
Sign up to save your podcasts
Or


When I receive a new script, my first step surprises people. I create an audio recording of every scene I’m in – not just my lines, but everyone’s lines. Using apps like LineLearner, I record each cue line followed by my response, all delivered in completely monotone voice with zero inflection or emotion. This approach might make acting coaches cringe, but it connects directly to Sanford Meisner’s teaching philosophy. Meisner had students rehearse lines in monotone specifically to prevent them from “setting” a line reading too early. The goal? When you’re actually performing, you can react naturally to whatever happens in the moment and deliver your lines however feels right. But there’s a deeper psychological reason this works so well.
By Michael Britt4.2
288288 ratings
When I receive a new script, my first step surprises people. I create an audio recording of every scene I’m in – not just my lines, but everyone’s lines. Using apps like LineLearner, I record each cue line followed by my response, all delivered in completely monotone voice with zero inflection or emotion. This approach might make acting coaches cringe, but it connects directly to Sanford Meisner’s teaching philosophy. Meisner had students rehearse lines in monotone specifically to prevent them from “setting” a line reading too early. The goal? When you’re actually performing, you can react naturally to whatever happens in the moment and deliver your lines however feels right. But there’s a deeper psychological reason this works so well.

21,972 Listeners

63,776 Listeners

43,566 Listeners

11,518 Listeners

1,077 Listeners

1,225 Listeners

1,863 Listeners

517 Listeners

62 Listeners

1,134 Listeners

940 Listeners

3,870 Listeners

2,869 Listeners

114 Listeners

1,546 Listeners

1,365 Listeners

1,384 Listeners

606 Listeners

324 Listeners

8,455 Listeners

328 Listeners

404 Listeners

800 Listeners

734 Listeners

19,774 Listeners