It’s perhaps one of history’s funny accidents that relations between the U.S. and Russia were changed not by one, but two, George Kennans. Decades before George F. Kennan wrote his famous Long Telegram that set the tone for the Cold War, his predecessor was exploring Russia’s Far East on a quest to investigate the then-Russian Empire’s practice of exiling political prisoners to Siberia.

What Kennan saw on his journey shook him to his very core, forcing him to question his respect for the Russian Empire. And as writer Gregory Wallance explains in his book Into Siberia: George Kennan’s Epic Journey Through the Brutal, Frozen Heart of Russia (St. Martin's Press, 2023), Kennan’s advocacy upon his return turned U.S. views from Russia away from being a faraway friend to something far more skeptical.

Gregory Wallance is a lawyer and writer in New York City. He is the author of Papa's Game (Ballantine Books: 1982) which received a nonfiction nomination for an Edgar Allan Poe Award; America's Soul In the Balance: The Holocaust, FDR's State Department, And The Moral Disgrace Of An American Aristocracy (Greenleaf Book Group: 2012), The Woman Who Fought an Empire: Sarah Aaronsohn and Her Nili Spy Ring (Potomac Books: 2018), and the historical novel Two Men Before the Storm: Arba Crane's Recollection of Dred Scott And the Supreme Court Case That Started the Civil War (Greenleaf Book Group: 2015). He is currently an opinion contributor for The Hill.

Today, Gregory and I talk about Kennan, his many trips to Siberia, and the effect his journalism had on American views of Russia.

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Into Siberia. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon

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The definitive biography of the creator of 2001: A Space Odyssey, The Shining, and A Clockwork Orange, presenting the most in-depth portrait yet of the groundbreaking filmmaker.

The enigmatic and elusive filmmaker Stanley Kubrick has not been treated to a full-length biography in over twenty years.

Kubrick: An Odyssey (Pegasus Books, 2024) fills that gap. This definitive book is based on access to the latest research, especially Kubrick's archive at the University of the Arts, London, as well as other private papers plus new interviews with family members and those who worked with him. It offers comprehensive and in-depth coverage of Kubrick’s personal, private, public, and working life. Stanley Kubrick: An Odyssey investigates not only the making of Kubrick's films, but also about those he wanted (but failed) to make like Burning Secret, Napoleon, Aryan Papers, and A.I.

This immersive biography will puncture the controversial myths about the reclusive filmmaker who created some of the most important works of art of the twentieth century.

Robert P. Kolker, Professor Emeritus, University of Maryland, taught cinema studies for almost fifty years. He is the author of A Cinema of Loneliness and The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick and the Reimagining of Cinema; editor of 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies; and co-author of Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film.

Nathan Abrams is a professor in film at Bangor University in Wales. He is a founding co-editor of Jewish Film and New Media: An International Journal, as well as the author of The New Jew in Film: Exploring Jewishness and Judaism in Contemporary Cinema, and Stanley Kubrick: New York Jewish Intellectual, and co-author of Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film.

Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.

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A controversial character largely known (as depicted in the movie Glory) as a Union colonel who led Black soldiers in the Civil War, James Montgomery (1814-71) waged a far more personal and radical war against slavery than popular history suggests. It is the true story of this militant abolitionist that Todd Mildfelt and David D. Schafer tell in Abolitionist of the Most Dangerous Kind: James Montgomery and His War on Slavery (U Oklahoma Press, 2023), summoning a life fiercely lived in struggle against the expansion of slavery into the West and during the Civil War.

This book follows a harrowing path through the turbulent world of the 1850s and 1860s as Montgomery, with the fervor of an Old Testament prophet, inflicts destructive retribution on Southern slaveholders wherever he finds them, crossing paths with notable abolitionists John Brown and Harriet Tubman along the way. During the tumultuous years of "Bleeding Kansas," he became a guerilla chieftain of the antislavery vigilantes known as Jayhawkers. When the war broke out in 1861, Montgomery led a regiment of white troops who helped hundreds of enslaved people in Missouri reach freedom in Kansas. Drawing on regimental records in the National Archives, the authors provide new insights into the experiences of African American men who served in Montgomery's next regiment, the Thirty-Fourth United States Colored Troops (formerly Second South Carolina Infantry).

