Rob Verchick is one of the nation’s leading scholars in disaster and climate change law and a former EPA official in the Obama administration. He holds the Gauthier-St. Martin Eminent Scholar Chair in Environmental Law at Loyola University New Orleans. Professor Verchick is also a Senior Fellow in Disaster Resilience at Tulane University and the President of the Center for Progressive Reform, a research and advocacy organization that advocates for solutions to our most pressing societal challenges. He is the author of numerous articles and books, including The Octopus in the Parking Garage. A Call for Climate Resilience.
“Well, there are good stories and bad stories. So the good stories are, Oh my gosh, renewable energy is just a wonderful technology story with solar panels getting as cheap as almost anything. Wind turbine technology. We're working on offshore wind farm planning in the Gulf right now, and we're going to build wind turbines that can survive hurricanes. So there's a lot of technology going on in energy storage that involves batteries. And I'm hoping that at some point we're going to get to batteries that don't use things like lithium so much, so that we don't have to be involved so much in the mining of those kinds of things.
There's a lot of really interesting technology going on with using natural landscapes to protect against flooding and storms. So we have a coastal restoration effort in Louisiana, one of the largest in the world. And what we're experimenting with is diverting water from the Mississippi River to replenish sediment and grow new wetlands on our tattered shores. And that's technology, too. I mean, we've got some of the best engineering firms in the world down here, and NASA trying to figure out exactly how to do that. And if we can do it, we'll export that technology all over the place and help rebuild coastlines. So those are some really bright spots in terms of the technology that I see.”
https://robverchick.com
https://works.bepress.com/robert_verchick
www.progressivereform.org/
Twitter/X/Instagram/Facebook: @robverchick @robsoctopusbook
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"Australia is generally considered one of the most vulnerable developed countries to the impacts of climate change, and I've been in the climate science space for more than 30 years, but I have to say this last month has been particularly confronting. We're seeing all sorts of tipping points that scientists have been warning about for decades and they are really real right now. I've never had such climate anxiety, and it's sort of new for me to be struggling with that because I think I've been pretty resilient to sort of eco-anxiety. Talking about averages all the time is a real problem in climate science because the temperature on any one day goes up and down a lot more than 1.5 or 2 degrees. So we have to keep working on relating those average global temperatures to the extremes that people experience in their lives on the ground where they live. We have to keep reminding people that that is the sort of thing that we are going to see more and more often. It isn't a one-off event. It's a message about the future."
Now in the 21st century, with an abundance of renewable technologies, why is the world still using 18th-century energy technology? How can each of us harness our unique skills to help solve the climate crisis?
Lesley Hughes is a Distinguished Professor of Biology and Interim Executive Dean of the Faculty of Science & Engineering at Macquarie University. She is an ecologist whose main research interest has been the impacts of climate change on species and ecosystems, and the implications of climate change for conservation. She was a Lead Author of the IPCC’s 4th and 5th Assessment Report, Director for the WWF Australia and federal Climate Commissioner and is now a Councillor and Director with the Climate Council of Australia. She is also a member of the Wentworth Group of Concerned Scientists.
https://researchers.mq.edu.au/en/persons/lesley-hughes
www.climatecouncil.org.au
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Now in the 21st century, with an abundance of renewable technologies, why is the world still using 18th-century energy technology? How can each of us harness our unique skills to help solve the climate crisis?
Lesley Hughes is a Distinguished Professor of Biology and Interim Executive Dean of the Faculty of Science & Engineering at Macquarie University. She is an ecologist whose main research interest has been the impacts of climate change on species and ecosystems, and the implications of climate change for conservation. She was a Lead Author of the IPCC’s 4th and 5th Assessment Report, Director for the WWF Australia and federal Climate Commissioner and is now a Councillor and Director with the Climate Council of Australia. She is also a member of the Wentworth Group of Concerned Scientists.
