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Enjoy a backstage view of the most eagerly anticipated theatrical production of the year, Dirty Dancing - The Classic Story on Stage.  Cast member Richard Dempsey is your host in this series of video diaries recorded during rehearsals and the early performances through to the glittering opening at London's Aldwych Theatre.

Dirty Dancing has broken box office records, recording the highest ever advance sales with fans clamouring for tickets. These diaries provide the perfect insight into what goes on behind the scenes of a multi-million pound West End Stage production and are a must see for all fans.

Dirty Dancing - The Classic Story on Stage by Eleanor Bergstein features the classic songs from the hit movie including Time Of My Life,

Enjoy a backstage view of the most eagerly anticipated theatrical production of the year, Dirty Dancing - The Classic Story on Stage. Cast member Richard Dempsey is your host in this series of video diaries recorded during rehearsals and the early performances through to the glittering opening at London's Aldwych Theatre. Dirty Dancing has broken box office records, recording the highest ever advance sales with fans clamouring for tickets. These diaries provide the perfect insight into what goes on behind the scenes of a multi-million pound West End Stage production and are a must see for all fans. Dirty Dancing - The Classic Story on Stage by Eleanor Bergstein features the classic songs from the hit movie including Time Of My Life,

Dirty Dancing - The Classic Story on Stage

makers of fine Australian speculative fiction

Terra Incognita Speculative Fiction

History Replays Today

Interviews with authors of thought-provoking books, both fiction and non-fiction

Incredibly Interesting Authors

Nearly 160 years after it was first published, Walt Whitman's Leaves of Grass continues to inspire, enthrall and educate generations of readers. This collection of poems serves as a vehicle for Whitman's philosophy, ideals, love of nature and mystical musings and it subsequently became one of the corner stones of American literature.

Whitman was inspired to write Leaves of Grass based on Ralph Waldo Emerson's clarion call for a truly American poet who would tell of its glories, virtues and vices. In 1855, Whitman self published a small, slim volume containing twelve poems, which included “Song of Myself” “I Sing the Body Electric” and others which went on to gain immortality. Whitman himself wanted the book to be small enough to be carried in a pocket and though some 800 copies were initially printed, this edition did not even contain the author's name.

Ralph Waldo Emerson who received a copy went on to lavishly praise the work and wrote to Whitman saying, “I greet you at the beginning of a great career.”  The rest, as they say, made publication history. Many subsequent editions were published and Whitman continuously added more and more poems to the collection. Today, Leaves of Grass contains nearly 400 poems all of which celebrate America and the American way of life. His subjects and concerns include slavery, nature, the Civil War, death, love, romance, spirituality, freedom and dignity of labor. One of his most famous poems, “O Captain, My Captain” in memory of Abraham Lincoln is contained in the last edition, printed in 1892.  Called the “deathbed edition” it was published a few months before Whitman's death. His style includes sweeping lines of free verse, iambic forms and other interesting rhyming and non-rhyming forms of verse.

Strangely enough, the book was received by some upholders of public morality to be extremely indecent and obscene. Walt Whitman was dismissed from his government job after his superior read and found the book highly offensive. Literary critics severely castigated the book, while poems like “A Woman Waits for Me” and “To A Common Prostitute” were dubbed profane. However, Whitman kept on writing according to his personal dictates and today, Leaves of Grass is seen as echoing the voice and the sentiments of the common man who loves freedom and beauty.

It has been celebrated in media as diverse as television, rap music and modern novels and will surely appeal to readers who enjoy poetry and are interested in the literary history of America.

