Close Readings

For the final introduction to next year’s full Close Readings programme, Emily Wilson, celebrated classicist and translator of Homer’s Iliad and Odyssey, returns for a second season of Among the Ancients, to take on another twelve vital works of Greek and Roman literature with the LRB’s Thomas Jones, loosely themed around ‘truth and lies’ – from Aesop’s Fables to Marcus Aurelius’s Meditations.

Authors covered: Hesiod, Aesop, Herodotus, Pindar, Plato, Lucian, Plautus, Terence, Lucan, Tacitus, Juvenal, Apuleius, Marcus Aurelius.

First episode released on 24 January 2024, then on the 24th of each month for the rest of the year.

How to Listen

Close Readings subscription

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In other podcast apps: lrb.me/closereadings

Get in touch: [email protected]

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In the first of three introductions to our full 2024 Close Readings programme, starting in January, Colin Burrow and Clare Bucknell present their series, On Satire. Over twelve episodes, Colin and Clare will attempt to chart a stable course through some of the most unruly, vulgar, incoherent, savage and outright hilarious works in English literature, as they ask what satire is, what it’s for and why we seem to like it so much.

Authors covered: Erasmus, John Donne, Ben Jonson, Earl of Rochester, John Gay, Alexander Pope, Laurence Sterne, Jane Austen, Lord Byron, Oscar Wilde, Evelyn Waugh and Muriel Spark.

Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford, and regular contributors to the LRB.

First episode released on 4 January 2024, then on the fourth of each month for the rest of the year.

Non-subscribers will only hear an extract from this episode. To listen to the full series, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: https://apple.co/3pJoFPq

In other podcast apps: lrb.me/closereadings

Get in touch: [email protected]

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In the second of three introductions to our full Close Readings programme for 2024, Adam Shatz presents his series, Human Conditions, in which he’ll be talking separately to three guests – Judith Butler, Pankaj Mishra and Brent Hayes Edwards – about some of the most revolutionary thought of the 20th century.

Judith, Pankaj and Brent will each discuss four texts over four episodes, as they uncover the inner life of the 20th century through works that have sought to find freedom in different ways and remake the world around them. They explore, among other things, the development of arguments against racism and colonialism, the experience of artistic expression in oppressive conditions and how language has been used in politically substantive ways.

Authors covered: Jean-Paul Sartre, Simone de Beauvoir, Frantz Fanon, Hannah Arendt, V. S. Naipaul, Ashis Nandy, Doris Lessing, Nadezhda Mandelstam, W. E. B. Du Bois, Aimé Césaire, Amiri Baraka and Audre Lorde.

Episodes released once a month throughout 2024, on the 4th of each month.

Non-subscribers will only hear an extract from this episode. To listen to the full series, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: ⁠⁠https://apple.co/3pJoFPq⁠⁠

In other podcast apps: ⁠⁠lrb.me/closereadings⁠⁠

Get in touch: [email protected]

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In the final episode of The Long and Short, we turn to Elizabeth Bowen, widely considered one of the finest writers of the short story. Mark and Seamus unpack ‘the Bowen effect’ and her singularly haunting style: subtle social commentary cut through with humour, and occasionally outright romanticism. A culmination of the short fiction explored in this series, Bowen’s work proves that life ‘with the lid on’ can be just as exhilarating, moving and funny as any sensationalist story.

Non-subscribers will only hear an extract from this episode. To listen to the full series, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: ⁠⁠⁠⁠https://apple.co/3pJoFPq⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠lrb.me/closereadings⁠⁠⁠⁠

Get in touch: [email protected]

Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.

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For the final episode in Among the Ancients, Emily and Tom look at Seneca, whose life is relatively well known to us. A child of the established Roman Empire, born around the same time as Jesus, Seneca had turbulent relationships with the emperors of his time: exiled by Caligula, he returned to tutor the young Nero, but was eventually forced to commit suicide after being accused of a treasonous plot. For a long time, Seneca the Philosopher was often assumed to be a different person from Seneca the Tragedian, as they seemed such different writers. As a philosopher, he is the main source of what we know about Roman Stoicism, which prioritises virtue and the dispelling of false beliefs. Seneca's dramas, however, are full of extreme emotions and violence. Emily and Tom focus on two of these tragedies, Thyestes and Trojan Women, and consider how the two sides of Seneca fit together.

