In the tenth episode of Soundscapes NYC, host Ryan Purcell expands upon previous episodes to consider the various musical styles that emerged in New York City during the Seventies alongside punk rock. In dialogue with music critic Will Hermes, author of Love Goes to Buildings on Fire: Five Years in New York that Changed Music Forever (Farrar, Straus, and Giroux, 2011), and Lou Reed: King of New York (Farrar, Straus, and Giroux, 2023) we contextualize cultural creators in the city during the decade who spurred a tide of experimental music including hip-hop, salsa, techno, and new styles of jazz within the context of New York City’s fiscal crisis.

Will Hermes is a senior critic for Rolling Stone and a longtime contributor to NPR’s “All Things Considered.” His work turns up periodically in The New York Times; he has also written for Spin, Slate, Salon, The Believer, the Village Voice, City Pages, The Windy City Times, and other publications. He co-edited SPIN: 20 Years of Alternative Music (Crown/Three Rivers, 2006) with Sia Michel, and his work has appeared in the Da Capo Best Music Writing series.

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Traversing teeming metropolises and tiny towns, Prose to the People: A Celebration of Black Bookstores (Random House, 2025) explores these spaces, chronicling these Black bookstore’s past and present lives. Combining narrative prose, eye-catching photography, one-on-one interviews, original essays, and specially curated poetry, Prose to the People is a reader’s road trip companion to the world of Black books.

Thoughtfully curated by writer and Black bookstore owner Katie Mitchell, Prose to the People is a must-have addition to the shelves of anyone who loves book culture and Black history. Though not a definitive guide, this dynamic book centers profiles of over fifty Black bookstores from the Northeast to the mid-Atlantic, the South, and the West Coast, complete with stunning original and archival photography.

Interspersed throughout are essays, poems, and interviews by New York Times bestsellers Kiese Laymon, Rio Cortez, Pearl Cleage, and many more journalists, activists, authors, academics, and poets that offer deeper perspectives on these bookstores’ role throughout the diaspora. Complete with a foreword by world-renowned poet and activist Nikki Giovanni, Prose to the People is a beautiful tribute to these vital pillars of the Black community.

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Women have been central to the evolution of dance music culture since its earliest days, yet their contributions have often been overlooked. From Régine Zylberberg's pioneering work in creating the modern discotheque in 1950s Paris to Sharon White's trailblazing presence at New York's legendary venues in the 1970s, female DJs have shaped dance floors worldwide. Sharon White broke barriers as a Black queer radio DJ, finding her way into the booth at the Paradise Garage in 1975. She became the first female DJ to play at the revered Saint club and spun records at Studio 54. Her influence can be seen in later pioneers like London's Smokin' Jo, who emerged from the British acid house scene to become one of England's most celebrated DJs and the only woman to be awarded DJ of the Year in DJ Magazine's Top 100.

In the second episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares welcome DJ, academic, and journalist Lulu Le Vay to explore the often-untold stories of women in dance music culture. Le Vay, who holds a PhD in Sociology from Goldsmiths and performs as DJ Lulu Levan, represents a new generation of "PhDJs" combining academic inquiry with dance floor experience. From writing for publications like The Face, i-D, and The Guardian to spinning at festivals like Lovebox and Bestival, she documents club culture from multiple perspectives. Currently working on a documentary about women DJs with director Sonja Phillips, Le Vay is also part of Love Underground, a new collaboration with producer Tommy D whose new single "The Journey Part 1" is out on Chillifunk records. Through her podcast Where Love Lives and her work preserving dance music history, Le Vay continues celebrating the women who built the foundations of club culture.

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Kelefa Sanneh was born in England, and lived in Ghana and Scotland before moving with his parents to the United States in the early 1980s. He was a pop music critic at the New York Times from 2000-2008, and has been a staff writer at the New Yorker since then. His first book, just released on Penguin, is called Major Labels: A History of Popular Music in Seven Genres. The book refracts the entire history of popular music over the past fifty years through the big genres that have defined and dominated it—rock, R&B, country, punk, hip-hop, dance music, and pop—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn’t transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which.

Franz Nicolay is a musician and writer living in New York's Hudson Valley. His first book, The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar, was named a "Season's Best Travel Book" by The New York Times. Buzzfeed called his second book, Someone Should Pay for Your Pain, "a knockout fiction debut." He teaches at Bard College.

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Richard Scheib's A Viewing Guide to the Pandemic (Headpress, 2025) is a film book like no other. It opens with the author's first-hand account of the Covid-19 pandemic and life in lockdown. His sense of dread, and anxiety about his state of health, were experiences shared with millions of others across the world. For author Richard Scheib, already committed to writing a book about plagues and pandemics in popular culture, Covid-19 felt like a perverse twist of fate. Media depictions of deadly contagions had, to this point, been speculative and often off the mark; his book takes an in-depth look at what filmmakers imagined would happen and contrasts it with the reality. International in scope, A Viewing Guide to the Pandemic examines films in a wide variety of genres, from the silent era to the present day. Black Death, Ebola, Mad Cow Disease, Bird Flu -- it explores fictionalized accounts of plague and pestilence such as box-office hit Outbreak (1995), as well as documentary treatments of real-life incidents. Whether the threats depicted have a basis in reality -- the biowarfare of the Cold War era, for instance -- or are, like zombies and vampires, more fantastical, Scheib demonstrates how the fear of contagion has provided a wealth of inspiration for the big and small screen. In addition to his work on the pandemic, Scheib runs Moria Reviews where he posts reviews for horror, science fiction, and fantasy films. 