Montgomery helped enslaved men and women escape via one of the least-explored underground railways in the nation, from Arkansas and Missouri through Kansas and Nebraska. With support of abolitionists in Massachusetts, he spearheaded resistance to the Fugitive Slave Act in Kansas. And, when war came, he led Black soldiers in striking at the very heart of the Confederacy. His full story thus illuminates the actions of both militant abolitionists and the enslaved people fighting to destroy the peculiar institution.

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An authoritative biography of the controversial Confederate general, who later embraced Reconstruction and became an outcast in the South.

It was the most remarkable political about-face in American history. During the Civil War, General James Longstreet fought tenaciously for the Confederacy. He was alongside Lee at Gettysburg (and counseled him not to order the ill-fated attacks on entrenched Union forces there). He won a major Confederate victory at Chickamauga and was seriously wounded during a later battle.

After the war Longstreet moved to New Orleans, where he dramatically changed course. He supported Black voting and joined the newly elected, integrated postwar government in Louisiana. When white supremacists took up arms to oust that government, Longstreet, leading the interracial state militia, did battle against former Confederates. His defiance ignited a firestorm of controversy, as white Southerners branded him a race traitor and blamed him retroactively for the South's defeat in the Civil War.

Although he was one of the highest-ranking Confederate generals, Longstreet has never been commemorated with statues or other memorials in the South because of his postwar actions in rejecting the Lost Cause mythology and urging racial reconciliation. He is being rediscovered in the new age of racial reckoning. Elizabeth Varon's Longstreet: The Confederate General Who Defied the South (Simon & Schuster, 2023) is the first biography in decades and the first to give proper attention to Longstreet's long post-Civil War career.

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Francis O’Neill (1848–1936) was a Chicago police officer and a folk music collector. Michael O’Malley connects these two seemingly unrelated activities in his biography of O’Neill, The Beat Cop: Chicago’s Chief O’Neill and the Creation of Irish Music (University of Chicago Press, 2022). Born in Ireland in 1848, O’Neill emigrated to the United States soon after the Civil War was over and eventually joined the Chicago Police Department. He rose through the ranks and became Chief of Police in 1901. But in his spare time and after his retirement in 1905, O’Neill devoted himself to collecting Irish traditional music, ultimately publishing several important large collections of the repertory as well as a book that documents Ireland’s musical landscape at the turn of the twentieth century. O’Malley tells O’Neill’s story within multiple, interwoven contexts including British colonialism, Irish nationalism in the United States, American race relations, the standardization in American institutions, and the internal politics of the Chicago Police Department and the city it protected. O’Malley also reveals fascinating connections between O’Neill’s policework and his approach to Irish music.

Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.

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In the summer of 2022, the little-known leader of a small union became a ‘working-class hero’. Facing down media pundits who thought they could walk all over him, he offered a robust critique of the government and provided workers with an authentic voice. At a time when the Labour Party was unable to articulate a credible alternative to the Tories, Mick Lynch spoke for the working class.

Where did Lynch come from? How did he develop the skills and traits that make him such an effective spokesperson and leader? Gregor Gall's biography Mick Lynch: The Making of a Working-Class Hero (Manchester UP, 2024) explores his family and social background and his rise to the top of the RMT union, which culminated in election as General Secretary in 2021. Considering his persona and politics, this book asks what quality singles out Lynch as a working-class hero compared to other union leaders and, more broadly, what leadership means for working people and for the left.

If we want better leaders at every level, the case of Mick Lynch holds the key.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

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For decades scholars have pored over Hitler's autobiographical journey/political treatise, debating if Mein Kampf has genocidal overtones and arguably led to the Holocaust. For the first time, Hitler’s ‘Mein Kampf’ and the Holocaust: A Prelude to Genocide (Bloomsbury, 2022) sees celebrated international scholars analyse the book from various angles to demonstrate how it laid the groundwork for the Shoah through Hitler's venomous attack on the Jews in his text.

Split into three main sections which focus on 'contexts', 'eugenics' and 'religion', the book reflects carefully on the point at which the Fuhrer's actions and policies turn genocidal during the Third Reich and whether Mein Kampf presaged Nazi Germany's descent into genocide. There are contributions from leading academics from across the United States and Germany, including Magnus Brechtken, Susannah Heschel and Nathan Stoltzfus, along with totally new insights into the source material in light of the 2016 German critical edition of Mein Kampf. Hitler's views on Marxism, violence, and leadership, as well as his anti-Semitic rhetoric are examined in detail as you are taken down the disturbing path from a hateful book to the Holocaust.

