In his latest book At Home in Nature: Technology, Labor, and Critical Ecology in Modern China (Duke UP, 2022), Ban Wang uses an ecocritical lens to examine anthropocentrism, technoscientific hubris, and ecologically destructive modes of production in modern China. Analyzing modern discourse, literature, film, and science fiction, Wang asserts that the domination of nature and labor under capitalism and technocrats is the culprit of ecological crises and human alienation. Alternatively, Wang argues, utopianisms of nonalienated labor keep alive the ideals of resonance between humans and Earth.

Ban Wang is the William Haas Endowed Chair Professor in Chinese Studies in the Department of East Asian Languages and Cultures and Comparative Literature at Stanford University. His major publications include China in the World: Culture, Politics, and World Vision (Duke UP, 2022), Illuminations from the Past: Trauma, Memory, and History in Modern China (Stanford UP, 2004), History and Memory: A Critique of Global Modernity (Oxford UP, 2004), Narrative Perspective and Irony in Chinese and American Fiction (Edwin Mellen, 2002), and The Sublime Figure of History: Aesthetics and Politics in Twentieth-Century (Stanford UP, 1997).

Ailin Zhou is a PhD student in Film & Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories.

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