Nearly 160 years after it was first published, Walt Whitman's Leaves of Grass continues to inspire, enthrall and educate generations of readers. This collection of poems serves as a vehicle for Whitman's philosophy, ideals, love of nature and mystical musings and it subsequently became one of the corner stones of American literature. Whitman was inspired to write Leaves of Grass based on Ralph Waldo Emerson's clarion call for a truly American poet who would tell of its glories, virtues and vices. In 1855, Whitman self published a small, slim volume containing twelve poems, which included “Song of Myself” “I Sing the Body Electric” and others which went on to gain immortality. Whitman himself wanted the book to be small enough to be carried in a pocket and though some 800 copies were initially printed, this edition did not even contain the author's name. Ralph Waldo Emerson who received a copy went on to lavishly praise the work and wrote to Whitman saying, “I greet you at the beginning of a great career.” The rest, as they say, made publication history. Many subsequent editions were published and Whitman continuously added more and more poems to the collection. Today, Leaves of Grass contains nearly 400 poems all of which celebrate America and the American way of life. His subjects and concerns include slavery, nature, the Civil War, death, love, romance, spirituality, freedom and dignity of labor. One of his most famous poems, “O Captain, My Captain” in memory of Abraham Lincoln is contained in the last edition, printed in 1892. Called the “deathbed edition” it was published a few months before Whitman's death. His style includes sweeping lines of free verse, iambic forms and other interesting rhyming and non-rhyming forms of verse. Strangely enough, the book was received by some upholders of public morality to be extremely indecent and obscene. Walt Whitman was dismissed from his government job after his superior read and found the book highly offensive. Literary critics severely castigated the book, while poems like “A Woman Waits for Me” and “To A Common Prostitute” were dubbed profane. However, Whitman kept on writing according to his personal dictates and today, Leaves of Grass is seen as echoing the voice and the sentiments of the common man who loves freedom and beauty. It has been celebrated in media as diverse as television, rap music and modern novels and will surely appeal to readers who enjoy poetry and are interested in the literary history of America.

Leaves of Grass by Walt Whitman

Colonel Robert Green Ingersoll (1833–1899) was a Civil War veteran, American political leader and orator during the Golden Age of Freethought, noted for his defense of atheism. This book is the first of two volumes collecting Ingersoll’s speeches.

Lectures of Col. R. G. Ingersoll by Robert Green Ingersoll

Art talk radio from SF to the Seychelles!

KunstCapades

The Additions to Daniel comprise three chapters not found in the Hebrew/Aramaic text of Daniel. The text of these chapters is found in the Greek Septuagint and in the earlier Old Greek translation. They are accepted as canonical and translated as such in Roman Catholic, Eastern Orthodox and Oriental Orthodox Bibles. They are listed in Article VI of the Thirty-Nine Articles of the Church of England. However, most Protestant versions exclude these passages as apocryphal, retaining only the text available today in the Hebrew/Aramaic manuscripts. The additions are: * The Prayer of Azariah and Song of the Three Holy Children : after Daniel 3:23, incorporates the Fiery Furnace episode. * Susanna and the Elders : before Daniel 1:1, a prologue in early Greek manuscripts; chapter 13 in the Vulgate. * Bel and the Dragon : after Daniel 12:13 in Greek, an epilogue; chapter 14 in the Vulgate. Bel and the Dragon is the supposed story of Daniel and his struggle with Cyrus King of Persia and his idolatrous people. It is considered a deuterocanonical book by some Christians and Apocryphal by others. The story covers two events, the reckoning of the falsity of Bel (a Babylonian idol) and a Dragon whom the Babylonians worshiped; along with Daniel’s being thrown in a lion’s den, and his deliverance. The History of The Destruction of Bel and the Dragon is read from the Holy Bible, King James Version 1611 which includes the Apocrypha. (Summary from Wikipedia and by David Shamp)

