Slate Culture Feed

**Today’s episode discusses sensitive language, including the n-word, and may not be appropriate for all listeners.**

For decades, words and phrases that originate in Black homes, churches, and entertainment have been pulled into the national conversation…where their meanings are often changed or widely misunderstood. And social media has accelerated the process, taking Black vernacular from a group chat, to Twitter, to national headlines in record time. On today’s episode of A Word, Jason Johnson is joined by journalists Tre’vell Anderson and Jarrett Hill, co-authors of the new book, Historically Black Phrases: From ‘I Ain’t One of Your Lil’ Friends’ to ‘Who All Gon’ Be There?’ They talk about what inspired their book, and how they hope the book can provide a snapshot of authentic Black language, and the spark to more honest conversations about race and identity.

Guests: 

Acclaimed writer Tre’vell Anderson, author of We See Each Other: A Black, Trans Journey Through TV and Film.

Award-winning journalist Jarrett Hill, professor at the University of Southern California’s Annenberg School of Journalism.

Podcast production by Ahyiana Angel

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If an instrumental tops the charts, it’s probably an earworm: “Tequila.” “Wipeout.” “Dueling Banjos.” “The Hustle.” “Feels So Good.” “Chariots of Fire.” “Axel F.” You can probably whistle or hum several of those from memory. But do you remember the artists? All were one-hit wonders. By and large, instrumental hits throughout chart history were flukes.

But there were exceptions: a trumpet player from Los Angeles who pretended to be Latin, made up a fake mariachi band, put sexy models on his album covers and topped the charts almost as much as the Beatles. Or, a try-hard, perm-headed soprano saxophone player from Seattle, who turned holding his breath while playing dizzying runs of notes into an athletic feat.

How do songs without words become hits? Why were Herb Alpert and Kenny G so good at it? Why did instrumentals fall off the charts after the ’80s—and who is bringing them back? (Hint: think oontz-oontz-oontz.) Join Chris Molanphy as he throws away the lyric sheet and explains how a catchy melody can be worth a thousand words.

Podcast production by Kevin Bendis.

Hosted on Acast. See acast.com/privacy for more information.

If an instrumental tops the charts, it’s probably an earworm: “Tequila.” “Wipeout.” “Dueling Banjos.” “The Hustle.” “Feels So Good.” “Chariots of Fire.” “Axel F.” You can probably whistle or hum several of those from memory. But do you remember the artists? All were one-hit wonders. By and large, instrumental hits throughout chart history were flukes.

But there were exceptions: a trumpet player from Los Angeles who pretended to be Latin, made up a fake mariachi band, put sexy models on his album covers and topped the charts almost as much as the Beatles. Or, a try-hard, perm-headed soprano saxophone player from Seattle, who turned holding his breath while playing dizzying runs of notes into an athletic feat.

How do songs without words become hits? Why were Herb Alpert and Kenny G so good at it? Why did instrumentals fall off the charts after the ’80s—and who is bringing them back? (Hint: think oontz-oontz-oontz.) Join Chris Molanphy as he throws away the lyric sheet and explains how a catchy melody can be worth a thousand words.

Podcast production by Kevin Bendis.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Jonas Salk’s polio vaccine transformed America and the world in ways that seemed unimaginable. But in 1955, there was a moment when everything was in doubt. This week, Josh Levin talks with Dr. Paul Offit about the medical mystery that threatened to derail one of history’s most important scientific breakthroughs.

Josh Levin is One Year’s editorial director. One Year’s senior producer is Evan Chung.

This episode was produced by Kelly Jones, Evan Chung, and Sophie Summergrad. 

It was edited by Josh Levin, Joel Meyer, and Derek John, Slate’s executive producer of narrative podcasts. 

Merritt Jacob is our senior technical director.

Join Slate Plus to get a bonus 1955 episode at the end of the season. Slate Plus members also get to listen to all Slate podcasts without any ads. Sign up now to support One Year.

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On this week’s episode of The Waves, Host Kat Chow turns to Afghanistan, two years since the chaotic withdrawal of U.S. troops from the country. She speaks with reporter Tanvi Misra, who recently published an article with Politico following a family trapped in immigration limbo at a U.S. embassy in Doha, Qatar. Tanvi also explains how the U.S. immigration process singles out women and marginalized genders.

Further reading: They Thought Their Sick Little Girl Would Be Safe in America. Then It Denied Her Family Entry.

In Slate Plus: The drama and life of luxury on Prime Video’s Made in Heaven with Host Kat Chow and reporter Tanvi Misra

If you liked this episode, check out: Incompetent Cervix - The Misogynist History Behind Naming The Female Body

Podcast production by Vic Whitley-Berry and Cheyna Roth with editorial oversight by Daisy Rosario and Alicia Montgomery.

Send your comments and recommendations on what to cover to [email protected].

