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About Sarah Blakley-Cartwright:
Sarah Blakley-Cartwright is the author of Red Riding Hood, a #1 New York Times bestseller published worldwide in thirty-eight editions and fifteen languages. She is the editor of Hauser & Wirth’s The Artist's Library for Ursula magazine. She is publishing director of the Chicago Review of Books, and associate editor of A Public Space.
About Alice Sadie Celine:
It’s opening night, but Alice’s performance in the local Bay Area production of The Winter’s Tale is far from glamorous. She doesn’t have dreams of stardom, but the basement theater in a wildfire-choked town isn’t exactly what she envisioned for her career back home in Los Angeles. To make matters worse, her best friend Sadie is not even coming.
Pragmatic, serious Sadie and flighty, creative Alice have been best friends since high school—really one another’s only friends—but now that they are through with college (which they attended together) and living on opposite ends of California, Alice would at least expect her friend’s support. Sadie, determined not to cancel her plans with her boyfriend, ends up enlisting the help of her mother, Celine.
A professor of women’s and gender studies at UC Berkeley, Celine’s landmark treatise on sex and identity made her notorious, but she’s struggling to write her new book in a post-second-wave feminist world. So, when Sadie begs her to attend Alice’s play, she relents, if only to escape writer’s block. But in a turn of perplexing events, Celine becomes entranced by Alice’s performance and realizes that her daughter’s once lanky, slightly annoying best friend is now an irresistible young woman.
Set over the course of decades—from Alice and Sadie’s early friendship days and Celine’s decision to leave her husband to the radical movements of 1990s Berkeley and navigating contemporary Hollywood—Alice and Celine’s affair will test the limits of their love for Sadie and their own beliefs of power, agency, and feminism. Witty and relatable, sexy and surprising, Sarah Blakley-Cartwright’s debut adult novel is a mesmerizing portrait of the inner lives of three very different women.
ABOUT ANDREW SULLIVAN:
ABOUT THE MARIGOLD:
The Marigold, a gleaming Toronto condo tower, sits a half-empty promise: a stack of scuffed rental suites and undelivered amenities that crumbles around its residents as a mysterious sludge spreads slowly through it. Public health inspector Cathy Jin investigates this toxic mold as it infests the city’s infrastructure, rotting it from within, while Sam “Soda” Dalipagic stumbles on a dangerous cache of data while cruising the streets in his Camry, waiting for his next rideshare alert. On the outskirts of downtown, 13-year-old Henrietta Brakes chases a friend deep underground after he’s snatched into a sinkhole by a creature from below.
All the while, construction of the city’s newest luxury tower, Marigold II, has stalled. Stanley Marigold, the struggling son of the legendary developer behind this project, decides he must tap into a hidden reserve of old power to make his dream a reality — one with a human cost.
Weaving together disparate storylines and tapping into the realms of body horror, urban dystopia, and ecofiction, The Marigold explores the precarity of community and the fragile designs that bind us together.
ABOUT MARTA BALCEWICZ:
ABOUT BIG SHADOW:
In an unnamed town in the summer of 1998, Judy is an isolated and inexperienced teenager on the cusp of adulthood struggling to craft an identity for herself—especially as the artist she wants to be.
There is little help around her. Her only friends are increasingly obsessed with a cultish belief in a coming "Big Shadow." Her mother is afraid of life and finds solace in TV shows. At her lowest point, Judy meets Maurice Blunt, a visiting summer poetry class professor who is a "has-been" fixture of the 1970s NYC punk music scene. Judy believes Maurice—a man more than twice her age desperately seeking lost adoration—is the ticket out of her current life. Soon, she begins taking secret weekend trips to visit him.
Judy's visits to his apartment in New York bring hopes of belonging to the city's cultural world and making a living as a video artist. With each trip and frustrated promise, however, she feels the creeping realization that there is a price to pay for her golden ticket entry into this insular and moribund scene. Judy must navigate the shifting power dynamics with her aging gatekeeper and the possibility of building an early adult identity alone.
An affecting novel of psychological nuance and dark humour, Big Shadow explores the costs of self-deceit, fandom, and tenuous ambitions, exposing the lies we’ll tell ourselves and the promises we'll make to edge closer to what we want… or what we think we want.
About Dizz Tate:
About Brutes:
Through a darkly beautiful and brutally compelling lens, Dizz Tate captures the violence, horrors, and manic joys of girlhood. Brutes is a novel about the seemingly unbreakable bonds in the "we" of young friendship, and the moment it is broken forever.
About Henry Hoke:
About Open Throat:
A queer and dangerously hungry mountain lion lives in the drought-devastated land under the Hollywood sign. Lonely and fascinated by humanity’s foibles, the lion spends their days protecting a nearby homeless encampment, observing hikers complain about their trauma, and, in quiet moments, grappling with the complexities of their gender identity, memories of a vicious father, and the indignities of sentience.
When a man-made fire engulfs the encampment, the lion is forced from the hills down into the city the hikers call “ellay.” As the lion confronts a carousel of temptations and threats, they take us on a tour that spans the cruel inequalities of Los Angeles and the toll of climate grief. But even when salvation finally seems within reach, they are forced to face down the ultimate question: Do they want to eat a person, or become one?
Henry Hoke’s Open Throat is a marvel of storytelling, a universal journey through a wondrous and menacing world recounted by a lovable mountain lion. Feral and vulnerable, profound and playful, Open Throat is a star-making novel that brings the mythic to life.
