policymakers and healthcare organizations create more inclusive systems that ensure everyone can communicate confidently and receive equitable care.

References

For additional resources, show notes, and transcripts, go here.

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In this episode of the Language on the Move Podcast, Ingrid Piller speaks with Yaron Matras about his new book Speech and the City.

In this timely book, Yaron shows that cities can provide an important counter-weight to political polarization by forging civic identities that embrace diversity. The book traces the emergence of a city language narrative that embraces and celebrates multilingualism and helps forge a civic identity. He critiques linguaphobic discourses at a national level that regard multilingualism as deficient citizenship. Drawing on his research in Manchester, he examines the 'multilingual utopia', looking at multilingual spaces across sectors in the city that support access, heritage, skills and celebration. The book explores the tensions between decolonial approaches that inspire activism for social justice and equality, and the neoliberal enterprise that appropriates diversity for reputational and profitability purposes, prompting critical reflection on calls for civic university engagement.

Beyond telling the story of the Multilingual Manchester project, the book also offers an intriguing glimpse into the author’s distinguished career as a linguist, scholar, and activist.

Reference

Matras, Y. (2024). Speech and the City: Multilingualism, Decoloniality and the Civic University. Cambridge University Press.

For additional resources, show notes, and transcripts, go here.

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