One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars.

In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it.

Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come.

Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee.

Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne.

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The Aeneid stands as a towering work of Classical Roman literature and a gripping dramatization of the best and worst of human nature. In the process of creating this epic poem, Vergil (70–19 BCE) became a living legend.

But the real Vergil is a shadowy figure; we know that he was born into a modest rural family, that he led a private and solitary life, and that, in spite of poor health and unusual emotional vulnerabilities, he worked tirelessly to achieve exquisite new effects in verse. Vergil’s most famous work, the Aeneid, was commissioned by the emperor Augustus, who published the epic despite Vergil’s dying wish that it be destroyed.

In Vergil: The Poet's Life (Yale UP, 2023), Sarah Ruden, widely praised for her translation of the Aeneid, uses evidence from Roman life and history alongside Vergil’s own writings in an endeavor to reconstruct his life and personality. Through her intimate knowledge of Vergil’s work, she evokes the image of a poet who was committed to creating something astonishingly new and memorable, even at great personal cost.

Benjamin Phillips is an MA student in History at Ohio University. His primary field is Late Antique Cultural and Intellectual History.

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Vividly written and exhaustively researched, Jonathan Eig's King: A Life (FSG, 2023) is the first major biography in decades of the civil rights icon Martin Luther King Jr.--and the first to include recently declassified FBI files. In this revelatory new portrait of the preacher and activist who shook the world, the bestselling biographer gives us an intimate view of the courageous and often emotionally troubled human being who demanded peaceful protest for his movement but was rarely at peace with himself. He casts fresh light on the King family's origins as well as MLK's complex relationships with his wife, father, and fellow activists. King reveals a minister wrestling with his own human frailties and dark moods, a citizen hunted by his own government, and a man determined to fight for justice even if it proved to be a fight to the death. As he follows MLK from the classroom to the pulpit to the streets of Birmingham, Selma, and Memphis, Eig dramatically re-creates the journey of a man who recast American race relations and became our only modern-day founding father--as well as the nation's most mourned martyr.

In this landmark biography, Eig gives us an MLK for our times: a deep thinker, a brilliant strategist, and a committed radical who led one of history's greatest movements, and whose demands for racial and economic justice remain as urgent today as they were in his lifetime.

Jonathan Eig is a former senior special writer for The Wall Street Journal. He is the author of several books, including two highly acclaimed bestsellers, Luckiest Man: The Life and Death of Lou Gehrig and Opening Day: The Story of Jackie Robinson’s First Season. Visit him at JonathanEig.com.

Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.

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In this NBN episode, host Hollay Ghadery speaks with Treena Orchard about her memoir, Sticky, Sexy, Sad: Swipe Culture and the Darker Side of Dating Apps (Aevo, U Toronto Press, 2024). 

Jane Goodall meets Carrie Bradshaw in Sticky, Sexy, Sad – an insightful, empowering memoir by an anthropologist who lays her own life bare as she explores the cultural matrix of digital courtship.

Lifelong luddite Treena Orchard was a newly sober woman coming off a much-needed break from relationships, reluctantly taking the digital plunge by downloading a dating app. Instead of the fun, easy experiences advertised on swiping platforms, she discovered endless upkeep, ghosting, fleeting moments of sexual connection, and a steady flow of misogyny.

In Sticky, Sexy, Sad, Orchard uses her skills as both an anthropologist who studies sexuality and a sex-positive feminist to explore what it feels like to want love while also resisting the addictive pull of platforms designed to make us swipe-dependent. She asks important questions for those searching for love in the modern era: What are the social and human impacts of using dating apps? How can we maintain our integrity and warm-blooded desire for intimacy while swiping? Can we resist some of the problematic aspects of swipe culture? Is love on dating apps even possible?

Revealing how dating apps are powerful social and sexual technologies that are radically transforming sexuality, relationships, and how we think about ourselves, this remarkable book cracks the code of modern romance. Told with humor and vulnerability, Sticky, Sexy, Sad is a riveting and inspiring guide to staying true to ourselves amid the digitization of love in the twenty-first century.

Treena Orchard is an anthropologist and associate professor in the School of Health Studies at Western University. She researches and engages in activist debates about sexuality, gender, and health among diverse cultural and digital communities. Deeply committed to public scholarship, she regularly writes for and is featured in leading online publications, including Cosmopolitan, Men’s Health, and The Conversation.

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H. C. C. Astwood: minister and missionary, diplomat and politician, enigma in the annals of US history. In Dominican Crossroads: H.C.C. Astwood and the Moral Politics of Race-Making in the Age of Emancipation (Duke UP, 2024), Christina Cecelia Davidson explores Astwood’s extraordinary and complicated life and career. Born in 1844 in the British Caribbean, Astwood later moved to Reconstruction-era New Orleans, where he became a Republican activist and preacher in the African Methodist Episcopal (AME) Church. In 1882 he became the first Black man named US consul to the Dominican Republic. Davidson tracks the challenges that Astwood faced as a Black politician in an era of rampant racism and ongoing cross-border debates over Black men’s capacity for citizenship. As a US representative and AME missionary, Astwood epitomized Black masculine respectability. But as Davidson shows, Astwood became a duplicitous, scheming figure who used deception and engaged in racist moral politics to command authority. His methods, Davidson demonstrates, show a bleaker side of Black international politics and illustrate the varied contours of transnational moral discourse as people of all colors vied for power during the ongoing debate over Black rights in Santo Domingo and beyond.

