talich 闲侃

talich 闲侃

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talich 闲侃 episodes

  • EP17: 口琴、吉他、弦乐队(「为什么会有摇滚」系列之八)
    内容简介

    战后芝加哥城市蓝调的核心组合是吉他和口琴,这其实是传统的弦乐队组合。这一期我们以一对重要的吉他和口琴蓝调组合,Sonny Boy Williamson 和 Robert Lockwood Jr 为中心,聊聊弦乐队。

    • 南方电台最早的黑人音乐节目 King Biscuit Time 和关于黑人的一些刻板印像
    • 弦乐队,和关于弦乐队的刻板印像
    • 口琴,简单易用而且便宜的入门乐器
    • 弦乐队的节奏部,和鼓
    • 另外,节目中有两首曲子当时没有找到完整的演奏者信息,现在已经查到,并在相关录音信息中补全。其中,Sonny Boy Williamson 1965 年在 King Biscuit Time 里的演出,合作者是吉他手 Houston Stackhouse 和鼓手 James Curtis。Curtis 就是在一开始加盟 King Biscuit 的那位鼓手。

      《talich 闲侃》,有闲得聊,关注美国流行文化史,网址:https://talich.fm

      相关链接

      参考阅读:

      Palmer, R. (1981). Deep blues. Harmondsworth, Middlesex, England: Penguin Books.

      Field, K. (1993). Harmonicas, harps, and heavy breathers. New York: Simon & Schuster.

      Russell, T. (2007). Country music originals: the legends & the lost. Oxford: Oxford University Press.

      Ward, B. & Huber, P. (2018). A&R pioneers: architects of American roots music on record. Vanderbilt University Press and the Country Music Foundation Press.

      Birnbaum, L. (2013). Before Elvis: the prehistory of rock 'n' roll. Lanham, Md.: Scarecrow Press.

      Fish, Scott K. (1982), History of Rock Drumming, Part I-II. Modern Drummer, Issue 33, Issue 34, 1982

      相关录音:

      I don't know,Sonny Boy Williams II 词曲, Sonny Boy Williams II/Robert Lockwood Jr/Luther Tucker/Willie Dixon/Fred Below 演奏, 1957,Checker

      Love Me Do, Lennon–McCartney 词曲, the Beatles 演奏, 1962, Parlophone

      Black and Tan Fantasy , Duke Ellington/Bubber Miley 作曲,Duke Ellington and his Washingtonians 演奏,1927, Victor

      The Little Old Log Cabin In The Lane,Will S. Hays 作曲,Fiddlin' John Carson 演奏,1923,Okeh

      Don't Let Your Deal Go Down Blues, Norman Woodlieff 词曲,Charlie Poole with The North Carolina Ramblers 演奏,1925,Columbia

      Sitting On Top Of The World,Walter Vinson/Lonnie Chatmon 词曲, Mississippi Sheiks 演奏, 1930, Okeh

      A Fiddler's Convention in Georgia, Pt. 1,Clayton McMichen/Gid Tanner/Riley Puckett/Bob Nichols/Fate Norris/Bert Layne 演奏,1927,

      Peg O' My Heart, Alfred Bryan 词/Fred Fisher 曲,Harmonicats 演奏,1947,Vitacoustic Records

      Train Kept A-Rollin', Tiny Bradshaw/Lois Mann/Howard Kay 词曲, the YardBirds 演奏, 1966, Reelin’ In The Years Productions

      Bye Bye Bird, Willie Dixon/Sonny Boy Williamson II 词曲, Sonny Boy Williamson II/the Yardbirds, 1966, Fontana

      Pot Licker Blues, El Watson 作曲, El Watson/Charles Johnson 演奏, 1927, Victor

      John Henry, 传统民谣,De Ford Bailey 演奏,1932, Victor

      The Wreck of the Old 97, G. B. Grayson/Henry Whitter 词曲,Vernon Dalhart/Carson Robison 演奏, 1924, Victor

      It's King Biscuit Time, Sonny Boy Williamson II/Houston Stackhouse/James Curtis 演奏, John William “Sonny” Payne 主持, 1965, Arhoolie

      Take A Little Walk with Me,Robert Lockwood Jr 词曲, Robert Lockwood Jr/Alfred Elkins 演奏, 1941, Bluebird

