Slate Culture Feed

In this week’s essay, John discusses the art of attention and how to develop the skill of slow-looking.

Notebook Entries:

Notebook 75, page 8. September 2021

1016

Notebook 1, page 54. June 1990

-       Magna carta 1215 at Salisbury

-       Girls skipping

-       The Haunch of Venison

-       Chris

References:

Georgia O’Keeffe Museum

A Little History of the World by E.H Gombrich

Artist Jeff Koons

“The Art of Divination: D.H. Lawrence on the Power of Pure Attention” by Maria Popova for The Marginalian

“Gabfest Reads: A Woman’s Life in Museum Wall Labels” for Political Gabfest 

One Woman Show by Christine Coulson

“Grammy-winning artist Jason Isbell talks about the craft of songwriting and his latest music” for CBS News

A Journey Around My Room by Xavier De Maistre

“Just think: The Challenges of the Disengaged Mind” by Timothy Wilson, et.al for Science

“Our Rodent Selfies, Ourselves” by Emily Anthes for the New York Times

One Man’s Meat by E.B. White

Podcast production by Cheyna Roth.

Email us at [email protected]

Want to listen to Navel Gazing uninterrupted? Subscribe to Slate Plus to immediately unlock ad-free listening to Navel Gazing and all your other favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/navelgazingplus to get access wherever you listen.

Host

John Dickerson

Learn more about your ad choices. Visit megaphone.fm/adchoices

On today’s episode, Rachelle and Candice answer a listener's question about “Dr.” Natalya Toryanski, an influencer with almost a quarter of million of followers on TikTok who tune into her satirical videos mimicking a prototypical “bland influencer.” Our listener writes, “I have to believe that at least a major percentage of her content is intentional parody/satire; but then I have moments where I'm not so sure whether she is parodying something or just earnestly doing it (for example, when she talks nonsense about food).” We dive into the aforementioned “nonsense” and try to make sense of it. 

This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, Candice Lim and Rachelle Hampton, with special thanks to Olivia Briley for her help on today’s episode.

Hosted on Acast. See acast.com/privacy for more information.

When you hear “boy band,” what do you picture? Five guys with precision dance moves? Songs crafted by the Top 40 pop machine? Svengalis pulling the puppet strings? Hordes of screaming girls?

As it turns out, not all boy bands fit these signifiers. (Well…except for the screaming girls—they are perennial.) There are boy bands that danced, and some that did not…boy bands that relied entirely on outside songwriters, and those that wrote big hits…boy bands assembled by managers or producers, and quite a few that launched on their own.

From Frankie Lymon and the Teenagers to New Kids on the Block, the Monkees to the Jonas Brothers, Boyz II Men to BTS, New Edition to One Direction, and…yeah, of course, Backstreet Boys and *N Sync, boy bands have had remarkable variety over the years. (In a sense, even a certain ’60s Fab Four started as a boy band.)

Join Chris Molanphy as he tries to define the ineffable quality of boy band–ness, walks through decades of shrieking, hair-pulling pop history, and reminds you that boy bands generated some of our greatest hits, from “I Want You Back” to “I Want It That Way,” “Bye Bye Bye” to “Dynamite.” Help him “bring the fire and set the night alight.”

Podcast production by Kevin Bendis.

Hosted on Acast. See acast.com/privacy for more information.

When you hear “boy band,” what do you picture? Five guys with precision dance moves? Songs crafted by the Top 40 pop machine? Svengalis pulling the puppet strings? Hordes of screaming girls?

As it turns out, not all boy bands fit these signifiers. (Well…except for the screaming girls—they are perennial.) There are boy bands that danced, and some that did not…boy bands that relied entirely on outside songwriters, and those that wrote big hits…boy bands assembled by managers or producers, and quite a few that launched on their own.

From Frankie Lymon and the Teenagers to New Kids on the Block, the Monkees to the Jonas Brothers, Boyz II Men to BTS, New Edition to One Direction, and…yeah, of course, Backstreet Boys and *N Sync, boy bands have had remarkable variety over the years. (In a sense, even a certain ’60s Fab Four started as a boy band.)

Join Chris Molanphy as he tries to define the ineffable quality of boy band–ness, walks through decades of shrieking, hair-pulling pop history, and reminds you that boy bands generated some of our greatest hits, from “I Want You Back” to “I Want It That Way,” “Bye Bye Bye” to “Dynamite.” Help him “bring the fire and set the night alight.”

Podcast production by Kevin Bendis.

Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Gina Cherelus (New York Times’ weekly dating column Third Wheel) joins Prudie (Jenée Desmond-Harris) to answer letters from readers about how much physical affection is appropriate with people who aren’t your partner, believing you are with your partner because you are more attractive than them, and more. 

If you want more Dear Prudence, join Slate Plus, Slate’s membership program. Jenée answers an extra question every week, just for members. 

Go to Slate.com/prudieplus to sign up. It’s just $15 for your first three months. 

This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, and Jenée Desmond-Harris, with help from Maura Currie and Jared Downing.

Learn more about your ad choices. Visit megaphone.fm/adchoices

True crime is a hot topic for movies, television, and –yes– podcasts. At the center of many of these stories is a missing woman. In the She Has A Name podcast, veteran journalist Tonya Mosley tries to reconstruct the death –and life– of a woman who went missing in 1987, a woman who happens to be her long lost sister. On today’s episode of A Word, Jason Johnson is joined by Tonya Mosley to talk about uncovering the mystery around her sister Anita’s disappearance and death, and how the podcast helped her connect to a family that she never knew. 

