Growing up in a remote corner of the world’s largest rainforest, Pio, Maria, and Oita learned to hunt wild pigs and tapirs, and gathered Brazil nuts and açaí berries from centuries-old trees. The first highway pierced through in 1960. Ranchers, loggers, and prospectors invaded, and the kids lost their families to terrible new weapons and diseases. Pushed by the government to assimilate, they struggled to figure out their new, capitalist reality, discovering its wonders—cars, refrigerators, TV sets, phones—as well as a way to acquire them: by selling the natural riches of their own forest home. They had to partner with the white men who’d hunted them, but their wealth grew legendary, the envy of the nation—until decades of suppressed trauma erupted into a massacre, bloody retribution that made headlines across the globe.

Based on six years of immersive reporting and research, When We Sold God's Eye: Diamonds, Murder, and a Clash of Worlds in the Amazon (Grand Central Publishing, 2024) tells a unique kind of adventure story, one that begins with a river journey by Theodore Roosevelt and ends with smugglers from New York City’s Diamond District. It’s a story of survival against all odds; of the temptations of wealth and the dream of prosperity; of an ecosystem threatened by our hunger for resources; of genocide and revenge. It’s a tragedy as old as the first European encounters with Indigenous people, playing out in the present day. But most of all, it’s the moving saga of a few audacious individuals—Pio, Maria, Oita, and their friends—and their attempts to adapt and even thrive in the most unlikely circumstances.

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In Unsustainable Empire: Alternative Histories of Hawai‘i Statehood (Duke University Press, 2018), Dean Itsuji Saranillio offers a bold challenge to conventional understandings of Hawai‘i’s admission as a U.S. state. Hawai‘i statehood is popularly remembered as a civil rights victory against racist claims that Hawai‘i was undeserving of statehood because it was a largely non-white territory. Yet Native Hawaiian opposition to statehood has been all but forgotten. Saranillio tracks these disparate stories by marshaling a variety of unexpected genres and archives: exhibits at world's fairs, political cartoons, propaganda films, a multimillion-dollar hoax on Hawai‘i’s tourism industry, water struggles, and stories of hauntings, among others. Saranillio shows that statehood was neither the expansion of U.S. democracy nor a strong nation swallowing a weak and feeble island nation, but the result of a U.S. nation whose economy was unsustainable without enacting a more aggressive policy of imperialism. With clarity and persuasive force about historically and ethically complex issues, Unsustainable Empire provides a more complicated understanding of Hawai‘i’s admission as the fiftieth state and why Native Hawaiian place-based alternatives to U.S. empire are urgently needed.

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In this deeply personal account, University of Oklahoma associate professor of Native American Studies Dr. Farina King describes the history and present of Diné dóó Gáamalii, Navajo people who, in her words, "walk a Latter-day Saints pathway." The book, Diné dóó Gáamalii: Navajo Latter-day Saint Experiences in the Twentieth Century (UP of Kansas, 2023), uses her family's history of life in the LDS church to explore the complicated and very human relationships Diné people have with so-called Mormonism. Refusing to be defined by easy stereotypes, King's account shows people coming to the church and remaining in the church for deeply personal and deeply felt reasons, often in the face of prejudice both from within and without wider Indigenous communities. Diné dóó Gáamalii is the story of complex religious life in the American West, and a history of acceptance being found sometimes where it might be least expected.

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For much of her life, Angelique Renville had decisions made for her. Where to live, who to live with, where to attend school, what to do with her land. That changed in 1863 when she made a plan and successfully hatched her plan to escape, living the end of her life on her own terms. This is the story Dr. Linda Clemmons tells in Unrepentant Dakota Woman: Angelique Renville & the Struggle for Indigenous Identity, 1845-1876 (South Dakota State Historical Society Press, 2023). 