      Hot Dogs, George Perkins 词曲, Blind Lemon Jefferson 演奏, 1927, Paramount

      That's All Right, Arthur Crudup 词曲,Elvis Presley/Scotty Moore/Bill Black 演奏, 1954, Sun

      Heartbreak Hotel, Mae Boren Axton/Tommy Durden/Elvis Presley 词曲, Elvis Presley/Scotty Moore/Bill Black/Chet Atkins/Floyd Cramer 演奏, 1956, Victor

      Eyesight to the Blind, Sonny Boy Williamson II 词曲, Sonny Boy Williamson II/Elmore James/Joe Willie Wilkins/Willie Love/Joe Dyson 演奏, 1951, Trumpet

      Eyesight to the Blind(The Hawker), Sonny Boy Williamson II 词曲, The Who 演奏, 1969, Polydor

      Dust My Broom, Robert Johnson 词曲,Robert Lockwood Jr/Sunnyland Slim/Ernest 'Big' Crawford/Alfred Wallace 演奏, 1951, Mercury

      Dust My Broom, Robert Johnson/Elmore James 词曲, Elmore James/Sonny Boy Williamson II/Leonard Ware/Frock O'Dell 演奏, 1951, Trumpet

      Dust My Broom, Robert Johnson/Elmore James 词曲, Elmore James and His Broom Dusters 演奏, 1963, Fire

      登场人物
      • talich: 美国流行文化史爱好者,《娱乐的逻辑》作者
      • 1 hr
      • EP16: 制造城市蓝调(「为什么会有摇滚」系列之七)
        内容简介

        1930 年代芝加哥城市蓝调的兴起。

        • 介绍一下二战前 A&R 的基本工作
        • A&R 制造/推进的一些音乐:answer song 和 event song
        • 几个 A&R,J Mayo Williams,Aletha Dickerson,和 Lester Melrose,看他们如何打造城市蓝调
        • 几组承起启后的重要艺人,Hokum Boys,Memphis Minnie,Harlem Hamfats
        • 《talich 闲侃》,有闲得聊,关注美国流行文化史,网址:https://talich.fm

          相关链接

          参考阅读

          Kelley, N. (2005). R&B, rhythm and business: the political economy of Black music. New York: Akashic Books.

          Ward, B. & Huber, P. (2018). A&R pioneers: architects of American roots music on record. Vanderbilt University Press and the Country Music Foundation Press.

          Garon, P. & Garon, B. (1992). Woman with guitar: Memphis Minnie's blues. New York: Da Capo Press.

          Birnbaum, L. (2013). Before Elvis: the prehistory of rock 'n' roll. Lanham, Md.: Scarecrow Press.

          Santelli, R. & Guthrie, N. (2012). This land is your land: Woody Guthrie and the journey of an American folk song. Philadelphia: Running Press.

          相关录音:

          Shake that thing, Papa Charlie Jackson 词曲/演奏, 1925, Paramount

          God Bless America,Irvin Berlin 词曲,Kate Smith 演唱,Jack Miller 指挥乐队和合唱队,1939, Victor

          This Land is Your Land, Woody Guthrie 词曲/演奏, 1944, Asch Recordings

          [Little Darling, Pal of Mine(https://youtu.be/F_dRyqNPlUw), A.P. Carter 词曲,Carter Family 演奏,1928,Victor

          When the World's On Fire,A.P. Carter/Virginia Suber 词曲,Carter Family 演奏,1930,Victor

          The Death of Floyd Collins,Andrew Jenkins 牧师词曲,Vernon Dalhart/Lou Raderman/Carson Robison 演奏,1926,Victor

          When the Levee Breaks,John Bonham/John Paul Jones/Memphis Minnie/Jimmy Page/Robert Plant 词曲,Led Zeppelin 演奏,1971,Atlantic

          When the Levee Breaks,Kansas Joe McCoy/Memphis Minnie 词曲/演奏,1929,Columbia

          Back-Water Blues,Bessie Smith 词曲,Bessie Smith/James P Johnson 演奏,1927,Columbia

          Your Mother's Son-In-Law,Alberta Nichols/Mann Holiner 词曲,Billie Holiday/Benny Goodman 乐队演奏,1933,Columbia