The Additions to Daniel comprise three chapters not found in the Hebrew/Aramaic text of Daniel. The text of these chapters is found in the Greek Septuagint and in the earlier Old Greek translation. They are accepted as canonical and translated as such in Roman Catholic, Eastern Orthodox and Oriental Orthodox Bibles. They are listed in Article VI of the Thirty-Nine Articles of the Church of England. However, most Protestant versions exclude these passages as apocryphal, retaining only the text available today in the Hebrew/Aramaic manuscripts.The additions are:* The Prayer of Azariah and Song of the Three Holy Children : after Daniel 3:23, incorporates the Fiery Furnace episode.* Susanna and the Elders : before Daniel 1:1, a prologue in early Greek manuscripts; chapter 13 in the Vulgate.* Bel and the Dragon : after Daniel 12:13 in Greek, an epilogue; chapter 14 in the Vulgate. Bel and the Dragon is the supposed story of Daniel and his struggle with Cyrus King of Persia and his idolatrous people. It is considered a deuterocanonical book by some Christians and Apocryphal by others. The story covers two events, the reckoning of the falsity of Bel (a Babylonian idol) and a Dragon whom the Babylonians worshiped; along with Daniel’s being thrown in a lion’s den, and his deliverance. The History of The Destruction of Bel and the Dragon is read from the Holy Bible, King James Version 1611 which includes the Apocrypha. (Summary from Wikipedia and by David Shamp)

The Additions to Daniel comprise three chapters not found in the Hebrew/Aramaic text of Daniel. The text of these chapters is found in the Greek Septuagint and in the earlier Old Greek translation. They are accepted as canonical and translated as such in Roman Catholic, Eastern Orthodox and Oriental Orthodox Bibles. They are listed in Article VI of the Thirty-Nine Articles of the Church of England. However, most Protestant versions exclude these passages as apocryphal, retaining only the text available today in the Hebrew/Aramaic manuscripts. The additions are: * The Prayer of Azariah and Song of the Three Holy Children : after Daniel 3:23, incorporates the Fiery Furnace episode. * Susanna and the Elders : before Daniel 1:1, a prologue in early Greek manuscripts; chapter 13 in the Vulgate. * Bel and the Dragon : after Daniel 12:13 in Greek, an epilogue; chapter 14 in the Vulgate. Bel and the Dragon is the supposed story of Daniel and his struggle with Cyrus King of Persia and his idolatrous people. It is considered a deuterocanonical book by some Christians and Apocryphal by others. The story covers two events, the reckoning of the falsity of Bel (a Babylonian idol) and a Dragon whom the Babylonians worshiped; along with Daniel’s being thrown in a lion’s den, and his deliverance. The History of The Destruction of Bel and the Dragon is read from the Holy Bible, King James Version 1611 which includes the Apocrypha. (Summary from Wikipedia and by David Shamp)

Bible (KJV) Apocrypha/Deuterocanon:  Additions to Daniel by King James Version (KJV)

The Michael & Evita Show

An idle, extravagant young man is the heir presumptive of his wealthy grandfather, an industrial tycoon. His wife, divinely beautiful and utterly selfish, believes that nothing is more powerful than her own beauty. Together, this couple represents what Fitzgerald famously portrayed as the lost generation of the Jazz Age in several of his novels.

In The Beautiful and The Damned, F Scott Fitzgerald explores the trivial and shallow lives of the well-heeled inheritors of the American Dream the second or third generation that can afford to live on the fortunes that their forbears worked so hard to accumulate. The book traces the life of Anthony Patch between the ages of 25 and 33 and focuses intensely on his almost obsessive love for the gorgeous looking Gloria Gilbert. Their meeting, courtship, marriage, the endless social whirl of parties, the sudden financial troubles that hit them, the long awaited inheritance that comes to their rescue and the totally unexpected final conclusion make the book a bittersweet saga.

Fitzgerald's own life and his marriage to the beautiful Zelda are supposedly the inspiration for this 1925 book, which was his second novel. It follows one of Fitzgerald's favorite themes that great wealth destroys greatly. However, here the irony in the whole situation is that Patch is not wealthy at all; he only nurses “great expectations!” He refuses to work believing that one day he would be a gentleman of leisure. However, his grandfather, an old-school reformist thinker, believes in the credo of hard work and plain living. When the old man turns up unexpectedly at one of the couple's flashy parties, he rewrites his will, leaving Patch devastated and with no recourse other than to explore legal options.

