
Sign up to save your podcasts
Or


Based on Podcast App listening data
Emily and Tom follow Virgil with one of his contemporaries, Horace, whose poetry played an important political role in the early years of Augustan Rome and has had an enormous influence on subsequent European lyric verse. They consider the original meanings of some of Horace’s famous phrases – carpe diem, in medias res, nunc est bibendum – and look at the ways his often complex poetics interrogate the art and value of poetry itself.
Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Nicholas Horsfall:
https://www.lrb.co.uk/the-paper/v27/n12/nicholas-horsfall/ach-so-herr-major
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.
Learn more about your ad choices. Visit megaphone.fm/adchoices
From the first recorded instance of the word ‘fart’ in English, to nuanced vignettes of sexual power dynamics, the numerous Middle English lyrics that have survived down the centuries, often scribbled in the margins of more ‘serious’ texts, offer a vivid snapshot of everyday medieval life. In the tenth episode of Medieval Beginings, Irina and Mary analyse several of these short, fleeting verses, probably set to music, and consider their possible origins and purpose, their delicious ambiguity, and their equivocal relationship to the sacred manuscripts in which they've been found.
Non-subscribers will only hear an extract from this episode. To listen in full and to our other Close Readings series, sign up here:
Directly in Apple Podcasts at the top of this feed, or here: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
https://www.lrb.co.uk/the-paper/v28/n10/barbara-newman/i-was-such-a-lovely-girl
Listen to 'Sumer is icumen in' sung by The Hilliard Ensemble: https://www.youtube.com/watch?v=sMCA9nYnLWo
Some of the lyrics discussed in this episode can be found online:
Sumer is icumen in:
https://www.luminarium.org/medlit/medlyric/cuckou.php
I Have a Yong Suster
https://www.luminarium.org/medlit/medlyric/suster.php
Maiden in the mor
https://www.luminarium.org/medlit/medlyric/maideninthemoor.php
https://en.wikipedia.org/wiki/Maiden_in_the_mor_lay
I have a gentil cock
https://rpo.library.utoronto.ca/content/i-have-gentil-cook
Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Originally conceived as a film script, 'Gaudete' is Ted Hughes’s apocalyptic vision of an English village in the throes of pagan forces. While it may be ‘the weirdest poem by a very weird poet’, as Mark puts it in this episode, 'Gaudete' shines a light on many Hughesian preoccupations and paved the way for his best-selling collection, Birthday Letters. A strange fusion of Twin Peaks and Midsomer Murders, 'Gaudete' is the former Poet Laureate at his most uninhibited and brilliant.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
In the ninth episode of Among the Ancients, Emily and Tom arrive at Virgil, focusing on his 12-book epic the Aeneid, which describes the wanderings of the Trojan prince Aeneas after the fall of Troy. They discuss the political background to Virgil’s life, which saw the fall of the Roman Republic, and the complex, ambiguous space his poetry inhabits, blending the mythical and historical, the geographical and imaginary, while interrogating the costs of empire and triumph in his own time.
Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Denis Feeney:
https://www.lrb.co.uk/the-paper/v29/n01/denis-feeney/simile-world
Rebecca Armstrong
https://www.lrb.co.uk/the-paper/v43/n05/rebecca-armstrong/all-kinds-of-unlucky
Colin Burrow:
https://www.lrb.co.uk/the-paper/v22/n05/colin-burrow/imperiumsinefinism
https://www.lrb.co.uk/the-paper/v38/n08/colin-burrow/you-ve-listened-long-enough
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Chaucer’s 14th century tale of ‘double sorrow’, Troilus and Criseyde, set during the siege of Troy, is the subject of Irina and Mary’s ninth episode of Medieval Beginnings. Based largely on Boccaccio’s Il Filostrato, Chaucer’s novelistic long poem displays a psychological realism that would make Henry James envious, and, with the matchmaker-uncle Pandarus, introduces a character of startling and often perplexing opacity.
Non-subscribers will only hear an extract from this episode. To listen in full and to our other Close Readings series, sign up here:
Directly in Apple Podcasts at the top of this feed, or here: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Barbara Newman: https://www.lrb.co.uk/the-paper/v41/n22/barbara-newman/kek-kek!-kokkow!-quek-quek!