"Australia is generally considered one of the most vulnerable developed countries to the impacts of climate change, and I've been in the climate science space for more than 30 years, but I have to say this last month has been particularly confronting. We're seeing all sorts of tipping points that scientists have been warning about for decades and they are really real right now. I've never had such climate anxiety, and it's sort of new for me to be struggling with that because I think I've been pretty resilient to sort of eco-anxiety. Talking about averages all the time is a real problem in climate science because the temperature on any one day goes up and down a lot more than 1.5 or 2 degrees. So we have to keep working on relating those average global temperatures to the extremes that people experience in their lives on the ground where they live. We have to keep reminding people that that is the sort of thing that we are going to see more and more often. It isn't a one-off event. It's a message about the future."
https://researchers.mq.edu.au/en/persons/lesley-hughes
www.climatecouncil.org.au
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"The lobbyists that represent the fossil fuel companies like ExxonMobil, Koch companies, and the American Petroleum Institute, they knew for years that the climate crisis would happen, and they've been telling us that it wouldn't. And right now in every state capital, the lobbyists are doing everything they can to slow the transition from fossil fuel to renewables. The sad fact is, these oil and gas lobbyists will never wake up one morning and say: I am worried about the climate crisis. I'm worried about my children. I am going to cut off ties with these oil and gas companies and stop taking their money. That will never happen. And I'm sad to say this, but it's been a long, long road to try to change their behavior with facts or reason."
Why are fossil fuel lobbyists also allowed to work for communities, schools, businesses, and nonprofit organizations being harmed by the climate crisis without declaring their conflict of interest? Why divestment from fossil fuels should include divesting from lobbyists which play for both sides.
James Browning is the founder of F Minus, a research and advocacy group that tracks the extent to which fossil fuel lobbyists also represent victims of the climate crisis. He is also a writer and game designer, and his novel The Fracking King was named one of the best 100 books of 2014 by Amazon.
https://fminus.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Why are fossil fuel lobbyists also allowed to work for communities, schools, businesses, and nonprofit organizations being harmed by the climate crisis without declaring their conflict of interest? Why divestment from fossil fuels should include divesting from lobbyists which play for both sides.
James Browning is the founder of F Minus, a research and advocacy group that tracks the extent to which fossil fuel lobbyists also represent victims of the climate crisis. He is also a writer and game designer, and his novel The Fracking King was named one of the best 100 books of 2014 by Amazon.
"The lobbyists that represent the fossil fuel companies like ExxonMobil, Koch companies, and the American Petroleum Institute, they knew for years that the climate crisis would happen, and they've been telling us that it wouldn't. And right now in every state capital, the lobbyists are doing everything they can to slow the transition from fossil fuel to renewables. The sad fact is, these oil and gas lobbyists will never wake up one morning and say: I am worried about the climate crisis. I'm worried about my children. I am going to cut off ties with these oil and gas companies and stop taking their money. That will never happen. And I'm sad to say this, but it's been a long, long road to try to change their behavior with facts or reason."
https://fminus.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
"The notion that the idea is out there, but you just need to be in a state to receive it, that's a very comforting thought because it takes the onus off of you. You don't have to be a genius. You don't have to be this big creator. You just have to read and keep healthy and keep yourself open and the idea will arrive. And the funny thing is, usually it arrives to you and then you're typing."
What happens when we die? What happens to our memories and consciousness when our bodies cease to be? In the end, is it the things we did and the people we loved that give our lives meaning?
Shehan Karunatilaka is the multi-award winning author. He is known for his novels dealing with the history, politics, and folklore of his home country of Sri Lanka. He won the Commonwealth Book Prize and the DSC Prize for South Asian Literature for his debut novel, Chinaman: The Legend of Pradeep Mathew, and the Booker Prize 2022 for his second novel, The Seven Moons of Maali Almeida. In addition to novels, he has written rock songs, screenplays and travel stories. Born in Colombo, he studied in New Zealand and has lived and worked in London, Amsterdam, and Singapore.
www.shehanwriter.com
https://wwnorton.com/books/9781324064824
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
What happens when we die? What happens to our memories and consciousness when our bodies cease to be? In the end, is it the things we did and the people we loved that give our lives meaning?
Shehan Karunatilaka is the multi-award winning author. He is known for his novels dealing with the history, politics, and folklore of his home country of Sri Lanka. He won the Commonwealth Book Prize and the DSC Prize for South Asian Literature for his debut novel, Chinaman: The Legend of Pradeep Mathew, and the Booker Prize 2022 for his second novel, The Seven Moons of Maali Almeida. In addition to novels, he has written rock songs, screenplays and travel stories. Born in Colombo, he studied in New Zealand and has lived and worked in London, Amsterdam, and Singapore.
