Art has long played a key role in constructing how people understand and imagine America. Starting with contemporary controversies over public monuments in the United States, in Temporary Monuments: Art, Land, and America’s Racial Enterprise (University of Chicago Press, 2024), Dr. Rebecca Zorach carefully examines the place of art in the occupation of land and the upholding of White power in the US, arguing that it has been central to the design of America’s racial enterprise. Confronting closely held assumptions of art history, Zorach looks to the intersections of art, nature, race, and place, working through a series of symbolic spaces—the museum, the wild, islands, gardens, home, and walls and borders—to open and extend conversations on the political implications of art and design.

Against the backdrop of central moments in American art, from the founding of early museums to the ascendancy of abstract expressionism, Dr. Zorach shows how contemporary artists—including Dawoud Bey, Theaster Gates, Maria Gaspar, Kerry James Marshall, Alan Michelson, Dylan Miner, Postcommodity, Cauleen Smith, and Amanda Williams—have mined the relationship between environment and social justice, creating works that investigate and interrupt White supremacist, carceral, and environmentally toxic worlds. The book also draws on poetry, creative nonfiction, hip-hop videos, and Disney films to illuminate crucial topics in art history, from the racial politics of abstraction to the origins of museums and the formation of canons.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.

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Martha S. Jones grew up feeling her Black identity was obvious to all who saw her. But weeks into college, a Black Studies classmate challenged Jones’s right to speak. Suspicious of the color of her skin and the texture of her hair, he confronted her with a question that inspired a lifetime of introspection: “Who do you think you are?”

Now a prizewinning scholar of Black history, Jones delves into her family’s past for answers. In every generation since her great-great-great-grandmother survived enslavement to raise a free family, color determined her ancestors’ lives. But the color line was shifting and jagged, not fixed and straight. Some backed away from it, others skipped along it, and others still were cut deep by its sharp teeth.

Journeying across centuries, from rural Kentucky and small-town North Carolina to New York City and its suburbs, The Trouble of Color: An American Family Memoir (Basic Books, 2025) is a lyrical, deeply felt meditation on the most fundamental matters of identity, belonging, and family.

Martha S. Jones is the Society of Black Alumni Presidential Professor, professor of history, and a professor at the SNF Agora Institute at the Johns Hopkins University. A prizewinning author and editor of four books, most recently Vanguard, she is past copresident of the Berkshire Conference of Women Historians and has contributed to the New York Times, Atlantic, and many other publications. She lives in Baltimore, Maryland.

Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

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Dancing Black, Dancing White: Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s (Oxford University Press, 2023) offers a new look at the highly popular phenomenon of the televised teen dance program. These teen shows were incubators of new styles of social and popular dance and both reflected and shaped pressing social issues of the day. Often referred to as "dance parties," the televised teen dance shows helped cultivate a nascent youth culture in the post-World War II era. The youth culture depicted on the shows, however, was primarily white. Black teenagers certainly had a youth culture of their own, but the injustice was glaring: Black culture was not always in evident display on the airwaves, as television, like the nation at large, was deeply segregated and appealed to a primarily white, homogenous audience. 

The crux of the book, then, is twofold: to explore how social and popular dance styles were created and disseminated within the new technology of television and to investigate how the shows both reflected and re-affirmed the racial politics and attitudes of the time. The story of televised teen dance told here is about Black and white teenagers wanting to dance to rock 'n' roll music despite the barriers placed on their ability to do so. It is also a story that fuses issues of race, morality, and sexuality. Dancing Black, Dancing White weaves together these elements to tell two stories: that of the different experiences of Black and white adolescents and their desires to have a space of their own where they could be seen, heard, appreciated, and understood.

Julie Malnig is Professor of Dance and Theatre Studies at The Gallatin School of Individualized Study at New York University.

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Today I’m speaking with Jonathan Rauch, a senior fellow in governance studies at the Brookings Institution and a contributing editor of The Atlantic. We are discussing his latest book, Cross Purposes: Christianity’s Broken Bargain with Democracy (Yale UP, 2025). The enmity between secular liberals and religious conservatives is a source of chaos in American democracy. Religious conservatives blame secular liberals for creating a decadent society without traditional norms. Secular liberals accuse religious conservatives of intolerance and hatred. Both sides want to do away with the other, when we actually need to try to understand each other. Jonathan’s book offers a powerful critique of our uncompromising ways.

Caleb Zakarin is editor at the New Books Network.

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On this episode of the New Books Network, Dr. Megan Hunt joins us to talk about her recent book, Southern By the Grace of God, which was published in 2024 by the University of Georgia Press.

Lke the media coverage of the civil rights era itself, Hollywood dramas have reinforced regional stereotypes of race, class, and gender to cleanse and redeem the wider nation from the implications of systemic racism. As Southern by the Grace of God reveals, however, Hollywood manipulates southern religion (in particular) to further enhance this pattern of difference and regional exceptionalism, consistently displacing broader American racism through a representation of the poor white southerner who is as religious as he (and it is always a he) is racist. By foregrounding the role of religion in these characterizations, Megan Hunt illuminates the pernicious intersections between Hollywood and southern exceptionalism, a long-standing U.S. nationalist discourse that has assigned racial problems to the errant South alone, enabling white supremacy to not only endure but reproduce throughout the nation. Southern by the Grace of God examines the presentation and functions of Protestant Christianity in cinematic depictions of the American South. Hunt argues that religion is an understudied signifier of the South on film, used--with varying degrees of sophistication--to define the region's presumed exceptionalism for regional, national, and international audiences. Rooted in close textual analysis and primary research into the production and reception of more than twenty Hollywood films that engage with the civil rights movement and/or its legacy, this book provides detailed case studies of films that use southern religiosity to negotiate American anxieties around race, class, and gender. Religion, Hunt contends, is an integral trope of the South in popular culture and especially crucial to the divisions essential to Hollywood storytelling.

