Weird Era

PAUL MENDEZ was born and raised in the Black Country. He now lives in London and is studying for an M.A. in Black British Writing at Goldsmiths, University of London. He has been a performing member of two theatre companies, and worked as a voice actor, appearing on audiobooks by Andrea Levy, Paul Theroux and Ben Okri, most recently recording Ian Wright's A Life in Football for Hachette Audio. As a writer, he has contributed to the Times Literary Supplement and the Brixton Review of Books. Rainbow Milk is his debut novel.

About Rainbow Milk

In the 1950s, ex-boxer Norman Alonso is a determined and humble Jamaican who has immigrated to Britain with his wife and children to secure a brighter future. Blighted with unexpected illness and racism, Norman and his family are resilient, but are all too aware that their family will need more than just hope to survive in their new country.

A wholly original novel as tender as it is visceral, Rainbow Milk is a bold reckoning with race, class, sexuality, freedom and religion across generations, time and cultures.

Brontez Purnell is a writer, musician, dancer, filmmaker, and performance artist. He is the author of a graphic novel, a novella, a children's book, and the novel Since I Laid My Burden Down. The recipient of a 2018 Whiting Writers' Award for Fiction, he was named one of the thirty-two Black Male Writers of Our Time by T: The New York Times Style Magazine in 2018. Purnell is also the frontman for the band the Younger Lovers, a cofounder of the experimental dance group the Brontez Purnell Dance Company, the creator of the renowned cult zine Fag School, and the director of several short films, music videos, and the documentary Unstoppable Feat: The Dances of Ed Mock. Born in Triana, Alabama, he's lived in Oakland, California, for more than a decade.

About 100 Boyfriends:

Transgressive, foulmouthed, and brutally funny, Brontez Purnell’s 100 Boyfriends is a revelatory spiral into the imperfect lives of queer men desperately fighting the urge to self-sabotage. As they tiptoe through minefields of romantic, substance-fueled misadventure—from dirty warehouses and gentrified bars in Oakland to desolate farm towns in Alabama—Purnell’s characters strive for belonging in a world that dismisses them for being Black, broke, and queer. In spite of it—or perhaps because of it—they shine.

Armed with a deadpan wit, Purnell finds humor in even the darkest of nadirs with the peerless zeal, insight, and horniness of a gay punk messiah. Together, the slice-of-life tales that writhe within 100 Boyfriends are an inimitable tour of an unexposed queer underbelly. Holding them together is the vision of an iconoclastic storyteller, as fearless as he is human.

Anakana Schofield is an award-winning Irish-Canadian writer of fiction, essays, and literary criticism. Her previous novels are Malarky (2012) and Martin John (2015). The UK edition of Bina was shortlisted for the Goldsmiths Prize 2020. Schofield lives in Vancouver, British Columbia.

A provocative, feminist novel about a woman who persists in spite of the violence, injustice, and oppression that fills her world.

Bina is a woman who’s had enough and isn’t afraid to say so. “I’m here to warn you, not reassure you,” she announces at the book’s outset. In a series of taut, urgent missives she attempts to set the record of her life straight, and in doing so, to be useful to others. Yet being useful is what landed her in jail. Empathy is her Achilles’ heel. Her troubles seem to stem from an injured stranger named Eddie, and they multiply when her charity extends from delivering meals to the elderly to working with the dying. No good deed of hers goes unpunished and the costs of her capacity for care are legion, as one by one she is denied her livelihood, her health, and her freedom, but her voice continues resolutely, an act of friendship in itself. Bina is an unsettling, thought-provoking novel of formal inventiveness and moral and emotional complexity by a bold and talented writer.

Alice Sparkly Kat is a queer, PoC astrologer. They use astrology to re-chart a history of the subconscious, redefine the body in world, and reimagine history as collective memory. Their astrological work has inhabited MoMA, Philadelphia Museum of Art, Brooklyn Museum, and Hauser and Wirth Gallery. They're friendly, located in Brooklyn, and available for readings in person or by phone at www.alicesparklykat.com. Follow them on Instagram or Twitter at @alicesparklykat for astrology content and weird memes.

Tapping into the political power of magic and astrology for social, community, and personal transformation.

In a cross-cultural approach to understanding astrology as a magical language, Alice Sparkly Kat unmasks the political power of astrology, showing how it can be channeled as a force for collective healing and liberation.

Too often, magic and astrology are divorced from their potency and cultural contexts: co-opted by neoliberalism, used as a force of oppression, or distilled beyond recognition into applications that belie their individual and collective power. By looking at the symbolic and etymological histories of the sun, moon, Saturn, Venus, Mercury, Mars, and Jupiter, we can trace and understand the politics of magic--and challenge our own practices, interrogate our truths, and reshape our institutions to build better frameworks for communities of care.

Fearless, radical, and fresh, Sparkly Kat's Postcolonial Astrology ushers in a new wave of astrology revival, refusing to apologize for its magickism and connecting its power to the spirituality and politics we need now. Intersectional, inclusive, and geared towards queer and POC communities, it uses our historical and collective constructs of the planets, sun, and moon to re-chart our subconscious history, redefine the body in the world, and assert our politics of the personal, in astrology and all things.

Isle McElroy is a nonbinary writer based in Brooklyn. Their debut novel, THE ATMOSPHERIANS, was named a NY Times Editors' Choice. Their second novel, PEOPLE COLLIDE, is forthcoming from HarperVia. Other writing appears in The NY Times, NYT Magazine, The Guardian, The Cut, Vulture, GQ, Vogue, The Atlantic, Tin House, and elsewhere.