          Summertime,DuBose Heyward/Ira Gershwin 词,George Gershwin 曲,Bellie Holiday 演唱,1936,Vocalion

          Selling That Stuff,Thomas Dorsey 词曲,The Hokum Boys 演奏,1928,Paramount

          Bumble Bee,Memphis Minnie 词曲,Memphis Minnie/Kansas Joe 演奏,1930,Vocalion

          Me and My Chauffeur Blues,Memphis Minnie 词曲,Memphis Minnie/Son Joe 演奏,1941,OKeh

          Oh! Red,Joe McCoy 词曲,Harlem Hamfats 演奏,1936,Decca

          The Weed Smoker's Dream,Joe McCoy 词曲,Harlem Hamfats 演奏,1936,Decca

          Why Don't You Do Right?,Joe McCoy 词曲,Lil Green/Big Bill Broonzy/Simeon Henry/Ransom Knowling 演奏,1941,Bluebird

          Why Don't You Do Right?,Joe McCoy 词曲,Peggy Lee/Benny Goodman 乐队演奏,1942,Columbia

          I'm Gonna Move To The Outskirts Of Town,Casey Bill Weldon/Roy Jacobs 词曲,Louis Jordan and His Tympany Five 演奏,1941,Decca

          We Gonna Move (To the Outskirts of Town) ,Casey Bill Weldon 词曲/演奏,1936,Vocalion

          Ration Blues,Louis Jordan/Antonio Cosey/Collenane Clark 词曲,Louis and the Tympany Five 演奏,1943,Decca

          Rock Around the Clock,Max C. Freedman/James E. Myers 词曲,Bill Haley & His Comets 演奏,1954,Decca

          登场人物
          • talich: 美国流行文化史爱好者,《娱乐的逻辑》作者
          • 58 min
          • EP15: 1928,吉他遇到钢琴(「为什么会有摇滚」系列之六)
            简介

            讨论一下 1928 年出版的黑人流行音乐历史性唱片《How Long, How Long Blues》。

            • 乡村蓝调为什么要城市化
            • 早年唱片业音乐圈对乡村音乐和民间艺人的偏见
            • 钢琴和吉他的组合为什么会在 1928 年诞生
            • 机械录音时代的音质
            • 《talich 闲侃》,有闲得聊,关注美国流行文化史,网址:https://talich.fm

              相关链接

              参考阅读

              Wald, E. (2010). The blues: a very short introduction. New York: Oxford University Press.

              Suisman, D. (2009). Selling sounds: the commercial revolution in American music. Cambridge, Mass.: Harvard University Press.

              Stenstadvold, E. (2013). 'We hate the guitar': Prejudice and polemic in the music press in early 19th-century Europe. Early Music, 41(4), 595-604.

              相关录音:

              It's Tight Like That, Tampa Red/Georgia Tom 作曲,Tampa Red/Georgia Tom 演奏, 1928, Vocalion

              How Long, How Long Blues,Leroy Carr 作曲,Leroy Carr/Scrapper Blackwell 演奏,1928, Vocalion

              Interview #1 (Plantation Recording), Muddy Waters/Alan Lomax, 1941, Library of Congress

              Bottle It Up and Go, Tommy McClennan 演奏,1939,Bluebird

              Hot Fingers,Eddie Lang/Lonnie Johnson 作曲,Eddie Lang/Lonnie Johnson 演奏,1929,Okeh

              Maple Leaf Rag,Scott Joplin 作曲和演奏,1899 年自动钢琴录音,Midi 复现

              How Long Daddy, How Long,Ida Cox 作曲,Ida Cox/Papa Charlie Jackson 演奏,1926,Paramount

              Fore Day Creep,Jesse Crump 作曲,Ida Cox/Jesse Crump 演奏,1927,Paramount

              Fore Day Creep,Jesse Crump 作曲,Ida Cox And Her All-Star Band 演奏,1939,Vocalion

              The Whistling Coon,Sam Devere 作曲,George Washington Johnson 演奏,1891,Columbia

              The Little Old Log Cabin In The Lane,Will S. Hays 作曲,Fiddlin' John Carson 演奏,1923,Okeh

              登场人物
              • talich: 美国流行文化史爱好者,《娱乐的逻辑》作者
              • 36 min
              • EP14: 从大乐队到小乐团(「为什么会有摇滚」系列之五)

                讨论一下为什么二战前盛极一时的大乐队会消失,如何瘦身成为 R&B 小乐团。

                • 禁酒令和流行音乐
                • 大萧条时期的大乐队
                • 二战对大乐队的影响
                • 小乐队的音乐风格
                • Boogie-Woogie 走红
                • 电吉他的声音
                • 《talich 闲侃》,有闲得聊,关注美国流行文化史,网址:https://talich.fm

                  相关链接

                  参考阅读

                  Ake, D. A. (2002). Jazz cultures. Berkeley: University of California Press.

