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In Chapter 3 of Erin Haney’s excellent book Photography and Africa (Reaktion Books, 2010) there are seven photos taken in central Africa at the turn of the 19th and 20th centuries. Six advertise progress – from the smartly dressed and armed native troops (though still barefoot) to a posed photograph of a caravan of ivory and a depiction of rubber tapping. These images were taken to show the success, the organization, and the wealth of the Congo to the people of Brussels, Antwerp and beyond. The seventh photo shows a man sitting silently next to two indistinct objects, with a bland backdrop of open ground and two or three palm trees. This photo was also taken to inform public opinion in Europe (mainly Britain), but in this case as part of a movement against Belgian interests (and atrocities) in the Congo. The two indistinct objects in front of the man, incidently, are the severed foot and hand of his murdered five year old daughter.
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In Chapter 3 of Erin Haney’s excellent book Photography and Africa (Reaktion Books, 2010) there are seven photos taken in central Africa at the turn of the 19th and 20th centuries. Six advertise progress – from the smartly dressed and armed native troops (though still barefoot) to a posed photograph of a caravan of ivory and a depiction of rubber tapping. These images were taken to show the success, the organization, and the wealth of the Congo to the people of Brussels, Antwerp and beyond. The seventh photo shows a man sitting silently next to two indistinct objects, with a bland backdrop of open ground and two or three palm trees. This photo was also taken to inform public opinion in Europe (mainly Britain), but in this case as part of a movement against Belgian interests (and atrocities) in the Congo. The two indistinct objects in front of the man, incidently, are the severed foot and hand of his murdered five year old daughter.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
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