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Podcast Nie Tylko design (http://nietylko.design) poświęcony jest głównie cyfrowym produktom, procesowi projektowania, elektronicznym gadżetom i szeroko pojętemu design-owi.

Nie Tylko Design

Podcast sobre ideas empresariales que funcionan: startups que acaban de nacer, ejemplos de innovación y cómo empezar una empresa con Rafa Bernardo

Estartapeando

Esporte SG

El lugar del análisis político sobre Alemania en español.

Elecciones en Alemania

<h3>Att förstå hur cybersäkerhet påverkar vårt digitaliserade samhälle kommer vara avgörande för alla organisationer. Cyber Talks ger alla perspektiven. Cyber Talks är en samproduktion mellan Orange Cyberdefense och Paliscope.</h3> <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Att förstå hur cybersäkerhet påverkar vårt digitaliserade samhälle kommer vara avgörande för alla organisationer. Cyber Talks ger alla perspektiven. Cyber Talks är en samproduktion mellan Orange Cyberdefense och Paliscope. Hosted on Acast. See acast.com/privacy for more information.

Att förstå hur cybersäkerhet påverkar vårt digitaliserade samhälle kommer vara avgörande för alla organisationer. Cyber Talks ger alla perspektiven. Cyber Talks är en samproduktion mellan Orange Cyberdefense och Paliscope. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Cyber Talks

LO AND ORDER dives into the critical issues impacting law enforcement professionals and the communities they protect. Hosted by Lolita Harper, we provide insightful discussions on topics that matter most to our public safety members, offering a behind-the-scenes look at the challenges and triumphs of those who serve.

LO AND ORDER

La cultura del olivo, el cultivo con mayor importancia económica, social, medioambiental e histórica de Andalucía es protagonista de esta revista que se emite en RAI. Realizado desde nuestra emisora en Jaén y presentado por Marga Reig, Entre olivos nos acerca a esta forma de vida, su cultura, la historia y las tradiciones de un buen número de municipios andaluces que están íntimamente ligados al olivar y al aceite de oliva desde hace siglos.Síguenos en nuestras redes sociales:Twitter: @entreolivosraiFacebook: https://www.facebook.com/entreolivosrai/Mail: entreolivosrai@gmail.com   Normal  0  21      false  false  false                     MicrosoftInternetExplorer4   st1:*{behavior:url(#ieooui) } /* Style Definitions */ table.MsoNormalTable	{mso-style-name:Tabla normal;	mso-tstyle-rowband-size:0;	mso-tstyle-colband-size:0;	mso-style-noshow:yes;	mso-style-parent:;	mso-padding-alt:0cm 5.4pt 0cm 5.4pt;	mso-para-margin:0cm;	mso-para-margin-bottom:.0001pt;	mso-pagination:widow-orphan;	font-size:10.0pt;	font-family:Times New Roman;	mso-ansi-language:#0400;	mso-fareast-language:#0400;	mso-bidi-language:#0400;}

La cultura del olivo, el cultivo con mayor importancia económica, social, medioambiental e histórica de Andalucía es protagonista de esta revista que se emite en RAI. Realizado desde nuestra emisora en Jaén y presentado por Marga Reig, Entre olivos nos acerca a esta forma de vida, su cultura, la historia y las tradiciones de un buen número de municipios andaluces que están íntimamente ligados al olivar y al aceite de oliva desde hace siglos.Síguenos en nuestras redes sociales:Twitter: @entreolivosraiFacebook: https://www.facebook.com/entreolivosrai/Mail: entreolivosrai@gmail.com Normal 0 21 false false false MicrosoftInternetExplorer4 st1:*{behavior:url(#ieooui) } /* Style Definitions */ table.MsoNormalTable {mso-style-name:Tabla normal; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:Times New Roman; mso-ansi-language:#0400; mso-fareast-language:#0400; mso-bidi-language:#0400;}

Entre olivos

Media Maverick Radio

LP FM radio station in Chicago for weirdo people everywhere-- 105.5 FM WLPN LP Chicago, Lumpen Radio. Download our iOS app here: https://appsto.re/us/NdeV7.i

Radio Free Bridgeport

Canal de podcast para entrevistas de violeta stereo FM Casanare

Violeta Stereo FM

Ouça aos programas da TV Jovens Cronistas no conforto de seu fone de ouvido e da maneira que quiser.

Jovens Cronistas

Podcast with live commentary on today's issues from both a conservative and liberal perspective. Guest hosts and interviews from a funny and light-hearted perspective. Grab a drink and let's have a nightcap together!

Nightcaps with Nate Podcast

Decoded, the Economics Society's Podcast Series, is a platform geared towards broadening the horizons of discussions on policy issues and facilitating the exchange of opinions and ideas amongst the youth. 

Keep listening!

Decoded, the Economics Society's Podcast Series, is a platform geared towards broadening the horizons of discussions on policy issues and facilitating the exchange of opinions and ideas amongst the youth. Keep listening!

Decoded

Criando valor e conectando todo o mercado de tissue nas Américas<hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Criando valor e conectando todo o mercado de tissue nas Américas Hosted on Acast. See acast.com/privacy for more information.

Criando valor e conectando todo o mercado de tissue nas Américas Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Tissue Online

Olá, esse é o Diálogo Podcast. Aqui prezamos pelo diálogo e pela democracia.

