Weird Era

By Weird EraArts Books Fiction

Weird Era episodes

September 09, 2022 Episode 47: LSHB's Weird Era feat. Sean Thor Conroe
About Sean Thor Conroe:
Sean Thor Conroe is a Japanese-American writer. He was born in Tokyo in 1991 and was raised in Scotland, upstate New York, and the greater Bay Area. He studied literature and philosophy at Swarthmore College, and attended the Columbia University School of the Arts. He has guest edited New York Tyrant Magazine and hosts the book podcast 1storypod.
About Fuccboi:
A fearless and savagely funny examination of masculinity under late capitalism from an electrifying new voice.
Set in Philly one year into Trump’s presidency, Sean Thor Conroe’s audacious, freewheeling debut follows our eponymous fuccboi, Sean, as he attempts to live meaningfully in a world that doesn’t seem to need him. Reconciling past, failed selves—cross-country walker, SoundCloud rapper, weed farmer—he now finds himself back in his college city, trying to write, doing stimulant-fueled bike deliveries to eat. Unable to accept that his ex has dropped him, yet still engaged in all the same fuckery—being coy and spineless, dodging decisions, maintaining a rotation of baes—that led to her leaving in the first place. But now Sean has begun to wonder, how sustainable is this mode? How much fuckery is too much fuckery?
Written in a riotous, utterly original idiom, and slyly undercutting both the hypocrisy of our era and that of Sean himself, Fuccboi is an unvarnished, playful, and searching examination of what it means to be a man.
48 min
August 26, 2022 Episode 46: LSHB's Weird Era feat. Justin Ling
About Justin Ling:
JUSTIN LING is an investigative journalist whose reporting has focused on stories and issues undercovered and misunderstood. His writing has appeared in the Globe and Mail, the National Post, the Guardian, Foreign Policy, and elsewhere. In 2019 he hosted "The Village," the award-winning third season of the CBC podcast Uncover, which examined cold cases from the 1970s that were reopened as a result of the McArthur investigation.
About Missing From the Village:
The tragic and resonant story of the disappearance of eight men--the victims of serial killer Bruce McArthur--from Toronto's queer community.
In 2013, the Toronto Police Service announced that the disappearances of three men--Skandaraj Navaratnam, Abdulbasir Faizi, and Majeed Kayhan--from Toronto's gay village were, perhaps, linked. When the leads ran dry, the search was shut down, on paper classified as "open but suspended." By 2015, investigative journalist Justin Ling had begun to retrace investigators' steps, convinced there was evidence of a serial killer. Meanwhile, more men would go missing, and police would continue to deny that there was a threat to the community. In early 2019, landscaper Bruce McArthur was sentenced to life in prison for the murders of eight men. There is so much more to the story than that.
Based on more than five years of in-depth reporting, Missing from the Village recounts how a serial killer was allowed to stalk the city, how the community responded, and offers a window into the lives of these eight men and the friends and family left behind. Telling a story that goes well beyond Toronto, and back decades, Justin Ling draws on extensive interviews with those who experienced the investigation first-hand, including the detectives who eventually caught McArthur, and reveals how systemic racism, homophobia, transphobia, and the structures of policing fail queer communities.
44 min
August 19, 2022 Episode 45: Weird Era feat. Joshua Whitehead
About Joshua Whitehead:
Joshua Whitehead is an Oji-nêhiyaw, Two-Spirit member of Peguis First Nation (Treaty 1). He is author of the award-winning novel Jonny Appleseed and the poetry collection full-metal indigiqueer, and he is editor of Love after the End. He is assistant professor in the departments of English and international Indigenous studies at the University of Calgary.
About Making Love with the Land:
In Making Love with the Land, his first nonfiction book, Whitehead explores the relationships between body, language, and land through creative essay, memoir, and confession.
