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Whistledown

Ahmed Aissa El Masarawi was born n March 1953, a truly able and eminent Quran reciter, Sheikh Dr. Ahmed Aissa Hasan El Masarawi,  stepped into this world in Dakahlia, Egypt.

The seeds of the passion and love for Quran were embedded into him from childhood in Dandit village. His grandfather took him to the school only specialized in Quran learning where he learned the Quran by heart at the age of 10.

Then Sheikh Ahmed al Masarawi got approval of his hard work in memorization from Sheikh Abdul Hakim Abdul Latif and Sheikh Muhammad Abdul Hamid Abdullah.

The Institute of Shubra al-Azhari Balkhazindarh was his true homecoming where he met the stalwarts of the field such as the late Sheikh Al Hamzana, Sheikh Mohammed Elitr, and Sheikh Ahmed El Ashmouni.

The Faculty of Islamic Studies Al-Azhar University helped him achieve Bachelors degree in Islamic and Arabic Studies followed by a Masters in Hadith and then succeeded with a Doctorate in the same field in 1992.

Sheikh al Masarawi had an illustrative career what with teaching at  Al Azhar institute and then being rightfully leveraged to Assistant Professor and then Head of the entire department.

Another noteworthy feather in his cap was being designated as the Chairman of the Committee review of the Quran in the Islamic Research Academy in 2003.

Sheikh al Masarawi has authored many wonderful and well-documented books to his credit among which some find special mention such as “Minhat Alfattah fi Ahadith Annikah”, “Nikah Al Mut’a Bayna attahlil wa At Tahrim”, and “Ahkam Annodor Min sunnati Ar Rasul”.

Ahmed Aissa El Masarawi was born n March 1953, a truly able and eminent Quran reciter, Sheikh Dr. Ahmed Aissa Hasan El Masarawi, stepped into this world in Dakahlia, Egypt. The seeds of the passion and love for Quran were embedded into him from childhood in Dandit village. His grandfather took him to the school only specialized in Quran learning where he learned the Quran by heart at the age of 10. Then Sheikh Ahmed al Masarawi got approval of his hard work in memorization from Sheikh Abdul Hakim Abdul Latif and Sheikh Muhammad Abdul Hamid Abdullah. The Institute of Shubra al-Azhari Balkhazindarh was his true homecoming where he met the stalwarts of the field such as the late Sheikh Al Hamzana, Sheikh Mohammed Elitr, and Sheikh Ahmed El Ashmouni. The Faculty of Islamic Studies Al-Azhar University helped him achieve Bachelors degree in Islamic and Arabic Studies followed by a Masters in Hadith and then succeeded with a Doctorate in the same field in 1992. Sheikh al Masarawi had an illustrative career what with teaching at Al Azhar institute and then being rightfully leveraged to Assistant Professor and then Head of the entire department. Another noteworthy feather in his cap was being designated as the Chairman of the Committee review of the Quran in the Islamic Research Academy in 2003. Sheikh al Masarawi has authored many wonderful and well-documented books to his credit among which some find special mention such as “Minhat Alfattah fi Ahadith Annikah”, “Nikah Al Mut’a Bayna attahlil wa At Tahrim”, and “Ahkam Annodor Min sunnati Ar Rasul”.

Ahmed Aissa El Masarawi was born n March 1953, a truly able and eminent Quran reciter, Sheikh Dr. Ahmed Aissa Hasan El Masarawi, &nbsp;stepped into this world in Dakahlia, Egypt.

The seeds of the passion and love for Quran were embedded into him from childhood in Dandit village. His grandfather took him to the school only specialized in Quran learning where he learned the Quran by heart at the age of 10.

Then Sheikh Ahmed al Masarawi got approval of his hard work in memorization from Sheikh Abdul Hakim Abdul Latif and Sheikh Muhammad Abdul Hamid Abdullah.

The Institute of Shubra al-Azhari Balkhazindarh was his true homecoming where he met the stalwarts of the field such as the late Sheikh Al Hamzana, Sheikh Mohammed Elitr, and Sheikh Ahmed El Ashmouni.

The Faculty of Islamic Studies Al-Azhar University helped him achieve Bachelors degree in Islamic and Arabic Studies followed by a Masters in Hadith and then succeeded with a Doctorate in the same field in 1992.

Sheikh al Masarawi had an illustrative career what with teaching at &nbsp;Al Azhar institute and then being rightfully leveraged to Assistant Professor and then Head of the entire department.

Another noteworthy feather in his cap was being designated as the Chairman of the Committee review of the Quran in the Islamic Research Academy in 2003.

Sheikh al Masarawi has authored many wonderful and well-documented books to his credit among which some find special mention such as “Minhat Alfattah fi Ahadith Annikah”, “Nikah Al Mut’a Bayna attahlil wa At Tahrim”, and “Ahkam Annodor Min sunnati Ar Rasul”.

Ahmed Aissa El Masarawi

Gespräche über Forschungsthemen und Projekte

Stimmen der Kulturwissenschaften

Conor Murphy takes us on a journey through the history and heroes of cinema.
Community Radio in West Cork, Ireland - https://atlanticradio.ie

Conor Murphy takes us on a journey through the history and heroes of cinema. Community Radio in West Cork, Ireland - https://atlanticradio.ie

Video Trolley with Conor Murphy - Atlantic Radio Ireland

Michael and Sarah begin their journey discussing the book American Gods by Neil Gaiman as well as the television adaptation on Starz.