                  Townsend, P. (2007). Pearl Harbor jazz: change in popular music in the early 1940s (1st ed). Jackson: University Press of Mississippi.

                  Waksman, S. (1999). Instruments of desire: the electric guitar and the shaping of musical experience. Cambridge, Mass.: Harvard University Press.

                  Sanjek, R. (1988). American popular music and its business: the first four hundred years, Vol. III, From 1900 to 1984. New York: Oxford University Press.

                  相关录音:

                  Walk, Don't Run, Johnny Smith 作曲,The Ventures 演奏, 1960, Dolton

                  Sing, Sing, Sing,Louis Prima 作曲,Benny Goodman 和他的乐队演奏,1936, RCA Victor

                  That'll be the Day, Jerry Allison, Buddy Holly,Norman Petty 创作,Buddy Holly & the Crickets 演奏,1957,Bruswick

                  Boogie Woogie Stomp, Albert Ammons 作曲/演奏,1939,Blue Note

                  Caldonia Boogie,Fleecie Moore 作曲,Louis Jordan and his Tympany Five 演奏,1945,Decca

                  Milkcow Blues Boogie,Kokomo Arnold 作曲,Elvis Presley/Scotty Moore/Bill Black 演奏, 1955,Sun

                  That Ain't Right,Nat King Cole/Irving Mills 作曲,King Cole Trio 演奏,1942,Decca

                  West End Blues,Joe "King" Oliver 作曲,Louis Armstrong and His Hot Five 演奏,1928,Okeh

                  Mean Old World,T-Bone Walker/Marl Young 作曲,T-Bone Walker/Freddie Slack/Jud DeNaut/Dave Coleman 演奏,1945,Capitol

                  Solo Flight,Charlie Christian/Benny Goodman/Jimmy Mundy 作曲,Charlie Christian/Benny Goodman and His Orchestra 演奏,1944,Columbia

                  T-Bone Boogie,Big Joe Turner/Pete Johnson/T-Bone Walker/Marl Young 作曲,T-Bone Walker with Marl Young's Orchestra 演奏,1945,Rhumboogie

                  Ain't That Just Like a Woman(They'll Do It Every Time),Claude Demetrius/Fleecie Moore 作曲,Louis Jordan and his Tympany Five 演奏,1946,Decca

                  Roll Over Beethoven,Chuck Berry 作曲,Chuck Berry and his Combo 演奏,1956,Chess

                  Johnny B Goode,Chuck Berry 作曲,Chuck Berry/Lafayette Leake/Willie Dixon/Fred Below 演奏,1958,Chess

                  Promised Land,Chuck Berry 作曲/演奏,1964,Chess

                  人物简介
                  • talich: 美国流行文化史爱好者,《娱乐的逻辑》作者
                  • 31 min
                  • EP13: 寻找民歌,创造古典(「为什么会有摇滚」系列之四)
                    简介

                    从类型音乐榜单引出的关于音乐类型的话题:

                    • 为什么需要类型音乐榜单?这些榜单是如何统计的?
                    • 最古老的现代类型音乐:民歌;
                    • 民歌-古典框架下的音乐优劣论;
                    • 作为乐器之王的钢琴;
                    • Whiteman 的 Aeolian Hall 音乐会让白人接受爵士;
                    • 民歌-古典-流行框架下的音乐优劣论。
                    • 《talich 闲侃》,有闲得聊,关注美国流行文化史

                      网址:https://talich.fm

                      相关链接

                      参考阅读

                      Gary Trust and Keith Caulfield, How the Charts Have Evolved Across Billboard's History: The Hot 100, Billboard 200 & More

                      Gelbart, M. (2007). The invention of "folk music" and "art music": emerging categories from Ossian to Wagner. Cambridge, UK: Cambridge University Press.

