New Books in Performing Arts

In Who Cares Anyway: Post-Punk San Francisco and the End of the Analog Age (Headpress, 2023), Will York draws on over 100 interviews with musicians, artists, and scene participants as well as zines and other ephemera from the time period to chronicle post-punk San Francisco. York starts with the Punk Era and moves through Post Punk, Hard Core, the Eighties and into the Nineties, to explore the golden age of analog DIY culture, from the dark cabaret of Tuxedomoon and Factrix, the apocalyptic sounds of Minimal Man and Flipper, the conceptual humor of Gregg Turkington's Amarillo Records; through to the subversive pop music of Faith No More, the left-field experimentalism of Caroliner, Mr. Bungle, and Thinking Fellers Union Local 282, and much more. It's a tale full of existential drama, tragic anti-heroes, dark humor, spectacular failures--and even a few improbable successes. In addition, York has a companion podcast to delve further into the scene and the interviews.

Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.

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As You Like It is one of Shakespeare’s most beloved romantic comedies. It is also his most daring exploration of sex, gender, and identity. In the Forest of Arden, Rosalind flips the script of romantic convention and pursues the man she loves — while she is disguised as a man. In this course, you’ll learn the story of As You Like It, unpack the complex games it plays with gender and performance, and hear the play’s key speeches performed and analyzed by world-class Shakespearean actors and literary scholars. In Part 3, Dr. Will Tosh offers close-readings of some of the play’s most significant scenes. You’ll discover how a seemingly “wise” speech can actually be foolish and why Rosalind’s apparently foolish games contain a lot of wisdom, and see how the play opens up the question of who “Rosalind” actually is.

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As You Like It is one of Shakespeare’s most beloved romantic comedies. It is also his most daring exploration of sex, gender, and identity. In the Forest of Arden, Rosalind flips the script of romantic convention and pursues the man she loves — while she is disguised as a man. In this course, you’ll learn the story of As You Like It, unpack the complex games it plays with gender and performance, and hear the play’s key speeches performed and analyzed by world-class Shakespearean actors and literary scholars. In Part 3, Dr. Will Tosh offers close-readings of some of the play’s most significant scenes. You’ll discover how a seemingly “wise” speech can actually be foolish and why Rosalind’s apparently foolish games contain a lot of wisdom, and see how the play opens up the question of who “Rosalind” actually is.

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Rachel Gillett's At Home in Our Sounds: Music, Race, and Cultural Politics in Interwar Paris (Oxford University Press, 2021) explores the world of the French "Jazz Age" in the years after the First World War. Tracing the common ground and differences between communities of African American, French Antillean, and French West African artists who lived, performed, and interacted with one another in the French capital during the 1920s and 30s, the book asks questions about Blackness, Frenchness, colonialism, racism, identity, and solidarity through a focus on the experiences of a diversity of historical actors and sources. Connecting the rich and complex world of entertainment to social and political change and resistance, the book draws attention to class and gender as well as race to think through issues of nationalism, transnational movement and exchange, and anti-colonialism. Its chapters work with a range of materials including police records, recordings, biography and autobiography, and a wealth of images of/from the diverse Parisian cultural life the era. 

Pushing beyond the well-established history of white responses to Black musical forms (Jazz and the Biguine) during this period, the book emphasizes the perspective of Black observers, including the famous Nardal sisters of Martinique, who commented on the varied cultural and political effects of artists and performances. The book will be a fascinating read for anyone interested in the history of music, race, and exchanges across the Atlantic, including different points within the French empire during this period. And the legacies of this moment continue to resonate in France and beyond a century later.

Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and empire. She is the founding host of New Books in French Studies, a channel launched in 2013.

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In A Time of One's Own: Histories of Feminism in Contemporary Art (Duke UP, 2022) Catherine Grant examines how contemporary feminist artists are turning to broad histories of feminism ranging from political organizing and artworks from the 1970s to queer art and activism in the 1990s. Exploring artworks from 2002 to 2017 by artists including Sharon Hayes, Mary Kelly, Allyson Mitchell, Deirdre Logue, Lubaina Himid, Pauline Boudry, and Renate Lorenz, Grant maps a revival of feminism that takes up the creative and political implications of forging feminist communities across time and space. Grant characterizes these artists’ engagement with feminism as a fannish, autodidactic, and collective form of learning from history. This fandom of feminism allows artists to build relationships with previous feminist ideas, artworks, and communities that reject a generational model and embrace aspects of feminism that might be seen as embarrassing, queer, or anachronistic. Accounting for the growing interest in feminist art, politics, and ideas across generations, Grant demonstrates that for many contemporary feminist artists, the present moment can only be understood through an embodied engagement with history in which feminist pasts are reinhabited and reimagined.