"The notion that the idea is out there, but you just need to be in a state to receive it, that's a very comforting thought because it takes the onus off of you. You don't have to be a genius. You don't have to be this big creator. You just have to read and keep healthy and keep yourself open and the idea will arrive. And the funny thing is, usually it arrives to you and then you're typing."
www.shehanwriter.com
https://wwnorton.com/books/9781324064824
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Photo credit: David Parry/Booker Prize Foundation
"Climate action has become woven into every aspect of our society. I remember that time so clearly. It wasn't just activists and politicians who were building the future. Artists, creatives, storytellers, actors, and athletes began realizing their part in these movements to shape culture and reach the masses. Entrepreneurs, designers, architects, and poets began to reimagine what our society could look like if we used this great time of crisis as humanity's most unifying moment.
I remember the shows I played and how we transformed those arenas into places of celebration and unity. The idea of being an activist was left behind. We realized that it is within our power as humanity and identity that belongs to all of us. To change the story and to build the world we've always known was possible. The place the world is in is a result of us striking the balance between technology, innovation, culture, and the ancient wisdom and teachings of the original peoples of this earth. Here we are, 10 years after changing everything to redefine our legacy, carried on in flowers and songs."
from Xiuhtezcatl Tonatiuh Martinez’s “To Fight for a Just Climate Is to Fight for Everything That We Love” in Chapter 8: OUR RESISTANCE MUST BE INTERSECTIONAL
In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu and Azeezah Kanji talk with Anthony Arnove and Haley Pessin about their new volume Voices of a People’s History of the United States in the 21st Century: Documents of Hope and Resistance.
This book is not only a beautiful archive of people's struggles in the 21st century, but also a powerful tribute to and continuation of the work of professor and radical historian Howard Zinn. We speak with Anthony and Haley about the histories of struggles and the possibilities for building a more beautiful future.
Anthony Arnove is the editor of several books, including, with Howard Zinn, Voices of a People’s History of the United States and Terrorism and War. He wrote the introduction for the thirty-fifth anniversary edition of Zinn’s classic book, A People’s History of the United States. Arnove cofounded the nonprofit education and arts organization Voices of a People’s History of the United States, wrote, directed, and produced the documentary The People Speak, and has directed stage and television versions of The People Speak in Dublin with Stephen Rea, in London with Colin Firth, and across the United States with various groups including Lincoln Center, the Brooklyn Academy of Music, and the Sundance Film Festival. He produced the Academy Award-nominated documentary Dirty Wars. Arnove is on the editorial boards of Haymarket Books and Tempestmag.org and is the director of Roam Agency, where he represents authors including Arundhati Roy and Noam Chomsky. He lives in Hopewell, New Jersey.
Haley Pessin is a socialist activist living in Queens, New York. They have participated in struggles against police brutality and mass incarceration, in solidarity with Palestine, in defense of abortion rights and reproductive justice, and as a legal service worker and union delegate for 119SEIU (Service Employees International Union). Pessin has spoken at conferences in Switzerland, Australia, Ireland, Quebec, and throughout the United States on the struggle for Black liberation. Their writing has appeared in New Politics and at Tempestmag.org, where they currently serve on the editorial board.
https://sevenstories.com/books/4479-voices-of-a-people-s-history-of-the-united-states-in-the-21st-century
www.palumbo-liu.com
https://speakingoutofplace.com
https://twitter.com/palumboliu?s=20
"Death is the imperfection of life. Because life is just a fleeting thing for everyone, for all of us. And so there's no way that a black box AI can know death. So AI can never, in that sense, know life, because every day you walk, you think. Like I was just on my way to do the zoom with you guys, and I just went to grab my bracelet, which was sitting next to my grandmother's picture. And I loved my grandmother. So AI doesn't touch us because we exist on a level of such mortal frailty and mortal cruelty, and mortal love, and hate, and jealousy, and insecurity and freedom and joy and wackiness, and being in the moment that there's no way that when one of my neurotic fellow conspiracy theory New Yorker friends says to me that AI is the end of the world! I'm like, it's just not possible because the world is not that permanent for any of us. This is an impermanent destination that we're on." -Catherine Curtin
Why do we make art? What can the performing arts teach us about how to engage in dialogues to overcome conflict and division?
