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In 1921 headlines across the country announced the death of Henry Starr, a burgeoning silent film star who was killed while attempting to rob a bank in Harrison, Arkansas. Cynics who knew the real Starr were not surprised. Before becoming a matinee idol, Starr had been the greatest bank robber of the horseback bandit era.
Born in 1873, Cherokee outlaw Henry Starr had survived shootouts and death sentences and lived long enough to witness the invention of moving pictures. In 1919, after Starr was released from the Oklahoma State Penitentiary, a hotshot movie producer convinced him he had the looks, charisma, and “wild and woolly” life story to become the next big movie star.
When filming began in 1920, powerful organizations aligned to censor Starr, attempting to prevent him from exposing Oklahoma’s corrupt legal system and the government’s mistreatment of the Cherokee. The Women's Christian Temperance Union pressured theater owners to ban his film, state and federal lawmakers drafted legislation to stymie theatrical distribution, and police and district attorneys threatened to send him back to prison.
Starr's only film, the biographical movie A Debtor to the Law, is lost to history, but through surviving memorabilia, newspaper accounts, and interviews with people who worked with him on set, author Mark Archuleta traces how the reformed gentleman bandit attempted to use the power of cinema to reframe his life story and redeem himself in the eyes of the public, his family, and the Cherokee Nation.
The Reel Thrilling Events of Bank Robber Henry Starr: From Gentleman Bandit to Movie Star and Back Again (University of North Texas Press, 2025) by Mark Archuleta is about more than heists and Hollywood glamor. Starr’s journey is about the American myth of reinvention, recidivism, and the founding of the motion picture industry when racial tensions were simmering to a boil.
Contact the author here.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
By New Books Network4.3
3030 ratings
In 1921 headlines across the country announced the death of Henry Starr, a burgeoning silent film star who was killed while attempting to rob a bank in Harrison, Arkansas. Cynics who knew the real Starr were not surprised. Before becoming a matinee idol, Starr had been the greatest bank robber of the horseback bandit era.
Born in 1873, Cherokee outlaw Henry Starr had survived shootouts and death sentences and lived long enough to witness the invention of moving pictures. In 1919, after Starr was released from the Oklahoma State Penitentiary, a hotshot movie producer convinced him he had the looks, charisma, and “wild and woolly” life story to become the next big movie star.
When filming began in 1920, powerful organizations aligned to censor Starr, attempting to prevent him from exposing Oklahoma’s corrupt legal system and the government’s mistreatment of the Cherokee. The Women's Christian Temperance Union pressured theater owners to ban his film, state and federal lawmakers drafted legislation to stymie theatrical distribution, and police and district attorneys threatened to send him back to prison.
Starr's only film, the biographical movie A Debtor to the Law, is lost to history, but through surviving memorabilia, newspaper accounts, and interviews with people who worked with him on set, author Mark Archuleta traces how the reformed gentleman bandit attempted to use the power of cinema to reframe his life story and redeem himself in the eyes of the public, his family, and the Cherokee Nation.
The Reel Thrilling Events of Bank Robber Henry Starr: From Gentleman Bandit to Movie Star and Back Again (University of North Texas Press, 2025) by Mark Archuleta is about more than heists and Hollywood glamor. Starr’s journey is about the American myth of reinvention, recidivism, and the founding of the motion picture industry when racial tensions were simmering to a boil.
Contact the author here.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

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