In prose that is evocative and sensual, unabashedly queer and visceral, raw and autobiographical, Whitehead writes of an Indigenous body in pain, coping with trauma. Deeply rooted within, he reaches across the anguish to create a new form of storytelling he calls “biostory”—beyond genre, and entirely sovereign. Through this narrative perspective, Making Love with the Land recasts mental health struggles and our complex emotional landscapes from a nefarious parasite on his (and our) well-being to kin, even a relation, no matter what difficulties they present to us. Whitehead ruminates on loss and pain without shame or ridicule but rather highlights waypoints for personal transformation. Written in the aftermath of heartbreak, before and during the pandemic, Making Love with the Land illuminates this present moment in which both Indigenous and non-Indigenous people are rediscovering old ways and creating new ones about connection with and responsibility toward each other and the land.
Intellectually audacious and emotionally compelling, Whitehead shares his devotion to the world in which we live and brilliantly—even joyfully—maps his experience on the land that has shaped stories, histories, and bodies from time immemorial.
45 min
July 29, 2022 Episode 44: LSHB's Weird Era feat. Elif Batuman
About Elif Batuman:
Elif Batuman’s first novel, The Idiot, was a finalist for a Pulitzer Prize, and was shortlisted for the Women’s Prize for Fiction in the UK. She is also the author of The Possessed: Adventures with Russian Books and the People Who Read Them, which was a finalist for a National Book Critics Circle Award in criticism. She has been a staff writer at The New Yorker since 2010 and holds a PhD in comparative literature from Stanford University.
From the acclaimed and bestselling author of The Idiot, the continuation of beloved protagonist Selin’s quest for self-knowledge, as she travels abroad and tests the limits of her newfound adulthood
About Either/Or
Selin is the luckiest person in her family: the only one who was born in America and got to go to Harvard. Now it’s sophomore year, 1996, and Selin knows she has to make it count. The first order of business: to figure out the meaning of everything that happened over the summer. Why did Selin’s elusive crush, Ivan, find her that job in the Hungarian countryside? What was up with all those other people in the Hungarian countryside? Why is Ivan’s weird ex-girlfriend now trying to get in touch with Selin? On the plus side, it feels like the plot of an exciting novel. On the other hand, why do so many novels have crazy abandoned women in them? How does one live a life as interesting as a novel—a life worthy of becoming a novel—without becoming a crazy abandoned woman oneself?
Guided by her literature syllabus and by her more worldly and confident peers, Selin reaches certain conclusions about the universal importance of parties, alcohol, and sex, and resolves to execute them in practice—no matter what the cost. Next on the list: international travel.
Unfolding with the propulsive logic and intensity of youth, Either/Or is a landmark novel by one of our most brilliant writers. Hilarious, revelatory, and unforgettable, its gripping narrative will confront you with searching questions that persist long after the last page.
42 min
July 15, 2022 Episode 43: LSHB's Weird Era feat. Jackson Howard
Jackson Howard is an editor and writer from Los Angeles who lives in Brooklyn.
He’s an Editor at Farrar, Straus and Giroux and its imprint MCD, where he acquires and edits a broad range of fiction and nonfiction. Writers he publishes include Judith Butler, Brontez Purnell, Sarah Schulman, Catherine Lacey, Fernando A. Flores, Susan Straight, Venita Blackburn, Imogen Binnie, Thomas Grattan, Missouri Williams, Jonathan Escoffery, Kaitlyn Tiffany, and many others.
As a writer, his reviews, profiles, and essays have appeared in The New York Times Magazine, Pitchfork, The Cut, Rolling Stone, The Ringer, them., W., ELLE, i-D, office, Document, and elsewhere.
He regularly visits undergrad and MFA programs for workshops and talks, and judges for fellowships; he’s also spoken on panels for the Miami Book Fair, One Story, and the New York Foundation for the Arts, and he’s read at Housing Works and MOMA PS1. He is also part of the team behind the FSG Writer’s Fellowship, and is passionate about efforts to increase transparency and access within publishing at large.
He graduated from the University of Michigan in 2016 and is very much a Taurus.
49 min
July 08, 2022 Episode 42: LSHB's Weird Era feat. Lillian Fishman
About Lillian Fishman:
Lillian Fishman was born in 1994 and lives in New York. She received her MFA from NYU, where she was a Jill Davis Fellow. Acts of Service is her first novel.
About Acts of Service:
A “bold and unflinchingly sexy” (Vogue) debut novel about a young woman who follows her desires into a world of pleasure, decadence, and privilege, unraveling everything she thought she knew about sex . . . and herself.