About Stephanie LaCava:
About I Fear My Pain Interests You:
A literary take on cinema du corps, Stephanie LaCava’s new novel is an audaciously sexy and moving ex
About Catherine Lacey:
Catherine Lacey is the author of the novels Nobody Is Ever Missing, The Answers, and Pew, and the short story collection Certain American States. She has received a Guggenheim Fellowship, a Whiting Award, the New York Public Library's Young Lions Fiction Award, and a New York Foundation for the Arts fellowship. She has been a finalist for the Dylan Thomas Prize and the PEN/Jean Stein Book Award, and was named one of Granta’s Best of Young American Novelists. Her essays and short fiction have appeared in The New Yorker, Harper’s Magazine, The New York Times, The Believer, and elsewhere.
About Biography of X:
When X—an iconoclastic artist, writer, and polarizing shape-shifter—falls dead in her office, her widow, CM, wild with grief and refusing everyone’s good advice, hurls herself into writing a biography of the woman she deified. Though X was recognized as a crucial creative force of her era, she kept a tight grip on her life story. Not even CM knows where X was born, and in her quest to find out, she opens a Pandora’s box of secrets, betrayals, and destruction. All the while, she immerses herself in the history of the Southern Territory, a fascist theocracy that split from the rest of the country after World War II, and which finally, in the present day, is being forced into an uneasy reunification.
A masterfully constructed literary adventure complete with original images assembled by X’s widow, Biography of X follows CM as she traces X’s peripatetic trajectory over decades, from Europe to the ruins of America’s divided territories, and through her collaborations and feuds with everyone from Bowie and Waits to Sontag and Acker. At last, when she finally understands the scope of X’s defining artistic project, CM realizes her wife’s deceptions were far crueler than she imagined.
Pulsing with suspense and intellect while blending nonfiction and fiction, Biography of X is a roaring epic that plumbs the depths of grief, art, and love. In her most ambitious novel yet, Catherine Lacey pushes her craft to its highest level, introducing us to an unforgettable character who, in her tantalizing mystery, shows us the fallibility of the stories we craft for ourselves.
About Lindsay Wong:
About Tell Me Pleasant Things about Immortality:
There’s a courtesan from 17th century China who, try as she might, just can’t manage to die. Grandmama Wu, who returns from the dead to protect her grandchildren from bullies. Not to mention an Internet-order bride who inadvertently brings the apocalypse to Nebraska City.
From Shanghai to Vancouver, the women in this collection haunt and are haunted—by first loves, troublesome family members, and traumatic memories. Intertwining horror, the supernatural, and mythology, Tell Me Pleasant Things about Immortality riotously critiques contemporary life and fearlessly illuminates the ways in which the past can devour us. A collection about transformation and what makes us human, it solidifies Lindsay Wong as one of the most vital and electrifying voices in Canadian literature today.
About Michael DeForge:
Michael DeForge is a cartoonist, an illustrator, and a community organizer who lives Toronto, Ontario.
About Birds of Maine:
Birds roam freely around the Moon complete with fruitful trees, sophisticated fungal networks, and an enviable socialist order. The universal worm feeds all, there are no weekends, and economics is as fantastical a study as unicorn psychology. No concept of money or wealth plagues the thoughts of these free-minded birds. Instead, there are angsty teens who form bands to show off their best bird song and other youngsters who yearn to become clothing designers even though clothes are only necessary during war. (The truly honourable professions for most birds are historian and/or librarian.) These birds are free to crush on hot pelicans and live their best lives until a crash-landed human from Earth threatens to change everything.
Michael DeForge’s post-apocalyptic reality brings together the author’s quintessential deadpan humour, surrealist imagination, and undeniable socio-political insight. Appearing originally as a webcomic, Birds of Maine follows DeForge’s prolific trajectory of astounding graphic novels that reimagine and question the world as we know it. His latest comic captures the optimistic glow of utopian imagination with a late-capitalism sting of irony.
About Colin Winnette:
COLIN WINNETTE’s books include Coyote, Haints Stay, and The Job of the Wasp, which was an American Booksellers Association’s Indie Next Pick. Winnette’s writing has appeared in numerous publications, including Playboy, McSweeney’s, The Believer, and The Paris Review Daily. A former bookseller in Texas, Vermont, New York, and California, he is now a writer living in San Francisco.
About Users:
Miles, a lead creative at a midsize virtual reality company known for its “original experiences,” has engineered a new product called The Ghost Lover. Wildly popular from the outset, the “game” is simple: a user’s simulated life is almost identical to their reality, except they’re haunted by the ghost of an ex-lover.
However, when a shift in the company's strategic vision puts The Ghost Lover at the center of a platform-wide controversy, Miles becomes the target of user outrage, and starts receiving a series of anonymous death threats. Typed notes sealed in envelopes with no postage or return address, these persistent threats push Miles into a paranoid panic, blurring his own sense of reality, catalyzing the collapse of his career, his marriage, and his relationship with his children.
The once-promising road to success becomes a narrow set of choices for Miles, who, in a last ditch effort to save his job, pitches his masterpiece, a revolutionary device code-named the Egg, which will transform the company. The consequences for Miles seal him inside the walls of his life as what was once anxiety explodes into devastating absoluteness.
In a world rife with the unchecked power and ambition of tech, Users investigates—with both humor and creeping dread—how interpersonal experiences and private decisions influence the hasty developments that have the power to permanently alter the landscape of human experience.
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