In this captivating memoir, journalist Karen A. Frenkel unravels her parents' and sole surviving grandparent's secret, riveting stories of survival during World War II.

How do you shatter the silence that muffles family stories when those who knew what happened are gone?

In Family Treasures: Lost & Found (Post Hill Press, 2025), journalist and daughter of Holocaust survivors, Karen A. Frenkel, investigates her parents' unspoken WWII stories. Readers accompany Frenkel on her quest and discovery of how her resourceful parents survived on the run from the Nazis. Her research leads to shocking revelations of one parent's trans-Atlantic escape to Mexico and New York, and how the other eluded capture throughout Eastern and Central Europe with false papers. Having scoured online and real-world archives and visited the relevant cities, Frenkel honors her parents, her sole surviving grandparent, and her lost relatives, who cease to be mere names and who she came to respect and love. The tale Frenkel weaves is both personal and universal, as we begin to feel that her family could be ours.

Frenkel also shares her refugee great-grandparents' rare and huge collection of stunning oil and pastel portraits, photos, and documents, which were discovered in 1968 in garbage bags. Most Holocaust families lost everything, but these cherished artifacts reveal the Jewish assimilated culture in Kraków and Berlin that the Nazis obliterated. Readers also join Frenkel on her visit to Vienna, Kraków, Tarnów, and Lviv, Ukraine, where the action took place.

Such astonishing tales of survival, resistance, luck, and loss have the power to captivate readers of all generations and backgrounds and inspire them to explore their own family histories.

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Leonardo da Vinci (1452–1519) never signed a painting, and none of his supposed self-portraits can be securely ascribed to his hand. He revealed next to nothing about his life in his extensive writings, yet countless pages have been written about him that assign him an identity: genius, entrepreneur, celebrity artist, outsider. Addressing the ethical stakes involved in studying past lives, in Leonardo da Vinci: An Untraceable Life (Princeton University Press, 2025) Dr. Stephen J. Campbell shows how this invented Leonardo has invited speculation from figures ranging from art dealers and curators to scholars, scientists, and biographers, many of whom have filled in the gaps of what can be known of Leonardo’s life with claims to decode secrets, reveal mysteries of a vanished past, or discover lost masterpieces of spectacular value.

In this original and provocative book, Dr. Campbell examines the strangeness of Leonardo’s words and works, and the distinctive premodern world of artisans and thinkers from which he emerged. Far from being a solitary genius living ahead of his time, Leonardo inhabited a vibrant network of artistic, technological, and literary exchange. By investigating the politics and cultural tensions of the era as well as the most recent scholarship on Leonardo’s contemporaries, workshop, and writings, Dr. Campbell places Leonardo back into the milieu that shaped him and was shaped by him. He shows that it is in the gaps and contradictions of what we know of Leonardo’s life that a less familiar and far more historically significant figure appears.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.

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Eufrasia Burlamacchi (Getty Publications, 2025) by Dr. Loretta Vandi is a timely exploration of the skilful illuminated manuscripts of Sister Eufrasia Burlamacchi (1478–1548) demonstrates her artistry within this sometime neglected artistic medium. Within the convent walls of San Domenico in Lucca where she lived and worked, Burlamacchi attained high levels of artistic proficiency through her knowledge of drawing and colour technique, composition, treatment of space and proportions.

This book highlights that Sister Eufrasia was aware of the progress illumination underwent in contact with the artists we now include in the High Renaissance. She quickly established a style which she then passed on to younger sisters to establish a convent workshop where mutual exchange was the norm. Here, for the first time, Eufrasia Burlamacchi is recognized and discussed as an influential and gifted artist in her own right.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.

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Seán Creagh was born in County Monaghan in 1977. He attended Our Lady’s Secondary School in Castleblayney and later on Dundalk Institute of Technology. After moving to the U.S and developing an intense interest in Irish-American history he attended Northeastern Illinois University where he achieved an Honors Degree in History as well as Honors in Education. Today he is a middle school Social Studies teacher in Illinois.

His first book was The Wolfhounds of Irish-American Nationalism. Listen to an interview on that here.