                      Filene, B. (2000). Romancing the folk: public memory & American roots music. Chapel Hill: University of North Carolina Press.

                      Taruskin, R. (2005). The Oxford history of Western music. Oxford: Oxford University Press.

                      Wald, E. (2009). How the Beatles destroyed rock 'n' roll: an alternative history of American popular music. Oxford: Oxford University Press.

                      Sanjek, R. (1988). American popular music and its business: the first four hundred years. Vol. 2. New York: Oxford University Press.

                      ARNOLD-FORSTER TOM. Dr. Billy Taylor, “America's Classical Music,” and the Role of the Jazz Ambassador. Journal of American Studies. 2017;51(1):117-139. doi:10.1017/S0021875815002662

                      A Celebration of Paul Whiteman's Historic Aeolian Hall Concert of February 12, 1924

                      Jessie Wright-Mendoza, When Jazz Was a Public Health Crisis

                      相关录音:

                      Goodnight Irene, Hudie Ledbetter-Alan Lomax 词曲,Gordon Jenkins and his Orchestra and the Weavers 演绎, 1950 年 Decca 发行

                      Chattanoogie Shoe Shine Boy, Harry Stone-Jack Stapp 词曲,Red Foley 演唱,1950 年 Decca 发行

                      Maple Leaf Rag,Scott Joplin 作曲和演奏,1899 年自动钢琴录音,Midi 复现

                      Livery Stable Blues,Ray Lopez and Alcide Nunez 作曲,Original Dixieland Jass Band 演奏,1917 年 Victor 发行

                      Whispering,John Schonberger 作曲,Paul Whiteman and His Ambassador Orchestera 演奏,1920 年 Victor 发行

                      Alexander’s Ragtime Band,Irving Berlin 词曲,Arthur Collins and Byron G. Harlan 演唱,1911 年 Victor 发行

                      Kitten On The Keys,Zez Confrey 作曲和演奏,1921 年自动钢琴录音,Midi 复现

                      Rhapsody In Blue,George Gershwin 作曲,Ferdle Grofé 编曲,George Gershwin 钢琴,Paul Whiteman and His Concert Orchestra 乐队伴奏,1924 年 Victor 发行

                      Changes,Walter Donaldson 词曲,Paul Whiteman and His Orchestra 演奏,其中人声 Bing Crosby,Al Rinker,Harry Barris,Jack Fulton,Charles Gaylord,Austin Young,短号 Bix Beiderbecke,1927 年 Victor 发行

                      登场人物
                      • talich: 美国流行文化史爱好者,《娱乐的逻辑》作者
                      • 1 hr 12 min
                      • Episode 12: 无人注意的大禁播(「为什么会有摇滚」系列之三)

                        对摇滚的诞生影响最大,但大部分人应该都不知道的一件事,就是表演艺术著作权管理组织 BMI 的诞生。

                        • ASCAP 作为版权组织是怎么挣钱和分钱的;
                        • 电台为什么需要 BMI 来对抗 ASCAP;
                        • 美国广播史上的大禁播:优质 vs 廉价;
                        • BMI 的出现如何鼓励新音乐。
                        • 《talich 闲侃》,有闲得聊,关注美国流行文化史,网址:https://talich.fm

                          相关链接

                          主要参考文献

                          • Ennis, P. H. (1992). The seventh stream: the emergence of rocknroll in American popular music. Wesleyan University Press.
                          • Sanjek, R. (1988). American popular music and its business: the first four hundred years. Vol. 3. New York: Oxford University Press.
                          • Sterling, C. H. & Kittross, J. M. (2002). Stay tuned: a history of American broadcasting (3rd ed). Mahwah, N.J.: Lawrence Erlbaum Associates.
                          • 登场人物
                            • talich: 美国流行文化史爱好者,《娱乐的逻辑》作者
                            • 38 min
                            • Episode 11: DJ 的黄金时代(「为什么会有摇滚」系列之二)

                              二战后 DJ 和独立电台的兴起。

                              • 战后独立电台热;
                              • 独立电台的商业模式;
                              • RCA 诉 Whiteman 案;
                              • DJ 创造的虚拟社区;
                              • DJ 如何制造金曲
                              • 《talich 闲侃》,有闲得聊,关注美国流行文化史,网址:https://talich.fm

                                相关链接

                                主要参考文献

                                Ennis, P. H. (1992). The seventh stream: the emergence of rocknroll in American popular music. Wesleyan University Press.