About The Atmospherians:

Sasha confides in her oldest childhood friend, Dyson—a failed actor with a history of body issues—who hatches a plan for Sasha to restore her reputation by becoming the face of his new business venture, The Atmosphere: a rehabilitation community for men. Based in an abandoned summer camp and billed as a workshop for job training, it is actually a rigorous program designed to rid men of their toxic masculinity and heal them physically, emotionally, and socially. Sasha has little choice but to accept. But what horrors await her as the resident female leader of a crew of washed up, desperate men? And what exactly does Dyson want?

Explosive and wickedly funny, this “Fight Club for the millennial generation” (Mat Johnson, author of Pym) peers straight into the dark heart of wellness and woke-ness, self-mythology and self-awareness, by asking what happens when we become addicted to the performance of ourselves.

Larissa Pham is an artist and writer in Brooklyn. Born in Portland, Oregon, she studied painting and art history at Yale University. She has written essays and criticism for the Paris Review Daily, The Nation, Art in America, Guernica, and elsewhere. She was an inaugural Yi Dae Up fellowship recipient from the Jack Jones Literary Arts Retreat. She is also the author of Fantasian, a novella.

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Like a song that feels written just for you, Larissa Pham's debut work of nonfiction captures the imagination and refuses to let go.

Pop Song is a book about love and about falling in love--with a place, or a painting, or a person--and the joy and terror inherent in the experience of that love. Plumbing the well of culture for clues and patterns about love and loss--from Agnes Martin's abstract paintings to James Turrell's transcendent light works, and Anne Carson's Eros the Bittersweet to Frank Ocean's Blonde--Pham writes of her youthful attempts to find meaning in travel, sex, drugs, and art, before sensing that she might need to turn her gaze upon herself.

Pop Song is also a book about distances, near and far. As she travels from Taos, New Mexico, to Shanghai, China and beyond, Pham meditates on the miles we are willing to cover to get away from ourselves, or those who hurt us, and the impossible gaps that can exist between two people sharing a bed.

Pop Song is a book about all the routes by which we might escape our own needs before finally finding a way home. There is heartache in these pages, but Pham's electric ways of seeing create a perfectly fractured portrait of modern intimacy that is triumphant in both its vulnerability and restlessness.

Librairie Saint-Henri Store Manager, and Weird Era Co-host and Weird Era Founder and Co-Host, Sruti, sit down and talk about the start of this project, the store's affinity for curation, and what we look for in literature.

About Syan Rose:

About Our Work Is Everywhere: An Illustrated Oral History of Queer and Trans Resistance:

Over the past ten years, we have witnessed the rise of queer and trans communities that have defied and challenged those who have historically opposed them. Through bold, symbolic imagery and surrealist, overlapping landscapes, queer illustrator and curator Syan Rose shines a light on the faces and voices of these diverse, amorphous, messy, real, and imagined queer and trans communities.

In their own words, queer and trans organizers, artists, healers, comrades, and leaders speak honestly and authentically about their own experiences with power, love, pain, and magic to create a textured and nuanced portrait of queer and trans realities in America. The many themes include Black femme mental health, Pacific Islander authorship, fat queer performance art, disability and health care practice, sex worker activism, and much more. Accompanying the narratives are Rose's startling and sinuous images that brings these leaders' words to visual life.

Our Work Is Everywhere is a graphic non-fiction book that underscores the brilliance and passion of queer and trans resistance.

Includes a foreword by Lambda Literary Award-winning author and activist Leah Lakshmi Piepzna-Samarasinha, author of Care Work: Dreaming Disability Justice.

Full-colour throughout.

About Marlowe Granados:

About Happy Hour:

In her diary, Isa describes a sweltering summer in the glittering city. By day, the girls sell clothes in a market stall, pinching pennies for their Bed-Stuy sublet and bodega lunches. By night, they weave from Brooklyn to the Upper East Side to the Hamptons among a rotating cast of celebrities, artists, Internet entrepreneurs, stuffy intellectuals, and bad-mannered grifters. Resources run ever tighter and the strain tests their friendship as they try to convert their social capital into something more lasting than precarious gigs as au pairs, nightclub hostesses, paid audience members, and aspiring foot fetish models. Through it all, Isa’s bold, beguiling voice captures the precise thrill of cultivating a life of glamour and intrigue as she juggles paying her dues with skipping out on the bill.

Happy Hour is a novel about getting by and looking great in a system that wants you to do neither.

About andrea bennet:

About Like A Boy but Not a Boy:

In "Tomboy," andrea articulates what it means to live in a gender in-between space, and why one might be necessary; "37 Jobs 21 Houses" interrogates the notion that the key to a better life is working hard and moving house. And interspersed throughout the book is "Everyone Is Sober and No One Can Drive," sixteen stories about queer millennials who grew up and came of age in small Canadian communities.

With the same poignant spirit as Ivan Coyote's Tomboy Survival Guide, Like a Boy addresses the struggle to find acceptance, and to accept oneself; and how one can find one's place while learning to make space for others. The book also wonders what it means to be an atheist and search for faith that everything will be okay; what it means to learn how to love life even as you obsess over its brevity; and how to give birth, to bring new life, at what feels like the end of the world.

With thoughtfulness and acute observation, andrea bennett reveals intimate truths about the human experience, whether one is outside the gender binary or not.