Hers is a story, yes, of defeat and loss, but also so much more than that. Of a young woman carving her own path through a world in flux, and finding space to make choices even when those choices are limited. And it's a story with afterlives, as the web of connections created by Renville during her life continued even after her untimely death in 1876. As a work of biography, Unrepentant Dakota Woman does not pretend to speak for all Dakota women, or even all 19th century Dakota women born into fur trade families, but does show how one life can both embody the historical forces that shape our stories, and how our choices can overcome even the strongest headwinds.

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A wolf’s howl is felt in the body. Frightening and compelling, incomprehensible or entirely knowable, it is a sound that may be heard as threat or invitation but leaves no listener unaffected.

Toothsome fiends, interfering pests, or creatures wild and free, wolves have been at the heart of Canada’s national story since long before Confederation. Villain, Vermin, Icon, Kin: Wolves and the Making of Canada (McGill-Queen's University Press, 2022) by Dr. Stephanie Rutherford contends that the role in which wolves have been cast - monster or hero - has changed dramatically through time. Exploring the social history of wolves in Canada, Dr. Rutherford weaves an innovative tapestry from the varied threads of historical and contemporary texts, ideas, and practices in human-wolf relations, from provincial bounties to Farley Mowat’s iconic Never Cry Wolf. These examples reveal that Canada was made, in part, through relationships with nonhuman animals.

Wolves have always captured the human imagination. In sketching out the connections people have had with wolves at different times, Villain, Vermin, Icon, Kin offers a model for more ethical ways of interacting with animals in the face of a global biodiversity crisis.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Shortly after the ratification of the US Constitution in 1789, twenty-two-year-old Andrew Jackson pledged his allegiance to the king of Spain. Prior to the Louisiana Purchase, imperial control of the North American continent remained an open question. Spain controlled the Mississippi River, closing it to American trade in 1784, and western men on the make like Jackson had to navigate the overlapping economic and political forces at work with ruthless pragmatism.

In Empire of Commerce: The Closing of the Mississippi and the Opening of Atlantic Trade (University of Virginia Press, 2024), Dr. Susan Gaunt Stearns takes readers back to a time when there was nothing inevitable about the United States’ untrammeled westward expansion. Her work demonstrates the centrality of trade on and along the Mississippi River to the complex development of the political and economic structures that shaped the nascent American republic. Dr. Stearns’s perspective-shifting book reconfigures our understanding of key postrevolutionary moments—the writing of the Constitution, the outbreak of the Whiskey Rebellion, and the Louisiana Purchase—and demonstrates how the transatlantic cotton trade finally set the stage for transforming an imagined west into something real.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Armand Garnet Ruffo's staggeringly powerful poetry collection, The Dialogues: The Song of Francis Pegahmagabow, was published in spring 2024 by Wolsak & Wynn. This collection of poems and lyric essays brings to life not only the story of the famed WWI Indigenous sniper, but also the complexities of telling Indigenous stories.

From Wasauksing (Parry Island) to the trenches of WWI to the stage, Ruffo moves seamlessly through time in these poems, taking the reader on a captivating journey through Pegahmagabow’s story and onto the creation of Sounding Thunder, the opera based on his life. Throughout, Ruffo uses the Ojibwe concept of two-eyed seeing, which combines the strengths of western and Indigenous ways of knowing, and invites the reader to do the same, particularly through the inclusion of the Anishinaabemowin language within the collection.

These are poems that challenge western conventions of thinking, that celebrate hope and that show us a new way to see the world. The collection also just won the Betsy Garland Award for hybrid genre books.

Armand Garnet Ruffo is an Anishinaabe writer from Treaty #9 territory in northern Ontario. A recipient of an Honourary Life Membership Award from the League of Canadian Poets and the Latner Griffin Writers’ Trust Poetry Prize, he is recognized as a major contributor to both Indigenous literature and Indigenous literary scholarship in Canada. His publications Norval Morrisseau: Man Changing into Thunderbird (2014) and Treaty # (2019) were finalists for Govenor General’s Literary Awards. He teaches at Queen’s University in Kingston, Ontario.

