Slate Culture Feed

On today’s episode, host Kate Lindsay is joined by internet culture writer Jennifer Swann, whose recent piece for Wired featured the users who are still turning to Craigslist for apartment hunting and second-hand shopping, despite newer, flashier alternatives. In fact, it’s precisely because Craigslist hasn’t changed at all in the past 30 years that people keep coming back. While so many other early websites have been lost to time, how has Craigslist endured? 

This podcast is produced by Daisy Rosario, Vic Whitley-Berry, and Kate Lindsay.

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This week, our Gabfest panel includes Steve and guest hosts Nadira Goffe and Laura Miller with a typically eclectic collection of topics. First up, Dana hops on the call to decode the unspoken truths and dream imagery of Kleber Mendonça Filho’s film The Secret Agent. Set in 1970s Recife, Brazil and starring a very charming Wagner Moura, the film is a heterodox brew of political thriller, magical realism, and attentive character study about the everyday surreality of life under dictatorship.

Next, it’s back to Westeros with a discussion of A Knight of the Seven Kingdoms, a Game of Thrones prequel set 100 years before the original show based on George R.R. Martin’s fantasy epic. Grounded and surprisingly funny, don’t expect dragons in this knight’s tale.

Finally, they turn to “Gluttons for Punishment,” a recent Vulture article by Lila Shapiro about UPenn religious studies professor Justin McDaniel using some extreme, unorthodox measures to get his students to finish books.

In an exclusive bonus episode for Slate Plus subscribers, the panel talks to Laura about the secret pleasures of wood stacking as discussed in her recent piece “The Art of the Holzhausen.”

Endorsements

Nadira: Some melancholy shoegaze pop from Scandinavia, specifically the albums Goodbyehouse by Snuggle and Big City Life by Smerz.

Laura: The novels of Robert Jackson Bennett in his Shadow of the Leviathan series including Hugo-winning The Tainted Cup and A Drop of Corruption.

Steve:  The Substack essay “The Wall Looks Permanent Until It Falls Down” by Adam Bonica about the cost of American exceptionalism.

And a bonus one from Dana: Pictures of Ghosts, the documentary by The Secret Agent director Kleber Mendonça Filho about Recife, Brazil in the 1970s.

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Email us your thoughts at [email protected]. 

Podcast production by Kevin Bendis. Production assistance by Daniel Hirsch.

Hosted on Acast. See acast.com/privacy for more information.

Hosts Alex Kirshner, Lindsay Gibbs, and Ben Lindbergh are joined by Fried Egg Golf’s Brendan Porath to examine the crumbling of LIV Golf in the wake of Brooks Koepka’s reinstatement by the PGA Tour.

Then Alex and Ben speak to author Chuck Klosterman about his new book, simply titled, Football. Klosterman predicts the eventual demise of America’s most beloved sport, and explains why it will be widely misunderstood by future generations.

The panel wraps with more football, breaking down the College Football Playoff national championship and the NFL postseason.

On the bonus episode, available exclusively for Slate Plus members, the panel discusses the Kyle Tucker acquisition by the Dodgers and whether it's finally time for an MLB salary cap.

LIV Golf (8:22): Koepka is out and takes his punishments

Klosterman (25:49): When football is no more

CFB (01:02:27):  Hoosiers are no longer the biggest losers

(Note: time codes are only accurate for Slate Plus members, who listen ad-free.)

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You can email us at [email protected].

Podcast production and editing by Kevin Bendis, with production assistance from Patrick Fort.

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Anna talks to Jonathan Goldstein, host of the Pushkin podcast Heavyweight, about the show getting a second chance after a long period of uncertainty, and how that time helped some of the stories they had been working on find a proper conclusion.  

Then we share one of our favorite episodes of Heavyweight, their recent season finale titled “Deborah.” At 101 years old, Deborah discovered a box she'd stashed away a lifetime ago. What was inside reignited an old love and turned her life upside down.

Heavyweight production by Phoebe Flanigan and Jonathan Goldstein. 

Death, Sex & Money is now produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus.

And if you’re new to the show, welcome. We’re so glad you’re here. Find us and follow us on Instagram and you can find Anna’s newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is [email protected].

Hosted on Acast. See acast.com/privacy for more information.

On today’s episode, host Kate Lindsay is joined by Parker Molloy, writer of The Present Age. After Elon Musk implemented updates to his Grok chatbot that encouraged it to be more sexually explicit, certain users began directing it to publicly remove clothing from not just photos of women, but also children. In addition to being a violation of Twitter’s own policies, it’s also against the law—and yet, nobody in power is stopping it. Musk and the platform have managed to dodge any accountability for the misstep, and keep claiming to have fixed the problem without actually changing anything. Even worse, what starts as an X problem may eventually plague the rest of the internet. 

This podcast is produced by Daisy Rosario, Vic Whitley-Berry, and Kate Lindsay.

Hosted on Acast. See acast.com/privacy for more information.

Chameleon: That’s long been the word used to describe David Bowie, pop music’s shapeshifting extraterrestrial. He shifted personas, genres, and looks, emerging from swinging London with psychedelic folk before steamrolling through glam rock, disco, funk, new wave, alt-rock, and even jazz.

Less remarked was Bowie’s savvy about shifting through commercial phases—he wore pop stardom like a costume, too. He drifted in and out of the spotlight, and on and off the charts, before one final chart-topping farewell 10 years ago this month.

