Slate Culture Feed

On this week’s show, Isaac Butler (Supreme Friend of the Show and author of The Method:‌ How the Twentieth Century Learned to Act) sits in for Dana. First, the panel is quite verbose about Say Nothing, a limited series that takes place over four generations and is set during The Troubles in Northern Ireland. By dramatizing the real-life events recounted in Patrick Radden Keefe’s 2018 bestseller, the adapted limited series achieves something quite rare: enriching the original text and imbuing it with new meaning.

Then, they unpack Emilia Pérez, an utterly captivating musical by writer-director Jacques Audiard that’s about gender transition, drug cartels, and becoming yourself. Finally, the trio discusses Carson the Magnificent, a new biography of the mysterious late-night pioneer that Isaac recently reviewed for The New Yorker.

In the exclusive Slate Plus segment, the panel answers a listener question from James: “Are there cultural works that you fully intend to see or experience, but are waiting for an optimal way to do it?”

Email us at [email protected]. 

Endorsements:

Isaac: Blood Test by Charles Baxter.  

Julia: Zoe Saldaña in Center Stage.

Steve: Alice Neel’s appearance on Johnny Carson’s Tonight Show in 1984.

Podcast production by Jared Downing. Production assistance by Kat Hong. 

Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more.

Hosted on Acast. See acast.com/privacy for more information.

In 1980, a variety show debuted on NBC called Pink Lady and Jeff. Its stars were a pair of Japanese pop idols known for catchy, choreographed dance numbers. Pink Lady was inescapable in Japan: selling millions of records, appearing on TV daily, and filling arenas. But their American TV show left audiences completely bewildered. Pink Lady and Jeff acquired legendary status as one of television’s most notorious bombs, a show that managed to kill off the entire variety show genre. Or at least—that’s how it’s been seen in America. But for the two women of Pink Lady, the show was something else. In this episode, Decoder Ring’s Evan Chung puts this so-called “megaflop” in the spotlight to find out what really went wrong.

You’ll hear from Mie and Keiko Masuda of Pink Lady, their co-host Jeff Altman, head writer Mark Evanier, and legendary TV producer Sid Krofft of H.R. Pufnstuf fame.

This episode was written and produced by Evan Chung. It was edited by Willa Paskin. Our translator was Eric Margolis. Decoder Ring is also produced by Max Freedman and Katie Shepherd, with help from Sofie Kodner. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director.

Special thanks to Kelly Killian, Lorne Frohman, Rowby Goren, Michael Lloyd, Cheyna Roth, Karin Fjellman, Cole delCharco, and Hannah Airriess.

If you have any cultural mysteries you want us to decode, email us at [email protected]

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Disclosure: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more.

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In this episode, host Jules Gill-Peterson speaks with the co-founders of Invisible Histories about their groundbreaking work preserving the rich, often overlooked history of queer life in the American South. At a time when LGBTQ+ communities face growing threats, safeguarding these stories is more urgent than ever. Together, they discuss how archiving resilience, joy, and everyday lives challenges erasure and ensures these vital narratives inspire future generations.

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Ezra is adrift in his early 20s. He craves a life of meaning, community, and love. But he’s struggling to find those things in a world that seems increasingly uncertain and discouraging for young people. On this existential episode of How To!, Courtney Martin brings in Andrew McPeak, author, podcast host, and vice president of Growing Leaders. He tackles Ezra’s big questions and explains how Gen Z (and everyone else) can make life more meaningful. 

If you liked this episode check out: How To Keep Caring Amid Endless Crises

Do you have a problem that needs solving? Send us a note at [email protected] or leave us a voicemail at 646-495-4001 and we might have you on the show. Subscribe for free on Apple, Spotify or wherever you listen.

How To’s executive producer is Derek John. Joel Meyer is our senior editor/producer. The show is produced by Rosemary Belson, with Kevin Bendis and Sara McCrea.

Want more How To!? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the How To! show page. Or, visit slate.com/howtoplus to get access wherever you listen.

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Therapist Lauren LaRusso has spent the past few years learning everything she can about infidelity–why people have affairs, how to cope with an unfaithful spouse, and how to move forward with or without your partner after a betrayal. And she’s been sharing this wisdom with her 100,000 followers on Instagram. 

This week, Lauren explains why she approaches this topic with more curiosity than judgment, and she discusses the affair that happened in her own marriage that led her to become a trusted and invested authority on the matter. 

Learn more about Lauren at laurenlarusso.com or on her Instagram page. She also writes at laurenlarusso.substack.com.  

This episode references the song Next Lifetime by Erykah Badu.

Podcast production by Cameron Drews. 

