In his book, In the Skin of the City: Spatial Transformation in Luanda (Duke UP, 2022), António Tomás traces the history and transformation of Luanda, Angola, the nation’s capital as well as one of the oldest settlements founded by the European colonial powers in the Southern Hemisphere. Drawing on ethnographic and archival research alongside his own experiences growing up in Luanda, Tomás shows how the city’s physical and social boundaries—its skin—constitute porous and shifting interfaces between center and margins, settler and Native, enslaver and enslaved, formal and informal, and the powerful and the powerless. He focuses on Luanda’s “asphalt frontier”—the (colonial) line between the planned urban center and the ad hoc shantytowns that surround it—and the ways squatters are central to Luanda’s historical urban process. In their relationship with the state and their struggle to gain rights to the city, squatters embody the process of negotiating Luanda’s divisions and the sociopolitical forces that shape them. By illustrating how Luanda emerges out of the continual redefinition of its skin, Tomás offers new ways to understand the logic of urbanization in cities across the global South.

Comfort Azubuko-Udah is an Assistant Professor at University of Toronto, cross-appointed in the Department of English and the African Studies Centre. Her work engages narrativizations of African spaces and places with ecocritical and geocritical lenses.

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Awkward Archives: Ethnographic Drafts for a Modular Curriculum (Archive Books, 2022) proposes a manual for academic teaching and learning contexts. An ethnographic research approach is confronted with the demands of archival research as both disciplines challenge their inner logics and epistemologies. Through fieldwork and ethnographic tools and methods, both analogue and digital, the editors take various contemporary archival sites in Berlin as case studies to elaborate on controversial concepts in Western thought. Presenting as such a modular curriculum on archives in their awkwardness—with the tensions, discomfort and antagonisms they pose.

With case studies on Haus der Kulturen der Welt, the Hahne-Niehoff Archive and the Museum für Naturkunde Berlin, among others

This book is available open access 

here. 

Adam Bobeck is a PhD candidate in Sociocultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Ontology and Ritual Theory”.

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When Ed Goodwin moved with his parents to Greenwood, Tulsa, in 1914, his family joined a growing community on the cusp of becoming a national center of black life. But, just seven years later, on May 31, 1921, the teenaged Ed hid in a bathtub as a white mob descended on his neighborhood, laying waste to thirty-five blocks and murdering as many as three hundred people. The Tulsa Race Massacre was one of the most brutal acts of racist violence in U.S. history, a ruthless attempt to smother a spark of black independence.

But that was never the whole story of Greenwood. The Goodwins and their neighbors soon rebuilt it into “a Mecca,” in Ed’s words, where nightlife thrived, small businesses flourished, and an underworld economy lived comfortably alongside public storefronts. Prosperity and poverty intermixed, and icons from W.E.B. Du Bois to Muhammad Ali ambled down Greenwood Avenue, alongside maids, doctors, and every occupation in between. Ed grew into a prominent businessman and bought a newspaper called the Oklahoma Eagle to chronicle Greenwood’s resurgence and battles against white bigotry. He and his wife, Jeanne, raised an ambitious family, and their son Jim, an attorney, embodied their hopes for the Civil Rights Movement in his work. But by the 1970s, urban renewal policies had nearly emptied the neighborhood, even as Jim and his neighbors tried to hold on to it. Today, while new high-rises and encroaching gentrification risk wiping out Greenwood’s legacy for good, the family newspaper remains, and Ed’s granddaughter Regina represents the neighborhood in the Oklahoma state legislature, working alongside a new generation of local activists.

In Built from the Fire: The Epic Story of Tulsa's Greenwood District, America's Black Wall Street (Random House, 2023), journalist Victor Luckerson moves beyond the mythology of Black Wall Street to tell the story of an aspirant black neighborhood that, like so many others, has long been buffeted by racist government policies. Through the eyes of dozens of race massacre survivors and their descendants, Luckerson delivers an honest, moving portrait of this potent national symbol of success and solidarity—and weaves an epic tale about a neighborhood that refused, more than once, to be erased.

Victor Luckerson is a journalist and author based in Tulsa who works to bring neglected Black history to light. He is a former staff writer at The Ringer and business reporter for Time magazine. His writing has appeared in The New York Times, The New Yorker, Wired, and Smithsonian. He was nominated for a National Magazine Award for his reporting in Time on the 1923 Rosewood Massacre. He also manages an email newsletter about underexplored aspects of Black history called Run It Back. 

Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creations. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

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Part memoir, part cultural critique, In Our Shoes: On Being a Young Black Woman in Not-So 'Post-Racial' America (Plume Books, 2023) uses pop culture and author Brianna Holt’s own lived experience to dissect the stereotypes and preconceived notions that young Black women must overcome in America today. In this fresh exploration of cultural appropriation, wokeness, tone policing, and more, Holt carefully dismantles myths about Black womanhood, allowing readers to assess their biases while examining the roles Black millennial women are forced to take on simply to survive. Through nine thoughtful chapters—such as “Leave the Box Braids for the Black Girls” and “Why Are You So Dark?”—laced with searing commentary, personal anecdotes from Brianna’s own life, and interviews conducted with “everyday” Black women, In Our Shoes reveals the complexities of existence for Black women and creates a thought-provoking book that helps readers to learn, empathize, reflect, and, most importantly, act. A history, a work of criticism, a piece of reporting, and a call to action, In Our Shoes is a timely exploration of race and womanhood that will entertain, inspire, and inform in equal measures.

Brianna Holt is an author, screenwriter, and reporter living in New York City. Holt's writing has been published in The New York Times, The Guardian, Rolling Stone, GQ, The Cut, The Atlantic, Complex, and more, including her own column, Active Voice, through Medium's GEN. In Our Shoes is her first book. 

Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creations. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

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Roluah Puia's book Nationalism in the Vernacular: State, Tribes, and Politics of Peace in Northeast India (Cambridge UP, 2023) illuminates our understanding of the relationship between orality and nationalist politics. In doing so, it provides a new angle to the understanding of nationalism by looking at the popular support and participation of ordinary people in the construction of Mizo nationalism, in short, the vernacularisation of nationalism. 

Nationalism in the Vernacular examines this process of vernacularisation at two levels, the first concerns the process of creating a vernacular language to express nationalist ideas and second, the irrepressibility of the oral against state's violent response to the nationalist movement. Drawing from multiple sources, the book through the rich oral narratives, archival materials, including government and media reports shows how Mizos have remained active agents in asserting and claiming their rights to defining ideas of nationalism in their own terms by making it distinctively Mizo.

Tiatemsu Longkumer is a Ph.D. scholar working on Indigenous Religion and Christianity at North-Eastern Hill University, Shillong: India.

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Jenna Grant is a cultural anthropologist from the University of Washington and author of Fixing the Image: Ultrasound and the Visuality of Care in Phnom Penh, published by University of Washington Press in 2022. 

Introduced in Phnom Penh around 1990, at the twilight of socialism and after two decades of conflict and upheaval, ultrasound took root in humanitarian and then privatized medicine. Services have since multiplied, promising diagnostic information and better prenatal and general health care. In Fixing the Image Jenna Grant draws on years of ethnographic and archival research to theorize the force and appeal of medical imaging in the urban landscape of Phnom Penh. Set within long genealogies of technology as tool of postcolonial modernity, and vision as central to skilled diagnosis in medicine and Theravada Buddhism, ultrasound offers stabilizing knowledge and elicits desire and pleasure, particularly for pregnant women. Grant offers the concept of "fixing"--which invokes repair, stabilization, and a dose of something to which one is addicted--to illuminate how ultrasound is entangled with practices of care and neglect across different domains. Fixing the Image thus provides a method for studying technological practice in terms of specific materialities and capacities of technologies--in this case, image production and the permeability of the body--illuminating how images are a material form of engagement between patients, between patients and their doctors, and between patients and their bodies.

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Individuals can assume—and be assigned—multiple roles throughout a conflict: perpetrators can be victims, and vice versa; heroes can be reassessed as complicit and compromised. However, accepting this more accurate representation of the narrativized identities of violence presents a conundrum for accountability and justice mechanisms premised on clear roles. This book considers these complex, sometimes overlapping roles, as people respond to mass violence in various contexts, from international tribunals to NGO-based social movements. Bringing the literature on perpetration in conversation with the more recent field of victim studies, it suggests a new, more effective, and reflexive approach to engagement in post-conflict contexts. Long-term positive peace requires understanding the narrative dynamics within and between groups, demonstrating that the blurring of victim-perpetrator boundaries, and acknowledging their overlapping roles, is a crucial part of peacebuilding processes. This title is also available as Open Access on Cambridge Core.