Holiday Powers (@holidaypowers) is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies.

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In this episode, our host Sim Gill discusses the book Dislike-Minded: Media, Audiences, and the Dynamics of Taste (2021) by Jonathan Gray.

You’ll hear about:

About the book

Dislike-Minded draws from over two-hundred qualitative interviews to probe what the media’s failures, wounds, and sore spots tell us about media culture, taste, identity, representation, meaning, textuality, audiences, and citizenship. The book refuses the simplicity of Pierre Bourdieu’s famous dictum that dislike is (only) snobbery. Instead, Jonathan Gray pushes onward to uncover other explanations for what it ultimately means to dislike specific artifacts of television, film, and other media, and why this dislike matters. You can find the book here by NYU Press.

Author: Jonathan Gray is Professor of Media and Cultural Studies in the Department of Communication Arts at the University of Wisconsin-Madison. His work examines how media entertainment and its audiences interact, and examines how and where value and meaning are created. He is now Chief Editor of The International Journal of Cultural Studies, co-editor, with Aswin Punathambekar and Adrienne Shaw, of NYU Press’ Critical Cultural Communication book series, and I was recently nominated as an International Communication Association Fellow.

Host: Sim Gill is a doctoral student at the Annenberg School for Communication at the University of Pennsylvania. Her research interests concern the social and subjective effects of discourse and institutional politics as well as the interrelationships between discourse, epistemology, and subjectivity. Her master's thesis evaluated the meaning-making behind the term BAME (Black, Asian and Minority Ethnic), commonly used to describe minority ethnic communities in Britain.

Editor & Producer: Jing Wang

Keywords: Dislike, audience studies, media cultures, identity, representation, citizenship

Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues.

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An explosive inside look at The Dirty Dozen, the star-studded war film that broke the rules, shocked the critics, thrilled audiences, and became an all-time classic.

The year was 1967. A cinematic blockbuster exploded across American popular culture. The Dirty Dozen didn’t just reinvent the “men on a mission” war story, it blew the genre to pieces. Like its ragtag team of misfits, it defied authority, mocked the military, and still managed to deliver action, adventure, and no-holds-barred Nazi-killing. It also received four Oscar nominations, launched the careers of many Hollywood legends, and inspired generations of filmmakers like Sam Peckinpah, Quentin Tarantino, and James Gunn.

Based on exclusive interviews with the surviving cast and crew, friends and families of the stars, and other Hollywood insiders, Killin' Generals: The Making of The Dirty Dozen, the Most Iconic WW II Movie of All Time (Citadel Press, 2023) is a riveting must-read for film buffs, military fans, and anyone who loves a down-and-dirty adventure tale. Detailed, insightful, and gossipy, Epstein’s homage spotlights the movie’s endless barrage of cinematic gold.

During a time when America was reeling from turmoil, Hollywood held an indelible mirror up to a changing society. Films like Bonnie and Clyde, The Graduate, Cool Hand Luke, and In the Heat of the Night would define the era. But it was a gritty, violent, darkly comic World War II movie called The Dirty Dozen that would really strike a chord with audiences—and become the year’s biggest box office success. Heading up the all-star cast were Lee Marvin, Ernest Borgnine, John Cassavettes, Charles Bronson, Donald Sutherland, Jim Brown, Robert Ryan, Clint Walker, and at his most terrifying best, Telly Savalas, propelling many of them to stardom.

Dwayne Epstein is the author of several young adult biographies, covering such celebrity personalities as Adam Sandler, Will Ferrell, Hilary Swank, Nancy Pelosi, Hillary Clinton, and Denzel Washington for Lucent Books' People in the News series. Epstein also contributed to Bill Krohn's bestselling books Hitchcock at Work and Joe Dante and the Gremlins of Hollywood. His biography Lee Marvin: Point Blank was a New York Times bestseller.

Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm.