Be sure to write into the podcast at:
- americangodspod@gmail.com
- freakinggeeksmedia@gmail.com

Don't forget to check out our other podcasts!
- The Freaking Geeks Podcast
- The Friday Night Mics Podcast
- The Tennis Addict Podcast
- The Hungry For Hannibal Podcast

Michael and Sarah begin their journey discussing the book American Gods by Neil Gaiman as well as the television adaptation on Starz. Be sure to write into the podcast at: - americangodspod@gmail.com - freakinggeeksmedia@gmail.com Don't forget to check out our other podcasts! - The Freaking Geeks Podcast - The Friday Night Mics Podcast - The Tennis Addict Podcast - The Hungry For Hannibal Podcast

The American Gods Podcast

Planeta est La Revue Sonore des Musiques Nouvelles - un panorama des musiques nouvelles en Europe depuis les années 80.  Créée dans les temps forts de l'underground européen, elle fut d'abord une revue sonore sur k7 audio proposée aux radios libres françaises. Chaque magazine de 60mn exposait 4 séquences de 15mn prêtes à diffuser : portraits de musiciens, interviews, reportages sur les festivals, enregistrements de concerts... Et même parfois des séquences fiction réalisées par les musiciens eux-même.L'équipe de réalisation était composée des membres du groupe Alesia Cosmos : Marie-Berthe Servier, Pascal Holtzer et Bruno de Chénerilles. Ce projet a été subventionné par le Ministère de la Culture de 1984 à 1986. A la suite de ces 38 épisodes, vous trouverez les 8 épisodes de Tympan Sorcier, une chronique inventée et réalisée par Bruno de Chénerilles pour France Musique à la fin des années 80. En 2026, Planeta renaît de ses cendres sous la forme de cette chaîne de podcasts. Suivez bien les nouveaux épisodes à paraître : des nouvelles des anciens, les découvertes de nouveaux artistes, des créations dans l'air du temps, au 21ème Siècle.Avec Hans Reichel, Fred Frith, Derek Bailey, Eugene Chadbourne, Vivenza, Einsturzende Neubauten, Cabaret Voltaire, Throbbing Gristle, Fred Blassie, Ruben and The Jets, Rhino Brothers, Wally Padrowski, Captain Sticky, Lenny Bruce, The Residents, Jac Berrocal, Vince Taylor, Captain Beefheart, Wildman Fisher, Rock Hexagonal Tendancieux, Le Silence des Sirènes, Emotion St-Quentin, Regular Music, Craig Burk, la Scène Yougoslave, Insane Music, Ferdinand Richard, Atem, Vincent Colin, Georges Aperghis, Alis, Un Drame Musical Instantané, ARFI, Keith Tippett, Trio de Batteurs, Joseph Racaille, Music Action Internationale, Festival Off ARP, Musiques de Traverses, Tribo, Rhino Records, MenmonistOrchestraBiota, Nu Creative Methods, Ptose Production, Aya , Axolotl, Tago Mago, Illusion Production, VP231, Noir et Blanc, Sur un Bordeaux Différent, Cassiber, Catalogue, Alesia Cosmos...

Planeta est La Revue Sonore des Musiques Nouvelles - un panorama des musiques nouvelles en Europe depuis les années 80. Créée dans les temps forts de l'underground européen, elle fut d'abord une revue sonore sur k7 audio proposée aux radios libres françaises. Chaque magazine de 60mn exposait 4 séquences de 15mn prêtes à diffuser : portraits de musiciens, interviews, reportages sur les festivals, enregistrements de concerts... Et même parfois des séquences fiction réalisées par les musiciens eux-même. L'équipe de réalisation était composée des membres du groupe Alesia Cosmos : Marie-Berthe Servier, Pascal Holtzer et Bruno de Chénerilles. Ce projet a été subventionné par le Ministère de la Culture de 1984 à 1986. A la suite de ces 38 épisodes, vous trouverez les 8 épisodes de Tympan Sorcier, une chronique inventée et réalisée par Bruno de Chénerilles pour France Musique à la fin des années 80. En 2026, Planeta renaît de ses cendres sous la forme de cette chaîne de podcasts. Suivez bien les nouveaux épisodes à paraître : des nouvelles des anciens, les découvertes de nouveaux artistes, des créations dans l'air du temps, au 21ème Siècle. Avec Hans Reichel, Fred Frith, Derek Bailey, Eugene Chadbourne, Vivenza, Einsturzende Neubauten, Cabaret Voltaire, Throbbing Gristle, Fred Blassie, Ruben and The Jets, Rhino Brothers, Wally Padrowski, Captain Sticky, Lenny Bruce, The Residents, Jac Berrocal, Vince Taylor, Captain Beefheart, Wildman Fisher, Rock Hexagonal Tendancieux, Le Silence des Sirènes, Emotion St-Quentin, Regular Music, Craig Burk, la Scène Yougoslave, Insane Music, Ferdinand Richard, Atem, Vincent Colin, Georges Aperghis, Alis, Un Drame Musical Instantané, ARFI, Keith Tippett, Trio de Batteurs, Joseph Racaille, Music Action Internationale, Festival Off ARP, Musiques de Traverses, Tribo, Rhino Records, MenmonistOrchestraBiota, Nu Creative Methods, Ptose Production, Aya , Axolotl, Tago Mago, Illusion Production, VP231, Noir et Blanc, Sur un Bordeaux Différent, Cassiber, Catalogue, Alesia Cosmos...

