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When American churches face financial difficulties, a disproportionately high number of Black churches reorganize under chapter 11 bankruptcy. There are no easy explanations for this distinction: not location, denomination, leadership structure, or the reasons for the loans. In Forgive Us Our Debts: How Black Churches Use Bankruptcy to Survive (U Chicago Press, 2026), legal scholar Pamela Foohey asks why, then, Black churches account for two-thirds of all congregations that file for chapter 11 bankruptcy every year.
Drawing on case studies of six Black churches and one white church, and 150 interviews with church leaders, members, and attorneys, Foohey finds answers in a long history of predatory lending. Unable to negotiate with recalcitrant loan officers, Black churches turn to the legal system to force reasonable concessions from lenders to prevent the stripping of their wealth and the destruction of their communities. While the structural discrimination remains, these churches have found in the bankruptcy system a refuge and some power to fight back.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Before Ruth Bader Ginsburg persuaded the Supreme Court to strike down sex discrimination, Dorothy Kenyon drew the legal blueprint. Justice Was Her Calling: The Fierce and Fascinating Life of Dorothy Kenyon (U California Press, 2026) by Jennifer Brinkley is the first full-length biography of the New York judge, lawyer, and civil liberties champion whose litigation strategies helped transform the Equal Protection Clause into a powerful tool for women’s rights. Across decades, from the Progressive Era through the New Deal and into the rise of second-wave feminism, Dorothy Kenyon stood at the forefront of reform.
A longtime ACLU national board member, the only woman appointed by the League of Nations to study women’s legal status worldwide, and a US delegate to the United Nations Commission on the Status of Women, Kenyon pushed equality onto the global stage long before it was widely embraced. Her career was nearly undone when Senator Joseph McCarthy named her first on his list of alleged communists, a spurious accusation that cast a lasting shadow.
Drawing on letters, speeches, and fresh archival research, Brinkley restores Kenyon to her rightful status as a legal pioneer and reminds us that civil liberties endure only when defended.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Chris Pearl's Declarations of Independence: Indigenous Resilience, Colonial Rivalries, and the Cost of Revolution (U Virginia Press, 2024) is a fascinating exploration of the American Revolution's causes and consequences on the Pennsylvania frontier. The history of the Fairplay settlement on the West Branch of the Susquehanna River - which (allegedly) declared independence from Pennsylvania AND the British Empire on July 4, 1776 - reveals the complicated, intertwined nature of the Revolution in the backcountry. Pearl illuminates how many groups - Indigenous and colonial - vied for control in these woods from the 1740s through the 1790s, telling a fascinating story of settler colonialism and Native resilience.
By intertwining the experiences of Indigenous Americans, rebellious colonial squatters, opportunistic land speculators, and imperial government agents, Pearl reveals how conflicts within and between them all set the terms and ultimately shaped the meaning of the American Revolution. In the crucible of this conflict, memories, histories, and animosities collided and converged with tremendous consequences. Declarations of Independence delves into the racial violence over land and sovereignty that suffused the Revolutionary Age and helps restore Indigenous peoples to their central position at the founding of the United States.
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Parties on the Ground: A Study of Nominations for the House of Representatives (U Chicago Press, 2026) is a study of political parties and party nominations for the House of Representatives in 55 winnable open-seat nominations in the 2013-14 electoral cycle. Based on a combination of field interviews, fundraising and spending data from the Federal Election Commission, content analysis of newspaper coverage, and exit polls of voters in four contests, it argues that the most important actors in most nominations are those who supply campaign resources to some candidates and deny them to others. These "policy demanders," as the study calls them, consist mainly of standard interest group actors - business, labor, agriculture, professionals - but include faith-based activists and Tea Partiers as leading actors in some nominations. Among the study's main arguments are that policy demanders care more about their particular interests and values than general ideology, put serious effort into vetting candidates before supporting them, and often either work through local parties or coordinate among themselves. The study analyzes the competition between establishment and insurgent candidates in the Republican Party in terms of its general arguments. Progressive reformers sought the adoption of primary elections to empower voters to control the direction of their parties, but this study finds that most primary electorates pay too little attention to make use of the opportunity.
Professor Kathleen Bawn is Professor of Political Science at the University of California, Los Angeles. She has published her work in journals such as American Political Science Review, American Journal of Political Science, and British Journal of Political Science.
Professor John Zaller is Professor Emeritus at the University of California, Los Angeles. His other books include The Nature and Origins of Mass Opinion and The Party Decides: Presidential Nominations Before and After Reform.