Novos episódios todos os dias 2 horas depois da live no Facebook (gravados).

Ao vivo em nossa página do Facebook todos os dias da semana.

Olá, esse é o Diálogo Podcast. Aqui prezamos pelo diálogo e pela democracia. Novos episódios todos os dias 2 horas depois da live no Facebook (gravados). Ao vivo em nossa página do Facebook todos os dias da semana.

Diálogo Podcast

Each week sit down with a cuppa tea and enjoy a magazine style show about Supernal Magazine. Each week they will chat about topics that are coming up in future issues of Supernal Magazine.

Each week sit down with a cuppa tea and enjoy a magazine style show about Supernal Magazine. Each week they will chat about topics that are coming up in future issues of Supernal Magazine.

Supernal Radio Show

Innovatech es un podcast dedicado a explorar las tecnologías disruptivas que están cambiando el mundo. Cada episodio profundizamos en una tecnología o tendencia emergente y analizamos su impacto en la sociedad, la economía y la cultura. Únete a nosotros para descubrir las tecnologías del futuro y cómo están transformando el presente.

Innovatech: Innovación Tecnológica

Hello we will be spilling tea about celebs and tiktokers who has been getting canceled who has been doing stuff they are not supposed to do stay tuned. Episode every week.

Tea Time With Laila Griffin

Welcome to my all encompassing podcast. Where we talk all things covid-19, general affairs, news, politics, music and movies!

You are on mute!

The Modern-Day CEO podcast presents interviews with successful business leaders, celebrities, bestselling authors, coaches, and more to redefine what it means to navigate today's business landscape. From NFTs and Crypto to Web 3 and beyond. Join Jaylissa Lea for weekly conversations that will inspire you to think about your personal brand, business, relationships, and growth in a way that will help you scale with speed and clarity in the modern world.

Modern Day CEO

Ilan Soae y Constantino Seguetti analizan junto a distintos invitados, problemas políticos y morales de índole nacional e internacional.

Difusos

Noticias de espectáculo mundial para todos los seguidores del séptimo arte.

Abraham Escorihuela Braidy @abrahambraidy

En podcast som ufiltrert kobler deg som lytter på til våre politikere i Vestland FrP, som i klartekst forteller om FrP sin politikk med våre egne ord! 

Velkommen til: "RETT FRAM - en podcast fra Vestland FrP" !

Du finner oss der du vanligvis lytter på podcasts!

Se også Vestland FrP sin Youtubekanal her for videoversjoner av episodene i denne podcasten: 
www.youtube.com/@VestlandFrP

En podcast som ufiltrert kobler deg som lytter på til våre politikere i Vestland FrP, som i klartekst forteller om FrP sin politikk med våre egne ord! Velkommen til: "RETT FRAM - en podcast fra Vestland FrP" ! Du finner oss der du vanligvis lytter på podcasts! Se også Vestland FrP sin Youtubekanal her for videoversjoner av episodene i denne podcasten: www.youtube.com/@VestlandFrP

RETT FRAM - en podcast fra Vestland FrP

#西村ちなみの国会ラジオ
いつもお聴きいただきありがとうございます。このpodcastでは、国会議員の西村ちなみが

▷国会での議論
▷政治のトピック　を分かりやすくお届け！

不定期更新ですが、週1回のアップを目指しております。

【ご意見・ご感想・お便り】
ご意見・ご感想・お便りは、以下までお寄せください。

▶️匿名フォーム： https://forms.gle/QuMnSM6aVtku9q3x9
▶️twitter： #西村ちなみの国会ラジオ
▶️メール： niigata@chinami.net

【プロフィール】
西村ちなみ

衆議院議員(5期・1区選出)。立憲民主党所属。これまでに、厚生労働副大臣、外務大臣政務官、新潟県議会議員などを務めてきた。現在は、一児の母としても子育てと社会課題解決に向けて奮闘中。

#西村ちなみの国会ラジオ いつもお聴きいただきありがとうございます。このpodcastでは、国会議員の西村ちなみが ▷国会での議論 ▷政治のトピック を分かりやすくお届け！ 不定期更新ですが、週1回のアップを目指しております。 【ご意見・ご感想・お便り】 ご意見・ご感想・お便りは、以下までお寄せください。 ▶️匿名フォーム： https://forms.gle/QuMnSM6aVtku9q3x9 ▶️twitter： #西村ちなみの国会ラジオ ▶️メール： niigata@chinami.net 【プロフィール】 西村ちなみ 衆議院議員(5期・1区選出)。立憲民主党所属。これまでに、厚生労働副大臣、外務大臣政務官、新潟県議会議員などを務めてきた。現在は、一児の母としても子育てと社会課題解決に向けて奮闘中。

#西村ちなみの国会ラジオ

Noticias de tecnología para todos los techies y los no tan techies

AguacaTech

Come join Hydrowave99 as he explores not only his own personal beliefs, but also news of the things that interest him, including video games, technology, science, poetry, metal music, history and more.