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In the ninth episode of Soundscapes NYC, host Ryan Purcell traces the trans-Atlantic movement of artists associated with punk culture in New York and London. In conversation with British cultural historian Matt Worley, we follow New York-based artists like Jayne (née Wayne) County, Johnny Thunders, Jerry Nolan, and others to the U.K. where they embedded themselves in a growing music-based subculture. As the punk aesthetic expanded internationally it diversified in form incorporating elements of fashion, literature, and cinema like Derek Jarman’s apocalyptic masterpiece JUBILEE (1978). 

Matt Worley is a Professor of Modern History at the University of Reading and author of numerous books that cover modern British history with a special focus on music and the British Labor movement. His book No Future: Punk, Politics and British Your Culture, 1976-1984 (Cambridge University Press, 2017) explores the evolution of punk as a fashion, a musical form, an attitude, and an overall aesthetic. Setting punk culture against a backdrop of social fragmentation, violence, high unemployment, and socio-economic change, Worley recaptures punk's anarchic force as a medium through which the frustrated and the disaffected could reject, revolt, and re-invent.

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The Revolution Will Be Spotified: Music As a Rhetorical Mode of Resistance (Lexington Books, 2024) investigates the rhetorical strategies present in mainstream popular music and how those strategies are implemented to empower resistance. Case studies across the genres of popular music in the West are surveyed throughout the book to consider the power of music as a rhetorical tool during cultural flashpoints and times of crisis. Carey analyzes songs such as “This is America” by Childish Gambino, “Alien Superstar” by Beyoncé, “Thought Contagion” by Muse, and more to consider the impact of contemporary music on culture and social justice movements. Scholars of rhetoric and composition, communication, cultural studies, and ethnomusicology will find this book particularly interesting.

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The first critical biography of iconic musician Alanis Morissette, creator of Jagged Little Pill.

The 1990s hardly saw a bigger hit than Jagged Little Pill. Alanis Morissette's defining album won Grammys, dominated the Billboard charts, and sold more than 30 million copies worldwide. It left a deep mark on the psyches of countless listeners. Three decades later, Megan Volpert checks in with Morissette, probing her rich and varied post-JLP career and bearing feminist witness to the existential anger that ties her recent work to enduring classics like "You Oughta Know," "One Hand in My Pocket," and "Ironic."

Why Alanis Morissette Matters (UT Press, 2025) builds a bridge from Jagged Little Pill to the fascinating life and subtle intellect of its creator, exploring how the artist's philosophical interests and personal journey are reflected in each track. Morissette's struggles with censorship, mental health challenges, and Catholicism; her queer allyship, spiritual skepticism, zealous fandom, and philanthropic passions--all are carefully observed by a critic whose own life was touched by Jagged Little Pill. In the album's wake, Morissette has evolved as an artist and global citizen. With sensitivity and a profound love for the music, Volpert guides readers through the case for Morissette's enduring cultural relevance and creative impact.

Megan Volpert is the author or editor of over a dozen books on popular culture, including two Lambda Literary Award finalists and an American Library Association honoree. She is the author of Straight Into Darkness: Tom Petty as Rock Mystic and she won Georgia Author of the Year for Boss Broad. She teaches at Kennesaw State and Reinhardt Universities.

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Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman & Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025).

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It's a beautiful day in the village, and you are a horrible goose, ready to wreak charming havoc on the weary locals. You'll ruin their gardens, invade their pub, and terrorize their children. What kind of scoundrels would make such a devious game?

Before the critical acclaim, the tweets from celebrities, the major awards, the memes, the fan art, and the legion of players, Untitled Goose Game was just the goofy dream of House House, four friends in Melbourne, Australia. What began with a photo of a goose and the joking caption "Let's make a game about this" transformed into one of the wittiest and most stylish games of its generation. Through interviews with the creators and their co-conspirators, journalist and developer James O'Connor tells the story of how this indie megahit came to be, revealing how the team succeeded by evolving their friendship into an art practice, contributing to the wider Australian game development scene, trusting their own good taste, and never, ever naming their game.

James O'Connor has been writing about games for most of his adult life. His work has been featured on IGN, GameSpot, Edge, and beloved Australian magazine institutions Hyper and PC PowerPlay. He has also worked as an academic, teacher, game developer, and in a handful of other roles around games.

Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the University of Applied Sciences Neu-Ulm, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal TITEL kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist.

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Veronica Litt's Ugh As If!: Clueless (ECW Press, 2025) uncovers the complex layers beneath the glossy surface of the 1995 classic film "Clueless." Litt investigates not just the Austen satire but the film’s deeper ethical questions about femininity, innocence, bias, and inequity. A sweet and sly exploration of the Jane Austen–inspired teen movie and its evergreen imperative to be kind, do better, and find the activist within We are totally butt-crazy in love with "Clueless." Since the movie’s premiere in 1995, pop culture has mined Amy Heckerling’s high school comedy for inspiration, from Iggy Azalea and Charli XCX’s “Fancy” music video to Cher’s iconic yellow plaid suit appearing at every Halloween party. In Ugh As If!, Veronica Litt argues that this seemingly fluffy teen romp is the quintessential thinking woman’s movie, one in which the audience is asked to seriously consider the beauty and power of naïveté. Cher Horowitz’s gradual pivot from oblivious it girl to burgeoning activist is a powerful reminder that even the most unlikely people can change for the better and contribute to their communities. In this bright, shiny film, pursuing a more just society isn’t just possible — it’s enjoyable. This fun, feminine, feel-good movie is a counter-narrative to nihilism, a refusal to give into cynicism, hopelessness, and passivity. Almost without viewers noticing, "Clueless" teaches Cher, and us, how to become better. Like the film it examines, Ugh As If! nudges even the most jaded viewer into feeling hopeful about the future. About the Pop Classics Series Short books that pack a big punch, Pop Classics offer intelligent, fun, and accessible arguments about why a particular pop phenomenon matters.

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