New Books in Biography & Memoir

A Room of His Own: Joseph Brodsky and the Making of a Bilingual Poet (Academic Studies Press, 2025) makes the original and persuasive claim that Brodsky’s force as a transnational poet derives paradoxically from an inward-looking stance that privileges “the trope of the room” and a practice of self-translation that is faithful to his own internal poetics rather than the poetic norms of the target tradition. The resulting bilingual poetics is one that, though not universally accepted by English readers, ultimately had a profound effect on the Anglo-American literary tradition and anticipated certain foreignizing tendencies that have become central to translation studies and theories of transnationalism. No less powerful than the book’s thesis is the elegant analyses, which encompass Brodsky’s Russian poetry, his translations from Russian to English, and his English-language essays.

Daria Smirnova holds a Ph.D. in Comparative Literature from the University of Oregon and a degree in Linguistics from Russia. Inspired by years of traveling between languages and cultures, her research explores literary translation, bilingualism, and transmediation. Daria's current archival research examines the role of translation in shaping literary canons.

Amber Nickell is Assistant Professor of History at Louisiana State University, Editor at H-Ukraine, and Host at NBN Jewish Studies, Ukrainian Studies, and Eastern Europe.

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The story of two women in the mid-twentieth-century South navigating financial independence, a changing rural landscape, and social norms.

Flannery and Regina: The Andalusia Chronicles (NewSouth Books, 2026) tells the story of Flannery O’Connor and her mother, Regina, after Flannery’s lupus diagnosis forced her to move back to Milledgeville, Georgia. Just as her career as one of the twentieth century’s most distinguished writers of short fiction was beginning to take off, the disease that killed her father confined her to the family farm, Andalusia. The book fills in the gaps for fans of Flannery on the role of Regina in her life but more broadly presents a story of two women in the South of the 1950s and 1960s navigating financial independence, a changing rural landscape, and social norms.

It’s a story of a mother and daughter, sometimes understanding each other, often not, but trying to cobble together parallel and overlapping lives. Perhaps most interesting to readers of O’Connor, or anyone interested in the biography of an author no longer able to control a public image, is the detailing of how Regina tried to direct and cultivate Flannery’s image after her death, though we get the sense she understood very little of her daughter as an artist.

Carol Loeb Shloss is a former acting professor of English and Irish literature at Stanford University. Widely known for her work on modernist writers, her books include Lucia Joyce: To Dance in the Wake, a Pulitzer Prize nominee and finalist for the National Book Critics Circle Award; Let the Wind Speak: Mary de Rachewiltz and Ezra Pound; Flannery O’Connor’s Dark Comedies: The Limits of Inference; and two books on literature and photography. Since writing her seminal book on Flannery O’Connor in 1980, she has published essays and reviews in Flannery O’Connor Review and many other journals. She currently resides in Philadelphia.

Daniel Moran’s writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, available here on the New Books Network and wherever podcasts are found.

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In this episode, I speak with Dr Amy King of Bristol University about her book, The Afterlife of a Fascist Murder: Giacomo Matteotti in Myth and Memory, 1924–2024, published by Cambridge University Press in 2026.

The year 2024 marked a century since socialist leader Giacomo Matteotti's assassination. Widely commemorated in Italy, he's often remembered within a national narrative of antifascist resistance. But how was this narrative built and how has the far right responded? This Element traces the construction and mobilisation of Matteotti's memory over the last century, analysing the role of grief in the early antifascist movement, and identifying the role memory played in bringing together Allies, partisans and political parties during the construction of the democratic Republic. Based on primary sources from international archives, it also adds a transnational lens to the study of a figure so often thought of in national terms. The Element closes by examining how far-right parties whose lineage traces back to Mussolini's regime have engaged with the afterlife of a man whose murder is an evergreen reminder of the centrality of violence to Fascism in its earliest days.

Dr. Amy King is a Senior Lecturer in Modern European History at the University of Bristol, UK. She is the author of The Politics of Sacrifice: Remembering Italy’s Rogo di Primavalle, which examines the memory of a 1973 arson attack on a far-right family in Rome during the Years of Lead.  The book won the First Book Prize from the American Association for Italian Studies in 2024 and was published in Italian by Donzelli last year.

Chris Millington is Professor of Modern European History and lead of the Histories and Cultures of Conflict research group at Manchester Metropolitan University, UK. He is the author of eight books including Murder in Marseille: Right-Wing Terrorism in 1930s Europe ((Manchester University Press, 2025), The Invention of Terrorism in France, 1904-1939 (Stanford University press, 2023), and France in the Second World War Collaboration, Resistance, Holocaust, Empire (Bloomsbury Academic, 2020).

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Although Spain was never a formal ally of the United States during the American Revolution, its entry into the war definitively tipped the balance against Britain. Led by Bernardo de Gálvez, supreme commander of the Spanish forces in North America, their military campaigns against British settlements on the Mississippi River—and later against Mobile and Pensacola—were crucial in preventing Britain from concentrating all its North American military and naval forces on the fight against George Washington’s Continental army. In this first comprehensive biography of Gálvez (1746–86) Bernardo de Gálvez: Spanish Hero of the American Revolution (UNC Press, 2026), Gonzalo M. Quintero Saravia assesses the commander’s considerable historical impact and expands our understanding of Spain’s contribution to the war.

