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Introducing Paul Scheer Picks the Very Best of the Very Worst Movies from The New Yorker Radio Hour.
Follow the show: The New Yorker Radio Hour
Paul Scheer is a noted actor and comedian, and the author of the new memoir “Joyful Recollections of Trauma.” Off the screen, his true obsession is bad movies—even terrible movies. With his wife, the actor and comedian June Diane Raphael, and their friend Jason Mantzoukas, he presents the podcast “How Did This Get Made?,” picking apart all manner of bombs. David Remnick met Scheer at the Brooklyn Brewery and asked him for his top five of the very worst movies, and why they deserve recognition. Scheer discusses “The Room,” “Miami Connection,” “Samurai Cop,” “Jonathan Livingston Seagull,” and “The Apple.” “When I hear a director go ‘passion project,’ I’m in,” he says.
Plus, Francis Ford Coppola invested much of his personal fortune in a passion project, “Megalopolis.” It was mocked as a colossal failure before it even premièred. But the New Yorker film critic Justin Chang was at that première, and he thinks the chatter is wildly off base.
DISCLAIMER: Please note, this is an independent podcast episode not affiliated with, endorsed by, or produced in conjunction with the host podcast feed or any of its media entities. The views and opinions expressed in this episode are solely those of the creators and guests. For any concerns, please reach out to [email protected].
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Introducing Paul Scheer Picks the Very Best of the Very Worst Movies from The New Yorker Radio Hour.
Follow the show: The New Yorker Radio Hour
Paul Scheer is a noted actor and comedian, and the author of the new memoir “Joyful Recollections of Trauma.” Off the screen, his true obsession is bad movies—even terrible movies. With his wife, the actor and comedian June Diane Raphael, and their friend Jason Mantzoukas, he presents the podcast “How Did This Get Made?,” picking apart all manner of bombs. David Remnick met Scheer at the Brooklyn Brewery and asked him for his top five of the very worst movies, and why they deserve recognition. Scheer discusses “The Room,” “Miami Connection,” “Samurai Cop,” “Jonathan Livingston Seagull,” and “The Apple.” “When I hear a director go ‘passion project,’ I’m in,” he says.
Plus, Francis Ford Coppola invested much of his personal fortune in a passion project, “Megalopolis.” It was mocked as a colossal failure before it even premièred. But the New Yorker film critic Justin Chang was at that première, and he thinks the chatter is wildly off base.
DISCLAIMER: Please note, this is an independent podcast episode not affiliated with, endorsed by, or produced in conjunction with the host podcast feed or any of its media entities. The views and opinions expressed in this episode are solely those of the creators and guests. For any concerns, please reach out to [email protected].

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