Today, we’re ending our Deadline mini-series with an essay about one of our favorite TV shows: Dr. Who. Afterwards, Jill and Ben talk about the greatness of genre fiction and Jill’s love-hate relationship with postmodernism.

We hope you’ve enjoyed this special series of essays from The Deadline. You can purchase the full collection at https://www.pushkin.fm/audiobooks/the-deadline-essays. 

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This episode features an essay from Jill Lepore’s ‘The Deadline.’

Why are there so many stories about the end of the world these days? Jill’s essay “No, We Cannot,” elaborates a political theory of dystopian fiction. And then, after the essay, Jill and Ben talk about the use and misuse of the genre.

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This episode features an essay from Jill Lepore’s ‘The Deadline.’

Today on the show, Jill and Ben travel back in time to the disrupt-or-die 2010s to revisit Jill’s essay about the gospel of disruption. And afterwards, they talk about the consequences and challenges taking on controversial subjects, Ben’s time as a media disruptor, and Jill’s time as a temp worker.

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This episode features an essay from Jill Lepore’s ‘The Deadline.’

Why do we insist on misreading ‘Frankenstein?’ Hardly a day goes by without someone comparing some new technology to Frankenstein’s monster. But there’s a much richer set of lessons to draw from Mary Shelley’s book.

Today on the show, Jill reads her essay “It’s Still Alive.” And then afterwards, Jill and Ben talk about the meaning of the story, the biography of its author, and how what you read shapes who you are.

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This episode features an essay from Jill Lepore’s ‘The Deadline.’

Jill reads her essay on the tangled history of Barbie. And then, after, Ben and Jill talk about how the film fits in with the core concerns of the essay — the tangled web of intellectual property, IP theft, and the relationship between corporations and feminism.

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In our first installment of essays from The Deadline, we’re bringing you ‘The Ice Man,’ a story about the history of cryogenic freezing, and the perils of being unable to let go. 

After the essay, Jill and Ben talk about where the essay began and the moral challenges of writing about a living person. 

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Last year, Jill Lepore published a book called The Deadline. It’s a compilation of years worth of beautiful essays Jill has written on everything from the history of cryogenics to the Silicon Valley gospel of disruption. For the next six weeks, we’re going to be bringing you one of those essays each week. And then, at the end of each essay, Ben Naddaff-Hafrey will interview Jill about her craft and the themes of her essays. 

Remember when DVDs had special features? This would be the best of the special features.

You can purchase the full collection at: https://www.pushkin.fm/audiobooks/the-deadline-essays

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In a special, all-new episode of ‘The Returns,’ host emerita Jill Lepore returns to talk about the post-truth moment we find ourselves in and what it means for the 2024 election.

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Each week on ‘The Returns,’ we pull a different episode from our own archive to help put our present politics into historical context.

This episode, Epiphany, first ran in 2021, as the finale to Season 2, which was all about lies, fakes, frauds, and hoaxes. In this episode, Jill Lepore takes listeners down the winding path from the little-known Iron Mountain hoax of the late 1960s to the Capitol insurrection on January 6th, 2021.

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Each week on ‘The Returns,’ we pull a different episode from our archive to help put our present politics into historical context. 

In the 1980s, Rush Limbaugh transformed talk radio. In the process, he radicalized his listeners and the conservative movement. Limbaugh’s talk radio style became a staple of the modern right. Then, the left joined the fray. This week: partisan loudmouth versus partisan loudmouth, and the shifting media landscape that helped create modern political warfare.

This episode first ran in June, 2021.

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