The Verb

The Verb

By BBC Radio 4Society & Culture
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The Verb episodes

  • Language Lockdown

    A few months ago, writing an email to a colleague that starts 'I hope you are safe in these extraordinary times' would have been an unusual thing to do, but it very quickly became 'the new normal'. This week Ian McMillan and guests look at the many ways in which our language has adapted to fit our our new routines, from Zooming with friends to socially distancing in supermarkets.

    Rob Drummond, The Verb's resident linguist has been keeping an ear out for the neologisms of our time, and Kate Clanchy presents some of the work written by her students as part of their weekly online poetry classes.

    With more time to read, many of us are finding solace in our bookshelves, and discovering new resonances in classic texts. In a piece especially recorded for The Verb, Julie Hesmondhalgh reads from Ruth, by Elizabeth Gaskell, accompanied by Nicholas Howson & Ruth Montgomery from the BBC Philharmonic Orchestra, just two of the many musicians who have turned their creative energies towards new ways to perform and collaborate.

    We also hear from just a few of the poets and performers responding to Lockdown - Hollie McNish, Michael Dickman, and Morgan Bassichis.

    Presenter: Ian McMillan

    Producer: Jessica Treen

    49 min
  • Woods, Weeds and Wildflowers: Nature Poetry

    Since her first collection, The Thing in the Gap-Stone Stile, won the Forward Prize for Best First Collection in 1996, Alice Oswald has been a major voice in UK poetry, with collections that frequently examine the natural world. In 2002 she won the T.S. Eliot Prize for 'Dart', a book-length poem telling the story of Devon's River Dart. Her latest collection, 'Nobody', is inspired by The Odyssey.

    Fiona Sampson has just published a new of poetry 'Come Down', which is situated in two contrasting landscapes in Hertfordshire and Australia. Her previous work, 'Limestone Country (Little Toller), is also rooted in place, telling personal stories about four particular limestone landscapes: a farming hamlet in Perigord, France, the Karst region of Slovenia, Coleshill, a rural parish in Oxfordshire, and Jerusalem.

    Presenter: Ian McMillan

    Producer: Cecile Wright

    45 min
  • Virtual Hay Festival

    Our annual trip to the BBC Tent at the Hay Festival is one of the highlights of the Verb calendar. This week Ian McMillan is joined by just a few of the fantastic writers who are keeping the spirit of the festival alive with Digital Hay Festival, which runs until the 31st May 2020.

    Ian's guests are Inua Ellams, who will be performing from his show 'An Evening with An Immigrant', a personal story - and updating it to reflect impact of the global pandemic. James Shapiro discusses his latest book 'Shakespeare in a Divided America', and Kapka Kassbova reads from 'To the Lake'. And finally we're joined by the director of the Hay Festival, Peter Florence, on how they hope to preserve some of the magic of the festival in the digital space.

    For information on how to take part in the digital festival please visit the Hay website: hayfestival.com/home

    Presenter: Ian McMillan

    Producer: Cecile Wright

    45 min
  • Birdsong

    How have humans interpreted and been inspired by birdsong? Ian is joined by musician and song collector Sam Lee, who discusses the magic that happens on his annual Singing with Nightingale walks, TS Eliot award winning poet Jen Hadfield on the birds of her beloved Shetland and Richard Smyth, author of 'A Sweet Wild Note' reminds us that birdsong really has very little to do with music.

    Presenter: Ian McMillan

    Producer: Cecile Wright

    54 min
  • Mirrors

    This week The Verb is considering language, reflection and mirrors. There's a brand new commission from our palindromic poet regular Ira Lightman and joining us from San Francisco is Rebecca Solnit on her new memoir 'Recollections of my non-existence' (Granta)

    Presenter: Ian McMillan

    Producer: Cecile Wright

    45 min
  • 17/04/2020

    Ian McMillan is joined by guests Alan Titchmarsh and Patience Agbabi and there's the first in a brand new series of Verb Dramas.

    Presenter: Ian McMillan

    Producer: Cecile Wright

    45 min
  • Social

    This week, Ian McMillan is joined from a distance by his guests, who are all in their own homes. Together they discuss the changing language we are all using as we try to keep friendships alive whilst isolating. There's a brand new poem from Kate Fox, advice from someone used to working alone from A.L Kennedy, John Carey takes us through some poetry that might hold solace for us, Caroline Bird reads a poem that is helping her, and Boo Hewerdine performs a song commissioned especially for The Verb

    Presenter: Ian McMillan

    Producer: Cecile Wright

    45 min
  • African Writing

    Ian McMillan explores African writing with Maaza Mengiste, Ekow Eshun, Jennifer Makumbi and Ellah Wakatama.

    Presenter: Ian McMillan

    Producer: Cecile Wright

    51 min
  • Uncertainty

    This week, the late-night language lock-in is feeling uncertain with Shaun Usher, Jo Neary and Jude Rogers.

    45 min
  • Obsolete

    When the world changes suddenly - how do we know what to abandon and what to keep? William Gibson, Don Paterson, Caro C, and Kọ́lá Túbọ̀sún explore the writing of obsolescence with Ian McMillan.

    The iconic 1960s television series 'The Twilight Zone' is replete with sudden ruptures to daily life -Don Paterson explains how he used the series to write poems that explore our relationship with obsolescence. Sound artist and composer Caro C shares a new commission for The Verb, the novelist famed for conceiving 'cyberspace', William Gibson, considers the disappearance of the future, and Kọ́lá Túbọ̀sún explains why he strives to give Nigerian English and the Yoruba language a technological presence.

    Presenter: Ian McMillan

    Producer: Faith Lawrence

    44 min

About The Verb

From the publisher's feed

Ian McMillan hosts Radio 4's cabaret of the word, featuring the best poetry, new writing and performance.

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