A man of both empire and the Enlightenment, as viceroy of New Spain (1785–86), Gálvez was also pivotal in the design and implementation of Spanish colonial reforms, which included the reorganization of Spain’s Northern Frontier that brought peace to the region for the duration of the Spanish presence in North America. Extensively researched through Spanish, Mexican, and US archives, Quintero Saravia’s portrait of Gálvez reveals him as central to the histories of the Revolution and late eighteenth-century America and offers a reinterpretation of the international factors involved in the American War for Independence.

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Our Common Life: Folk Song from the Front Porch to the Concert Hall (U Illinois Press, 2026) by Stephen Wade is part memoir, part meditation on American culture, and part historical narrative of folk music. Wade centers this book around individual musicians and songs that provide a specificity to his discussion that is different from a typical historical survey. These individuals and their stories demonstrate how folklore offers a way of understanding the world. Filled with original research and abundantly illustrated with both color and black and white photography, Our Common Life illuminates the truth that creative freedom within informal tradition, fundamental to the artists and their processes, speaks to a resourcefulness inscribed in the nation's founding charter and expressed in its common life. Weaving experiences from his career in music as a student, producer, performer, and folklorist, Wade explores the meaning and history of American folk music in this book. 

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How did Anita O'Day-the legendary jazz singer who, along with Chet Baker, Miles Davis, Gerry Mulligan, and Stan Getz, led the so-called "cool school" of modern jazz-define cool?

"That means doing everything that you like to do and getting away with it, you dig?"

Her traits included a frosted tone with a dash of vinegar; a blithe, airy rhythmic sense that could make almost any band swing; an ultra-hip bebop vocabulary; and a wisecracking insouciance, as though all this were just a lark. O'Day emerged in 1941 as a big-band singer whose tough look and take-charge style established her as a musically savvy leader of men, not a begowned accessory. Thereafter, while creating a historic body of recordings on Verve Records, O'Day became "one of the boys" in another sense, spending much of the '50s and '60s hooked on heroin. Finally clean by the '70s, she had a stunning renaissance, touring the world each year and releasing dozens of albums; even the TV program 60 Minutes profiled her in 1980.

Her memoir, High Times Hard Times, while vividly written (it was optioned more than once for films that didn't happen), cuts off in 1980, and contains almost no reflections on why she sang the way she did. With Cool Heat: Anita O'Day and Her Dangerous Jazz Life (Equinox Publishing, 2026), author James Gavin, whose biography subjects include Chet Baker, Lena Horne, Peggy Lee, and George Michael, now turns his attention to O'Day's mad roller-coaster life, a nonstop procession of thrills, laughs, outrageous stories, and unforgettable music-making. Gavin, a Grammy nominee and a two-time winner of ASCAP's Deems Taylor-Virgil Thomson Award for excellence in musical journalism, draws upon a wealth of unpublished material, including interviews with many of the people who knew her best making this a definitive portrait of one of the great characters and innovators in jazz history.

James Gavin is the author of five acclaimed books and dozens of New York Times features; he is a worldwide public speaker, a Grammy nominee, and a recipient of two ASCAP Deems Taylor-Virgil Thomson Awards for excellence in music journalism. His previous book are George Michael: A Life (Abrams, 2022), Is That All There Is? The Strange Life of Peggy Lee (Atria Books/Simon & Schuster, 2014), Stormy Weather: The Life of Lena Horne (Atria Books, 2009), Deep in a Dream: The Long Night of Chet Baker (Knopf, 2002; republished by Chicago Review Press in 2011), and Intimate Nights: The Golden Age of New York Cabaret (Grove Weidenfeld, 1991; Back Stage Books, 2006).

James Gavin’s website.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025).  He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. 

Bradley on Facebook and Bluesky.

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I spoke with writer and The Hollywood Reporter editor Julian Sancton about his New York Times bestselling book, Madhouse at the End of the Earth: The Belgica’s Journey into the Dark Antarctic Night (Penguin, 2021). Julian tells the jaw-dropping story of the 1897 Belgian expedition to Antarctica and the drama of its crew, who were forced to survive for months in the freezing cold, barren landscape, and darkness, with limited supplies, after their ship, the Belgica, became trapped in the Antarctic ice.

It’s a riveting book. And it's also a great a case study (or, actually, multiple case studies) of leadership.  Much of what could have gone wrong did go wrong, from the moment the idea of the expedition arose in the mind of the young Belgian Navy officer Adrien de Gerlache to the ship’s nearly miraculous return to Antwerp in late 1899.  De Gerlache faced funding problems, PR challenges, crew mutinies, ocean storms and other menacing elements, deadly threats to his men’s health, limited resources, and his own weaknesses, including ambition, stubbornness, and pride.