Our guests today are actress Catherine Curtin and artistic director Kate Mueth. Curtin is known for her roles on Stranger Things, Homeland, and Insecure. She played correctional officer Wanda Bell in Orange Is the New Black, and for this role she was a joint winner of two Screen Actors Guild Awards for Outstanding Performance by an Ensemble in a Comedy Series.
Mueth is the Founder and Artistic Director of the award-winning dance theater company The Neo-Political Cowgirls that seeks to deepen and challenge the ways in which audiences experience stories and awaken their human connection. Based in East Hampton, New York they have performed to audiences in America and Europe.
www.imdb.com/name/nm0193160/
www.npcowgirls.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
Why do we make art? What can the performing arts teach us about how to engage in dialogues to overcome conflict and division?
Our guests today are actress Catherine Curtin and artistic director Kate Mueth. Curtin is known for her roles on Stranger Things, Homeland, and Insecure. She played correctional officer Wanda Bell in Orange Is the New Black, and for this role she was a joint winner of two Screen Actors Guild Awards for Outstanding Performance by an Ensemble in a Comedy Series.
Mueth is the Founder and Artistic Director of the award-winning dance theater company The Neo-Political Cowgirls that seeks to deepen and challenge the ways in which audiences experience stories and awaken their human connection. Based in East Hampton, New York they have performed to audiences in America and Europe.
"Death is the imperfection of life. Because life is just a fleeting thing for everyone, for all of us. And so there's no way that a black box AI can know death. So AI can never, in that sense, know life, because every day you walk, you think. Like I was just on my way to do the zoom with you guys, and I just went to grab my bracelet, which was sitting next to my grandmother's picture. And I loved my grandmother. So AI doesn't touch us because we exist on a level of such mortal frailty and mortal cruelty, and mortal love, and hate, and jealousy, and insecurity and freedom and joy and wackiness, and being in the moment that there's no way that when one of my neurotic fellow conspiracy theory New Yorker friends says to me that AI is the end of the world! I'm like, it's just not possible because the world is not that permanent for any of us. This is an impermanent destination that we're on." -Catherine Curtin
www.imdb.com/name/nm0193160/
www.npcowgirls.org
www.creativeprocess.info
www.oneplanetpodcast.org
IG www.instagram.com/creativeprocesspodcast
From the publisher's feed
Philosophy episodes of the popular The Creative Process podcast. We speak to philosophers, writers, educators, spiritual leaders, environmentalists, bioethicists, artists & creative thinkers in other. disciplines To listen to ALL arts & education episodes of “The Creative Process · Arts, Culture & Society”, you’ll find our main podcast on Apple: tinyurl.com/thecreativepod, Spotify: tinyurl.com/thecreativespotify, or wherever you get your podcasts!
Exploring the fascinating minds of creative people. Conversations with writers, artists & creative thinkers across the Arts & STEM. We discuss their life, work & artistic practice. Winners of Oscar, Emmy, Tony, Pulitzer, leaders & public figures share real experiences & offer valuable insights. Notable guests and participating museums and organizations include: Academy of Motion Picture Arts & Sciences, Neil Patrick Harris, Smithsonian, Roxane Gay, Musée Picasso, EARTHDAY.ORG, Neil Gaiman, UNESCO, Joyce Carol Oates, Mark Seliger, Acropolis Museum, Hilary Mantel, Songwriters Hall of Fame, George Saunders, The New Museum, Lemony Snicket, Pritzker Architecture Prize, Hans-Ulrich Obrist, Serpentine Galleries, Joe Mantegna, PETA, Greenpeace, EPA, Morgan Library & Museum, and many others.
The interviews are hosted by founder and creative educator Mia Funk with the participation of students, universities, and collaborators from around the world. These conversations are also part of our traveling exhibition. www.creativeprocess.info
For The Creative Process podcasts from Seasons 1, 2, 3 visit: tinyurl.com/creativepod or creativeprocess.info/interviews-page-1, which has our complete directory of interviews, transcripts, artworks, and details about ways to get involved.
INSTAGRAM @creativeprocesspodcast
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