Fitzgerald was famous for his uncanny ability to select the perfect title for his books. The Beautiful and The Damned is no exception. It describes a group of people whose looks are indeed their damnation. Their outward appearance hides their avarice, lust, self indulgence and utter degeneration of moral values. Though these characters are totally unworthy of our sympathy, they manage to capture the imagination simply because of the author's vivid portrayal. Fitzgerald's eye for detail, his brilliant and luminous prose, the authentic recreation of the garish and gaudy side of America in the 1920s are all wonderfully showcased in the book.

His first novel, This Side of Paradise had just been published and received with almost universal admiration. Though The Beautiful and The Damned is considered by critics to be less brilliant, it is nevertheless a dazzling picture of a vanished era.

An idle, extravagant young man is the heir presumptive of his wealthy grandfather, an industrial tycoon. His wife, divinely beautiful and utterly selfish, believes that nothing is more powerful than her own beauty. Together, this couple represents what Fitzgerald famously portrayed as the lost generation of the Jazz Age in several of his novels. In The Beautiful and The Damned, F Scott Fitzgerald explores the trivial and shallow lives of the well-heeled inheritors of the American Dream the second or third generation that can afford to live on the fortunes that their forbears worked so hard to accumulate. The book traces the life of Anthony Patch between the ages of 25 and 33 and focuses intensely on his almost obsessive love for the gorgeous looking Gloria Gilbert. Their meeting, courtship, marriage, the endless social whirl of parties, the sudden financial troubles that hit them, the long awaited inheritance that comes to their rescue and the totally unexpected final conclusion make the book a bittersweet saga. Fitzgerald's own life and his marriage to the beautiful Zelda are supposedly the inspiration for this 1925 book, which was his second novel. It follows one of Fitzgerald's favorite themes that great wealth destroys greatly. However, here the irony in the whole situation is that Patch is not wealthy at all; he only nurses “great expectations!” He refuses to work believing that one day he would be a gentleman of leisure. However, his grandfather, an old-school reformist thinker, believes in the credo of hard work and plain living. When the old man turns up unexpectedly at one of the couple's flashy parties, he rewrites his will, leaving Patch devastated and with no recourse other than to explore legal options. Fitzgerald was famous for his uncanny ability to select the perfect title for his books. The Beautiful and The Damned is no exception. It describes a group of people whose looks are indeed their damnation. Their outward appearance hides their avarice, lust, self indulgence and utter degeneration of moral values. Though these characters are totally unworthy of our sympathy, they manage to capture the imagination simply because of the author's vivid portrayal. Fitzgerald's eye for detail, his brilliant and luminous prose, the authentic recreation of the garish and gaudy side of America in the 1920s are all wonderfully showcased in the book. His first novel, This Side of Paradise had just been published and received with almost universal admiration. Though The Beautiful and The Damned is considered by critics to be less brilliant, it is nevertheless a dazzling picture of a vanished era.

The Beautiful and Damned by F. Scott Fitzgerald

Serpentine Podcast explores art and ideas for a changing world. A curated listening experience that investigates multiple facets of a single theme in each series, Serpentine Podcast elevates the voices of artists and others whose work engages with the issues faced by our societies.

Serpentine Podcast

In each episode of Pictures Within Pictures, show hosts Zack Kruse, Will Pfeifer, and Ben Tiede spotlight a different comic book series or original graphic novel, dissect it, and attempt to put it into a digestible historical and narrative context. 

Twitter: 
@PWPComicsPod
@ZackKruse
@WillPfeifer
@BenTiede

In each episode of Pictures Within Pictures, show hosts Zack Kruse, Will Pfeifer, and Ben Tiede spotlight a different comic book series or original graphic novel, dissect it, and attempt to put it into a digestible historical and narrative context. Twitter: @PWPComicsPod @ZackKruse @WillPfeifer @BenTiede

Pictures Within Pictures

Each week Christ United creates great content focused on Loving God, loving people, and Changing the World. Subscribe for weekly messages from both our Sanctuary and NewSong Services, weekly pastor podcasts, and other bonus content.