If you want to watch the video version of this show, check out this playlist on Hydrowave99's channel. - https://www.youtube.com/playlist?list=PL5Y7jSxWfLzJRyXc7w7iYp7xF2Jepkt03

Link to the Hydrowave99 Hub Discord, where you can talk about anything mentioned on the show - https://discord.gg/TsM97GNZ3a

Check out the Hydrowave99 YouTube Channel- https://www.youtube.com/channel/UCpArh-8jgPI9CYPpFMM-FnA

Come join Hydrowave99 as he explores not only his own personal beliefs, but also news of the things that interest him, including video games, technology, science, poetry, metal music, history and more. If you want to watch the video version of this show, check out this playlist on Hydrowave99's channel. - https://www.youtube.com/playlist?list=PL5Y7jSxWfLzJRyXc7w7iYp7xF2Jepkt03 Link to the Hydrowave99 Hub Discord, where you can talk about anything mentioned on the show - https://discord.gg/TsM97GNZ3a Check out the Hydrowave99 YouTube Channel- https://www.youtube.com/channel/UCpArh-8jgPI9CYPpFMM-FnA

HydroCast (formerly GAHCast)

This is another segment of Spoken Thoughts called "As e Dey Hot" - with Jules

On this segment, I will be discussing about world entertainment an celebrity buzz.


Instagram - Instagram.com/spokenthoughts_podcast

https://anchor.fm/spokenthoughts

This is another segment of Spoken Thoughts called "As e Dey Hot" - with Jules On this segment, I will be discussing about world entertainment an celebrity buzz. Instagram - Instagram.com/spokenthoughts_podcast https://anchor.fm/spokenthoughts

As e Dey Hot

Generasi Melek merupakan platfom digital yang terus menyediakan konten-konten politik yang menarik. Bermula dari tulisan-tulisan di website dan instagram kini generasi melek hadir mewarnai konten digital lainnya berupa podcast. 

Podcast ini akan menyajikan bahasan mengenai Politik baik luar maupun dalam negeri yang menarik untuk dibahas.

Generasi Melek merupakan platfom digital yang terus menyediakan konten-konten politik yang menarik. Bermula dari tulisan-tulisan di website dan instagram kini generasi melek hadir mewarnai konten digital lainnya berupa podcast. Podcast ini akan menyajikan bahasan mengenai Politik baik luar maupun dalam negeri yang menarik untuk dibahas.

Generasi Melek

Diana

A podcast by the Houston Law Review about legal issues, prominent lawyers, and the study and practice of law.

Emphasis Added

Beyond the Barcode is an innovation-forward podcast by Tompkins Solutions, diving into the intersection of advanced robotics, warehouse automation, and supply chain transformation. Each episode unpacks the latest trends, technologies, and strategies shaping the future of fulfillment—from AI-driven logistics to next-gen robotics and beyond. Join us as we explore the automation revolution with industry experts, thought leaders, and real-world case studies. Our theme music is <a href="https://freemusicarchive.org/music/Mystery_Mammal/beyond-now-1/a-brief-intermission-to-rest-the-robots-1/">A Brief Intermission to Rest the Robots</a> by Mystery Mammal and used by CC

Beyond the Barcode is an innovation-forward podcast by Tompkins Solutions, diving into the intersection of advanced robotics, warehouse automation, and supply chain transformation. Each episode unpacks the latest trends, technologies, and strategies shaping the future of fulfillment—from AI-driven logistics to next-gen robotics and beyond. Join us as we explore the automation revolution with industry experts, thought leaders, and real-world case studies. Our theme music is A Brief Intermission to Rest the Robots by Mystery Mammal and used by CC

Beyond the Barcode is an innovation-forward podcast by Tompkins Solutions, diving into the intersection of advanced robotics, warehouse automation, and supply chain transformation. Each episode unpacks the latest trends, technologies, and strategies shaping the future of fulfillment—from AI-driven logistics to next-gen robotics and beyond. Join us as we explore the automation revolution with industry experts, thought leaders, and real-world case studies. Our theme music is <a href="https://freemusicarchive.org/music/Mystery_Mammal/beyond-now-1/a-brief-intermission-to-rest-the-robots-1/" rel="noopener noreferrer">A Brief Intermission to Rest the Robots</a> by Mystery Mammal and used by CC