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As You Like It is one of Shakespeare’s most beloved romantic comedies. It is also his most daring exploration of sex, gender, and identity. In the Forest of Arden, Rosalind flips the script of romantic convention and pursues the man she loves — while she is disguised as a man. In this course, you’ll learn the story of As You Like It, unpack the complex games it plays with gender and performance, and hear the play’s key speeches performed and analyzed by world-class Shakespearean actors and literary scholars. Part 2 addresses the play's central questions by examining its structure, literary context, and main characters. With Dr. Will Tosh, you’ll discover how Shakespeare blended different literary traditions to create the exploratory space of Arden, to investigate questions of identity, gender, and same-sex desire, and to afford his characters new kinds of freedom. You’ll explore the play’s performance history and the questions it has always raised around gender roles, and learn why Rosalind carries out her courtship in her male disguise. 

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A trailblazing figure in film and popular culture, Netherlands native Sylvia Kristel became one of the biggest stars in the world as Emmanuelle in 1974. Alongside her most famous role, directed by Just Jaeckin, a little-known fact is that Sylvia Kristel also appeared in over 20 films between 1973 and 1981 featuring exceptional work with some of the greatest directors in film history including Walerian Borowczyk, Alain Robbe-Grillet, Roger Vadim and Claude Chabrol. 

Now the story of Sylvia's astonishing career in the '70s is told in Sylvia Kristel: From Emmanuelle to Chabrol (Cult Epics, 2022). Featured are new interviews with Just Jaeckin, Pim de la Parra, Robert Fraisse, Joe Dallesandro and Francis Lai among others. Sylvia Kristel: From Emmanuelle to Chabrol is a film-by-film guide to one of the most distinctive and uncompromising careers in modern cinema, and a celebration of a most remarkable woman in a fully illustrated coffee-table book written by author Jeremy Richey.

A recollection of Sylvia Kristel's most exciting period as an actress. Beginning with her early Dutch film roles in Frank & Eva, Because of the Cats, and Naked over the Fence, this book covers all 22 movies Sylvia starred in between 1973 and 1981 including the European films Emmanuelle, Julia, No Pockets in a Shroud, Playing with Fire, Emmanuelle II, Une Femme fidele, La Marge, Alice, Rene the Cane, Goodbye Emmanuelle, Pastorale 1943, Mysteries, Tigers in Lipstick, The Fifth Musketeer, Love in First Class, Lady Chatterley's Lover, and the American films The Concorde.... Airport '79, The Nude Bomb, Private Lessons, plus a chapter on the unmade films, dozens of iconic roles that she was offered but declined written with in-depth detail. Sylvia Kristel: From Emmanuelle to Chabrol also contains many vintage reviews and interviews with Sylvia Kristel never before translated into English, and takes a look at Sylvia's brief music recording career as well.

Jeremy R. Richey is a film and music historian and writer originally from Kentucky. The creator of the long-running blogs Moon in the Gutter and Fascination: The Jean Rollin Experience, Richey was also the publisher of the print-only journals Art Decades and Soledad. His work has appeared in a variety of books and magazines as well as on various home video supplements, including audio commentaries for Cult Epics’ releases Madame Claude and the upcoming Julia and Mysteries. Richey currently resides in Bremerton, WA with his beloved dog Ziggy.

Jeremy’s website and Instagram.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.

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After the collapse of the Soviet Union in the early 1990s, the timing appeared perfect to bring Sesame Street to millions of children living in the former Soviet Union. With the Muppets envisioned as ideal ambassadors of Western values, no one anticipated just how challenging and dangerous this would prove to be. 

In Muppets in Moscow: The Unexpected Crazy True Story of Making Sesame Street in Russia (Rowman & Littlefield, 2022), Natasha Lance Rogoff brings this gripping tale to life. Amidst bombings, assassinations, and a military takeover of the production office, Lance Rogoff and the talented Moscow team of artists, writers, musicians, filmmakers, and puppeteers remained determined to bring laughter, learning, and a new way of seeing the world to children in Russia, Ukraine and across the former Soviet empire. With a sharp wit and compassion for her colleagues, Lance Rogoff observes how cultural clashes colored nearly every aspect of the production--from the show's educational framework to writing comedy to the new Russian Muppets themselves--despite the team's common goal. Brimming with insight and nuance, Muppets in Moscow skillfully explores the post-Soviet societal tensions that continue to thwart the Russian people's efforts to create a better future for their country. More than just a story of a children's show, this book provides a valuable perspective of Russia's people, their culture, and their complicated relationship with the West that remains relevant even today.

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