Christ United Podcast

KAAY

Life Elsewhere

A podcast of 'rial talk about all things materials hosted by award-winning materials scientist and engineer, Dr Anna Ploszajski Support this show at http://supporter.acast.com/handmadeSupport this show <a target="_blank" rel="payment" href="http://supporter.acast.com/handmade">http://supporter.acast.com/handmade</a>. <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

A podcast of 'rial talk about all things materials hosted by award-winning materials scientist and engineer, Dr Anna Ploszajski Support this show at http://supporter.acast.com/handmadeSupport this show http://supporter.acast.com/handmade. Hosted on Acast. See acast.com/privacy for more information.

A podcast of 'rial talk about all things materials hosted by award-winning materials scientist and engineer, Dr Anna Ploszajski Support this show at http://supporter.acast.com/handmadeSupport this show <a href="http://supporter.acast.com/handmade" rel="noopener noreferrer">http://supporter.acast.com/handmade</a>. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Handmade

Declaration of Independence is the document in which the Thirteen Colonies declared themselves independent of the Kingdom of Great Britain and explained their justifications for doing so.   It was ratified by the Continental Congress on July 4, 1776.

Declaration of Independence is the document in which the Thirteen Colonies declared themselves independent of the Kingdom of Great Britain and explained their justifications for doing so. It was ratified by the Continental Congress on July 4, 1776.

The Declaration of Independence of the United States of America by Founding Fathers of the United States

Join an internationally bestselling children's book author and her down-home husband and their dogs as they try to live a happy, better life by being happier, better people . You can use those skills in writing and vice versa. But we’re not perfect, just like our podcast. We’re cool with that.

Dogs Are Smarter Than People: Writing Life, Marriage and Motivation

A bi-weekly podcast about one man's journey to discover the secrets behind the strange and dark history of Gomorrah.

Gomorrah

We talk about all things video games and how they relate to bigger issues every Thursday!

No Avatars Allowed

Outcry Theatre is a DFW-based theatre company with both professional productions and an educational branch called Outcry Youth Theatre. Every episode of the Outcry Theatre Podcast will delve into the artistic process of creating theatre, featuring conversations between artistic director Becca Johnson-Spinos and different actors and designers.

Outcry Theatre Podcast

Season 1 of Andor is in the books! Bowen, Grady, Anson and Mak take a break from Thanksgiving to talk about what set Andor apart from the rest of Star Wars.

What Made Star Wars "Andor" Different?

The Start is a podcast about artistic beginnings, as told by great artists of our time. Focusing on one piece, they share how these early moments of creativity shaped them, the influence it had on their subsequent work, and what the piece now means to them in retrospect

The Start

Host Michael Vincent takes an in-depth look at Glenn Gould’s iconic “pygmy” chair. The more he finds out, the more mysterious it becomes.

Glenn Gould's Chair

Podcast a bit about beer and a lot about whatever.

2 Beards Podcast

Madame Chao's

Welcome to Peabiddies: an invitation to discover uncover & celebrate everyday beauty, awe and wonder.

Welcome to Peabiddies: an invitation to discover uncover &amp; celebrate everyday beauty, awe and wonder.

Peabiddies: Pursue the Art of Noticing

black theatre stories, people, &amp; histories: in 30 minutes or less.

black theatre stories, people, & histories: in 30 minutes or less.

black theatre history podcast

John Cutler (@johncutlefish) and Tareq Ismail (@tareqismail) talk about how Product Managers and Designers can better navigate the beautiful mess that is building great products.

ITERATE FM

Features discussions about the complex intersections of race, gender identity, class, sexual orientation and faith. Guest's stories affirm black women's experiences and lets them know they are not alone.

The Black Woman Aesthetic

Join Will and Christian for the latest pop culture news! Each show is a bottle episode for the latest in TV, movie, and music news.

Will and Christian in the Morning!

This podcast collects and presents the stories of printers,
scholars, artists, and craftspeople to connect letterpress folk
with one another and contribute to the global community of
people who gather around type and presses.

This show is in hibernation these days. Please reach out to Sarah at sarah@questionablepress.com and Regan at bighugletterpress@protonmail.com with any questions.

