John Kuligowski is a Nonfiction Assistant Editor at Prairie Schooner and also currently a PhD student in English at the University of Nebraska-Lincoln. He worked as an assistant editor for volumes 392 and 394 of the Dictionary of Literary Biography and has published in a number of venues both online and in print. Zainab Omaki is likewise a Nonfiction Assistant Editor at the magazine and has writings in Callaloo, The Rumpus, LA Review and elsewhere. Her novel-in-progress has funding both abroad and from the Nebraska Arts Council. Like John, she’s a PhD candidate at the University of Nebraska-Lincoln.

Prairie Schooner has a long legacy, stretching back to 1928, making it arguably the country’s longest continuous literary magazine. In this episode, the focus is on essays from two recent issues, beginning with “Summer Blues” by Hantian Zhang. For anyone who ever read William Gass’s medication, On Being Blue, this will serve as an interesting sequel. The theme or mood is signaled by the Portuguese word “saudale,” a desire for something absent, for the essay is set in Lisbon. In “Holden Caulfield Builds a House” by Andrew Erkkila, the setting jumps to Jersey City and the renovation of a house whose previous owner was a Viet Nam vet who painted the names of fallen colleagues in blood and excrement. Suffice to say, it’s a monumental tasks that nearly undoes the couple funding the upgrade. In “On grief, sex, and kidneys,” Afton Montgomery explores surgery’s impact on one’s psyche and even more identity. Finally, in “On the Move, or Looking to Settle Down,” Maya Marshall makes a road trip as an African-American woman traveling the South, knowing that danger can always lurk and yet mustn’t become an excuse for limiting oneself. Still, it’s not easy when, for instance, the sight of a dead deer makes her identify with it due to sharing a common color and the risks inherent in motion.

Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. To check out his related “Dan Hill’s EQ Spotlight” blog, visit this site.

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