Sarah Federman discusses her recent co-edited work, Narratives of Mass Atrocity: Victims and Perpetrators in the Aftermath (Cambridge University Press, 2022). Sarah explains the past and ongoing challenges of restorative justice in cases of genocide and mass atrocity with Christopher Harrison. Sarah's work on issues of corporate complicity during and the attempts of accountability in post-conflict societies, including that of the national railway system active during and long after France's role in the Holocaust, informs their conversation about the book. Sarah offers insights into the research process and how the book materialized as a consequence of an academic conference she attended with a collective of similarly interested researchers and scholars. The interview proceeds by examining the relevance of identity and restorative justice in the context of educating students about such contended narratives. Sarah explains a number of options that can exist and have successfully worked in healing post-conflict societies, most notably within local communities and organizations. The interview includes topics on multiple cases of genocide and mass atrocity including the Holocaust in Europe and the genocide in Rwanda, two diverse populations that have seen tremendous shifts of post-conflict relations over time across multiple generations. Their conversation concludes with an overview of how, even while accepting the emotive and charged circumstances that accompany restoration efforts in response to material, social, and psychological harm in political, educational, and legal processes, it is both possible and important to move beyond the binary idealized identifications of "victim," "perpetrator," and "hero" and begin to address the divisive discourses that dominate both narrative constructs and retributive legal systems.

Christopher Harrison teaches at Northern Arizona University. HIs research concerns genocidal warfare and the policies of recruiting perpetrators and capturing victims in both historical and contemporary cases.

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Written by a lawyer who works at the intersection between legal education and practice in access to justice and human rights, this book locates, describes and defines a collective identity for social justice lawyering in the UK.

Underpinned by theories of cause lawyering and legal mobilisation, the book argues that it is vital to understand the positions that progressive lawyers collectively take in order to frame the connections they make between their personal and professional lives, the tools they use to achieve social change, as well as ethical tensions presented by their work.

The book takes a reflexive ethnographic approach to capture the stories of 35 lawyers working to positively transform law and policy in the UK over the last 50 years. It also draws on a wealth of primary sources including case reports, historic campaign materials and media analysis alongside wider ethnographic interviews with academics, students and lawyers and participant observation at social justice conferences, workshops and events.

The book explains the way in which lawyers' networks facilitate their collective positioning and influence their strategic decision making, which in turn shapes their interactions with social activists, with other lawyers and with the state itself.

Alex Batesmith is a Lecturer in Legal Profession at the School of Law, University of Leeds, UK. His research focuses on lawyers, their professional self-identity and their motivations, and how these shape the institutions and the discipline in which they work. Twitter: @batesmith. His latest publication, a chapter in the collection Leading Works on the Legal Profession (edited by Dan Newman, published by Routledge in July 2023) is entitled “Lawyers Who Want to Make the World a Better Place – Scheingold and Sarat’s Something to Believe In: Politics, Professionalism, and Cause Lawyering."

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Elaborating the history, variety, pervasiveness, and function of the adornments and ornaments with which we beautify ourselves, Stephen Davies's Adornment: What Self-Decoration Tells Us About Who We Are (Bloomsbury, 2020) takes in human prehistory, ancient civilizations, hunter-foragers, and present-day industrial societies to tell a captivating story of hair, skin, and make-up practices across times and cultures.

From the decline of the hat, the function of jewelry and popularity of tattooing to the wealth of grave goods found in the Upper Paleolithic burials and body painting of the Nuba, we see that there is no one who does not adorn themselves, their possessions, or their environment. But what messages do these adornments send? Drawing on aesthetics, evolutionary history, archaeology, ethology, anthropology, psychology, cultural history, and gender studies, Stephen Davies brings together African, Australian and North and South American indigenous cultures and unites them around the theme of adornment. He shows us that adorning is one of the few social behaviors that is close to being genuinely universal, more typical and extensive than the high-minded activities we prefer to think of as marking our species - religion, morality, and art.

Each chapter shows how modes of decoration send vitally important signals about what we care about, our affiliations and backgrounds, our social status and values. In short, by using the theme of bodily adornment to unify a very diverse set of human practices, this book tells us about who we are.

Stephen John Davies is Emeritus Professor of philosophy at the University of Auckland, New Zealand. He mainly writes on aesthetics, evolution, and particularly the philosophy of art.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.

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Pressing Onward: The Imperative Resilience of Latina Migrant Mothers (U California Press, 2023) centers the stories of mothers who migrated from Latin America, settled in New Haven, Connecticut, and overcame trauma and ongoing adversity to build futures for their children. These migrant mothers enact imperative resilience, engaging cognitive and social strategies to resist racial, economic, and gender-based oppression to seguir adelante, or press onward. Both a contemporary view of the impacts of the COVID-19 pandemic on racially minoritized populations and a timeless account of the ways immigration enforcement and healthcare inequality affect migrant mothers, Pressing Onward uses ethnography to tell a greater story of persistence amid long-standing structural violence.

Jessica P. Cerdeña is an anthropologist, family physician-in-training, and mother of two who lives in New Haven, Connecticut, where she advocates for racial justice and health equity (Twitter: @jes_cerdena)

Alize Arıcan is a Society of Fellows Postdoctoral Scholar at Boston University, focusing on urban renewal, futurity, care, and migration. You can find her on Twitter @alizearican.

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