Planeta est La Revue Sonore des Musiques Nouvelles - un panorama des musiques nouvelles en Europe depuis les années 80.&nbsp; Créée dans les temps forts de l'underground européen, elle fut d'abord une revue sonore sur k7 audio proposée aux radios libres françaises. Chaque magazine de 60mn exposait 4 séquences de 15mn prêtes à diffuser : portraits de musiciens, interviews, reportages sur les festivals, enregistrements de concerts... Et même parfois des séquences fiction réalisées par les musiciens eux-même.L'équipe de réalisation était composée des membres du groupe Alesia Cosmos : Marie-Berthe Servier, Pascal Holtzer et Bruno de Chénerilles. Ce projet a été subventionné par le Ministère de la Culture de 1984 à 1986. A la suite de ces 38 épisodes, vous trouverez les 8 épisodes de Tympan Sorcier, une chronique inventée et réalisée par Bruno de Chénerilles pour France Musique à la fin des années 80.&nbsp;En 2026, Planeta renaît de ses cendres sous la forme de cette chaîne de podcasts. Suivez bien les nouveaux épisodes à paraître : des nouvelles des anciens, les découvertes de nouveaux artistes, des créations dans l'air du temps, au 21ème Siècle.Avec Hans Reichel, Fred Frith, Derek Bailey, Eugene Chadbourne, Vivenza, Einsturzende Neubauten, Cabaret Voltaire, Throbbing Gristle, Fred Blassie, Ruben and The Jets, Rhino Brothers, Wally Padrowski, Captain Sticky, Lenny Bruce, The Residents, Jac Berrocal, Vince Taylor, Captain Beefheart, Wildman Fisher, Rock Hexagonal Tendancieux, Le Silence des Sirènes, Emotion St-Quentin, Regular Music, Craig Burk, la Scène Yougoslave, Insane Music, Ferdinand Richard, Atem, Vincent Colin, Georges Aperghis, Alis, Un Drame Musical Instantané, ARFI, Keith Tippett, Trio de Batteurs, Joseph Racaille, Music Action Internationale, Festival Off ARP, Musiques de Traverses, Tribo, Rhino Records, MenmonistOrchestraBiota, Nu Creative Methods, Ptose Production, Aya , Axolotl, Tago Mago, Illusion Production, VP231, Noir et Blanc, Sur un Bordeaux Différent, Cassiber, Catalogue, Alesia Cosmos...

Planeta - la revue sonore des musiques nouvelles

Please open https://hotaudiobook.com ONLY on your standard browser Safari, Chrome, Microsoft or Firefox to download full audiobooks of your choice for free.
 
Just pick any two audiobooks free from 400,000+ best sellers, new releases sci-fi, romances, mysteries, classics, and more. Select your favorite audiobook, free, stream or download your audiobook instantly on your smartphone, tablet, laptop or desktop. It's that easy!

Note: The authors receive royalties paid by the audiobook service provider for this free offer. If you do not want your audiobook to be in the podcast please send us an email to info@hotaudiobook.com.

Please open https://hotaudiobook.com ONLY on your standard browser Safari, Chrome, Microsoft or Firefox to download full audiobooks of your choice for free. Just pick any two audiobooks free from 400,000+ best sellers, new releases sci-fi, romances, mysteries, classics, and more. Select your favorite audiobook, free, stream or download your audiobook instantly on your smartphone, tablet, laptop or desktop. It's that easy! Note: The authors receive royalties paid by the audiobook service provider for this free offer. If you do not want your audiobook to be in the podcast please send us an email to info@hotaudiobook.com.

Listen to Top 100 Audiobooks in Fiction, Historical

03.10.2015 – 31.07.2016, ZKM_Atrium 1+2

Knowledge is power. And power is possessed especially by whoever controls the flow of information. This applies particularly in digital culture, where all the information in the World Wide Web can be manipulated, uncontrolled. For a long time, a hope for new forms of democratic participation arose from the use of these digital instruments, but recently they have been misused as the ideal door opener for the surveillance of billions of people. Democratic states have long reserved the right to spy even on their »friends«, in all military, economic, and social aspects, and on all levels: governments, organizations, NGOs, and individual citizens are all under surveillance.
Besides mass analysis of communications metadata and massive access to personal data, there is increasingly open or clandestine censorship through manipulation or shutting down. Where the fear of this threat has no effect, the secrecy of important information is enforced, with methods ranging from hindering publication to kidnapping and assassinating journalists. Being at the mercy of overwhelmingly powerful authorities of control and censorship has become the conditio humana of our time. Today a large part of the public has already resigned in the face of a ubiquitous state and commercial surveillance.

This exhibition is based on the collaboration with a network of scientists, journalists, activists, and artists in some twenty countries around the world, and in cooperation with expert organizations such as the German PEN Center, the Chaos Computer Club, Reporters Without Borders, and such platforms as netzpolitik. org, digitalcourage.de, WikiLeaks, and others. The exhibition’s aim is to expand public debate about the ever-present surveillance and censorship methods, which is an urgent priority not only due to constant new reports in the media, but especially because of the extensive obstruction of the investigation of these practices. 