Beyond the Barcode

Stan Lee: The Legendary Marvel Comics Visionary Comic books may be thought of as childish entertainment by some, but no one can deny the incredible influence of Marvel Comics and its legendary writer, editor and publisher, Stan Lee, on generations of readers and popular culture itself. Lee was the genius behind Spider-Man, the Incredible Hulk, the Fantastic Four, Iron Man, Thor and the X-Men – some of the most popular superheroes ever created. While his longtime collaborator Jack Kirby focused more on art, Lee crafted the words and personas that catapulted Marvel Comics into mythic status. Stanley Martin Lieber was born on December 28, 1922 to Romanian immigrant parents in New York City. From childhood, he loved adventure books and Errol Flynn movies, and enjoyed writing. After graduating high school early at age 16, Lieber took a job in 1939 as an editorial assistant at Timely Comics under editor Joe Simon. Timely Comics was a predecessor of Marvel Comics, which published Captain America and the Human Torch comics. Young Lieber wanted to save his real name for more literary work, so he used the pen name Stan Lee for his comic writing. He started by writing filler text and answering fan mail. Before long he was writing dialog as well as text filler, captions and short stories. When Simon and his creative partner Jack Kirby, the artist who co-created Captain America, left in 1941, Lee was promoted to interim editor at just 18 years old. The emerging writer proved he could handle the job. After Simon briefly returned, Lee became Timely's editor-in-chief in 1942. His new position and job stability through the World War II era – along with his status as a married man after wedding Joan Clayton Boocock in 1947 – allowed Lee to expand the comic book medium with more complex plots and characters. In the 1950s, Timely Comics became Atlas Comics as genres expanded beyond superheroes into horror, westerns, humor, medieval adventure, war and suspense. In 1956, Lee decided to upgrade the company to focus more on quality. Atlas began slowly reviving superheroes and launched Amazing Adventures, Tales to Astonish and other titles to reintroduce the genre. The following year, after DC Comics reinvented the superhero archetype with Update and Flash, Atlas Comics responded. In November 1961, Lee and freelance artist Jack Kirby released The Fantastic Four #1, which ushered Marvel Comics onto the scene by introducing more complex characters and sophisticated comic narrative. This launched the era that would make Lee a legend. Over the next several years, Lee worked with Kirby and other collaborators to produce titles introducing popular heroes like the Incredible Hulk, Thor, Iron Man, the X-Men, Daredevil and the popular teen web-crawler, Spider-Man. Lee had a knack for writing witty dialog and giving each hero a flawed humanity and depth that resonated powerfully with readers. Rather than virtuous archetypes, they had tempers, romantic troubles and insecurities despite their super abilities. More broadly, Lee helped transform comic books from simplistic kids’ entertainment into an sophisticated art form and respectable literary medium. His natural media savvy made Marvel Comics a multimedia success across publications, merchandise, television and eventually film. Whereas previous comic heroes spent more time fighting villains than dealing with personal issues, Lee introduced a formula using real-world drama along with epic adventure. His heroes were fleshed out as complex characters with rich back stories and everyday problems readers could relate to. The human vulnerabilities, relationship struggles and remorse over harm done by their powers made the extraordinary somehow ordinary. Readers bonded closely with these heroes. Lee also pioneered bringing social issues into story lines, tackling racism, discrimination, addiction and poverty when such topics were unheard of in comics. No longer written just for children, Lee’s comics used college-level vocabulary and references to classic literature to engage older readers. The breezy conversational tone and pop culture references appealed to kids as well. This expanded the demographic substantially. On the production side, Lee initiated the "Marvel Method" of storytelling. Instead of writing a full story then giving it to an artist to draw, he collaborated by discussing a plot concept together then having the artist draw pages first. Lee would then add dialog and captions that integrated seamlessly into the finished artwork. This creative synergy produced the seamless storytelling that Marvel Comics became famous for. By founding the Marvel brand, Lee gave comics an identity beyond just DC that fans could rally behind. The shared "universe" concept knits all the heroes and titles into a continuity. Characters freely