Will Miles is trapped. Trapped in tiny Greening, Michigan, where a toxic high school rumor has turned her into a social exile. Trapped in the predictable routines of her mother, and under the unrelenting gaze of her mother’s increasingly sinister boyfriend. But when Will stumbles across the early poems of Nathaniel Fellow, a famous writer forty years her senior who also grew up in Greening, she feels she’s found a kindred spirit. A passing comment from her mother only adds to Will’s fascination: Is Nathaniel the father she's never known?
Will orchestrates a plan to track Nathaniel down, following in his footsteps to New York City, where she learns he's not the answer to her past, not the way she imagined. But their meeting sparks a complicated, consuming relationship that gives Will sidelong access to a world she’s only ever imagined: of writers and intellectuals, a financial safety net, and, most intoxicatingly, a glimpse into her own potential. But who is Nathaniel Fellow, off the page? And what will shaping her life to suit his cost her? When a torrent of information about his past threatens not just her life with Nathaniel, but the story she tells herself about him, Will is faced with a choice that will change everything.
A gripping novel about ambition, parents and children, and all the ways women still pay for men’s mistakes, Famous Men (Random House, 2026) traces one woman’s journey to the truth of where she comes from, what she’s capable of, and how she might start again.

Julie Buntin‘s debut novel, Marlena, was a finalist for the National Book Critics Circle’s John Leonard Prize, released in ten territories worldwide, and named a best book of the year by over a dozen outlets, including The Washington Post, NPR, and Kirkus Reviews. She is the co-editor of Notes to New Mothers, a collection of dispatches from postpartum life by sixty writers and artists. Previously, Buntin was an editor and director of writing programs at Catapult. Now, she writes and teaches in Ann Arbor, where she is an assistant professor at the University of Michigan.

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Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

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