Join Chris Molanphy as he takes us from station to station across the chart career of David Bowie, on a journey from Starman to Blackstar.

Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.

Podcast production by Kevin Bendis.

Hosted on Acast. See acast.com/privacy for more information.

We are really lucky to get lots of listener suggestions for the show, more good questions than we can possibly answer in a mailbag episode once or twice a year. So we’re starting a new segment we call… Decoder Rings Back! Every month, host Willa Paskin will personally call up a listener to answer their question. 

In this inaugural installment of Decoder Rings Back, Willa calls up listener Dustin Malek about his cultural mystery: Why did the Mona Lisa, of all paintings, become the most famous in the world, bar none? Willa shares the story of daring heist that turned Leonardo da Vinci’s enigmatic smiling subject into a celebrity.

Future episodes of Decoder Rings Back will only be available to Slate Plus subscribers. So if you want to be sure not to miss them, sign up for Slate Plus! You’ll get exclusive episodes and ad-free listening not just on our show, but all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify, or visit slate.com/decoderplus for access wherever you listen. 

This episode was produced by Max Freedman. Decoder Ring is also produced by Katie Shepherd and Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director.

If you have any cultural mysteries you want us to decode, email us at [email protected] or leave a message on our hotline at (347) 460-7281.

Sources for This Episode

Cumming, Laura. “The man who stole the Mona Lisa,” The Guardian, August 5, 2011.

Hoobler, Dorothy, and Thomas Hoobler. “Stealing Mona Lisa,” Vanity Fair, April 16, 2009.

Hoobler, Dorothy, and Thomas Hoobler. The Crimes of Paris: A True Story of Murder, Theft, and Detection, Bison Books, 2010.

Isaacson, Walter. Leonardo da Vinci, Simon & Schuster, 2018.

Roberts, Sam. “Happy Birthday to the Man Who Stole the Mona Lisa and Took It to Italy,” The New York Times, October 7, 2022.

Sassoon, Donald. “Mona Lisa: The Best-Known Girl in the Whole Wide World,” History Workshop Journal, Spring 2001.

Sassoon, Donald. Mona Lisa: The History of the World’s Most Famous Painting, HarperCollins, 2016.

“The Theft That Made The 'Mona Lisa' A Masterpiece,” NPR, July 30, 2011.

Zug, James. “Stolen: How the Mona Lisa Became the World’s Most Famous Painting,” Smithsonian Magazine, June 15, 2011.

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On today’s episode, host Kate Lindsay is joined by Kathryn Jezer-Morton, writer of The Cut column Brooding, and author of the viral article, In 2026, We Are Friction-Maxxing. Over the past fifteen years, technology has attempted to “fix” every small inconvenience in our lives, which has rendered us completely unable to endure basic hurdles such as sitting in silence, navigating unfamiliar social social interactions, and doing any kind of creative thinking. To reverse this, Kathryn proposes we “friction-maxx,” and rebuild our tolerance for the very things that, it turns out, make us human. 

This podcast is produced by Daisy Rosario, Vic Whitley-Berry, and Kate Lindsay.

Hosted on Acast. See acast.com/privacy for more information.

Podcasting is a privilege as Steve is joined by Dan Kois and Rebecca Onion to unpack and cackle at the domestic thriller schlockfest The Housemaid. Sydney Sweeney and Amanda Seyfried star in the Paul Fieg-directed tale of two women facing off to rule the McMansion roost.

Next, Seyfried proves she’s got the range as the panel joins the chorus appraising her performance in The Testament of Ann Lee, the epic tone poem and musical biopic about the founder of the Shakers directed by Mona Fastvold.

Finally, Julia hops on the call to join a conversation with Alia Hanna Habib, the influential book agent who is divulging hard-won publishing world insights in a new book Take It from Me and in the Substack Delivery & Acceptance.

In a Slate Plus bonus episode, the panel addresses a listener questioner from a U.S. history teacher about syllabus-worthy pop culture.

Endorsements

Dan: The Ruth Asawa retrospective at MoMA which illuminates the work and life of the prolific artist.

Rebecca: A bunch of books including Canticle by Janet Rich Edwards, The Ax by Donald E. Westlake, and True Grit by Charles Portis.

Steve: The essay "East Side Story" about Marty Supreme by Nawal Arjini in the New York Review of Books.

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Email us your thoughts at [email protected]. 

Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch.

Hosted on Acast. See acast.com/privacy for more information.

In the 1950s, about 50% of patients who died in a hospital in the U.S. received an autopsy. Today, that figure is in the single digits, which is a big loss according to two people who care a lot about this topic: 

One is Dr. Alex Williamson, an forensic and pediatric pathologist who performs autopsies and talks to families of the deceased about what he learned in the process. The other is Sam Ashworth, a novelist who went looking for a storytelling device and found an obsession. This week, both men explain why autopsies are important and what they can teach us about living. 

Sam Ashworth’s novel The Death and Life of August Sweeny is available now. 

This episode was produced by Cameron Drews.

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If you’re new to the show, welcome. We’re so glad you’re here. Find us and follow us on Instagram and you can find Anna’s newsletter at annasale.substack.com. Our email address, where you can reach us with voice memos, pep talks, questions, critiques, is [email protected].

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