An Imaginary Cinema: Sergei Eisenstein and the Unrealized Film (Cornell UP, 2024) explores the unfinished cinematic projects developed and abandoned by Soviet filmmaker Sergei Eisenstein between 1927 and 1937. Centred on seven major film concepts, the book examines what it means for a work of art—particularly a film—to remain unfinished or unrealised, and how these projects fit within Eisenstein’s broader theoretical and practical framework. Offering unique insight into the history of film production in Stalinist Russia, An Imaginary Cinema contrasts Eisenstein’s experiences with both the Soviet film industry and Hollywood, and considers the technological transitions that shaped early cinema.

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