Death, Sex & Money is now produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus.

And if you’re new to the show, welcome. We’re so glad you’re here. Find us and follow us on Instagram and you can find Anna’s newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is [email protected].

Hosted on Acast. See acast.com/privacy for more information.

Hosts Alex Kirshner, Ben Lindbergh, and Lindsay Gibbs discuss the 4-hour Jake Paul and Mike Tyson boxing circus. They also talk about changes in regional sports networks, the next chapter in the Chiefs-Bills rivalry, plus an Afterball from Alex on the Winnipeg Jets. On the Bonus episode, available exclusively for Slate Plus members, the panel gets into the NBA’s continued love of three-pointers.

Paul vs. Tyson (2:54): How the main event duped so many viewers.

FanDuel takes on RSNs (25:18): How sixteen regional sports networks continue to be reshuffled.

Chiefs vs. Bills (43:35): CBS and the NFL want this rivalry to stick.

Afterballs (56:57): Alex Kirshner on the NHL’s Winnipeg Jets and their attendance issues.

(Note: time codes are only accurate for Slate Plus members, who listen ad-free.)

Want more Hang Up and Listen? Subscribe to Slate Plus to immediately unlock weekly bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page, or visit slate.com/hangupplus to get access wherever you listen.

Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more.

Hosted on Acast. See acast.com/privacy for more information.

On this episode: Zak sits down with Zach O’Hora and Lisa Whittick – respectively, the creator and director of the new PBS Kids show Carl The Collector. They’ll talk about crafting a kids’ show with neurodiverse characters… and what it means to tell a good story.

We’ll also check in on where the hosts are this week – and then, if you’re coming to hang out on the Slate Plus Playground, we’re celebrating the life and work of children’s folk singer Ella Jenkins.

If you’re not part of the Slate Plus community, we hope you’ll consider joining! Keep reading to learn how.

Jamilah’s check-in: tall fun man and an IEP 

Elizabeth’s check-in: self-sufficiency and model UN 

Zak’s check-in: two wheels and a dream

Join us on Facebook and email us at [email protected] to ask us new questions, tell us what you thought of today’s show, and give us ideas about what we should talk about in future episodes. You can also call our phone line: (646) 357-9318.

If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get to hang out with us on the Plus Playground every week for a whole additional grab-bag of content — and you’ll get an ad-free experience across the network. And you’ll also be supporting the work we do here on Care and Feeding. Sign up now at slate.com/careplus – or try it out on Apple Podcasts.

Podcast produced by Maura Currie.

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Political Gabfest host Emily Bazelon talks with author Stephanie Gorton about her new book, The Icon & The Idealist.They discuss racism and prudishness in the early suffragist movement, how eugenics played a role in the birth control movement, and how two different women fought each other, despite wanting the same things. 

Tweet us your questions @SlateGabfest or email us at [email protected]. (Messages could be quoted by name unless the writer stipulates otherwise.)

Podcast production by Cheyna Roth.

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Candice Lim is joined by Dazed senior writer Laura Pitcher to discuss her piece, “Meet the people using ChatGPT as their therapist.” Since ChatGPT’s public release in late 2022, there has been a growing reliance on the artificially intelligent chatbot in people’s everyday lives. TikTok users are talking about the way they use ChatGPT as their therapist, their best friend, their life organizer, and more. But is reliant, daily use of an AI service worth possible consequences such as climate change, loneliness, and data privacy concerns? On today’s episode, ICYMI dives into the unexpected ways people have been using ChatGPT and whether we can predict its role in the near future.

This podcast is produced by Se’era Spragley Ricks, Daisy Rosario and Candice Lim, with production assistance from Alexandra Botti and Kat Hong.

Hosted on Acast. See acast.com/privacy for more information.

You know her honorific: Queen of Soul. And heavy is the head that wears the crown. In her lifetime, Aretha Franklin didn’t just want to be revered. She wanted hits. But Franklin made pop come to her, not the other way around.

When showtunes and standards didn’t work in the ’60s, Aretha switched to gritty R&B and gospel harmonies—and started topping the charts. When she recorded a live album in a church in the ’70s, it became her best-seller. When the MTV era changed the game in the ’80s, she did New Wave synthpop her way—and topped the charts again. In the ’90s, she tried house, hip-hop and New Jack Swing, scoring hits deep into her fifties.

Join Chris Molanphy as he explains how Aretha Franklin earned her regal title, one hit at a time. She won our respect by infusing the charts with a holy spirit and amazing grace—and she always remained a natural woman.

Podcast production by Kevin Bendis.

Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more.

Hosted on Acast. See acast.com/privacy for more information.