                                Osgerby, B. (2001). Playboys in Paradise: Masculinity, Youth and Leisure-Style in Modern America. Berg Publishers.

                                Brewster, B. & Broughton, F. (1999). Last night a DJ saved my life: the history of the disc jockey (1st American ed). New York: Grove Press.

                                Cantor, L. (1992). Wheelin' on Beale: how WDIA-Memphis became the nation's first all-Black radio station and created the sound that changed America. New York: Pharos Books.

                                Susan Douglas, Listening In: Radio and the American Imagination (Minneapolis: University of Minnesota Press, 2004)

                                相关录音:

                                WDIA 在 1953 年出的宣传节目

                                B. B. King 关于 WDIA 的采访

                                Martin Block: Make Believe Ballroom, WABC New York, June 16, 1956

                                Franklin D Roosevelt 的第一次炉边谈话,March 12, 1933

                                Dewey Philips: Red Hot & Blue, WHBQ Memphis, 1952

                                Jocko Henderson, WOV 1280AM New York, 1957

                                Wolfman Jack 在《American Graffiti》里拍演他自己

                                Hunter Hancock Theme, Johnny Otis 词曲,演奏 Johnny Otis and his California Rhythm and Blues Caravan,Hunter Hancock 播音

                                登场人物
                                • talich: 美国流行文化史爱好者,《娱乐的逻辑》作者
                                • 52 min
                                • Episode 10: 摇滚革了谁的命?(「为什么会有摇滚」系列之一)

                                  开始一个新的系列:为什么会有摇滚。讨论 1950 年代摇滚乐(Rock & Roll)的诞生过程。

                                  在系列的第一集,我们聊聊摇滚出现以前美国流行音乐的生态与产业链,并试图回答一个问题:摇滚的出现为什么是二十世纪美国最重要的音乐事件?

                                  • 1954 年时独立音乐的产业链 vs 1936 年时流行音乐的产业链;
                                  • Billboard 的榜单是干什么用的;
                                  • 摇滚之前的年代里,流行音乐是怎么营销的;
                                  • 流行歌 vs 流行舞:摇摆舞时代;
                                  • 唱片时代的声音革命
                                  • 《talich 闲侃》,有闲得聊,关注美国流行文化史,网址:https://talich.fm

                                    相关链接

                                    主要参考文献

                                    Whitburn, J. (1986). Joel Whitburn's Pop memories, 1890-1954: the history of American popular music : compiled from America's popular music charts 1890-1954. Menomonee Falls, Wis.: Record Research. (这本书现在似乎已经被拆成了 Pop Memories 1900-1940 与 Pop Hits Singles & Albums 1940-1954 两本)

                                    Billboard Magazine 1920 to 2016

                                    Ennis, P. H. (1992). The seventh stream: the emergence of rocknroll in American popular music. Wesleyan University Press.

                                    Sanjek, R. (1988). American popular music and its business: the first four hundred years. Vol. 3. New York: Oxford University Press.

                                    Wald, E. (2009). How the Beatles destroyed rock 'n' roll: an alternative history of American popular music. Oxford: Oxford University Press.

                                    Zak, A. (2010). I don't sound like nobody: remaking music in 1950s America. Ann Arbor: University of Michigan Press.

                                    相关歌曲:

                                    That's All Right,Arthur Crudup 词曲、原唱,Elvisley 演唱,1954 年 Sun Records 发行

                                    Pennies From Heaven, Johnny Burke 词,Arthur Johnston 曲,Bing Crosby 演唱,1936 年 Decca Records 发行

                                    After The Ball, Charles Harris 词曲, George Gaskin 演唱,1893 年 Edison Records 发行

                                    Benny Goodman At the Palomar Ballroom, Los Angeles, 1935 年 8 月 22 日电台录音,节目中选曲为:Darktown Strutters' Ball,Shelton Brooks 作曲,1917 年出版。

                                    Summertime,选自民谣歌剧(folk opera)《Porgy and Bess》,DuBose Heyward,Ira Gershwin 词,George Gershwin 曲,Billie Holiday 演唱,1936 年 Vocalion Records 发行

                                    Sing, Sing, Sing,Louis Prima 作曲,Benny Goodman 和他的乐队演奏,1936 年 RCA Victor 发行

                                    人物简介
                                    • talich: 美国流行文化史爱好者,《娱乐的逻辑》作者
                                    • 1 hr 1 min
                                    • Episode 9: 小小镍币影院有啥可怕?

