Slate Culture Feed

Girl groups have long been underestimated—even by the producers and managers who created them.

For women listeners, girl groups narrated profound emotions and expressed personal freedom—even when the singers were not so free themselves. For male listeners, girl groups provided inspiration, and a way to express matters of the heart.

And for all listeners across rock and soul history, girl groups pushed music forward. In the ’60s, the Shirelles, Marvelettes, Ronettes and Shangri-Las kept rock afloat between Elvis Presley and the Beatles. In the ’70s and ’80s, girl groups from the Emotions to Exposé rebooted dance music. In the ’90s, En Vogue, TLC and Destiny’s Child fused hip-hop style with old-school soul—and the Spice Girls fired up a new generation through Girl Power.

Join Chris Molanphy as we shimmy and strut through decades of bops to give girl groups the respect they deserve. You’ll love them tomorrow, because friendship never ends.

Podcast production by Kevin Bendis.

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Girl groups have long been underestimated—even by the producers and managers who created them.

For women listeners, girl groups narrated profound emotions and expressed personal freedom—even when the singers were not so free themselves. For male listeners, girl groups provided inspiration, and a way to express matters of the heart.

And for all listeners across rock and soul history, girl groups pushed music forward. In the ’60s, the Shirelles, Marvelettes, Ronettes and Shangri-Las kept rock afloat between Elvis Presley and the Beatles. In the ’70s and ’80s, girl groups from the Emotions to Exposé rebooted dance music. In the ’90s, En Vogue, TLC and Destiny’s Child fused hip-hop style with old-school soul—and the Spice Girls fired up a new generation through Girl Power.

Join Chris Molanphy as we shimmy and strut through decades of bops to give girl groups the respect they deserve. You’ll love them tomorrow, because friendship never ends.

Podcast production by Kevin Bendis.

Want more Hit Parade? Join Slate Plus to unlock monthly early-access episodes. Plus, you’ll get ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/hitparadeplus to get access wherever you listen.

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Drake didn’t know who he was messing with, and was never on Kendrick Lamar’s level in hip hop. That’s the verdict of cultural commentator and author Touré. On today’s episode of A Word, he joins host Jason Johnson to break down the meaning behind the brutal rap battle, and whether Not Like Us, BBL Drizzy, Family Matters and other songs central to the beef will rewrite the blueprint for diss tracks forever.

Guest: Touré, host of the Touré Show podcast, and author of Nothing Compares 2 U: An Oral History of Prince 

Podcast production by Ahyiana Angel

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In this episode, Kiese Laymon (author of Long Division, How to Slowly Kill Yourself in America, and Heavy: An American Memoir) joins Prudie (Jenée Desmond-Harris) to answer letters from readers about how to convince your strict religious parents to let you go to an out-of-state college, whether to report a coworker’s insensitive gym behavior to HR, and how to deal with a mom who forgets to take her medication and immediately uses a racial slur.

If you want more Dear Prudence, join Slate Plus, Slate’s membership program. Jenée answers an extra question every week, just for members.

Go to Slate.com/prudieplus to sign up. It’s just $15 for your first three months.

This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, and Jenée Desmond-Harris, with help from Maura Currie.

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The 2021 subreddit-coordinated effort to raise the price of Gamestop stock was, in some ways, a proof of concept: the little guy can get into the market and make some noise. Because even though that “meme stock” rose and fell, the idea of the meme stock went has changed the way our stock market works.

Guest: Alex Kirshner, contributing writer for Slate.

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On this episode: Jamilah sits down with author Ruby Russell to talk about her new book, Doing It All: The Social Power of Single Motherhood. They talk about the ways that single mothers upend the patriarchy — and why that’s a good thing.

Lucy, Elizabeth, and Zak also circle up for a round of triumphs and fails — including an epic saga involving a hospital in the Philippines.

Join us on Facebook and email us at [email protected] to ask us new questions, tell us what you thought of today’s show, and give us ideas about what we should talk about in future episodes. You can also call our phone line: (646) 357-9318.

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Podcast produced by Maura Currie.

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When Miss USA abdicated her throne, people noticed that the first letters of each sentence of her resignation letter spell out “I am silenced.” Shortly thereafter, Miss Teen USA stepped down with a letter that opens with a quote from Nietzsche. 

What’s going on at the Miss USA organization? Has the idea of a national pageant outlived its usefulness?

Guest: Constance Grady, senior Culture correspondent for Vox. 

Want more What Next? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen.

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For this week’s episode of Working Overtime, hosts June Thomas and Isaac Butler are joined by author Justin Taylor, to discuss the process behind his new novel, Reboot. Taylor published numerous short pieces, as well as a memoir, during the years he spent writing this novel, yet it took multiple iterations before this book felt right. Later they share tips for persevering through long creative processes and discuss how to find the finish line.

Do you have questions or advice of your own about the creative process? Reach out at (304) 933-9675 or email us at [email protected].  

Podcast production by Kevin Bendis and Cameron Drews.

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Rachelle and Candice dive into their mutual obsession: the Selling Sunset subreddit. Across seven seasons, the Netflix reality show has taken viewers into a glamorous and over-the-top real estate agency in Los Angeles. Aside from selling mansions, the show’s most successful endeavor has been its online community, built on social media platforms like Reddit. r/SellingSunset has more than 250,000 followers with eagle-eyed fans posting daily about episode plotlines and off-season social media activity. Following the release of Selling the OC’s third season, ICYMI is rounding up the subreddit’s favorite moments from the original series and throwing in a few of their own.

This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, Candice Lim and Rachelle Hampton.

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On this week’s show, the hosts begin by dissecting The Kingdom of the Planet of the Apes, the fourth chapter in the Apes franchise. Set “many generations” in the future, the latest installment (directed by Wes Ball and starring Owen Teague) is an undeniably well-crafted summer blockbuster – but does it achieve the level of complexity and thought its predecessors did? (Read Dana’s review for Slate for further analysis.) Then, it’s onto John Mulaney Presents: Everybody’s in LA, a six-part live Netflix special that aired during the streaming giant’s comedy festival. The conceit is thus: Netflix is a Joke attracts the best comedians in the world to LA, John Mulaney interviews them. But the final product is much stranger than that description, both a rejection and reinvention of the tired late-night talk show format, in which Mulaney interviews celebrities and non-celebrities, airs sketches, and delivers long monologues on the character of LA. Is Everybody’s in LA chaotic and sloppy, or a ragged delight? Our panel discusses. Finally, the trio is joined by Slate’s music critic, Carl Wilson, to eulogize the legendary musician and “producing engineer” (his preferred title) Steve Albini. Known for recording albums with Joanna Newsom, Nirvana, and the Pixies, among others, Albini considered himself a documentarian of sound and a technical expert, and brought his punk-rock ethic to everything he did. Read Steve Albini’s essay, “The Problem with Music” and his letter to Nirvana.

In the exclusive Slate Plus segment, the panel discusses cultural arbitrage with Slate’s music critic, Carl Wilson, inspired by W. David Marx’s essay for The Atlantic, “The Diminishing Returns of Having Good Taste.” 

Email us at [email protected]. 

Endorsements:

Dana: “Who’s Afraid of Judith Butler?” – a profile of the philosopher and gender theorist by Parul Sehgal for The New Yorker.

Julia: “Espresso” by Sabrina Carpenter.

Stephen: The delightful, catchy, and exuberant (with a tincture of melancholy) music of New Zealand band, Yumi Zuma. (Check out Steve’s playlist here.) 

Podcast production by Jared Downing. Production assistance by Kat Hong. 

Hosts

Dana Stephens, Julia Turner, Stephen Metcalf

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