///

03.10.2015 – 31.07.2016, ZKM_Lichthof 1+2

Wissen ist Macht. Und Macht hat vor allem, wer den Fluss der Informationen beherrscht. Dies gilt in besonderem Maße in der digitalen Kultur, in der alle Informationen im weltweiten Netz unkontrollierbar manipuliert werden können. Erwuchs aus dem Umgang mit diesen digitalen Instrumenten lange die Hoffnung auf neue Formen demokratischer Partizipation, so werden sie in jüngster Zeit als ideale Türöffner zur Überwachung von Milliarden Menschen missbraucht. Längst nehmen sich auch demokratische Staaten das Recht, selbst ihre »Freunde« auszuspionieren, und dies in allen militärischen, wirtschaftlichen und gesellschaftlichen Belangen sowie auf allen Ebenen: Regierungen, Organisationen, Unternehmen, NGOs und einzelne BürgerInnen werden gleichsam überwacht.
Neben die Massenanalyse der kommunikativen Metadaten und den massenhaften Zugriff auf personenbezogene Daten tritt immer häufiger die offene oder geheime Zensur durch Manipulation oder Abschaltung. Wo die Angst vor dieser Bedrohung nicht wirkt, wird die Geheimhaltung wichtiger Informationen durch direkte Behinderung von Veröffentlichungen bis hin zur Verschleppung und Ermordung von JournalistInnen durchgesetzt. Das Ausgeliefertsein an übermächtige Instanzen der Kontrolle und Zensur ist zur conditio humana unserer Zeit geworden. Bereits heute hat ein großer Teil der Öffentlichkeit vor der Allgegenwart staatlicher und kommerzieller Überwachung resigniert.
Die Ausstellung, die im Rahmen der Infosphäre präsentiert wird, beruht auf der Zusammenarbeit mit einem Netzwerk von WissenschaftlerInnen, JournalistInnen, AktivistInnen und KünstlerInnen in allen Erdteilen und in rund 20 Ländern sowie der Kooperation mit Expertenorganisationen wie dem PEN-Zentrum Deutschland, dem Chaos Computer Club (CCC), Reporter ohne Grenzen, Villa Aurora und mit Plattformen wie netzpolitik.org, digitalcourage.de, WikiLeaks und anderen. Ziel der Ausstellung ist eine Erweiterung der öffentlichen Diskussion über die allgegenwärtigen Überwachungs- und Zensurmaßnahmen, die nicht nur aufgrund stetig neuer Berichte in den Medien, sondern vor allem angesichts der weitgehenden Behinderung der Aufklärung über diese Praktiken als dringlich erscheint.

03.10.2015 – 31.07.2016, ZKM_Atrium 1+2 Knowledge is power. And power is possessed especially by whoever controls the flow of information. This applies particularly in digital culture, where all the information in the World Wide Web can be manipulated, uncontrolled. For a long time, a hope for new forms of democratic participation arose from the use of these digital instruments, but recently they have been misused as the ideal door opener for the surveillance of billions of people. Democratic states have long reserved the right to spy even on their »friends«, in all military, economic, and social aspects, and on all levels: governments, organizations, NGOs, and individual citizens are all under surveillance. Besides mass analysis of communications metadata and massive access to personal data, there is increasingly open or clandestine censorship through manipulation or shutting down. Where the fear of this threat has no effect, the secrecy of important information is enforced, with methods ranging from hindering publication to kidnapping and assassinating journalists. Being at the mercy of overwhelmingly powerful authorities of control and censorship has become the conditio humana of our time. Today a large part of the public has already resigned in the face of a ubiquitous state and commercial surveillance. This exhibition is based on the collaboration with a network of scientists, journalists, activists, and artists in some twenty countries around the world, and in cooperation with expert organizations such as the German PEN Center, the Chaos Computer Club, Reporters Without Borders, and such platforms as netzpolitik. org, digitalcourage.de, WikiLeaks, and others. The exhibition’s aim is to expand public debate about the ever-present surveillance and censorship methods, which is an urgent priority not only due to constant new reports in the media, but especially because of the extensive obstruction of the investigation of these practices. /// 03.10.2015 – 31.07.2016, ZKM_Lichthof 1+2 Wissen ist Macht. Und Macht hat vor allem, wer den Fluss der Informationen beherrscht. Dies gilt in besonderem Maße in der digitalen Kultur, in der alle Informationen im weltweiten Netz unkontrollierbar manipuliert werden können. Erwuchs aus dem Umgang mit diesen digitalen Instrumenten lange die Hoffnung auf neue Formen demokratischer Partizipation, so werden sie in jüngster Zeit als ideale Türöffner zur Überwachung von Milliarden Menschen missbraucht. Längst nehmen sich auch demokratische Staaten das Recht, selbst ihre »Freunde« auszuspionieren, und dies in allen militärischen, wirtschaftlichen und gesellschaftlichen Belangen sowie auf allen Ebenen: Regierungen, Organisationen, Unternehmen, NGOs und einzelne BürgerInnen werden gleichsam überwacht. Neben die Massenanalyse der kommunikativen Metadaten und den massenhaften Zugriff auf personenbezogene Daten tritt immer häufiger die offene oder geheime Zensur durch Manipulation oder Abschaltung. Wo die Angst vor dieser Bedrohung nicht wirkt, wird die Geheimhaltung wichtiger Informationen durch direkte Behinderung von Veröffentlichungen bis hin zur Verschleppung und Ermordung von JournalistInnen durchgesetzt. Das Ausgeliefertsein an übermächtige Instanzen der Kontrolle und Zensur ist zur conditio humana unserer Zeit geworden. Bereits heute hat ein großer Teil der Öffentlichkeit vor der Allgegenwart staatlicher und kommerzieller Überwachung resigniert. Die Ausstellung, die im Rahmen der Infosphäre präsentiert wird, beruht auf der Zusammenarbeit mit einem Netzwerk von WissenschaftlerInnen, JournalistInnen, AktivistInnen und KünstlerInnen in allen Erdteilen und in rund 20 Ländern sowie der Kooperation mit Expertenorganisationen wie dem PEN-Zentrum Deutschland, dem Chaos Computer Club (CCC), Reporter ohne Grenzen, Villa Aurora und mit Plattformen wie netzpolitik.org, digitalcourage.de, WikiLeaks und anderen. Ziel der Ausstellung ist eine Erweiterung der öffentlichen Diskussion über die allgegenwärtigen Überwachungs- und Zensurmaßnahmen, die nicht nur aufgrund stetig neuer Berichte in den Medien, sondern vor allem angesichts der weitgehenden Behinderung der Aufklärung über diese Praktiken als dringlich erscheint.

