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It was hysterical short videos like "The Landlord" that made the Funny Or Die brand an overnight household name when it began 11 years ago. But its business has since evolved tremendously, explains CEO Mike Farah, as evidenced by the 20 TV series the company currently has in various stages of production or development, including Hulu's "I Love You, America with Sarah Silverman" and Netflix's "American Vandal."
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Izad is candid about navigating an ecosystem that has been reeling from one challenge to the next, from the brand safety issues that left marketers skittish to the disappearance of long-form content buyers from the marketplace.
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Lowell Peterson, executive director of the Writers Guild of America East, discusses the guild’s growth during a dynamic period for the entertainment industry. Peterson details a busy agenda that includes lobbying for a diversity production tax credit in New York state, organizing among digital media outlets, and negotiating new rules governing the working relationship between talent agents and writers.
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Showtime’s president and CEO talks about new economics of direct-to-consumer streaming and how the transformation of the premium TV business has changed the way Showtime operates. In this wide-ranging conversation, he also offers insights into the origins of Sacha Baron Cohen’s controversial series “Who Is America” and his thoughts on the coming final season of “Homeland.”
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The Russian director behind "Night Watch,” “Wanted” and “Abraham Lincoln: Vampire Hunter" is eagerly promoting a new filmmaking software for what he calls “Screenlife." Bekmambetov explains why he thinks this is a wave of the future. He also offers his thoughts on Russia's media marketplace and the resurgent Cold War between the U.S. and his homeland.
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AMC Networks CEO Josh Sapan discusses the company’s transition from a collection of cable channels — AMC, SundanceTV, IFC, WeTV, and BBC America — to a content-focused enterprise that is experimenting with new forms of distribution and expansion overseas. Sapan likes the hand he’s playing even if it has to engage in the arm’s race for talent and it is becoming dwarfed by larger competitors.
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How does a basketball legend team up with Sony to translate his brand into TV and film content? He turns to Jeron Smith, a veteran of Nike and the Obama-era White House, who explains how Curry is focusing on family, faith and sports as core themes to their strategy to crack the entertainment marketplace.
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Learn more about your ad-choices at https://www.iheartpodcastnetwork.com
See omnystudio.com/listener for privacy information.
Learn more about your ad-choices at https://www.iheartpodcastnetwork.com
See omnystudio.com/listener for privacy information.
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