This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:

Directly in Apple Podcasts: https://apple.co/3pJoFPq

In other podcast apps: lrb.me/closereadings

Find out about Close Readings Plus: lrb.me/plus

Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.

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For the final episode of Medieval Beginnings, Mary and Irina look at by far the most popular text (in its time) of all that have featured in the series: The Travels of Sir John Mandeville. The fictional traveller’s fantastical descriptions of different places, peoples and animals across the Holy Land and Asia are almost certainly drawn mainly from other textual sources, rather than direct experience by the unknown author, and yet the work was often used as a source of reference as well as entertainment or prurient interest. Many of the writer’s observations of different political and religious practices could be taken as radical critiques of his homeland. Yet while it often urges appreciation of other cultures, the book is undoubtedly xenophobic and racist in places, foreshadowing the European quest for colonisation: indeed, Christopher Columbus had a copy with him when the Santa Cruz sighted land on 12th October 1492.

Get 50% off a 12-month subscription to Close Readings with the code 'SUMMER50' at checkout when you sign up here:

https://lrb.me/travel26pod

Get in touch: [email protected]

Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers.

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The eleventh episode of the Long and Short brings us to the present day and the distant past, as we turn to two multivocal, monumental poems by Alice Oswald. The dazzlingly polyphonic Dart (2002) celebrates the voices of the river Dart, and the people, animals and supernatural forces entwined with it. Memorial (2011) translates and transfigures the Iliad, stripping back the narrative to reveal the epic’s ‘bright unbearable reality’. Mark and Seamus explore the thematic throughlines in Oswald’s work, unpicking allusions and influences at play in these poems.

Non-subscribers will only hear an extract from this episode. To listen to the full series, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠https://apple.co/3pJoFPq⁠⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠lrb.me/closereadings⁠⁠⁠⁠⁠

Get in touch: [email protected]

Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.

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Ovid was perhaps the most prolific poet of Ancient Rome, certainly in the amount of his poetry which has survived (around 30,000 lines). This episode focuses on his 15-book epic, the Metamorphoses, a patchwork of hundreds of stories of transformation, including numerous retellings of famous myths from Apollo and Daphne to the Trojan War.

In this episode from Among the Ancients, Emily and Tom consider the poem’s depictions of trauma, redemption and the transformation of gender roles, and the formal practices which shape the poetry, such as declamatio and suasoria. They also ask how Ovid’s writing in the time of Emperor Augustus affected his work, and the circumstances around his later exile from Rome.

This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:

Directly in Apple Podcasts: https://apple.co/3pJoFPq

In other podcast apps: lrb.me/closereadings

Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.

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For sheer scale and spectacle, surely few plays of any period can match The Digby Play of Mary Magdalene. Boasting at least fifty speaking parts, with multiple locations, scaffolds and pyrotechnics, including an ascent into heaven, this wildly ambitious piece of late Medieval theatre mixes traditional hagiographic drama with magical adventure, romance and broad comedy. For audiences of the time this was not just entertainment, but a profound social and religious experience which, despite its fantastical elements and radical departure from the gospel stories, reflected important moments in their daily lives. Irina and Mary try to make sense of the outlandish plot, how it might have been staged, and the complex, composite figure of Mary Magdalene.

Non-subscribers will only hear an extract from this episode. To listen to the full series, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠https://apple.co/3pJoFPq⁠⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠lrb.me/closereadings⁠⁠⁠⁠⁠

Get in touch: [email protected]

Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers.

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In the tenth episode of the series, Seamus and Mark turn to two figures of the Harlem Renaissance. Nella Larsen’s ‘Passing’ is taut, tense and tartly stylish take on the Jamesian short story, redolent with ironies and ambiguities, and feels just as relevant today. Widely considered his masterwork, Langston Hughes’s ‘Montage of a Dream Deferred’ draws on the modernist tradition, a documentarian sensibility and the freedoms of bebop to capture the multiplicity of Harlem voices.

Non-subscribers will only hear an extract from this episode. To listen to the full series, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠https://apple.co/3pJoFPq⁠⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠lrb.me/closereadings⁠⁠⁠⁠⁠

Get in touch: [email protected]

Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.

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