“One of the most entertaining books about sex I’ve ever read . . . The perfect read for fans of Raven Leilani and Ottessa Moshfegh, this is a book that will have people talking.”—BuzzFeed
“Anytime I want, I can forsake this dinner party and jump into real life.”—Eve Babitz
Eve has an adoring girlfriend, an impulsive streak, and a secret fear that she’s wasting her brief youth with just one person. So one evening she posts some nudes online. This is how Eve meets Olivia, and through Olivia the charismatic Nathan. Despite her better instincts, the three soon begin a relationship—one that disturbs Eve as much as it enthralls her.
As each act of their complicated, three-way affair unfolds across a cold and glittering New York, Eve is forced to confront the questions that most consume her: What do we bring to sex? What does it reveal of ourselves, and one another? And how do we reconcile what we want with what we think we should want?
In the way only great fiction can, Acts of Service takes between its teeth the contradictions written all over our ideas of sex and sexuality. At once juicy and intellectually challenging, sacred and profane, Lillian Fishman’s riveting debut is bold, unabashed, and required reading of the most pleasurable sort.
45 min
July 01, 2022 Episode 41: LSHB's Weird Era feat. Naben Ruthnum
ABOUT NABEN RUTHNUM:
Naben Ruthnum lives in Toronto, and is the author of Curry: Eating, Reading, and Race. As Nathan Ripley, he is the author of two thrillers, Find You In the Dark and Your Life is Mine. He also writes for film and television.
ABOUT A HERO OF OUR TIME
A wry comic novel with an acerbic wit, A Hero of Our Time is a vicious takedown of superficial diversity initiatives and tech culture, with a beating heart of broken sincerity.
Osman Shah is a pitstop on his white colleague Olivia Robinson’s quest for corporate domination at AAP, an edutech startup determined to automate higher education.
Osman, obsessed by Olivia’s ability to successfully disguise ambition and self-interest as collectivist diversity politics, is bent on exposing her. Aided by his colleague turned comrade-in-arms Nena, who loathes and tolerates him in equal measure, Osman delves into Olivia's twisted past. But at every turn, he's stymied by his unfailing gift for cruel observation, which he turns with most ferocity on himself, without ever noticing what it is that stops him from connecting to anyone in his past or present. As Osman loses his grip on his family, Nena, and everything he thought was essential to his identity, he confronts an enemy who may simply be too good at her job to be defeated.
A Hero of Our Time cracks the veneer of well-intentioned race conversations in the West, dismantles cheery narratives of progress through tech and “streamlined” education, and exposes the venomous self-congratulation and devouring lust for wealth, power, and property that lurks beneath.
40 min
June 24, 2022 Episode 40: LSHB's Weird Era feat. Heather O'Neill
About Heather O'Neill
HEATHER O’NEILL is a novelist, short-story writer and essayist. Her most recent bestselling novel, The Lonely Hearts Hotel, won the Paragraphe Hugh MacLennan Prize for Fiction and was longlisted for the Women’s Prize for Fiction and CBC’s Canada Reads. Her previous work, which includes Lullabies for Little Criminals, The Girl Who Was Saturday Night and Daydreams of Angels, has been shortlisted for the Governor General’s Literary Award for Fiction, the Orange Prize for Fiction and the Scotiabank Giller Prize two years in a row. She has won CBC’s Canada Reads and the Danuta Gleed Award. Born and raised in Montreal, O’Neill lives there with her daughter.
About When We Lost Our Heads
1 NATIONAL BESTSELLER
Belletrist Book Club selection * Readers' Digest Book Club selection * Cityline Book Club selection
From the bestselling author of The Lonely Hearts Hotel, a spellbinding story about two young women whose friendship is so intense it not only threatens to destroy them, it changes the course of history
Marie Antoine is the charismatic, spoiled daughter of a sugar baron. At age twelve, with her pile of blond curls and unparalleled sense of whimsy, she’s the leader of all the children in the Golden Mile, the affluent strip of nineteenth-century Montreal where powerful families live. Until one day in 1873, when Sadie Arnett, dark-haired, sly and brilliant, moves to the neighbourhood.