03.10.2015 – 31.07.2016, ZKM_Atrium 1+2

Knowledge is power. And power is possessed especially by whoever controls the flow of information. This applies particularly in digital culture, where all the information in the World Wide Web can be manipulated, uncontrolled. For a long time, a hope for new forms of democratic participation arose from the use of these digital instruments, but recently they have been misused as the ideal door opener for the surveillance of billions of people. Democratic states have long reserved the right to spy even on their »friends«, in all military, economic, and social aspects, and on all levels: governments, organizations, NGOs, and individual citizens are all under surveillance.
Besides mass analysis of communications metadata and massive access to personal data, there is increasingly open or clandestine censorship through manipulation or shutting down. Where the fear of this threat has no effect, the secrecy of important information is enforced, with methods ranging from hindering publication to kidnapping and assassinating journalists. Being at the mercy of overwhelmingly powerful authorities of control and censorship has become the conditio humana of our time. Today a large part of the public has already resigned in the face of a ubiquitous state and commercial surveillance.

This exhibition is based on the collaboration with a network of scientists, journalists, activists, and artists in some twenty countries around the world, and in cooperation with expert organizations such as the German PEN Center, the Chaos Computer Club, Reporters Without Borders, and such platforms as netzpolitik. org, digitalcourage.de, WikiLeaks, and others. The exhibition’s aim is to expand public debate about the ever-present surveillance and censorship methods, which is an urgent priority not only due to constant new reports in the media, but especially because of the extensive obstruction of the investigation of these practices. 

///

03.10.2015 – 31.07.2016, ZKM_Lichthof 1+2

Wissen ist Macht. Und Macht hat vor allem, wer den Fluss der Informationen beherrscht. Dies gilt in besonderem Maße in der digitalen Kultur, in der alle Informationen im weltweiten Netz unkontrollierbar manipuliert werden können. Erwuchs aus dem Umgang mit diesen digitalen Instrumenten lange die Hoffnung auf neue Formen demokratischer Partizipation, so werden sie in jüngster Zeit als ideale Türöffner zur Überwachung von Milliarden Menschen missbraucht. Längst nehmen sich auch demokratische Staaten das Recht, selbst ihre »Freunde« auszuspionieren, und dies in allen militärischen, wirtschaftlichen und gesellschaftlichen Belangen sowie auf allen Ebenen: Regierungen, Organisationen, Unternehmen, NGOs und einzelne BürgerInnen werden gleichsam überwacht.
Neben die Massenanalyse der kommunikativen Metadaten und&nbsp;den massenhaften Zugriff auf personenbezogene Daten tritt immer häufiger die offene oder geheime Zensur durch Manipulation oder Abschaltung. Wo die Angst vor dieser Bedrohung nicht wirkt, wird die Geheimhaltung wichtiger Informationen durch direkte Behinderung von Veröffentlichungen bis hin zur Verschleppung und Ermordung von JournalistInnen durchgesetzt. Das Ausgeliefertsein an übermächtige Instanzen der Kontrolle und Zensur ist zur conditio humana unserer Zeit geworden. Bereits heute hat ein großer Teil der Öffentlichkeit vor der Allgegenwart staatlicher und kommerzieller Überwachung resigniert.
Die Ausstellung, die im Rahmen der Infosphäre präsentiert wird, beruht auf der Zusammenarbeit mit einem Netzwerk von WissenschaftlerInnen, JournalistInnen, AktivistInnen und KünstlerInnen in allen Erdteilen und in rund 20 Ländern sowie der Kooperation mit Expertenorganisationen wie dem PEN-Zentrum Deutschland, dem Chaos Computer Club (CCC), Reporter ohne Grenzen, Villa Aurora&nbsp;und mit Plattformen wie netzpolitik.org, digitalcourage.de, WikiLeaks und anderen. Ziel der Ausstellung ist eine Erweiterung der öffentlichen Diskussion über die allgegenwärtigen Überwachungs- und Zensurmaßnahmen, die nicht nur aufgrund stetig neuer Berichte in den Medien, sondern vor allem angesichts der weitgehenden Behinderung der Aufklärung über diese Praktiken als dringlich erscheint.

Global Control and Censorship

Qari Is’Haaq is the founder and Director of National Huffadh Association UK. He has studied Tajweed and Qiraa’ah in Egypt & Morocco and is currently studying the Saba’ Qiraa’ah (7 Different ways of recital). He is a qualified Teacher and has vast experience of teaching in a school setting and currently is the Humanities and Head of Learning Year 8 at London Enterprise Academy in London.

Also, Qari Is’Haaq has successfully completed an LLB (Hons) Law degree at the University of East London and undertook the Legal Practice Course at Leeds Metropolitan University. He is a qualified Solicitor by profession and memorised the Holy Qur’aan by the age of 11 at Quwwat ul Islam Masjid, London.

Qari Is’Haaq currently is a part-time Imaam at London Islamic Cultural Society in North London. He has also been invited to lead the Taraweeh prayers in Jordan, India, Morocco & Germany. Furthermore, he has taken part in various International Qur’aan Competitions around the world, notably in: Egypt, Croatia, India and Morocco, in which he has represented the UK.

He has deep passion and love for The Qur’aan and is always involved in organising Qiraa’ah events in London with International Reciters. He is a TV personality too; Qari Is’Haaq appears regularly on the Recite! show on Islam Channel, one of the judges for Eman Channel Ramadan Juz Amma Competition and was one of the head Judges for the IQRA TV ‘Q Factor’ National Qur’aan Competition. He is actively involved in organizing and judging other Qur’aan competitions across the UK. He has also recently established Quraan Movement UK, which is an online platform, aimed at involving youngsters and spreading the love of Qur’aan.

May The Almighty accept and take more work from him. Aameen.