crossed over between comics, building reader loyalty across franchises. The Avengers comic alone brought together fan favorites Thor, Iron Man, Hulk, Ant-Man, and Wasp into one powerhouse team under Lee’s masterful guidance. Lee also cultivated fandom by answering letters, writing Marvel news columns himself, and embracing fans as collaborators long before audience interaction became regular practice. Readers adored him. Once Marvel snapped up market share in the mid-1960s era known as the "Marvel Age of Comics," Lee expanded into live events like conventions and college campus lectures where throngs of fans caused riots more typical of rock stars than comic writers. Marvel Comics commanded fierce, almost cult-like loyalty never seen before. Lee achieved it through sharp creative vision mixed with marketing brilliance and an affable persona. He built Marvel into both a top-seller and a social phenomenon that would only continue to grow for generations. Later Career By 1972, Lee had risen to the publisher and assumed the role of Marvel’s public face and chairman as he gave up writing monthlies. He moved to California in 1980 to develop Marvel's TV and movie properties. After retiring from Marvel officially in the 1990s, he worked on the company’s films and other media as Executive Producer and Creative Director. In 2001, Lee founded Stan Lee Media to create superhero films, TV, merchandising and online content independent from Marvel. Though the venture struggled and dissolved, Lee continued moving into multimedia platforms and properties outside traditional publishing. Throughout his later career, he focused on translating Marvel characters successfully into profitable films, video games, and action figures that greatly expanded the brand into mainstream popularity. Lee served as executive producer for Marvel film adaptations like Spider-Man (2002), Hulk (2003), Daredevil (2003), Fantastic Four (2005), and led the umbrella Stan Lee's POW! Entertainment Inc. to push digital entertainment platforms even further. At age 89, his Reality Show "Who Wants to be a Superhero?" (2006) reflected Lee's tireless spirit for re-inventing the superhero genre across every possible medium. A pop culture visionary but humble man beloved by millions of fans worldwide, Lee posted numerous heartfelt good-bye messages later in life thanking his devoted followers until passing away in 2018 at age 95. His name remains synonymous with Marvel Comics. Beyond his storytelling prowess, Lee carved an equally enduring legacy by virtue of his charismatic persona and multimedia savvy. Though originally hailing from a modest background, he cultivated an outgoing, humorous public image wearing his trademark tinted spectacles. His shameless use of hyperbole like proclaiming Marvel issues as “the greatest superhero sagas ever published!” endeared him to readers. Stan fully embraced his celebrity status and went out of his way to engage directly with fans, who felt they knew him intimately. He added clever catchphrases and inside jokes into letter columns then playfully needled his own colorful narrative style as over-the-top showmanship readers adored. Along the way, “Stan the Man” made sure to humanize his superhuman characters with very human shortcomings. Peter Parker constantly struggles to balance Spider-Man heroics with paying rent on time or showing up for dates. Bruce Banner battles violent inner demons while the Thing butts heads with Human Torch’s arrogance. Doctor Strange’s ego causes strife. Personal hang-ups plagued the X-Men. Lee wove moral lessons into the adventures as well using clashes between heroes’ egos and agendas to show cooperation as more virtuous than competition. Villains often gained redemption. Readers responded powerfully to the pathos. By revealing extraordinary characters as very ordinary people facing internal struggles rather than purely external battles against formulaic villains, Lee totally reinvented the 20th-century superhero archetype. Adding emotional depth and continuity across franchise titles proved groundbreaking. Lee made Marvel fans view superheroes as close personal friends. The phenomenal success permitted Lee to cross over from comics and oversee Marvel’s expansion into Hollywood. Though several previous superhero serials had briefly appeared on film and 1980s television, Lee helped Marvel properties finally claim legitimacy on the big screen. After 1998, Marvel films like Spiderman broke box office records and ignited the superhero film craze still raging decades later. The Marvel Cinematic Universe has approached $23 billion total worldwide box office across 23 blockbusters to date since Iron Man first kicked things off in 2008. And most credit it all to Lee’s original vision that transformed both comic literature and youth entertainment forever