This podcast collects and presents the stories of printers, scholars, artists, and craftspeople to connect letterpress folk with one another and contribute to the global community of people who gather around type and presses. This show is in hibernation these days. Please reach out to Sarah at sarah@questionablepress.com and Regan at bighugletterpress@protonmail.com with any questions.

Proof Letterpress Podcast

Es el día de su boda y una oleada de dudas se apodera de Adelaida, desenvolviendo un espiral de secretos y remordimientos. Junto con Lucía su dama de honor y su prometido Alejandro, revela el rompecabezas de su pasado, llevándonos a descubrir los lazos de la amistad y la indomable naturaleza del amor. Con Ella Sí es una exploración de la atracción y la expectativa, contada a través del Teatro Musical contemporáneo con una influencia Colombiana. Una ceremonia de boda es interrumpida por varios episodios del pasado mientras Adelaida corre contra el reloj para decidir si finalmente dirá "acepto". Idea Original, Argumento y Dirección: Lalis Solórzano, Libreto y letras: Danny Merritt y Mona Pirnot. Música y producción musical: Sebastián Zuleta. Producción vocal y de audio: Mariana Restrepo. Mezcla: Nicolás Ramírez. Adelaida: Isa Mosquera. Lucía: Lalis Solórzano. Alejandro: Calo Mesa. Guitarras: Daniel Uribe. Piano, Bajo y Batería: Felipe Guerrero, Tomás Gutiérrez y Tomás Gómez de Cantoalegre. Producción Artística: Lalis Solórzano M, Producción Ejecutiva: Catalina Solórzano M. Ilustración: Amalia Restrepo. Asesoría en dramaturgia: María Isabel Escobar.

Es el día de su boda y una oleada de dudas se apodera de Adelaida, desenvolviendo un espiral de secretos y remordimientos. Junto con Lucía su dama de honor y su prometido Alejandro, revela el rompecabezas de su pasado, llevándonos a descubrir los lazos de la amistad y la indomable naturaleza del amor.Con Ella Sí es una exploración de la atracción y la expectativa, contada a través del Teatro Musical contemporáneo con una influencia Colombiana. Una ceremonia de boda es interrumpida por varios episodios del pasado mientras Adelaida corre contra el reloj para decidir si finalmente dirá "acepto".Idea Original, Argumento y Dirección: Lalis Solórzano, Libreto y letras: Danny Merritt y Mona Pirnot. Música y producción musical: Sebastián Zuleta. Producción vocal y de audio: Mariana Restrepo. Mezcla: Nicolás Ramírez. Adelaida: Isa Mosquera. Lucía: Lalis Solórzano. Alejandro: Calo Mesa. Guitarras: Daniel Uribe. Piano, Bajo y Batería: Felipe Guerrero, Tomás Gutiérrez y Tomás Gómez de Cantoalegre. Producción Artística: Lalis Solórzano M, Producción Ejecutiva: Catalina Solórzano M. Ilustración: Amalia Restrepo. Asesoría en dramaturgia: María Isabel Escobar.

Es el día de su boda y una oleada de dudas se apodera de Adelaida, desenvolviendo un espiral de secretos y remordimientos. Junto con Lucía su dama de honor y su prometido Alejandro, revela el rompecabezas de su pasado, llevándonos a descubrir los lazos de la amistad y la indomable naturaleza del amor. Con Ella Sí es una exploración de la atracción y la expectativa, contada a través del Teatro Musical contemporáneo con una influencia Colombiana. Una ceremonia de boda es interrumpida por varios episodios del pasado mientras Adelaida corre contra el reloj para decidir si finalmente dirá "acepto". Idea Original, Argumento y Dirección: Lalis Solórzano, Libreto y letras: Danny Merritt y Mona Pirnot. Música y producción musical: Sebastián Zuleta. Producción vocal y de audio: Mariana Restrepo. Mezcla: Nicolás Ramírez. Adelaida: Isa Mosquera. Lucía: Lalis Solórzano. Alejandro: Calo Mesa. Guitarras: Daniel Uribe. Piano, Bajo y Batería: Felipe Guerrero, Tomás Gutiérrez y Tomás Gómez de Cantoalegre. Producción Artística: Lalis Solórzano M, Producción Ejecutiva: Catalina Solórzano M. Ilustración: Amalia Restrepo. Asesoría en dramaturgia: María Isabel Escobar.