Qari Is’Haaq is the founder and Director of National Huffadh Association UK. He has studied Tajweed and Qiraa’ah in Egypt & Morocco and is currently studying the Saba’ Qiraa’ah (7 Different ways of recital). He is a qualified Teacher and has vast experience of teaching in a school setting and currently is the Humanities and Head of Learning Year 8 at London Enterprise Academy in London. Also, Qari Is’Haaq has successfully completed an LLB (Hons) Law degree at the University of East London and undertook the Legal Practice Course at Leeds Metropolitan University. He is a qualified Solicitor by profession and memorised the Holy Qur’aan by the age of 11 at Quwwat ul Islam Masjid, London. Qari Is’Haaq currently is a part-time Imaam at London Islamic Cultural Society in North London. He has also been invited to lead the Taraweeh prayers in Jordan, India, Morocco & Germany. Furthermore, he has taken part in various International Qur’aan Competitions around the world, notably in: Egypt, Croatia, India and Morocco, in which he has represented the UK. He has deep passion and love for The Qur’aan and is always involved in organising Qiraa’ah events in London with International Reciters. He is a TV personality too; Qari Is’Haaq appears regularly on the Recite! show on Islam Channel, one of the judges for Eman Channel Ramadan Juz Amma Competition and was one of the head Judges for the IQRA TV ‘Q Factor’ National Qur’aan Competition. He is actively involved in organizing and judging other Qur’aan competitions across the UK. He has also recently established Quraan Movement UK, which is an online platform, aimed at involving youngsters and spreading the love of Qur’aan. May The Almighty accept and take more work from him. Aameen.

Qari Is’Haaq is the founder and Director of National Huffadh Association UK. He has studied Tajweed and Qiraa’ah in Egypt &amp; Morocco and is currently studying the Saba’ Qiraa’ah (7 Different ways of recital). He is a qualified Teacher and has vast experience of teaching in a school setting and currently is the Humanities and Head of Learning Year 8 at London Enterprise Academy in London.

Also, Qari Is’Haaq has successfully completed an LLB (Hons) Law degree at the University of East London and undertook the Legal Practice Course at Leeds Metropolitan University. He is a qualified Solicitor by profession and memorised the Holy Qur’aan by the age of 11 at Quwwat ul Islam Masjid, London.

Qari Is’Haaq currently is a part-time Imaam at London Islamic Cultural Society in North London. He has also been invited to lead the Taraweeh prayers in Jordan, India, Morocco &amp; Germany. Furthermore, he has taken part in various International Qur’aan Competitions around the world, notably in: Egypt, Croatia, India and Morocco, in which he has represented the UK.

He has deep passion and love for The Qur’aan and is always involved in organising Qiraa’ah events in London with International Reciters. He is a TV personality too; Qari Is’Haaq appears regularly on the Recite! show on Islam Channel, one of the judges for Eman Channel Ramadan Juz Amma Competition and was one of the head Judges for the IQRA TV ‘Q Factor’ National Qur’aan Competition. He is actively involved in organizing and judging other Qur’aan competitions across the UK. He has also recently established Quraan Movement UK, which is an online platform, aimed at involving youngsters and spreading the love of Qur’aan.

May The Almighty accept and take more work from him. Aameen.

Ishaaq Jasat

<div>Book Spider (previously known as The God Setebos) is a book-of-the-week podcast primarily covering novels, with the occasional detour into nonfiction, literary criticism, poetry, and music. We pride ourselves in running a smart podcast for the discerning listener, and we strive for the highest level of intellectual rigor.  
 
Our mascot, the book spider, sits in its cold corner, gathering its web of text, looking at the world with its calm, chilly eyes.</div>

Book Spider (previously known as The God Setebos) is a book-of-the-week podcast primarily covering novels, with the occasional detour into nonfiction, literary criticism, poetry, and music. We pride ourselves in running a smart podcast for the discerning listener, and we strive for the highest level of intellectual rigor. Our mascot, the book spider, sits in its cold corner, gathering its web of text, looking at the world with its calm, chilly eyes.

Book Spider (previously known as The God Setebos) is a book-of-the-week podcast primarily covering novels, with the occasional detour into nonfiction, literary criticism, poetry, and music. We pride ourselves in running a smart podcast for the discerning listener, and we strive for the highest level of intellectual rigor.&nbsp; 
 
Our mascot, the book spider, sits in its cold corner, gathering its web of text, looking at the world with its calm, chilly eyes.

Book Spider

The First 100 Years Podcast

Podcast by Savage Turner Rock Express Podcast

Savage Turner Rock Express Podcast

Limited Recall is a show about Magic: The Gathering's greatest format, limited, as well as tales from Magic's quarter century history told with commentary by Nizzahon and Mike each week or two.

Limited Recall

Insight into the unique world of antiques and collectibles, the auction method of marketing, tips on buying and selling, and the evaluation and identification of items.

All That Stuff by BCTV.org

Marcelo Pires.
Se a vida permitisse, teria o seguinte cargo: Leitor.
Ok, também é publicitário e roterista.
Tem uma empresa de conteúdo: Ideia da Silva.
E escreve – no facebook – a página Lê Esse Book.
Publicou vários livros infantis: 
Liga Desliga, Cia das Letrinhas;
O menino que queria ser celular, Melhoramentos;
O incrível menino que perdia tudo, Galerinha Record.

E, em parceria com Leticia Wierzchowski,
O menino paciente, Record;
O Farol e o Vaga-Lume, Coleção Contos e Poemas do Brasil.
Importante: é pai do João e do Tobias.

Marcelo, agora, apresenta – junto com o America –
sua primeira experiência em podcast.

PS do PS do PS – título que recupera de uma coluna
que escreveu por anos na Revista Capricho
(apenas o título – os papos são novos).

PS do PS do PS interessa a todos que 
gostam de um bom papo – mas, você vai ver (ou ouvir), 
se dirige ao público mais jovem e, talvez, mais feminino.