Host Dr Ursula Hackett is Churchill Associate Professor of U.S. Politics at the University of Oxford. She is the author of America's Voucher Politics: How Elites Learned to Hide the State and a forthcoming book on redistricting.
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In Searching for Jane Crow: Black Women and Mass Incarceration in America from the Auction Block to the Cell Block (Beacon Press, 2022), historian Talitha L. LeFlouria centers Black women at the core of a fresh argument: that the system of mass incarceration was established as protection for the institution of slavery and the profits of enslavers and that this legacy continues today.
For centuries, Black women in America have experienced extreme rates of arrest, conviction, and incarceration in the nation’s jails and prisons, yet their experiences have often been overlooked in favor of Black men’s.
Arguing that the merger between profit and punishment continues to keep Black people bound, LeFlouria traces the connection between enslavement and incarceration, revealing how they have always been intertwined—from the domestic slave trade of 1810-1865, when an estimated one million people were incarcerated in privately owned slave jails, to the post-Civil War era when Black people were enslaved through new systems of state-sponsored mass incarceration, and through to today.
Talitha L. LeFlouria is one of the nation’s leading authorities on the history of Black women, mass incarceration, and the legacies of American slavery. She is an associate professor of history, and the Mastin Gentry White Fellow in Southern History at The University of Texas at Austin. She is the author of the multi-award-winning book, Chained in Silence. Dr. LeFlouria has received numerous awards for her research, including an Andrew Carnegie Fellowship from the Andrew Carnegie Foundation, and her work has been featured in The Atlantic, the Washington Post, Ms. Magazine, The Root, and Vox. You can find her on her website.
Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.
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Sandwiched between the long period of French colonization, and the brief return to the French empire before the Americans enter the scene, the Spanish period of Louisiana's history is often ignored by historians. Yet, according to University of North Alabama historian Frances Kolb Turnbell, scholars of Vast Early America and the American West ignore this three decade period at their own peril. In Spanish Louisiana: Contest for Borderlands, 1763-1803 (LSU Press, 2024), Turnbell argues that the Spanish period of Louisiana's history is a prime example of historical contingency. The people - Black, white, Indigenous, and the many who straddled such categories - assumed the colony would stay in Spanish hands indefinitely, and made choices based on that assumption. The actions of Native people or American traders only make sense through this specific and contextual lens. And although this Spanish period did come to a close, its legacy endured well into the American period of the region's history. An excellent example of borderlands history, Turnbell's book urges scholars to reevaluate the history of the American West during the revolutionary period to uncover what else may have been missed beneath the Mississippi's murky waters and lush bayous.
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On July 5, 1828, more than a century before Superman arrived on Earth, a superhero took flight in Philadelphia’s night sky. Buried on page three of a small local newspaper, the announcement of his arrival appeared under the title “The Night-Hawk, No. 1” with a cryptic epigraph from Romeo and Juliet: “I’ll be a candleholder and look on.” Who and what was the Night Hawk? As Dr. Matthew Warner Osborn reveals in Night Hawk: A Nineteenth-Century Superhero and the Dawn of American Mass Culture (University of Chicago Press, 2026), this was the sobriquet of a mysterious columnist for the weekly Mechanics’ Free Press, the first radical socialist newspaper in America. Dressed in a mysterious cloak, the Night Hawk soared over Philadelphia, revealing the evil crimes of prominent gentlemen, fighting murderous criminals, and calling out fraudulent moral authorities.
The Night Hawk was the ingenious invention of an impoverished actor, Cornelius A. Logan, who created the character as a public champion of Philadelphia’s Working Men’s movement, the first successful American labor party. The Night Hawk’s nocturnal adventures transformed their socialist ideology into an entertaining fantasy that dramatized the struggle against industrial exploitation and the degradation of working people. The success of the character made Logan into a celebrity, and he went on to become a popular and innovative comedian on the antebellum stage.