Stan Lee: The Legendary Marvel Comics Visionary Comic books may be thought of as childish entertainment by some, but no one can deny the incredible influence of Marvel Comics and its legendary writer, editor and publisher, Stan Lee, on generations of readers and popular culture itself. Lee was the genius behind Spider-Man, the Incredible Hulk, the Fantastic Four, Iron Man, Thor and the X-Men – some of the most popular superheroes ever created. While his longtime collaborator Jack Kirby focused more on art, Lee crafted the words and personas that catapulted Marvel Comics into mythic status. Stanley Martin Lieber was born on December 28, 1922 to Romanian immigrant parents in New York City. From childhood, he loved adventure books and Errol Flynn movies, and enjoyed writing. After graduating high school early at age 16, Lieber took a job in 1939 as an editorial assistant at Timely Comics under editor Joe Simon. Timely Comics was a predecessor of Marvel Comics, which published Captain America and the Human Torch comics. Young Lieber wanted to save his real name for more literary work, so he used the pen name Stan Lee for his comic writing. He started by writing filler text and answering fan mail. Before long he was writing dialog as well as text filler, captions and short stories. When Simon and his creative partner Jack Kirby, the artist who co-created Captain America, left in 1941, Lee was promoted to interim editor at just 18 years old. The emerging writer proved he could handle the job. After Simon briefly returned, Lee became Timely's editor-in-chief in 1942. His new position and job stability through the World War II era – along with his status as a married man after wedding Joan Clayton Boocock in 1947 – allowed Lee to expand the comic book medium with more complex plots and characters. In the 1950s, Timely Comics became Atlas Comics as genres expanded beyond superheroes into horror, westerns, humor, medieval adventure, war and suspense. In 1956, Lee decided to upgrade the company to focus more on quality. Atlas began slowly reviving superheroes and launched Amazing Adventures, Tales to Astonish and other titles to reintroduce the genre. The following year, after DC Comics reinvented the superhero archetype with Update and Flash, Atlas Comics responded. In November 1961, Lee and freelance artist Jack Kirby released The Fantastic Four #1, which ushered Marvel Comics onto the scene by introducing more complex characters and sophisticated comic narrative. This launched the era that would make Lee a legend. Over the next several years, Lee worked with Kirby and other collaborators to produce titles introducing popular heroes like the Incredible Hulk, Thor, Iron Man, the X-Men, Daredevil and the popular teen web-crawler, Spider-Man. Lee had a knack for writing witty dialog and giving each hero a flawed humanity and depth that resonated powerfully with readers. Rather than virtuous archetypes, they had tempers, romantic troubles and insecurities despite their super abilities. More broadly, Lee helped transform comic books from simplistic kids’ entertainment into an sophisticated art form and respectable literary medium. His natural media savvy made Marvel Comics a multimedia success across publications, merchandise, television and eventually film. Whereas previous comic heroes spent more time fighting villains than dealing with personal issues, Lee introduced a formula using real-world drama along with epic adventure. His heroes were fleshed out as complex characters with rich back stories and everyday problems readers could relate to. The human vulnerabilities, relationship struggles and remorse over harm done by their powers made the extraordinary somehow ordinary. Readers bonded closely with these heroes. Lee also pioneered bringing social issues into story lines, tackling racism, discrimination, addiction and poverty when such topics were unheard of in comics. No longer written just for children, Lee’s comics used college-level vocabulary and references to classic literature to engage older readers. The breezy conversational tone and pop culture references appealed to kids as well. This expanded the demographic substantially. On the production side, Lee initiated the "Marvel Method" of storytelling. Instead of writing a full story then giving it to an artist to draw, he collaborated by discussing a plot concept together then having the artist draw pages first. Lee would then add dialog and captions that integrated seamlessly into the finished artwork. This creative synergy produced the seamless storytelling that Marvel Comics became famous for. By founding the Marvel brand, Lee gave comics an identity beyond just DC that fans could rally behind. The shared "universe" concept knits all the heroes and titles into a continuity. Characters freely crossed over between comics, building reader loyalty across franchises. The Avengers comic alone brought together fan favorites Thor, Iron Man, Hulk, Ant-Man, and Wasp into one powerhouse team under Lee’s masterful guidance. Lee also cultivated fandom by answering letters, writing Marvel news columns himself, and embracing fans as collaborators long before audience interaction became regular practice. Readers adored him. Once Marvel snapped up market share in the mid-1960s era known as the "Marvel Age of Comics," Lee expanded into live events like conventions and college campus lectures where throngs of fans caused riots more typical of rock stars than comic writers. Marvel Comics commanded fierce, almost cult-like loyalty never seen before. Lee achieved it through sharp creative vision mixed with marketing brilliance and an affable persona. He built Marvel into both a top-seller and a social phenomenon that would only continue to grow for generations. Later Career By 1972, Lee had risen to the publisher and assumed the role of Marvel’s public face and chairman as he gave up writing monthlies. He moved to California in 1980 to develop Marvel's TV and movie properties. After retiring from Marvel officially in the 1990s, he worked on the company’s films and other media as Executive Producer and Creative Director. In 2001, Lee founded Stan Lee Media to create superhero films, TV, merchandising and online content independent from Marvel. Though the venture struggled and dissolved, Lee continued moving into multimedia platforms and properties outside traditional publishing. Throughout his later career, he focused on translating Marvel characters successfully into profitable films, video games, and action figures that greatly expanded the brand into mainstream popularity. Lee served as executive producer for Marvel film adaptations like Spider-Man (2002), Hulk (2003), Daredevil (2003), Fantastic Four (2005), and led the umbrella Stan Lee's POW! Entertainment Inc. to push digital entertainment platforms even further. At age 89, his Reality Show "Who Wants to be a Superhero?" (2006) reflected Lee's tireless spirit for re-inventing the superhero genre across every possible medium. A pop culture visionary but humble man beloved by millions of fans worldwide, Lee posted numerous heartfelt good-bye messages later in life thanking his devoted followers until passing away in 2018 at age 95. His name remains synonymous with Marvel Comics. Beyond his storytelling prowess, Lee carved an equally enduring legacy by virtue of his charismatic persona and multimedia savvy. Though originally hailing from a modest background, he cultivated an outgoing, humorous public image wearing his trademark tinted spectacles. His shameless use of hyperbole like proclaiming Marvel issues as “the greatest superhero sagas ever published!” endeared him to readers. Stan fully embraced his celebrity status and went out of his way to engage directly with fans, who felt they knew him intimately. He added clever catchphrases and inside jokes into letter columns then playfully needled his own colorful narrative style as over-the-top showmanship readers adored. Along the way, “Stan the Man” made sure to humanize his superhuman characters with very human shortcomings. Peter Parker constantly struggles to balance Spider-Man heroics with paying rent on time or showing up for dates. Bruce Banner battles violent inner demons while the Thing butts heads with Human Torch’s arrogance. Doctor Strange’s ego causes strife. Personal hang-ups plagued the X-Men. Lee wove moral lessons into the adventures as well using clashes between heroes’ egos and agendas to show cooperation as more virtuous than competition. Villains often gained redemption. Readers responded powerfully to the pathos. By revealing extraordinary characters as very ordinary people facing internal struggles rather than purely external battles against formulaic villains, Lee totally reinvented the 20th-century superhero archetype. Adding emotional depth and continuity across franchise titles proved groundbreaking. Lee made Marvel fans view superheroes as close personal friends. The phenomenal success permitted Lee to cross over from comics and oversee Marvel’s expansion into Hollywood. Though several previous superhero serials had briefly appeared on film and 1980s television, Lee helped Marvel properties finally claim legitimacy on the big screen. After 1998, Marvel films like Spiderman broke box office records and ignited the superhero film craze still raging decades later. The Marvel Cinematic Universe has approached $23 billion total worldwide box office across 23 blockbusters to date since Iron Man first kicked things off in 2008. And most credit it all to Lee’s original vision that transformed both comic literature and youth entertainment forever

