Edward Said’s 1978 book, Orientalism, dramatically shifted how people think about the production of knowledge and representations of the Other. His ideas have been championed and critiqued with dozens of books expanding his work on the construction of the East in western imagination. However, very rarely have we investigated the dual move of representing the Other and self-representation from the other perspective. In his new book, Arab Occidentalism: Images of America in the Middle East (I.B.Tauris, 2015), Eid Mohamed, Assistant Professor at the Doha Institute for Graduate Studies, has undertaken this task. With great success he offers a portrait of the shifting attitudes towards America and American Culture in the Arab imagination in the post 9/11 media landscape. He found that Arab cultural producers have a complicated relationship with America, seeing it as problematic while also often representative of their own values. Mohamed delineates how this debate unfolds in literature, cinema, and news media. In our conversation we explored the dynamics of Occidentalism through Arabic novels about Egyptians living abroad in the United States, news depictions of the 2008 shoe throwing event with President George W. Bush in Iraq, the reactions to the election of Barack Obama, the Egyptian film industry, and contemporary Arab-American literary products.

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