Rewarding as it is, motherhood can be an uphill battle. In the pandemic, we heard this in the stories of mothers struggling to juggle child care and schooling with work and other responsibilities at home. But the pandemic simply lifted the curtain on an underrepresented reality for many parents. Actor, writer and director Maggie Gyllenhaal seeks to capture the messiness of motherhood in her new film “The Lost Daughter.” It’s an adaptation of the Elena Ferrante novel that explores the story of an “unnatural mother” named Leda, who finds parenting to be a “crushing responsibility.” Gyllenhaal imagined playing scenes of a mother ignoring her daughter’s cries or rejecting her injured child’s pleas for a kiss — things we’re taught “we’re not allowed to think or feel” — would be “radical” for a film, especially if women watched with their mothers, partners or children.

In this conversation, Kara talks to Gyllenhaal about her transition to directing, how she got the infamously private Ferrante to offer her blessing for the film and why the domestic is “high art.” They also discuss the power and importance of women’s storytelling and whether anyone is an unnatural mother — which, as Gyllenhaal muses, begs the question: “Well, what is a natural mother?”

This episode contains strong language.

You can find transcripts (posted midday) and more information for all episodes at nytimes.com/sway, and you can find Kara on Twitter @karaswisher.

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