Stan Lee: The Legendary Marvel Comics Visionary Comic books may be thought of as childish entertainment by some, but no one can deny the incredible influence of Marvel Comics and its legendary writer, editor and publisher, Stan Lee, on generations of readers and popular culture itself. Lee was the genius behind Spider-Man, the Incredible Hulk, the Fantastic Four, Iron Man, Thor and the X-Men – some of the most popular superheroes ever created. While his longtime collaborator Jack Kirby focused more on art, Lee crafted the words and personas that catapulted Marvel Comics into mythic status. Stanley Martin Lieber was born on December 28, 1922 to Romanian immigrant parents in New York City. From childhood, he loved adventure books and Errol Flynn movies, and enjoyed writing. After graduating high school early at age 16, Lieber took a job in 1939 as an editorial assistant at Timely Comics under editor Joe Simon. Timely Comics was a predecessor of Marvel Comics, which published Captain America and the Human Torch comics. Young Lieber wanted to save his real name for more literary work, so he used the pen name Stan Lee for his comic writing. He started by writing filler text and answering fan mail. Before long he was writing dialog as well as text filler, captions and short stories. When Simon and his creative partner Jack Kirby, the artist who co-created Captain America, left in 1941, Lee was promoted to interim editor at just 18 years old. The emerging writer proved he could handle the job. After Simon briefly returned, Lee became Timely's editor-in-chief in 1942. His new position and job stability through the World War II era – along with his status as a married man after wedding Joan Clayton Boocock in 1947 – allowed Lee to expand the comic book medium with more complex plots and characters. In the 1950s, Timely Comics became Atlas Comics as genres expanded beyond superheroes into horror, westerns, humor, medieval adventure, war and suspense. In 1956, Lee decided to upgrade the company to focus more on quality. Atlas began slowly reviving superheroes and launched Amazing Adventures, Tales to Astonish and other titles to reintroduce the genre. The following year, after DC Comics reinvented the superhero archetype with Update and Flash, Atlas Comics responded. In November 1961, Lee and freelance artist Jack Kirby released The Fantastic Four #1, which ushered Marvel Comics onto the scene by introducing more complex characters and sophisticated comic narrative. This launched the era that would make Lee a legend. Over the next several years, Lee worked with Kirby and other collaborators to produce titles introducing popular heroes like the Incredible Hulk, Thor, Iron Man, the X-Men, Daredevil and the popular teen web-crawler, Spider-Man. Lee had a knack for writing witty dialog and giving each hero a flawed humanity and depth that resonated powerfully with readers. Rather than virtuous archetypes, they had tempers, romantic troubles and insecurities despite their super abilities. More broadly, Lee helped transform comic books from simplistic kids’ entertainment into an sophisticated art form and respectable literary medium. His natural media savvy made Marvel Comics a multimedia success across publications, merchandise, television and eventually film. Whereas previous comic heroes spent more time fighting villains than dealing with personal issues, Lee introduced a formula using real-world drama along with epic adventure. His heroes were fleshed out as complex characters with rich back stories and everyday problems readers could relate to. The human vulnerabilities, relationship struggles and remorse over harm done by their powers made the extraordinary somehow ordinary. Readers bonded closely with these heroes. Lee also pioneered bringing social issues into story lines, tackling racism, discrimination, addiction and poverty when such topics were unheard of in comics. No longer written just for children, Lee’s comics used college-level vocabulary and references to classic literature to engage older readers. The breezy conversational tone and pop culture references appealed to kids as well. This expanded the demographic substantially. On the production side, Lee initiated the "Marvel Method" of storytelling. Instead of writing a full story then giving it to an artist to draw, he collaborated by discussing a plot concept together then having the artist draw pages first. Lee would then add dialog and captions that integrated seamlessly into the finished artwork. This creative synergy produced the seamless storytelling that Marvel Comics became famous for. By founding the Marvel brand, Lee gave comics an identity beyond just DC that fans could rally behind. The shared "universe" concept knits all the heroes and titles into a continuity. Characters freely crossed over between comics, building reader loyalty across franchises. The Avengers comic alone brought together fan favorites Thor, Iron Man, Hulk, Ant-Man, and Wasp into one powerhouse team under Lee’s masterful guidance. Lee also cultivated fandom by answering letters, writing Marvel news columns himself, and embracing fans as collaborators long before audience interaction became regular practice. Readers adored him. Once Marvel snapped up market share in the mid-1960s era known as the "Marvel Age of Comics," Lee expanded into live events like conventions and college campus lectures where throngs of fans caused riots more typical of rock stars than comic writers. Marvel Comics commanded fierce, almost cult-like loyalty never seen before. Lee achieved it through sharp creative vision mixed with marketing brilliance and an affable persona. He built Marvel into both a top-seller and a social phenomenon that would only continue to grow for generations. Later Career By 1972, Lee had risen to the publisher and assumed the role of Marvel’s public face and chairman as he gave up writing monthlies. He moved to California in 1980 to develop Marvel's TV and movie properties. After retiring from Marvel officially in the 1990s, he worked on the company’s films and other media as Executive Producer and Creative Director. In 2001, Lee founded Stan Lee Media to create superhero films, TV, merchandising and online content independent from Marvel. Though the venture struggled and dissolved, Lee continued moving into multimedia platforms and properties outside traditional publishing. Throughout his later career, he focused on translating Marvel characters successfully into profitable films, video games, and action figures that greatly expanded the brand into mainstream popularity. Lee served as executive producer for Marvel film adaptations like Spider-Man (2002), Hulk (2003), Daredevil (2003), Fantastic Four (2005), and led the umbrella Stan Lee's POW! Entertainment Inc. to push digital entertainment platforms even further. At age 89, his Reality Show "Who Wants to be a Superhero?" (2006) reflected Lee's tireless spirit for re-inventing the superhero genre across every possible medium. A pop culture visionary but humble man beloved by millions of fans worldwide, Lee posted numerous heartfelt good-bye messages later in life thanking his devoted followers until passing away in 2018 at age 95. His name remains synonymous with Marvel Comics. Beyond his storytelling prowess, Lee carved an equally enduring legacy by virtue of his charismatic persona and multimedia savvy. Though originally hailing from a modest background, he cultivated an outgoing, humorous public image wearing his trademark tinted spectacles. His shameless use of hyperbole like proclaiming Marvel issues as “the greatest superhero sagas ever published!” endeared him to readers. Stan fully embraced his celebrity status and went out of his way to engage directly with fans, who felt they knew him intimately. He added clever catchphrases and inside jokes into letter columns then playfully needled his own colorful narrative style as over-the-top showmanship readers adored. Along the way, “Stan the Man” made sure to humanize his superhuman characters with very human shortcomings. Peter Parker constantly struggles to balance Spider-Man heroics with paying rent on time or showing up for dates. Bruce Banner battles violent inner demons while the Thing butts heads with Human Torch’s arrogance. Doctor Strange’s ego causes strife. Personal hang-ups plagued the X-Men. Lee wove moral lessons into the adventures as well using clashes between heroes’ egos and agendas to show cooperation as more virtuous than competition. Villains often gained redemption. Readers responded powerfully to the pathos. By revealing extraordinary characters as very ordinary people facing internal struggles rather than purely external battles against formulaic villains, Lee totally reinvented the 20th-century superhero archetype. Adding emotional depth and continuity across franchise titles proved groundbreaking. Lee made Marvel fans view superheroes as close personal friends. The phenomenal success permitted Lee to cross over from comics and oversee Marvel’s expansion into Hollywood. Though several previous superhero serials had briefly appeared on film and 1980s television, Lee helped Marvel properties finally claim legitimacy on the big screen. After 1998, Marvel films like Spiderman broke box office records and ignited the superhero film craze still raging decades later. The Marvel Cinematic Universe has approached $23 billion total worldwide box office across 23 blockbusters to date since Iron Man first kicked things off in 2008. And most credit it all to Lee’s original vision that transformed both comic literature and youth entertainment forever