We talk about how the entrepreneurial American doctor and adventurer Frederick Cook stepped in and helped save the expedition, introducing a different leadership style and drawing on knowledge he had acquired during his earlier voyages to the far north.  Julian also talks about how the Belgica case shaped NASA’s studies of human survival in extreme conditions and shares his reflections on his history studies at Harvard, his decision to pursue a career as a writer and editor, as well as on AI.

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There is no shortage of footage immortalizing the men who spoke at the 1963 March on Washington for Jobs and Freedom, when 250,000 Americans gathered beneath the Lincoln Memorial to call for an end to segregation. There were reverends and rabbis, activists and Rat-Pack icons—and of course the day’s headliner, whose prophetic dream of a post-Jim Crow world has forever defined the Civil Rights Movement. But there is no “class photo” of the Black women who helped organize the march, performed on its main stage, or were honored during its “Tribute to Negro Women Fighters for Freedom.”

In How Bright the Path Grows: The Untold Story of the Women Who Made the March on Washington (Pantheon, 2026), Pulitzer Prizing-winning author Marcia Chatelain weaves a gleaming group portrait of these singular women. Among this cohort were several household names: vaudeville icon Josephine Baker; civil rights activist Rosa Parks gospel legend Mahalia Jackson, and Daisy Bates, champion of the Little Rock Nine. But many were relative unknowns, including Eva Jessye, the choir director who designed the day’s musical program, and Anna Hedgeman, the coordinator who pushed in the eleventh hour for a tribute to Black women’s work.

How Bright the Path Grows is a scintillating group biography, rendering the lives of thirteen Black women visionaries—some famous, others soon to be—in novelistic detail and like never seen before.

Dr. Marcia Chatelain a Presidential Penn Compact Professor of Africana studies at the University of Pennsylvania. She is the author of South Side Girls and Franchise, which won the 2021 Pulitzer Prize in History, the James Beard Foundation Book Award for Writing, the Hagley Prize for Business History, and the Lawrence W. Levine Award from the Organization of American Historians. An active public speaker and educational consultant, Chatelain has received awards and honors from the Ford Foundation, the American Association of University Women, and the German Marshall Fund of the United States. You can find her on Instagram and TikTok. 

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. 

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Joel Dinerstein's The Last of the Ellis Island Jews (SUNY Press, 2026) is a tragicomic memoir of a dysfunctional, working-class Brooklyn Jewish family that illuminates both the vitality of urban life in the twentieth century and the social turmoil of white flight. As a child of immigrants born to older parents, Dinerstein has a unique perspective on four generations--from his grandparents escaping Russia's pogroms to his parents' embattled marriage to his older Boomer siblings (split between feminist and Republican politics) to his own hippie hopes. As a white teenager in majority Black public schools, Dinerstein's firsthand experience led to his academic career as a scholar of race and music. Yet his family fits no paradigm of Jewish success due to a father with rage and gambling problems, resulting in the four siblings escaping early to the Brooklyn streets. As a family growing up with a diasporic identity, the Dinersteins provide a primer of ethnic Jewish culture through iconic scenes: a selfish Seder, a chaotic Bar Mitzvah, a videotaped bris, an allergy attack at Dachau, a staring contest with the Rebbe. Most of all, The Last of the Ellis Island Jews is a chronicle of lost worlds.

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“Does Thomas Jefferson still matter?” ask two leading historians on the 250th anniversary of the Declaration of Independence.
 

Thomas Jefferson has been reinvented more than perhaps any American president in history. In the nineteenth century, slavery’s defenders invoked Jefferson’s defense of states’ rights while abolitionists drew on his antislavery writings in support of their cause. After the Civil War, Jefferson’s reputation declined because of his association with secession and disunion, but in the twentieth century, his image soared as he came to embody the democratic values America fought for during World War II.

Unsurprisingly, Jefferson’s legacy has shifted yet again in the twenty-first century, effectively becoming a partisan talisman—jettisoned by the left as a plantation patriarch and repurposed by the right as an avatar of white nationalism. Dissatisfied with these political caricatures and manic swings, leading Jefferson scholars Peter S. Onuf and Francis D. Cogliano instead situate the founding father in his complicated historical context and reveal how his wisdom can be applied today.

In a series of three interrelated essays, the authors paint a nuanced portrait. “Generations” elucidates how Jefferson’s understanding of history shaped his responses to the major problems of his time. “My Country” delves into how he conceived of the American homeland, and “The People” unravels how Jefferson articulated a new national identity in the Declaration of Independence.

Taken together, Thomas Jefferson Survives: American Independence in His Time and Ours (Liveright, 2026) demonstrates how even amid crisis, Jefferson managed to articulate a capacious and optimistic vision for the future of the American people. As Pulitzer Prize–winning historian Annette Gordon-Reed writes in her foreword, “As much as Jefferson reflected the often-benighted times in which he lived, he rose above them in ways that have a great deal to tell us about the political straits in which we find ourselves.” After all, Jefferson knew better than anyone that 1776 was an important moment, but not the only moment, for Americans to write a better future. 

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