Se você é jovem e tem um lado feminino – não importa 
o seu gênero ou idade – seja bem-vindo.

Marcelo Pires. Se a vida permitisse, teria o seguinte cargo: Leitor. Ok, também é publicitário e roterista. Tem uma empresa de conteúdo: Ideia da Silva. E escreve – no facebook – a página Lê Esse Book. Publicou vários livros infantis: Liga Desliga, Cia das Letrinhas; O menino que queria ser celular, Melhoramentos; O incrível menino que perdia tudo, Galerinha Record. E, em parceria com Leticia Wierzchowski, O menino paciente, Record; O Farol e o Vaga-Lume, Coleção Contos e Poemas do Brasil. Importante: é pai do João e do Tobias. Marcelo, agora, apresenta – junto com o America – sua primeira experiência em podcast. PS do PS do PS – título que recupera de uma coluna que escreveu por anos na Revista Capricho (apenas o título – os papos são novos). PS do PS do PS interessa a todos que gostam de um bom papo – mas, você vai ver (ou ouvir), se dirige ao público mais jovem e, talvez, mais feminino. Se você é jovem e tem um lado feminino – não importa o seu gênero ou idade – seja bem-vindo.

Marcelo Pires.
Se a vida permitisse, teria o seguinte cargo: Leitor.
Ok, também é publicitário e roterista.
Tem uma empresa de conteúdo: Ideia da Silva.
E escreve – no facebook – a página Lê Esse Book.
Publicou vários livros infantis: 
Liga Desliga, Cia das Letrinhas;
O menino que queria ser celular, Melhoramentos;
O incrível menino que perdia tudo, Galerinha Record.

E, em parceria com Leticia Wierzchowski,
O menino paciente, Record;
O Farol e o Vaga-Lume, Coleção Contos e Poemas do Brasil.
Importante: é pai do João e do Tobias.

Marcelo, agora, apresenta – junto com o America –
sua primeira experiência em podcast.

PS do PS do PS – título que recupera de uma coluna
que escreveu por anos na Revista Capricho
(apenas o título – os papos são novos).

PS do PS do PS interessa a todos que 
gostam de um bom papo – mas, você vai ver (ou ouvir), 
se dirige ao público mais jovem e, talvez, mais feminino.

Se você é jovem e tem um lado feminino – não importa 
o seu gênero ou idade – seja bem-vindo.

Today we see more often then not that every form of discourse has to fit into a narrow band of left or right, black or white, right or wrong. On this podcast I will cover topics that don't fit a simple narrative. Including common topics of discussion such as current events or history, as well as fringe topics like conspiracy theories.

The Fringe Center Podcast with Manny Miranda

El programa donde semanalmente vamos a platicar sobre los hechos que cambiaron el curso de la historia.

¿Qué fue lo que pasó?

以史上最强编年体通史《资治通鉴》为时间轴，以《史记》《汉书》等二十四史正史为唯一素材来源，智慧、谋略、明君、贤臣、战争、名将……讲述历史的层层面面、点点滴滴。正史，同样很有趣。

以史上最强编年体通史《资治通鉴》为时间轴，以《史记》《汉书》等二十四史正史为唯一素材来源，智慧、谋略、明君、贤臣、战争、名将……讲述历史的层层面面、点点滴滴。正史，同样很有趣。

以史上最强编年体通史《资治通鉴》为时间轴，以《史记》《汉书》等二十四史正史为唯一素材来源，智慧、谋略、明君、贤臣、战争、名将……讲述历史的层层面面、点点滴滴。正史，同样很有趣。

正历史

This podcast is a journey to every corner of Latin America through its own stories, written with the blood, pain, joy and passion of our open veins.

The Land of Open Veins

Rainny Days

Selaras Podcast - Saling Mengingatkan dan Menguatkan.

Teman ngobrol santai dan berbagi cerita , bersama orang-orang dengan potensi dan keahlian yang sangat beragam. Menjadi motivasi dan inspirasi juga menyelaraskan keduanya dalam sebuah podcast ini.

Selaras Podcast - Saling Mengingatkan dan Menguatkan. Teman ngobrol santai dan berbagi cerita , bersama orang-orang dengan potensi dan keahlian yang sangat beragam. Menjadi motivasi dan inspirasi juga menyelaraskan keduanya dalam sebuah podcast ini.

SELARAS

Diary Konyol dan tempat keluh kesah Tim Black Hat Production (BHP). Di dalam pengalaman dunia Produksi serta hiruk pikuknya. bersama Admin BHP yang Ketcheh...

mari kita mulai Cerita Hari Ini

Diary Konyol dan tempat keluh kesah Tim Black Hat Production (BHP). Di dalam pengalaman dunia Produksi serta hiruk pikuknya. bersama Admin BHP yang Ketcheh... mari kita mulai Cerita Hari Ini

Mari kita Cerita Hari Ini

A "fun fact," urban legend, unknown history podcast where we dig into strange or forgotten stories. Our amazing artwork by: https://www.instagram.com/peachyemilie/. Theme Music from Music from https://filmmusic.io"Darkest Child" by Kevin MacLeod (https://incompetech.com)License: CC BY (http://creativecommons.org/licenses/by/4.0/)

But Really Tho

Un podcast de Magia conducido por Jero Chiesa - Producción Radio Trend Topic -Marcos Serrao Gómez / Post producción: Nico Simoni

El Abismo

K.S PODCAST

Kenalan dulu dengan suaraku. Dengarkan podcast pertamaku. Nanti kamu akan tau namaku. Mari saling mendengarkan, saling menjadi pendengar yang baik.

Podcast Kamu

Podcast de Historia Social, Cultural y más. De forma sencilla y con humor te contamos un poco del pasado para entender el presente.
También puedes escuchar todas nuestras emisiones a través de Ivoox, Google Podcast, Apple Podcast y Mixcloud, búscanos como Aquelarre de la Historia.