Irina Dumitrescu: https://www.lrb.co.uk/the-paper/v42/n17/irina-dumitrescu/how-to-read-aloud
Mary Wellesley: https://www.lrb.co.uk/the-paper/v46/n11/mary-wellesley/on-the-nightingale
Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
James Joyce wrote most of the short stories in his landmark collection, Dubliners, when he was still in his 20s, but a tortuous publishing history, during which printers refused or pulped them for their profanity, meant they weren’t published until 1914, when Joyce was 33. In their eighth episode, Mark and Seamus discuss the astonishing confidence of Joyce’s early work, which not only launched his literary career, but also initiated the grand project of his writing life. In Dubliners, the reader experiences already the vastness of Joyce’s literary imagination, his harsh criticism of the Catholic Church, his shameless plundering of the lives of his contemporaries, and a writer’s self-conscious vocation to ‘forge the uncreated conscience of his race’.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
Learn more about your ad choices. Visit megaphone.fm/adchoices
In their eighth episode of Among the Ancients, Emily and Tom look at a contemporary of Catullus, Lucretius, and the only poem we have from him, De rerum natura (The Nature of Things), which sets out ideas about how to live one’s life based on the Epicurean philosophical tradition, embracing friends, gardens, materialism and moderation.
Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Richard Jenkyns: Coaxing and Seducing
https://www.lrb.co.uk/the-paper/v20/n17/richard-jenkyns/coaxing-and-seducing
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.
Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of Medieval Beginnings, Irina and Mary jump to the 14th century for an introspective Arthurian romance about a knight trying to live up to his perfect reputation. The mysterious and intricate Sir Gawain and the Green Knight is perhaps best understood as a series of games within games, in which our hero, a recurring character throughout medieval literature, is never sure what adventure he’s playing.
Non-subscribers will only hear an extract from this episode. To listen in full and to our other Close Readings series, sign up here:
Directly in Apple Podcasts at the top of this feed, or here: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Read more in the LRB:
Mary Wellesley: https://www.lrb.co.uk/the-paper/v40/n08/mary-wellesley/diary
Frank Kermode: https://www.lrb.co.uk/the-paper/v29/n05/frank-kermode/who-has-the-gall
Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Seamus and Mark step into the counterculture with two long poems, ‘Howl’ and ‘Kaddish’, by Allen Ginsberg, a Beat poet-celebrity with a utopian vision for an America rescued from its corrupted institutions and vested interests. Seamus and Mark discuss some of Ginsberg’s influences – including Whitman, Carlos Williams, O’Hara and Blake – and the far-reaching impact of his work, as well as Mark’s own experiences meeting the poet.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
Learn more about your ad choices. Visit megaphone.fm/adchoices
For the second half of their Among the Ancients series, Emily and Tom move to Ancient Rome, starting with the late Republican poet Catullus. Described by Tennyson, somewhat misleadingly, as ‘the tenderest of Roman poets’, Catullus combined a self-conscious technical virtuosity with a broad emotional range and a taste for paradox, often using obscene diction to skirt across the boundaries of gender and aesthetics.
Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further Reading in the LRB:
Elspeth Barker:
https://www.lrb.co.uk/the-paper/v14/n19/elspeth-barker/o-filth-o-beastliness
William Fitzgerald:
https://www.lrb.co.uk/the-paper/v28/n04/william-fitzgerald/badmouthing-city
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and translator of the 'Odysse'y and the 'Iliad'. Thomas Jones is an editor at the London Review of Books and host of the LRB Podcast.
Learn more about your ad choices. Visit megaphone.fm/adchoices
From the publisher's feed
Ranked by our users in the last 21 days

3,339 Listeners

310 Listeners

5,519 Listeners

298 Listeners

581 Listeners

131 Listeners

128 Listeners

160 Listeners

1,112 Listeners

237 Listeners

179 Listeners

515 Listeners

360 Listeners

336 Listeners

71 Listeners

5 Listeners

2 Listeners

6 Listeners

3 Listeners

5 Listeners

6 Listeners

5 Listeners

2 Listeners

5 Listeners

0 Listeners

2 Listeners

0 Listeners