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Despite progressive policy strides in health care reform, immigrant communities continue to experience stark disparities across the United States. In Not All In: Race, Immigration, and Health Care Exclusion in the Age of Obamacare (Johns Hopkins UP, 2025), Tiffany D. Joseph exposes the insidious contradiction of Massachusetts' advanced health care system and the exclusionary experiences of its immigrant communities.

Joseph illustrates how patients' race, ethnicity, and legal status determine their access to health coverage and care services, revealing a disturbing paradox where policy advances and individual experiences drastically diverge. Examining Boston's Brazilian, Dominican, and Salvadoran communities, this book provides an exhaustive analysis spanning nearly a decade to highlight the profound impacts of the Affordable Care Act and subsequent policy shifts on these marginalized groups.

Not All In is a critical examination of the systemic barriers that perpetuate health care disparities. Joseph challenges readers to confront the uncomfortable truths about racialized legal status and its profound implications on health care access. This essential book illuminates the complexities of policy implementation and advocates for more inclusive reforms that genuinely cater to all. Urging policymakers, health care providers, and activists to rethink strategies that bridge the gap between legislation and life, this book reminds us that in the realm of health care, being progressive is not synonymous with inclusivity.

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As part of the TV Milestones Series, Bridget Kies explores Murder, She Wrote (Wayne State University Press, 2025). Embark on a journey through the mysteries of Cabot Cove to learn why Murder, She Wrote is a timeless classic. Discover the secrets behind the enduring appeal of Murder, She Wrote (CBS, 1984-96) in this captivating investigation of the long-running mystery series. Kies details the show's lasting impact owing to several interconnecting factors tied to the series' genre, cast, and reception. Murder, She Wrote was a trailblazing "cozy" murder mystery, blending suspense and charm to captivate a wide and varied audience. Bolstered by Angela Lansbury's established star power, the iconic amateur sleuth Jessica Fletcher is beloved by fans across generations and around the world. Kies also points to the series' extratextual tie-in novels, made-for-TV movies, licensed products, and crossovers and attempted spinoffs that helped create a franchise universe that lives on today. With insights into the show's twelve remarkable seasons, its rise to global fame, and data from fandom interviews, this book is a must-read for fans and newcomers alike. Embark on a journey through the mysteries of Cabot Cove and beyond to learn why Murder, She Wrote remains a timeless classic.

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The United States is widely recognized as the quintessential consumer society, one where huge companies like Walmart and Amazon are famous for enticing customers with cheap goods and speedy delivery. Attention, Shoppers!: American Retail Capitalism and the Origins of the Amazon Economy (Princeton University Press, 2025) traces the origins and evolution of American retail capitalism from the late nineteenth century to today, uncovering the roots of a bitter equilibrium where large low-cost retailers dominate and vast numbers of low-income families now rely on them to make ends meet.

Offering a comparative perspective on the history of American political economy, Dr. Kathleen Thelen shows how large-scale retailers in the United Kingdom, Germany, Denmark, and Sweden faced a far less hospitable regulatory environment than companies in the United States, which enjoyed judicial forbearance and often active government support. As American companies grew in scale and scope, they assembled an ever-expanding political coalition that could be weaponized to head off regulatory efforts, leveraging their market strength to squeeze suppliers and workers and even engaging in outright rule breaking when they encountered resistance.

Placing the rise of the Amazon economy in a broader comparative-historical context, Attention, Shoppers! reveals how large discount retailers have successfully exploited a uniquely permissive regulatory landscape to create a shopper’s paradise built on cheap labor and mass consumption.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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In this episode of International Horizons, Peter Andreas, John Hay Professor of International Studies at Brown University and author of Border Games: The Politics of Policing the U.S.-Mexico Divide, 3rd edition (Cornell UP, 2022) and The Illicit Global Economy (Oxford UP, 2025), joins RBI Director John Torpey to unpack the myths and realities of border control, illicit trade, and tariffs in the era of Trump. Why do Trump’s border policies resonate with so many despite lower deportation numbers than previous administrations? How are fentanyl, tariffs, and military threats shaping U.S. relations with Mexico and Canada? Andreas explains the performative politics of the border, the historical amnesia around immigration enforcement, and why the lines between legal and illegal economies are blurrier than we think.

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Professional baseball has featured a bevy of superstars over the past century and a half, but only a few of them have impacted their sport and cities as deeply as Willie McCovey and Billy Williams. Born just a handful of miles apart in 1938, they grew up in and around one of the sport’s true cradles, Mobile, Alabama, on their way to producing two iconic careers in Major League Baseball.

In A Time for Reflection: The Parallel Legacies of Baseball Icons Willie McCovey and Billy Williams (Rowman & Littlefield, 2025), Jason Cannon examines these two legends of the game. Overcoming the heinous racism of the Jim Crow South as part of the second generation of African American major leaguers who followed in the footsteps of Jackie Robinson, they became two of baseball’s all-time greatest players. Off the field, they took impactful stands for racial progress that continue to resonate today. Their personal resolve, leadership in the clubhouse, and dedication to their baseball communities endeared them to teammates and fans alike.

Featuring original interviews with family members, friends, teammates, and Williams himself, A Time for Reflection brings to life their monumental accomplishments on the diamond, while also detailing how McCovey and Williams grew into pillars of San Francisco and Chicago and inspired future generations of ballplayers.

Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out in the fall of 2025. You can reach Paul at [email protected] and follow him on Twitter @paulieknep.

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