Podcast highlights:
01:02 - The thinking behind the new SuperFastBusiness logo
03:00 - Does your designer get you?
04:20 - How to help your designer
06:29 - What good design can do
07:34 - From the designer’s perspective
10:10 - Getting pre-launch feedback
14:05 - What customers had to say
16:20 - Key points for a logo design brief
18:22 - Avoiding cliches
20:03 - Some color psychology
22:18 - The lifespan of a logo
23:11 - If you’re thinking of a new look…
24:22 - Why strong branding is essential
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Transcription:
James: James Schramko here. Welcome back to SuperFastBusiness.com. Today, we're talking about design, so that means I've brought on a design expert. Welcome Greg Merrilees.
Greg: Good day James! How are you man?
James: I'm great. And you are my design expert. Thank you very much.
Greg: Thank you. It's good for me as well. I mean designing for market leaders gives us good exposure. So thanks for being an awesome client.
James: Well you've got a website called Studio1design.com. We're going to be talking about design and the process of design. In particular, why did I change my iTunes logo? That's really the topic. If you've ever seen Zoolander, you're familiar with the blue steel look. Well, we ended up with the orange graphite look or the orange carbon fiber look. Greg, let's talk about the process of what happens between me deciding that I needed to change a logo to us ending up with a new logo. Are you up for that?
Greg: Yeah, sure man, yeah.
The process of changing logos
James: So the first thing is when I was looking through the iTunes logos, I noticed that mine is nice and it kind of fits in with my brands. It's got the usual colors like blue, and a picture of me and the logo of the business. But it's not standing out. It really is not eye-catching. Originally when we did that logo, we were just making it consistent with our Facebook banner and our website, and just being uniform and consistent, but I had this urge to make it really stand out because I've noticed that a lot of the top shows have eye-grabbing podcast logos. And you only get a small bit of real estate and you're in the mix there with hundreds of other podcasts, probably thousands, but let's just limit it to the top 150.
My goal with the podcast is for people to notice my podcast first because I can't get them subscribed until they notice it. Once I get into it, then I want them to be able to easily recognize it when they're scrolling through their list of podcasts or on their Apple TVs, etc.
So the first driver for this was me, in this case, the customer, saying, "Greg, I need my podcast logo to stand out." Let's talk about what flips into your process here. Greg, as the professional designer, what do you do next?
Greg: Yeah. Normally, we would have a pretty in-depth questionnaire for these types of things especially with a new client, but because I know you and I know your audience and we've designed for you quite a few times in the past, your brief to me was literally that, "I need something to stand out, can you show me some radical ideas, I've got no reference, I just want an eye-grabber." Just based on that, what goes through my mind is, 'OK, I know James Schramko. He's straight to the point.