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Jana Byars speaks with Catherine Powell-Warren about Gender and Self-Fashioning at the Intersection of Art and Science: Agnes Block, Botany, and Networks in the Dutch 17th Century (Amsterdam University Press, 2024). The conversation begins by examining the ways modern scholars are radically changing our understanding of the position of early modern women one monograph at a time before dialing in on a book that does just that. At once collector, botanist, reader, artist, and patron, Agnes Block is best described as a cultural producer. A member of an influential network in her lifetime, today she remains a largely obscure figure. The socioeconomic and political barriers faced by early modern women, together with a male-dominated tradition in art history, have meant that too few stories of women's roles in the creation, production, and consumption of art have reached us. This book seeks to write Block and her contributions into the art and cultural history of the seventeenth-century Netherlands, highlighting the need for and advantages of a multifaceted approach to research on early modern women. Examining Block's achievements, relationships, and objects reveals a woman who was independent, knowledgeable, self-aware, and not above self-promotion. Though her gender brought few opportunities and many barriers, Agnes Block succeeded in fashioning herself as Flora Batava, a liefhebber at the intersection of art and science. 

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Kondo the Barbarian: A Japanese Adventurer and Indigenous Taiwan's Bloodiest Uprising (Eastbridge Books, 2023) is a gripping and revealing account of the colonial Japanese era in Taiwan, focusing on the Musha Rebellion and its brutal suppression by the Japanese military. The book presents the translated account of Kondō Katsusaburō, a Japanese adventurer who married into an indigenous Taiwanese family. Kondō's journals offer an intimate and personal perspective on the events, though they can also be unreliable and prone to sensationalism.

To help readers navigate Kondō's account, Barclay has provided a deeply-researched introduction, extensive notes, and context essential to understanding what really happened during the Musha Rebellion. The book sheds light on the cultural clashes and sporadic violence that characterized Taiwan during this period. Through the writing of Kondō, interpreted and contextualized by Barclay, readers gain insight into the complexities of colonialism, imperialism, and indigenous resistance.

The Musha Rebellion was a pivotal moment in the relationship between the indigenous people and the Japanese colonial government. In 1930, after years of oppression, the Seediq people of central Taiwan, led by Mona Rudao, attacked a gathering of Japanese people at a local school, slaughtering over one hundred men, women, and children. The Japanese military responded with overwhelming force, employing tactics including poison gas, artillery, and aerial bombardment to quell the rebellion.

Barclay's book offers a fresh and engaging perspective on a tragic chapter in Taiwan's past, and the notes and context provided help readers understand the complexities of the events. The book is an important addition to the growing body of literature on Taiwan's history, and it underscores the power of personal narratives to illuminate broader historical themes. Kondo the Barbarian is a must-read for anyone interested in the history of Taiwan, the contradictions of colonialism, and the challenges of interpreting personal accounts of historical events.

Ran Zwigenberg is an associate professor at Pennsylvania State University.

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The Roman singer, courtesan, and writer Margherita Costa won prominence and fame across the courts of Italy and France during the mid-seventeenth century. She secured a steady stream of elite patrons – including popes, queens, grand dukes, and influential cardinals – while male poets and librettists wrote celebratory poetry on her behalf. In addition to her appearances as a soprano on the opera stage, Costa published a remarkable fourteen full-length texts across an expanse of genres: burlesque comedy, drama, equestrian ballet, pastoral opera, amorous letters, lyric poetry, and history.

Margherita Costa, Diva of the Baroque Court (U Toronto Press, 2023) brings together close textual readings of Costa’s numerous publications with archival materials detailing her performance itinerary and social-cultural networks. The book progresses chronologically through her life, geographically along the routes she travelled, and thematically via the genres in which she experimented. Jessica Goethals illuminates how Costa was unafraid to leap over the boundaries of decorum that delimited what women should and did write about. More than merely a literary biography, this book is also a portrait of seventeenth-century courts, their concerns, and their entertainments.

Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the cultures of diplomacy and reception. Email: [email protected].

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