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Why is everyone—on the left and the right—suddenly touting the benefits of a married two-parent family? And what is it about this institution that appeals to a certain class of politicians and pundits as means to address American poverty, even as it loses popularity?

We consider the public meltdown over lower marriage rates and the renewed interest in ending no-fault divorce. 

Guest: Rebecca Traister, author of All the Single Ladies: Unmarried Women and the Rise of an Independent Nation and writer-at-large for New York magazine. 

If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Dear Prudence—and you’ll be supporting the work we do here on What Next. Sign up now at slate.com/whatnextplus to help support our work.

Podcast production by Elena Schwartz, Madeline Ducharme, Anna Phillips, Paige Osburn, and Rob Gunther.

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Anna and Ellen Burstyn check in 9 years after they first spoke. Ellen talks about the relationships that make up her life in this moment, her dog, and finding novelty in the everyday.

You can listen to the original interview here. 

Did you know we have a weekly email newsletter for the Death, Sex & Money community? Every Wednesday we send out a note from Anna, fascinating listener letters from our inbox, and updates from the show. Sign up at deathsexmoney.org/newsletter, and follow the show on Twitter, Facebook, and Instagram.

Got a story to share? Email us at [email protected].

Hosted on Acast. See acast.com/privacy for more information.

On today’s episode, Candice Lim and Rachelle Hampton are joined by Daisy Rosario to discuss the hottest show of the summer: Suits. The USA Network procedural follows a magnetic cast of law firm employees who bend the system, fire off quips in court and essentially, wear suits. Suits isn’t the most buzzy or exciting series out there, so how did a show that ended in 2019 experience a resurgence four years later? Since hitting Netflix in June, Suits has been the most-streamed title for 10 weeks and counting, and the conversation has been boiling over onto TikTok, Twitter and even AO3. So how did Suits become the show of the summer and does a certain paralegal-turned-royal have anything to do with it?

This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, Candice Lim and Rachelle Hampton.

Hosted on Acast. See acast.com/privacy for more information.

This week, Dana and Stephen are once again joined by Kat Chow, author of the memoir Seeing Ghosts. The panel begins by jumping into the ring with Cassandro, the oddly conflict-adverse biopic about the lucha libre superstar and exótico gay icon, Saúl Armendáriz, who is played terrifically by Gael García Bernal in a provocative, tour-de-force performance. Then, the trio wades into comedian–and future Daily Show host hopeful–Hasan Minhaj’s thorny web of lies with Slate staff writer, Nitish Pahwa, who detailed the devastating impact of Minhaj’s many falsehoods in his essay, “Hasan Minhaj Meant Something to Brown Americans. Was It All an Act?” Finally, the three react to “The 40 Greatest Stand-Alone TV Episodes of All Time,” written by the Slate Staff, a massive labor of love and fun thought experiment that spans The Sopranos, Atlanta, The Larry Sanders Show, Black Mirror, and High Maintenance. 

In the exclusive Slate Plus segment, the panel discusses the impact the last few years have had on their lives, inspired by Katy Schneider’s essay for The Cut, “The Pandemic Skip.”

Email us at [email protected]. 

Endorsements:

Dana: Dana sent this to everyone she knows–family, friends, etc. It’s a new interview with Martin Scorsese, written by Zach Baron for GQ entitled “Martin Scorsese: ‘I Have To Find Out Who The Hell I Am.’” In addition to films and moviemaking (his latest, Killers of the Flower Moon, is set to be released in October), the legendary director, now 80, also speaks candidly about life, its inevitable end, and his own mortality. It’s a dream of an interview and absolutely sublime. 

Kat: Small Things Like These, a beautifully written historical fiction novel by Claire Keegan about the horrific conditions women and children endured at Magdalene Laundries in Ireland. 

Stephen: “Quantum poetics,” an essay in Aeon written by William Egginton, a professor of humanities at James Hopkins University. In it, Egginton describes the ways Argentine short story author, Jorge Luis Borges, and German theoretical physicist Werner Heisenberg “converged on the notion that language both enables and interferes with our grasp of reality.” 

Outro music: “Forbidden Love” by OTE

Podcast production by Cameron Drews. Production assistance by Kat Hong. 

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Everybody loves pandas—and China knows it. As we say goodbye to the National Zoo’s pandas, we look back at 50 years of “panda diplomacy” and consider its uncertain future.

Guest: E. Elena Songster, author of Panda Nation: The Construction and Conservation of China’s Modern Icon and professor of environmental history of modern China at St. Mary’s College of California.

If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Dear Prudence—and you’ll be supporting the work we do here on What Next. Sign up now at slate.com/whatnextplus to help support our work.

Podcast production by Elena Schwartz, Madeline Ducharme, Anna Phillips, Paige Osburn, and Rob Gunther.

Learn more about your ad choices. Visit megaphone.fm/adchoices