The year is 1849, and a riot at a Shakespearean theater has left dozens of people dead. But as it always is with the Bard, there's more here than meets the eye. Why did some people think Shakespeare was important enough to die for? How did the work of one man writing in Victorian England capture the tensions brewing in a newly independent America? And who, if anyone, is Shakespeare really for?

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Where There’s a Will searches for the surprising places Shakespeare shows up beyond the theater. Barry Edelstein, artistic director at The Old Globe, one of the country’s leading Shakespeare theaters, and co-host Em Weinstein ask what is it about Shakespeare that’s given him a continuous afterlife in all sorts of unexpected ways. You’ll hear Shakespeare doing rehabilitative work in a maximum security prison, helping kids on the autism spectrum to communicate, shaping religious observances, in the Oval Office, and even at the center of a deadly riot in New York City. Join Barry and Em as they uncover the ways Shakespeare endures in our modern society, and what that says about him, and about us. From Pushkin Industries and The Old Globe.

President Obama audio excerpt courtesy of UN Climate Change.

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