Kiana M. Knight is a Postdoctoral Research Associate in Africana Studies at the University of Notre Dame. Kiana’s Webpage

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What does it feel like to experience your body cleaving into two while public discussion of reproductive healthcare centers around the viability line: the fantasized moment when a fetus could feasibly be extracted from a uterus? What happens to the psychology of parents who spend years scrolling through photographs of children crushed in war while babies sleep beside them, indistinguishable from the dead children in expression and bodily habit?

Emma Heaney addresses these questions in This Watery Place: Four Essays on Gestation (Pluto Press, 2025), situated between the particular historical moments of her pregnancies and the transhistorical continuities of sensations, emotions, socialities, and conceptual provocations that have long accompanied gestation. She focuses on the embodied realities that are mystified in the sentimentalization of motherhood, a political process that enables the material abandonment of those who do the labor of gestation and care, as well as of children. As a result, gestation is revealed as a process against cisness, wage work, and the death cult of war.

Emma Heaney is the author of The New Woman, the forthcoming The Ghost Cousins, and the editor of the collection Feminism Against Cisness. She lives in Queens, New York City.

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Wilberforce, Clarkson, Wesley. Britain’s great abolitionist activist Granville Sharp. Each of these consequential figures of the eighteenth-century Atlantic world were galvanized by the moral power of a modest Quaker teacher who never ventured more than a few miles from his home in Philadelphia: Anthony Benezet. While Benezet was buried in an unmarked grave, his fingerprints are all over the extinction of the Atlantic slave trade and the gathering strength of America’s own burgeoning abolitionist movement. He was a figure of global importance, “a saint,” Garry Wills called him, a great bearer to the rest of the world of the American ideals (no matter how compromised) of equality and liberty.
Anthony Benezet lived, by chance, at the nexus of radical Christianity and revolutionary democracy, and he fused the power of those two streams of morality in a way that changed lives and challenged political institutions so compellingly that the world became a different place because of him. But for all the magnitude of Benezet’s impact, he is largely unknown outside scholars of the period. He does not exist in any meaningful way in the widely read histories and biographies that define and amplify America’s historical consciousness.
In Anthony Benezet: Quaker, Abolitionist, Anti-Racist (U Georgia Press, 2025), preeminent biographer Dr. David Chanoff tells Benezet’s story—who he was, what he did, how he did it, and why it was that William Penn’s “Holy Experiment” of Pennsylvania provided the matrix for the historic transformation the abolitionist educator brought about. Indeed, Dr. Chanoff carves out a place for this forgotten American hero as a pioneering figure among those who launched American ideals onto the world stage.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Like any set of star-crossed lovers, Elaine and Charles came from different worlds. Elaine, an acclaimed childhood poet from a remote corner of the Massachusetts Berkshires, traveled to the Dakota Territories to teach Native American students, undaunted by society’s admonitions. Charles, a Dakota Sioux from Minnesota, educated at Dartmouth and Boston University Medical School, was considered by his Euro-American mentors the epitome of an assimilated Indian. But when they met just ahead of the Wounded Knee Massacre in 1890, the magnetic pull of love brought them together despite the tremendous odds stacked against them.
Love and Loss After Wounded Knee: A Biography of an Extraordinary Interracial Marriage (NYU Press, 2025) by Dr. Julie Dobrow offers a dual biography of Elaine Goodale and Ohíye’Sa, (Dr. Charles Alexander Eastman), exploring their individual lives as well as their highly publicized interracial marriage. Both well-known in their own time– Elaine as a poet, journalist, and advocate for Indian education and Charles as writer, public speaker, and ardent activist for Indian rights– their marriage started with a shared vision to work on behalf of Indians. In the face of extreme prejudice, financial burden, and personal tragedy however, the marriage began to unravel.
Dr. Dobrow paints an intimate, emotional portrait of the Eastmans’ lives drawn from Elaine and Charles’s letters, papers, and hundreds of accounts of the Eastmans’ lives from newspapers. Along the way, she skillfully illuminates the shifting late 19th and early 20th century definitions of Indigenous identity, and reveals how the Eastmans’ legacies reflect changing American attitudes toward gender, interracial relationships and biracial children. The result is a compelling new history that weds the private and the political, and Native America and the United States of America– entwined yet separated, inextricable yet never fully joined, just like Elaine and Charles themselves.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Drawing Liberalism: Herblock's Political Cartoons in Postwar America (U Virginia Press, 2023) is the first book-length critical examination of the political and social impact of the political cartoonist Herbert Block--popularly known as Herblock. Working for the Washington Post, Herblock played a central role in shaping, propagandizing, and defending the ideals of postwar liberalism, a normative set of values and assumptions that dominated American politics and culture after World War II.

Best remembered for his unrelenting opposition to and skewering cartoons of Joseph McCarthy and Richard Nixon, Herblock introduced the term "McCarthyism" into the American political lexicon. With its unstinting and unapologetic support for the liberal agenda, across a career spanning over fifty years at the Post, Herblock's work affords a unique lens through which to interpret and understand the shifts and contours of twentieth-century American political culture, from the postwar period through the civil rights era into the Nixon presidency.

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An Imaginary Cinema: Sergei Eisenstein and the Unrealized Film (Cornell UP, 2024) explores the unfinished cinematic projects developed and abandoned by Soviet filmmaker Sergei Eisenstein between 1927 and 1937. Centred on seven major film concepts, the book examines what it means for a work of art—particularly a film—to remain unfinished or unrealised, and how these projects fit within Eisenstein’s broader theoretical and practical framework. Offering unique insight into the history of film production in Stalinist Russia, An Imaginary Cinema contrasts Eisenstein’s experiences with both the Soviet film industry and Hollywood, and considers the technological transitions that shaped early cinema.

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