Marie and Sadie are immediately inseparable. United by their passion and intensity, they attract and repel each other in ways that set them both on fire. Marie, with her bubbly charm, sees all the pleasure of the world, whereas Sadie’s obsession with darkness is all-consuming. Soon, their childlike games take on the thrill of danger and then become deadly.
Forced to separate, the girls spend their teenage years engaging in acts of alternating innocence and depravity, until a singular event unites them once more, with devastating effects. After Marie inherits her father’s sugar empire and Sadie disappears into the city’s gritty underworld, the working class begins to foment a revolution. Each woman will play an unexpected role in the events that upend their city—the only question is whether they will find each other once more.
From the beloved Giller Prize-shortlisted author who writes “like a sort of demented angel with an uncanny knack for metaphor” (Toronto Star), When We Lost Our Heads is a page-turning novel that explores gender and power, sex and desire, class and status, and the terrifying strength of the human heart when it can’t let someone go.
38 min
June 17, 2022 Episode 39: LSHB's Weird Era feat. Rollie Pemberton aka Cadence Weapon
ABOUT ROLLIE PEMBERTON:
He is a writer, rapper, producer, poet and activist who performs under the name Cadence Weapon. He won the 2021 Polaris Music Prize for his album Parallel World. His writing has been published in Pitchfork, The Guardian, Wired and Hazlitt. Currently based in Toronto, Pemberton was a former Poet Laureate in his hometown of Edmonton.
ABOUT Bedroom Rapper: Cadence Weapon on Hip-Hop, Resistance and Surviving the Music Industry:
Tracing his roots from recording beats in his mom's attic in Edmonton to performing with some of the most recognizable names in rap and electronic music—De La Soul, Public Enemy, Mos Def, Questlove, Diplo, and more—Polaris Prize winner Rollie Pemberton, a.k.a Cadence Weapon, captures the joy in finding yourself, and how a sense of place and purpose entwines inextricably with a music scene in his debut memoir: Bedroom Rapper.
From competitive basement family karaoke to touring Europe, from fights with an exploitative label to finding his creative voice, from protesting against gentrification to using his music to centre political change, Rollie charts his own development alongside a shifting musical landscape. As Rollie finds his feet, the bottom falls out of the industry, and he captures the way so many artists were able to make a nimble name for themselves while labels floundered.
Bedroom Rapper offers us a wide-ranging and crucial history of hip-hop. With an international perspective that's often missing from rap music journalism, he integrates the gestation of American hip hop with UK grime and niche scenes from the Canadian prairies, bringing his obsessive knowledge of hip-hop to bear on his subject. Rollie takes us into New York in the ’70s, Edmonton in the ’90s, the legendary Montreal DIY loft scene of the 2000s, and traces the ups and downs of trusting your gut and following your passion, obsessively.
41 min
June 10, 2022 Episode 38: LSHB's Weird Era feat. Bud Smith
ABOUT BUD SMITH:
Bud Smith works heavy construction in New Jersey. His story "Violets" appeared in The Paris Review. He released his debut novel this year, titled: Teenager.
ABOUT TEENAGER:
Kody Rawlee Green is stuck in juvie. Tella “Teal Cartwheels” Carticelli is packing her bags for Rome--on the orders of her parents, who want her as far from Kody as possible. But teenage love is too strong a force for the obstacles of reality. And the highway beckons.
Leaving their abusive pasts behind them in Jersey, Kody and Teal set off on a cross-country road trip equal parts self-destruction and self-discovery, making their way, one stolen car at a time, toward bigger, wider, bluer skies. Along the road, of course, there’s time to stop at Graceland, classic diners, a fairgrounds that smells of “pony shit and kettle corn," and time for run-ins with outsize personalities like the reincarnated Grand Canyon tour guide Dead Bob and the spurious Montana rancher Bill Gold. On their heels, all the while, is Teal’s brother, Neil Carticelli, who’s abandoned his post in the navy to rescue the sister he left behind. But does she really need saving?
These all too American tropes find new expression in Bud Smith’s own freewheeling prose—and in Rae Buleri’s original illustrations—filling Teenager with humor, poetry, and a joy that’s palpable in every unforgettable sentence.
40 min