Hollay Ghadery is a multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, is scheduled for release with Gordon Hill Press in fall 2024. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com.

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California has more unrecognized Native tribes than any other state - what led to this strange state of affairs, and what does this mean in practice? 

In Unrecognized in California: Federal Acknowledgment and the San Luis Rey Band of Mission Indians (U Washington Press, 2024), San Diego State associate professor Olivia Chilcote answers these questions through the history and experience of her own tribe. Despite the inherent tribal sovereignty of the San Luis Rey Band, and indeed, of all Native tribes and nations, the long and difficult past of colonialism in California - from the Spanish, to the Mexican, to the American empires - has provided an array of obstacles to the acquisition of land and tribal recognition for the San Luis Rey Band and others. This unrecognized status has kept them from accessing several programs and protections, including NAGPRA. Yet, despite these headwinds, the San Luis Rey Band and other unrecognized California tribes nonetheless practice sovereignty in other ways, and in doing so continue to fight toward future recognition. In this very personal history, Chilcote explains how the government-to-government relationship between the United States and tribal nations creates both challenges and opportunities for Native people in the twenty first century.

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In 1708, the governor of South Carolina responded to a request from London to provide a detailed account of the colony's population. Among the groups included in this report was an often-overlooked segment—Native Americans, who comprised roughly a quarter of the colony’s enslaved population. However, not long after, references to enslaved Native people largely disappeared from the historical record.

In Enslaved Native Americans and the Making of Colonial South Carolina (Johns Hopkins University Press, 2024), D. Andrew Johnson argues that Native Americans played a pivotal role in shaping South Carolina's economy and culture. Through extensive research, including a database of over 15,000 references to enslaved individuals, Dr. Johnson employs an interdisciplinary approach to expand the historical narrative and center the experiences of enslaved Native people. In addition to his archival work, he uses spatial analysis and archaeological evidence to explore Native slavery within the context of plantation life.

While much of their impact was erased from mainstream history, the contributions of enslaved Native people were evident in the agricultural technologies they introduced, their influence on Creole culture, and the wealth and power amassed by early colonists as a result of their labor.

D. Andrew Johnson is a historian of early-modern America and the Atlantic. He is the coeditor of Atlantic Environments and the American South.

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An Unholy Rebellion, Killing the Gods: Political Ideology and Insurrection in the Mayan Popul Vuh and the Andean Huarochiri Manuscript (University of Nebraska Press, 2024) is the first comprehensive comparison of two of the greatest epics of the Indigenous peoples of Latin America: the Popul Vuh of the Quiché Maya of Guatemala and the Huarochiri Manuscript of Peru's lower Andean regions. The rebellious tone of both epics illuminates a heretofore overlooked aspect in Latin American Indigenous colonial writing: the sense of political injustice and spiritual sedition directed equally at European-imposed religious practice and at aspects of Indigenous belief. The link between spirituality and political upheaval in Native colonial writing has not been sufficiently explored until this work.

Sharonah Esther Fredrick applies a multidisciplinary approach that utilizes history, literature, archaeology, and anthropology in equal measure to situate the Mayan and Andean narratives within the paradigms of their developing civilizations. An Unholy Rebellion, Killing the Gods decolonizes readers' perspective by setting Mayan and Andean authorship center stage and illustrates the schisms and shifts in Native civilizations and literatures of Latin America in a way that other literary studies, which relegate Native literature as a prelude to Spanish-language literature, have not yet done. By demonstrating the power of Native American philosophy within the context of the conquest of Latin America, Fredrick illuminates the profound spiritual dissension and radically conflicting ideologies of the Mesoamerican and Andean worlds before and after the Spanish Conquest.

Books mentioned:

Sharonah Esther Fredrick teaches in the College of Charleston's Department of Hispanic Studies. She is the Colonial Americas editor for Routledge Resources Online--The Renaissance World.

Caleb Zakarin is editor of the New Books Network.

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