Podcast de Historia Social, Cultural y más. De forma sencilla y con humor te contamos un poco del pasado para entender el presente. También puedes escuchar todas nuestras emisiones a través de Ivoox, Google Podcast, Apple Podcast y Mixcloud, búscanos como Aquelarre de la Historia.

Aquelarre de la Historia

Thinking about the future is not the same as trying to predict. Predicting is very difficult indeed. But even when predicting incorrectly, there is some value in the exercise. What is it? Foresight, reduction of anxiety, pleasure?This experiment tries (very hard) to predict the future correctly in 3 incremental steps: 2023, 2026, and 2030 (probably 30 8-minute episodes in all). It does so by weaving many different strands of life together - because when we look at history, this is how history has always progressed.But the object of interest is not primarily in the vision of 2030, it is in the side effects of arriving at it.By Arne Hessenbruch, Lecturer at MIT.https://www.linkedin.com/in/arnehessenbruch/

2030 - An experiment in thinking about the future

Ngomongin gereja, sejarah, filsafat, dan es kopi susu.

Ruang Diskursus.

Sdraiati, mettiti le cuffie e rilassati con qualche curiosità storica.
Direttamente dal nostro canale Telegram e dal nostro sito ecco a voi gli articoli più interessanti trasformati in podcast: non una semplice lettura, ma una revisione completa in modo da renderli interessanti anche senza immagini.
Il tutto accompagnato dalla voce di Andrea Musmarra, il nostro podcaster di fiducia.
Buon ascolto!

Sdraiati, mettiti le cuffie e rilassati con qualche curiosità storica. Direttamente dal nostro canale Telegram e dal nostro sito ecco a voi gli articoli più interessanti trasformati in podcast: non una semplice lettura, ma una revisione completa in modo da renderli interessanti anche senza immagini. Il tutto accompagnato dalla voce di Andrea Musmarra, il nostro podcaster di fiducia. Buon ascolto!

A Braccetto con la Storia

Era uma Vez na História, podcast para público infantojuvenil, abordando a História de forma lúdica e levando conhecimento para os jovens ouvintes.

Era uma Vez na História

Podcast ini akan saya buat untuk berbagi pengalaman kehidupan yang telah saya jalani.

Aldila danesa

Podecast totalmente voltado para contar histórias de formas descontraídas, irreverentes, contos com diversos temas, indo de fantasia medieval, rpg, drama, comedia, com originalidade em textos desenvolividos para diversão, emoção, intreternimento em geral. E podem tambem ler esses contos, que serão colocados tanto no youtube, facebook, nas descrições.

contando contos JR

Textos escritos em meio ao caos! Histórias para contar, intenção de ajuda e motivação ao público.💕💕💕

Motivação!💕

Zapotecas

Hou je van wijn en enge verhalen? Dan ben je bij ons aan het juiste adres. Ga lekker zitten en pak en drankje en geniet van de enge verhalen die wij jou zullen vertellen. Het is echt om bang van te worden.

Om bang van te worden

「日本史‧趣活來」講的是日本奇怪和奇妙的歷史，用另類的角度聊日本。 我是三線，經營粉專「京都旅遊研究室」，著有《崇拜京都》、《崇拜京都》，如果你想連絡我請來信：tripuzzle@gmail.com 我的粉專 https://www.facebook.com/kyototravellab Powered by <a href="https://firstory.me">Firstory Hosting</a>

「日本史‧趣活來」講的是日本奇怪和奇妙的歷史，用另類的角度聊日本。 我是三線，經營粉專「京都旅遊研究室」，著有《崇拜京都》、《崇拜京都》，如果你想連絡我請來信：tripuzzle@gmail.com 我的粉專 https://www.facebook.com/kyototravellab Powered by Firstory Hosting

「日本史‧趣活來」講的是日本奇怪和奇妙的歷史，用另類的角度聊日本。 我是三線，經營粉專「京都旅遊研究室」，著有《崇拜京都》、《崇拜京都》，如果你想連絡我請來信：tripuzzle@gmail.com 我的粉專 https://www.facebook.com/kyototravellab Powered by <a href="https://firstory.me" rel="noopener noreferrer">Firstory Hosting</a>

History Podcasts / Page 349

Whistledown

Ahmed Aissa El Masarawi

Stimmen der Kulturwissenschaften

Video Trolley with Conor Murphy - Atlantic Radio Ireland

The American Gods Podcast

Planeta - la revue sonore des musiques nouvelles

Listen to Top 100 Audiobooks in Fiction, Historical

Global Control and Censorship

Ishaaq Jasat

Book Spider

The First 100 Years Podcast

Savage Turner Rock Express Podcast

Limited Recall

All That Stuff by BCTV.org

PS

The Fringe Center Podcast with Manny Miranda

¿Qué fue lo que pasó?

正历史

The Land of Open Veins

Rainny Days

SELARAS

Mari kita Cerita Hari Ini

But Really Tho

El Abismo

K.S PODCAST

Podcast Kamu

Aquelarre de la Historia

2030 - An experiment in thinking about the future

Ruang Diskursus.

A Braccetto con la Storia

Era uma Vez na História

Aldila danesa

contando contos JR

Motivação!💕

Zapotecas

Om bang van te worden

日本史‧趣活來

Lewat Kata

Podcast CSB

Incógnitas en Bandeja

Spit Sand Radio 砂を吐くラジオ[BL]

Demetrius King

The Lit Critter

azizadyah

Suka bacot podcast

Diritti in campo

‘88 Hawks Rewind

Diensplig

Fables

Science of Military Strategy - 2020

Spit Sand Radio　砂を吐くラジオ[BL]