Guest: Tonya Mosley, host of the podcast She Has A Name

Podcast production by Ahyiana Angel

Want more A Word? Subscribe to Slate Plus to immediately access ad-free listening across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/awordplus to get access wherever you listen.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Pop culture is full of fictional bands singing songs purpose-made to capture a moment, a sound. This music doesn’t organically emerge from a scene or genre, hoping to find an audience. Instead it fulfills an assignment: it needs to be 1960s folk music, 1970s guitar rock, 80s hair metal, 90s gangsta rap, and on and on.

In this episode, we’re going to use ‘Stereophonic,’ which just opened on Broadway, as a kind of case study in how to construct songs like this. The playwright David Adjmi and his collaborator, Will Butler formerly of the band Arcade Fire, will walk us through how they did it. How they made music that needs to capture the past, but wants to speak to the present; that has to work dramatically but hopes to stand on its own; that must be plausible, but aspires to be something even more. 

The band in Stereophonic includes Sarah Pidgeon, Tom Pecinka, Juliana Canfield, Will Brill, and Chris Stack. Stereophonic is now playing on Broadway—and the cast album will be out May 10.

Thank you to Daniel Aukin, Marie Bshara, and Blake Zidell and Nate Sloan. 

This episode was produced by Max Freedman and edited by Evan Chung, who produce the show with Katie Shepherd. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director.

If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends.

If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. 

Hosted on Acast. See acast.com/privacy for more information.

On today’s episode, Steffi Cao explains Roblox to Rachelle. Cao, a culture writer with bylines at The Atlantic, Fast Company, Forbes, BuzzFeed and more, recently wrote about Roblox’s new attempt to venture outside of kids’ gaming.

This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, Candice Lim and Rachelle Hampton.

Hosted on Acast. See acast.com/privacy for more information.

On this week’s episode, the panel is first joined by Slate’s music critic, Carl Wilson, to puzzle over The Tortured Poets Department, Taylor Swift’s much-anticipated 11th studio album. Stuffed with 31 tracks, the two-part album is a departure from the billionaire pop star’s otherwise perfectly crafted oeuvre: it’s messy and drippy, and at times, manic and frenetic. Is this secretly a cry for help? And more importantly, when did she find the time to record this thing? Then, the three explore Fallout, a post-apocalyptic drama series adapted from the extremely popular role-playing video game of the same name. Executive produced by Jonathan Nolan (Westworld, Person of Interest) and streaming on Prime Video, Fallout certainly achieves a high level of immersive world-building, but do the stories and characters fare the same? Finally, Becca Rothfeld, the Washington Post’s non-fiction book critic, joins to discuss her triumphant first book, All Things Are Too Small: Essays in Praise of Excess, in which she rebukes the culture’s affinity for minimalism and makes the case for living in a maximalist world. 

In the exclusive Slate Plus segment, it’s part two of the Ambition versus Contentment discussion (courtesy of a listener question from Gretel): How should a parent approach cultivating ambition in a child, if at all? The hosts discuss. 

Email us at [email protected]. 

Outro music: "Ruins (Instrumental Version)" by Origo

Endorsements:

Dana: The Teacher’s Lounge, a film by German-Turkish director Ilker Çatak. It was a Best International Film nominee at the 96th Academy Awards. (Also, Ebertfest in Champaign, Illinois!)

Julia: Kristen Wiig’s Jumanji sketch on Saturday Night Live, inspired by Dana. 

Stephen: The British band Jungle, introduced to him by his daughter. A few favorite songs: “Back on 74,” “Dominoes,” and “All of the Time.” 

Podcast production by Jared Downing. Production assistance by Kat Hong. 

Hosts

Dana Stevens, Julia Turner, Stephen Metcalf

Hosted on Acast. See acast.com/privacy for more information.

On this week’s episode, the panel is first joined by Slate’s music critic, Carl Wilson, to puzzle over The Tortured Poets Department, Taylor Swift’s much-anticipated 11th studio album. Stuffed with 31 tracks, the two-part album is a departure from the billionaire pop star’s otherwise perfectly crafted oeuvre: it’s messy and drippy, and at times, manic and frenetic. Is this secretly a cry for help? And more importantly, when did she find the time to record this thing? Then, the three explore Fallout, a post-apocalyptic drama series adapted from the extremely popular role-playing video game of the same name. Executive produced by Jonathan Nolan (Westworld, Person of Interest) and streaming on Prime Video, Fallout certainly achieves a high level of immersive world-building, but do the stories and characters fare the same? Finally, Becca Rothfeld, the Washington Post’s non-fiction book critic, joins to discuss her triumphant first book, All Things Are Too Small: Essays in Praise of Excess, in which she rebukes the culture’s affinity for minimalism and makes the case for living in a maximalist world. 

In the exclusive Slate Plus segment, it’s part two of the Ambition versus Contentment discussion (courtesy of a listener question from Gretel): How should a parent approach cultivating ambition in a child, if at all? The hosts discuss. 

Email us at [email protected]. 

Outro music: "Ruins (Instrumental Version)" by Origo

Endorsements:

Dana: The Teacher’s Lounge, a film by German-Turkish director Ilker Çatak. It was a Best International Film nominee at the 96th Academy Awards. (Also, Ebertfest in Champaign, Illinois!)

Julia: Kristen Wiig’s Jumanji sketch on Saturday Night Live, inspired by Dana. 

Stephen: The British band Jungle, introduced to him by his daughter. A few favorite songs: “Back on 74,” “Dominoes,” and “All of the Time.” 

Podcast production by Jared Downing. Production assistance by Kat Hong. 

Hosts

Dana Stevens, Julia Turner, Stephen Metcalf

Learn more about your ad choices. Visit megaphone.fm/adchoices