                                      这次聊美国史上的第一间电影院、镍币影院的兴起。镍币影院虽然是美国电影史上的过渡时期,但意义深远。它的出现不仅意味着现代电影生产发行体系的基本架构诞生,也带来了巨大的社会冲击,是整个美国文化生产消费体系的一次大重组。

                                      • 镍币影院是怎么回事
                                      • 质量与数量:《世界电影史》里没有提到的两件事
                                      • 镍币影院为什么兴起的这样快
                                      • 他们为什么害怕镍币影院
                                      • 电影史的几种读法
                                      • 《talich 闲侃》,有闲得聊,关注美国流行文化史,网址:https://talich.fm

                                        相关链接

                                        主要参考文献

                                        克里斯汀·汤普森, 大卫·波德维尔 著, 范倍 译, (2014).《世界电影史(第二版)》,北京大学出版社.

                                        Musser, C. (1994). The emergence of cinema: the American screen to 1907. Berkeley: University of California Press.

                                        Sanjek, R. (1988). American popular music and its business: the first four hundred years, Volume II: From 1790 to 1909. New York: Oxford University Press.

                                        主要影片:

                                        Porter, Edwin S. (1903), The great train robbery, Library of Congress

                                        登场人物
                                        • talich: 美国流行文化史爱好者,《娱乐的逻辑》作者
                                        • 51 min
                                        • Episode 8: 拳击-电影

                                          这次我们继续聊拳击和电影的交集,主题是二者如何分道扬镳。随着第一位重量级黑人拳王的出现,联邦政府出台了拳击电影禁令——电影史上第一项针对电影的内容审查法律。它让日渐强大的好莱坞不得不放弃拳击电影拍摄。同时,拳击则一飞冲天,成为了美国最受欢迎的商业体育运动。

                                          • 南方的种族隔离是如何出现的
                                          • 两种黑人拳手
                                          • 拳击电影禁令
                                          • 电影与言论自由
                                          • 拳击进入黄金时代
                                          • 拳击电影制作者如何挑战禁令
                                          • 《talich 闲侃》,有闲得聊,关注美国流行文化史,网址:https://talich.fm

                                            相关链接

                                            主要参考文献

                                            Streible, D. (2008). Fight pictures: a history of boxing and early cinema. Berkeley: University of California Press.

                                            Woodward, C. V. (2002). The strange career of Jim Crow (Commemorative ed). Oxford: Oxford University Press.

                                            Ashby, L. (2006). With amusement for all: a history of American popular culture since 1830. Lexington: University Press of Kentucky.

                                            Gisclair, S. D. (2013) Lords of the Ring: Boxing in New Orleans, My New Orleans, Retrieved 2019-05-01.

                                            Gustkey, E. (1995). This Champion Was a Real Bum : Jack Dempsey, the Man Who Inspired Boxing's First Million-Dollar Gate, Was Born 100 Years Ago, LA Times, Retrieved 2019-05-01.

                                            主要影片: (网上的大部分影片都是基于原默片实况的记录片,原默片版本也同时给出)

                                            Jack Johnson vs. Tommy Burns (1908)

                                            Jack Johnson vs Stanley Ketchel (1909)

                                            Jack Johnson vs James Jeffries (1910)

                                            Jack Johnson vs Jess Willard (1915), 原默片版本

                                            Jack Dempsey vs Jess Willard (1919)

                                            Jack Dempsey vs Georges Carpentier(1921), 原默片版本

                                            Jack Dempsey vs Gene Tunney(1927), 原默片版本

                                            登场人物
                                            • talich: 美国流行文化史爱好者,《娱乐的逻辑》作者
                                            • 47 min

                                            About talich 闲侃

                                            From the publisher's feed

                                            有闲就聊,无闲就不聊,关注美国流行文化史。IPN 出品。若您在中国区 iTunes/Podcasts 搜不到本节目,可移步网易云音乐订阅收听:

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