A harbinger of the superheroes we know today, the Night Hawk promises to illuminate dark secrets from the past, but he can also shed light on our present. He ignites our need to see corrupt elites unmasked and held accountable for their actions, all while protecting the innocent and oppressed. Americans have always loved to fantasize about powerful superheroes who hide behind masks while chasing bad guys, and Dr. Osborn shows in this entertaining history how the Night Hawk was perhaps the first standard bearer for that enduring mystique.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Exploring how digital visual effects have changed the representations of the body and identity in action films. When Harrison Ford appeared digitally de-aged in Indiana Jones and the Dial of Destiny, audiences witnessed more than a technical feat; they saw how visual effects are reshaping what bodies can be on screen. In Action Bodies: VFX, Identity, and Embodiment in Blockbuster Cinema, Drew Ayers (Eastern Washington University) examines how the contemporary action genre redefines embodiment across human, superhuman, animal, and machine forms. Ayers argues that action films are a crucial site for understanding how popular media both reflect and shape cultural debates about identity, citizenship, disability, and ethics in the era of big data and algorithmic culture. Through case studies including Top Gun: Maverick, The Woman King, The Fast & the Furious franchise, and Avatar: The Way of Water, Ayers explores how VFX-altered bodies carry ideological weight. While the action genre has long leaned conservative in its politics of identity, its digitally mediated bodies also generate unexpected opportunities: glimpses of more inclusive and flexible modes of embodiment. As artificial intelligence and synthetic imagery continue to transform film production, Action Bodies demonstrates why careful attention to action cinema is essential for understanding how contemporary culture imagines and engineers the future of the body.
Drew Ayers is a professor of film at Eastern Washington University. He is the author of Spectacular Posthumanism: The Digital Vernacular of Visual Effects, and his work has been published in animation, Configurations, Convergence, and Film Criticism.
Cory Barker is a faculty member in the Donald P. Bellisario College of Communications at Penn State University, where he teaches courses on film, television, and digital culture. Newsletter.
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Beneath the Wage: Tips, Tasks, and Gigs in the Age of Service Work (Princeton UP, 2026) retheorizes capitalism from the perspective of the service economy, challenging conventional assumptions about how work is waged, regulated, managed, and automated Today, 80 percent of U.S. workers do service work, from delivering takeout to mopping floors to teaching. Each time we are handed a bag of groceries or a cup of coffee, call for a cab or have our homework graded, we confront both the enormity and the intimacy of the contemporary service sector. Do these jobs have anything in common? Who is doing this work? And what kind of labor politics does it generate? If service work has often been treated as a footnote to modern capitalism, Beneath the Wage reveals it as crucial to understanding how exploitation functions today. Uncovering a history that runs from eighteenth-century servants to present-day gig workers, Annie McClanahan retheorizes capitalism from the perspective of the service economy, challenging conventional assumptions about how work is waged, regulated, managed, and automated. Assembling a diverse set of sources for understanding and reimagining service work—from reality television and conceptual poetry to novels and workers’ own descriptions of what they do—McClanahan explores three paradigmatic types of contemporary service labor: superexploited tipwork, deskilled clerical microwork, and informalized gigwork. She shows how work done “beneath the wage” depends on racialized and gendered forms of economic domination, is often excluded from labor organizing and regulation, and yet has begun to generate a new politics of social reproduction and solidarity.
Annie McClanahan is Associate Professor of English at UC Irvine. Her first book, Dead Pledges: Debt, Crisis, and 21st Century Culture explores how U.S. culture responded to the collapse of the financialized consumer credit economy in 2008. She has published on topics like the rise of microeconomics and methodological individualism, the cultural history of economic stagnation, so-called “neoliberalism” and the history of the university, and the politics and theory of sexwork.
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In American history, few tragedies have been as consequential—and as enduringly misunderstood—as the Triangle Shirtwaist Factory fire of 1911. Long remembered as a turning point in the struggle for labor protections, Fire in the Heart of the City: The Triangle Shirtwaist Tragedy and the Origins of Modern Charity (NYU Press, 2026) shows how the fire also helped transform another cornerstone of modern American life: the rise of modern charity.
Set in early twentieth-century New York, the book tells the extraordinary story of what happened when a catastrophic fire in Greenwich Village threw Adolph Ochs, the ambitious new publisher of the New York Times, and Rose Schneiderman, a defiant young labor organizer, into a momentous struggle over who should organize the city’s response: a rising charity sector led by wealthy financiers and civic elites, or the reform-minded unions and activists of Lower Manhattan.
Drawing on newly released archival documents, interviews with the descendants of Times publisher Adolph Ochs and New York labor organizers, previously confidential reports, and long-overlooked private diaries and correspondence, David Conrad-Pérez offers a striking new account of the disaster and its aftermath. He shows how a handful of charities on the brink of irrelevance were suddenly recast as New York’s best answer to the social and economic conditions the fire laid bare—a watershed moment in the rise of modern charity and elite authority over social welfare in the United States.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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