In this interview he discusses his second book entitled Republican Solipsist, recently published with Peter Lang

Republican Solipsist: The Life and Times of Joseph Mcgarrity, 1874-1940 (Peter Lang, 2025) discusses the life of Joseph McGarrity and his role within Irish and Irish American Republicanism including the complicated transatlantic relationship between two opposing visions of an independent Ireland. McGarrity’s militant Republicanism came into regular conflict with the reality of the political situation in Ireland. While the role of John Devoy has been well documented in the development of Irish American nationalism in the form of Clan na Gael that of Joseph McGarrity has been less well analyzed. For many historians the central focus of Irish American nationalism during the revolutionary period of 1916–1923 has centered on the Devoy-controlled branch of Clan na Gael. However, this period saw significant influence from McGarrity and the Philadelphia branch of the movement in shaping political events in Ireland which has been largely ignored. The book places McGarrity at the center of Irish Republicanism during one of the most critical periods of its history. It is hard to imagine how militant Irish Republicanism would have evolved had it not been for the role and influence of this long-neglected figure in Irish history.

Aidan Beatty is a lecturer in the history department at Carnegie Mellon University.

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In the early 80s, New York City’s Gansevoort Meatpacking District, a small irregular patch of the West Village, was a wild confluence of meat market workers, gay men hitting The Mineshaft or The Anvil, transgendered prostitutes, homeless huddled around burn barrels, New Jersey mafiosos, veterans of three wars, heroes of the French Resistance, and Holocaust survivors. I was newly arrived to New York City when I began working at Adolf Kusy Meats in 1982, a young man barely out of college who had never imagined himself in any city, much less New York. I had decided I was going to be a fiction writer and while ignorant of what that might entail, I understood writers lived in New York. From the start, Kusy’s seemed the perfect place for a budding writer looking for life experience, a singular, endlessly entertaining circus. When I interviewed Red, my old boss at Kusy’s in October of 2013, the first thing he said was, “I wish now I had a tape recorder and had just recorded every day down there. Just the fucking stories alone, the shit people came up with every day, the insanity of that place.”​

It’s also the story of a young couple fresh from the Midwest making a life together. We were college sweethearts, seduced by the glamour and excitement of the East Village, its fashion model roommates, conceptual art openings, and junkies lined up outside bombed out buildings. We tried to live with an intensity that could only lead us to ruin. The Heart is Meat (Oil on Water Press, 2025) is a re-creation of a mythic time and place in New York City that can never exist again, an evocation of a vanished attitude, a pre-networked American Romanticism.

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Martha S. Jones grew up feeling her Black identity was obvious to all who saw her. But weeks into college, a Black Studies classmate challenged Jones’s right to speak. Suspicious of the color of her skin and the texture of her hair, he confronted her with a question that inspired a lifetime of introspection: “Who do you think you are?”

Now a prizewinning scholar of Black history, Jones delves into her family’s past for answers. In every generation since her great-great-great-grandmother survived enslavement to raise a free family, color determined her ancestors’ lives. But the color line was shifting and jagged, not fixed and straight. Some backed away from it, others skipped along it, and others still were cut deep by its sharp teeth.

Journeying across centuries, from rural Kentucky and small-town North Carolina to New York City and its suburbs, The Trouble of Color: An American Family Memoir (Basic Books, 2025) is a lyrical, deeply felt meditation on the most fundamental matters of identity, belonging, and family.

Martha S. Jones is the Society of Black Alumni Presidential Professor, professor of history, and a professor at the SNF Agora Institute at the Johns Hopkins University. A prizewinning author and editor of four books, most recently Vanguard, she is past copresident of the Berkshire Conference of Women Historians and has contributed to the New York Times, Atlantic, and many other publications. She lives in Baltimore, Maryland.

Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

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Louise Lowe is a theatre and performance director, writer, choreographer, dramaturge, and, more recently, a television director and short film writer/director, working in Ireland and internationally. She is the Co-Artistic Director of ANU Productions, established with Owen Boss in Dublin in 2009. Lowe is known for facilitating and creating moments of interior reckoning for audiences through immersive performance techniques. These techniques engage spectators in affectively realised moments of understanding that the stories unfolding through performance reflect living histories in need of greater socio-political engagement and intervention. 

