Archaeologist and artist Rose Ferraby explores the connections between people and stone on the Isle of Purbeck in Dorset, where as a child she used to watch adders basking in the old quarries and hunt for crickets on the limestone cliffs. There’s a waymaker on the coastal path; a swirling ammonite fossil emerges alongside deep cut letters and chisel marks. “For me this sums up what stone is“ says Rose, “a meeting place of people and earth.” Over the years, Rose has become increasingly interested in the links and stories which connect people and stone, and in this programme she returns to Dorset to meet a geologist, a fossil collector and a father and son whose quarry has been in the family since the 17th century. She also follows a trail of dinosaur footprints and braves an underground tunnel as she explores the relationships between people and stone.

Produced by Sarah Blunt for BBC Audio in Bristol.

A conversation between the Tipalt Burn and Hadrian’s Wall, a legend about treasure that is buried under Thirlwall castle, the conflict between urban and rural life, the significance of the wall, hidden and lost sounds and the migration and transformation of stone are all themes which feature in an immersive sound walk through a Northumberland landscape. Open Country meets several of the artists, poets, musicians, singers, storytellers, composers and writers who were involved in creating this four-mile walk near the village of Greenhead. We discover how they were inspired by the landscape and community of this area and find out how their work was realised.

The story begins in December 2020 when Green Croft Arts commissioned 14 artists with strong links to Northumberland and Cumbria to explore the theme of ‘Collision and Conflict’ for a geolocator sound walk which was launched in the spring of 2021. Participants are invited to downloaded an app onto their phones, and then follow a route marked on a map through the landscape. The artistic responses – a mix of music, storytelling, spoken word and sounds - are linked to specific locations along the route. They are triggered as the walker approaches and can be heard through headphones. It’s an extraordinary immersive journey exploring the past and present, local and global, landscape, hidden sounds, community and culture.

Producer Sarah Blunt

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Travel writer Ash Bhardwaj revisits his childhood haunts at Windsor Great Park. The 16,000 acre park is only around twenty-five miles from central London, but has an impressive range of different landscapes and wildlife habitats - from traditional formal flowerbeds to ancient woodland, a deer park, farmland and even a site of special scientific interest. Ash meets the deputy ranger to learn about the history of the park, and finds out about the role played in its post-war evolution by the most recent head ranger, the late Duke of Edinburgh.

A conservation specialist from Natural England shows Ash how to tell the age of an oak tree by measuring its girth, and explains the intricate ecology of the rare species of fungi and insects which thrive in the wildlife habitats provided by the trees - some of which have been growing in the park since the time of the Norman Conquest. Ash also meets up with a florist whose choice of career was inspired and influenced by having spent so much of her own childhood playing among the park's shrubs and flowers, and he visits the stables that are home to the horses which pull carriages up and down the famous Long Walk, with its views of Windsor Castle.

The visit leads Ash to reflect on how much difference having access to Windsor Great Park made to him, growing up as he did in a garden-less flat above a restaurant. He concludes that the park was largely responsible for sparking his lifelong interest in the countryside and the natural world.

Ian Marchant tracks the River Ancholme to its source. Others might prefer the Limpopo or the Zambesi, but Ian is drawn to the subtle mysteries of the canal-like Ancholme in Lincolnshire, arguing that there are delights to be found if you take a close look in your own back yard. And there are plenty of delights. If historic boats are your thing then there's Humber Sloop Amy Howson, an ochre-sailed ship moored at the mouth of the Ancholme, in the care of the Humber Keels and Sloop Preservation Society, or Brigg Raft, a five metre Bronze age raft designed specifically for the slow moving waters of the Ancholme.

Brigg was always, it seems, a good place to keep a boat. The town is an island, created by two channels of the Ancholme encircling its centre. Brigg Raft and the even more astounding Brigg Log Boat (nearly fifteen metres long) were discovered in 1886, lurking in mud at the site of what is now Glanford Boat Club. There are still around fifty boats moored at Glanford Boat Club, a vibrant social centre.

Just off the course of the Ancholme is Stow Minster, which has, etched into its stone, two images of Viking longships: further evidence of visitors by boat to central Lincolnshire. But will Ian make it to the source in the Lincolnshire Wolds? And how would he know if he got there?

