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When I receive a new script, my first step surprises people. I create an audio recording of every scene I’m in – not just my lines, but everyone’s lines. Using apps like LineLearner, I record each cue line followed by my response, all delivered in completely monotone voice with zero inflection or emotion. This approach might make acting coaches cringe, but it connects directly to Sanford Meisner’s teaching philosophy. Meisner had students rehearse lines in monotone specifically to prevent them from “setting” a line reading too early. The goal? When you’re actually performing, you can react naturally to whatever happens in the moment and deliver your lines however feels right. But there’s a deeper psychological reason this works so well.
By Michael Britt4.2
288288 ratings
When I receive a new script, my first step surprises people. I create an audio recording of every scene I’m in – not just my lines, but everyone’s lines. Using apps like LineLearner, I record each cue line followed by my response, all delivered in completely monotone voice with zero inflection or emotion. This approach might make acting coaches cringe, but it connects directly to Sanford Meisner’s teaching philosophy. Meisner had students rehearse lines in monotone specifically to prevent them from “setting” a line reading too early. The goal? When you’re actually performing, you can react naturally to whatever happens in the moment and deliver your lines however feels right. But there’s a deeper psychological reason this works so well.

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