Con Ella Sí

Radio personality and voiceover pro Donna Reed interviews friends in the entertainment biz inside her cozy linoleum free recording studio. Unscripted and always entertaining, listen in and find out why music + media are the conversation starters. Theme song: Mark Sparrow, Song Bird Studios | Booth announcer: Joe Szymanski&nbsp;

Radio personality and voiceover pro Donna Reed interviews friends in the entertainment biz inside her cozy linoleum free recording studio. Unscripted and always entertaining, listen in and find out why music + media are the conversation starters. Theme song: Mark Sparrow, Song Bird Studios | Booth announcer: Joe Szymanski 

Spotlight Conversations

Hungry and Humble is a podcast that explores the current lives and different journeys of women in the Hospitality industry. It dives into the hearts and minds of diverse women; from managers, chefs, bartenders, distributors and beyond. Lend your ears week to week to learn more about these inspiring and real females telling their stories!

Hungry & Humble Podcast

The Carver Cast engages with Christian faculty in higher education and highlights the work of those faculty to bridge connections between university, church, and society.  In doing so, it seeks to disrupt simultaneously perceptions that Christians are “anti-intellectual” and that higher education is “anti-Christian.”  Tune in for a wide-ranging discussion with faculty around the country, with mediocre production quality but excellent content!

Penina Laker and John Inazu are Carver Project faculty fellows and members of the faculty at Washington University in St. Louis, where Laker is assistant professor of communication design and Inazu is a professor of law and religion.

The Carver Cast engages with Christian faculty in higher education and highlights the work of those faculty to bridge connections between university, church, and society. In doing so, it seeks to disrupt simultaneously perceptions that Christians are “anti-intellectual” and that higher education is “anti-Christian.” Tune in for a wide-ranging discussion with faculty around the country, with mediocre production quality but excellent content! Penina Laker and John Inazu are Carver Project faculty fellows and members of the faculty at Washington University in St. Louis, where Laker is assistant professor of communication design and Inazu is a professor of law and religion.

Carver Cast: Season 1

Ghanaian storyteller Ma Sankofah shares African folk tales that illuminate the rich cultures of the continent. Each telling of a folk tale is followed by a discussion on its themes and significance with an avid student of African cultures, Takako Mino.

Ma Sankofah Folk Tales

Orchestra Next brings together music and commentary in this podcast for the pandemic.

...and the Band Played ON

Tara Hollis was supposed to get a fresh new start at her ancestral home, Light House. But when Tara and her family moved into Light House on that warm, winter's day in 1963, they did not suspect the horror that awaited them; a horror that lurked in the shadows, biding its time to quench its hunger. There is a darkness that dwells in the heart of Light House…one that will tear Tara’s family apart. Do you believe in ghosts? Tara didn’t…until she moved into Light House.

Tara Hollis was supposed to get a fresh new start at her ancestral home, Light House. But when Tara and her family moved into Light House on that warm, winter's day in 1963, they did not suspect the horror that awaited them; a horror that lurked in the shadows, biding its time to quench its hunger. There is a darkness that dwells in the heart of Light House…one that will tear Tara’s family apart. Do you believe in ghosts? Tara didn’t…until she moved into Light House.

Tara Hollis was supposed to get a fresh new start at her ancestral home,&nbsp;Light House. But when Tara and her family moved into Light House on that warm, winter's day in 1963, they did not suspect the horror that awaited them; a horror that lurked in the shadows, biding its time to quench its hunger. There is a darkness that dwells in the heart of Light House…one that will tear Tara’s family apart. Do you believe in ghosts? Tara didn’t…until she moved into Light House.

Arts Podcasts / Page 397