Stan Lee - Audio Biography

Discover the excitement of E3 with "E3 Essentials: Your Guide to the Electronic Entertainment Expo," a podcast that brings you the latest and most significant updates from the world's foremost video game event, E3. Each episode offers a concise and informative overview of the key happenings and announcements from the expo. Our expert host delves into the highlights of the Electronic Entertainment Expo, providing listeners with a broad perspective on the new game releases, major company presentations, and the overall atmosphere of the event. Perfect for those who want a quick yet comprehensive summary of E3 without delving into the nitty-gritty details.

Discover the excitement of E3 with "E3 Essentials: Your Guide to the Electronic Entertainment Expo," a podcast that brings you the latest and most significant updates from the world's foremost video game event, E3. Each episode offers a concise and informative overview of the key happenings and announcements from the expo.Our expert host delves into the highlights of the Electronic Entertainment Expo, providing listeners with a broad perspective on the new game releases, major company presentations, and the overall atmosphere of the event. Perfect for those who want a quick yet comprehensive summary of E3 without delving into the nitty-gritty details.

Discover the excitement of E3 with "E3 Essentials: Your Guide to the Electronic Entertainment Expo," a podcast that brings you the latest and most significant updates from the world's foremost video game event, E3. Each episode offers a concise and informative overview of the key happenings and announcements from the expo. Our expert host delves into the highlights of the Electronic Entertainment Expo, providing listeners with a broad perspective on the new game releases, major company presentations, and the overall atmosphere of the event. Perfect for those who want a quick yet comprehensive summary of E3 without delving into the nitty-gritty details.

E3 Electronic Entertainment Expo News

Vad sägs om kritik och komik i en och samma podcast? Kritik och Komik är här för att förändra dina fredagskvällar! Vi bjuder på roligare perspektiv på politik, miljöfrågor, populärkultur och vetenskap. Vad väntar du på? Sluta vara seriös hela tiden och gå med oss istället!

Länk till musik och ljudklipp finns i kronologisk ordning i beskrivningen till varje avsnitt.

För kontakt: kritikochkomik@gmail.com
 Hosted on Acast. See acast.com/privacy for more information.

Vad sägs om kritik och komik i en och samma podcast? Kritik och Komik är här för att förändra dina fredagskvällar! Vi bjuder på roligare perspektiv på politik, miljöfrågor, populärkultur och vetenskap. Vad väntar du på? Sluta vara seriös hela tiden och gå med oss istället! Länk till musik och ljudklipp finns i kronologisk ordning i beskrivningen till varje avsnitt. För kontakt: kritikochkomik@gmail.com Hosted on Acast. See acast.com/privacy for more information.

Kritik och Komik

Travel, science, events, beaches, hotels, deep guides, food of Oregon coast / Washington coast. Oregon Coast Beach Connection

Travel, science, events, beaches, hotels, deep guides, food of Oregon coast / Washington coast. Oregon Coast Beach Connection

Oregon to Washington Coast BeachCast (Oregon Coast Beach Connection Podcasts)

מכירים את זה שהמראיינים בתקשורת שואלים שאלה, באורך הגלות,
שהיא יותר הרצאה מאשר שאלה, ובסוף 
לא מאפשרים למרואיין להשלים את התשובה?
אז בסדרת ראיונות שערך עוה"ד מוש חוג'ה, 
ניתן להקשיב לשאלות קצרות ותשובות ארוכות של המרואיינים.

מכירים את זה שהמראיינים בתקשורת שואלים שאלה, באורך הגלות, שהיא יותר הרצאה מאשר שאלה, ובסוף לא מאפשרים למרואיין להשלים את התשובה? אז בסדרת ראיונות שערך עוה"ד מוש חוג'ה, ניתן להקשיב לשאלות קצרות ותשובות ארוכות של המרואיינים.

News Podcasts / Page 1631