Produced for BBC Audio by Mary Ward-Lowery

With its beaches, rugged cliffs and imposing headlands, the Durham coastline is a dramatic landscape, stretching from Sunderland to Hartlepool in North East England. Today it's designated as an Area of Outstanding Natural Beauty owing to its Magnesian Limestone grasslands, wildflower meadows and ancient woodlands. But this coastline was once the site of several of Durham’s last deep coal mines and notorious for its ‘black beaches’ and heavily polluted landscape. In the late 1900s, after the closure of the pits, it was transformed in a multi-agency clean-up to remove well over a million tonnes of colliery spoil which had been tipped onto the coast. Today it's “a wonderful conglomeration of human and geological layers” says archaeologist and artist Rose Ferraby. Rose along with poets Katrina Porteus and Phoebe Power revisit this landscape which inspired a book of illustrated poems and prose as part of the National Trust’s People’s Landscape project which explores the role landscapes have played in social change. We hear from a former miner and a litter picker, discover beauty in an abandoned mattress, watch a butterfly through the lens of a child’s camera, uncover a kaleidoscope of colours, catch up on memories of life working underground and wind-blow corn cockles above ground.

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Magnet fishing - using strong magnets to hunt for treasure in canals and rivers - is a craze which is growing in popularity. A group in Edinburgh have been given permission for the first time by Historic Environment Scotland to ‘fish’ the city’s waterways, and Helen Mark is there to try her hand.

Produced for BBC Audio in Bristol by Beatrice Fenton.

Lincoln Longwools, Dorset Horns, Chillingham wild cattle and Gloucester Old Spot pigs – photographer Amanda Lockhart has been travelling the country looking for rare British breeds. She has approximately 200 markers on her map and is slowly ticking them off. We catch up with her on a very hot day looking for Large Black pigs.

Monique Gudgeon is on a mission to create a botanic garden. And what better way to get started than to build a new National Plant Collection. In creating a garden from scratch, one of her priorities is to bring in species which both work with the surrounding Dorset landscape and that are in need of conservation. There is a huge diversity of garden plants that need to be looked after so cultivars aren’t lost when they go out of fashion. National Plant Collections were created by the charity Plant Heritage to ensure these plants are preserved and documented for the future.

Of the plant groups that don’t currently have a custodian, Monique decided to choose forsythia - deciduous shrubs often overlooked as just a hedging plant which burst into vibrant yellow flowers in early spring. In the process of sourcing and propagating all the varieties needed for a collection, Monique has become utterly fascinated by them and their history. Helen Mark hears the story of Monique’s successes and failures so far, and explores what it takes to build and maintain a National Plant Collection.

We also meet people behind other collections and hear what drives their particular fascination with a group of plants, and how they fit in to their landscapes. We hear the stories of Benjamin Matthews, one of the youngest holders of a National Collection and how his love of hostas led to an unlikely friendship; Lucy Skellorn who has been collecting the irises bred by her great-great grandfather Sir Michael Foster; and Anne Greenall who has a spectacular collection of hydrangeas which thrive in her windswept coastal garden in west Scotland.

Presented by Helen Mark and produced by Sophie Anton

It's not yet dawn when wildlife cameraman John Aitchison strolls down to the shore where he chips off the ice on a kayak, before he can set out across the sea loch near his home in western Scotland, in search of the early signs of spring. He travels through the darkness following a trail of light caused by the reflections of the moon in the calm water. His journey takes him across the loch and along the far shoreline before he heads for an island and then returns home. As the sun rises he encounters seals and otters, watches shelduck chasing one another, listens to curlew and skylarks, and catches sight of his favourite geese: white-fronted geese which will soon leave and head to Greenland. As he paddles across the loch, John reflects on the landscape of interlocking fingers of water and rock, and on how it was formed. "How much has this landscape and its wildlife changed over time?" he wonders. As time and the seasons pass and winter changes to spring, the geese will depart and other birds will arrive - like the swallows which migrate from Africa and nest in the shed by John’s home. The sea loch is a link between the north and the south, between Greenland and South Africa, between the geese and the swallows. John spotted the first two swallows arriving a few days earlier and suddenly the world seems a much smaller place and our responsibility to look after it so evident. “Imagine if the swallows didn’t return”, he ponders. But this year they have. The seasons are changing, and after such a long winter we can look forward to summer once again.

Presenter John Aitchison. Producer Sarah Blunt.

Travel writer Antonia Bolingbroke-Kent moved to a cottage deep in the Welsh Black Mountains at the end of October last year, arriving just two hours before the autumn lockdown began. She’s pretty much been in lockdown since that day so, unable to go anywhere or see people, has spent the months exploring the mountains from her new front door. She’s walked hundreds of miles, OS map in hand, exploring this new landscape - its ancient sites, high ridges, wooded valleys and peaty uplands. Antonia immerses us in this place and its wildlife, and hears stories from her new neighbours - people who know every crease of the hills and every bird call, as well as the area's history, myths and legends. While reflecting on this exploration, she explores the process of the unknown becoming home.

Producer: Sophie Anton