The Theatre of Louise Lowe (Cambridge UP, 2025) assesses Lowe's creative practice and production history since her days as a drama facilitator in women's prisons and resource centres in Dublin, paying particular attention to the economic struggle of Dublin's north inner-city, the markings of which are potently visible in the work she makes, and how she makes it. This title is also available as Open Access on Cambridge Core.

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Professional baseball has featured a bevy of superstars over the past century and a half, but only a few of them have impacted their sport and cities as deeply as Willie McCovey and Billy Williams. Born just a handful of miles apart in 1938, they grew up in and around one of the sport’s true cradles, Mobile, Alabama, on their way to producing two iconic careers in Major League Baseball.

In A Time for Reflection: The Parallel Legacies of Baseball Icons Willie McCovey and Billy Williams (Rowman & Littlefield, 2025), Jason Cannon examines these two legends of the game. Overcoming the heinous racism of the Jim Crow South as part of the second generation of African American major leaguers who followed in the footsteps of Jackie Robinson, they became two of baseball’s all-time greatest players. Off the field, they took impactful stands for racial progress that continue to resonate today. Their personal resolve, leadership in the clubhouse, and dedication to their baseball communities endeared them to teammates and fans alike.

Featuring original interviews with family members, friends, teammates, and Williams himself, A Time for Reflection brings to life their monumental accomplishments on the diamond, while also detailing how McCovey and Williams grew into pillars of San Francisco and Chicago and inspired future generations of ballplayers.

Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out in the fall of 2025. You can reach Paul at [email protected] and follow him on Twitter @paulieknep.

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Abu Bakr al-Suli was an Abbasid polymath and table companion, as well as a legendary chess player. He was perhaps best known for his work on poetry and chancery, which would have a long-lasting influence on Arabic literature. His decades of service at the court of at least three caliphs give him a unique perspective as an historian of his own time, although he is often valued as an observer rather than an interpreter of events for posterity.

In History and Memory in the Abbasid Caliphate: Writing the Past in Medieval Arabic Literature (I. B. Tauris, 2024), Letizia Osti provides the first full-length English-language study devoted to al-Suli, illustrating how investigating the life, times and works of such a complex individual can serve as a fil rouge for tackling broader, contested concepts, such as biography, autobiography, court culture, and written culture. The result is an exploration of the ways in which the Abbasid court made sense of the past and, in general, of what 'historiography' means in a medieval Arabic context.

Letizia Osti is Professor of Arabic Literature and Language at the University of Milan, where she has taught since 2007. She earned her PhD in Arabic Studies from the University of St. Andrews, and is a member of the School of Abbasid Studies and other scholarly societies. Her research has been published widely in journals such as the Journal of Abbasid Studies, the Journal of Arabic and Islamic Studies and Middle Eastern Literatures, and she is the co-author of the 2013 study Crisis and Continuity at the Abbasid Court.

Samuel Thrope is Curator of the Islam and Middle East Collection at the National Library of Israel. He earned his PhD at the University of California, Berkeley in 2012. He is the translator of Iranian author Jalal Al-e Ahmad’s 1963 Israel travelogue The Israeli Republic (Restless Books, 2017) and, with Dr. Domenico Agostini, of the ancient Iranian Bundahišn: The Zoroastrian Book of Creation (Oxford University Press, 2021).

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What was it like to work as a Jewish district attorney in provincial Soviet Ukraine in the post-Stalinist eras? What role did antisemitism and Holocaust memories play in solving and investigating the criminal cases? How does a detective’s mind work? The answers to these and many other fascinating questions are found in Memoirs of a Jewish District Attorney from Soviet Ukraine (Academic Studies Press, 2024). 

Mikhail Goldis (1926-2020) worked as a detective and district attorney for 30 years in Ukraine and wrote his memoirs after immigrating to the US in 1993. Translated by Marat Grinberg, a prolific scholar of Russian and Jewish literature and cinema, the memoirs tell the rich and poignant story of Goldis’s life and what it took for a Jew to navigate and survive in the halls of Soviet power.

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