Even those who do not know much Yiddish have probably heard the word “shtetl,” but what does that word mean exactly? Can we just say that it was a small town in Eastern Europe with a lot of Jews—and leave it at that? Or was the shtetl that nostalgic world of “tradition” so lovingly celebrated in Fiddler on the Roof? How are we to understand imaginary shtetls like Sholom Aleichem’s Kasrilevke, where the “little people” ran around, talked non stop, and tried to make sense of a world they could no longer understand or control?

Indeed the “shtetl” meant many things to many people. For many Zionists and Jewish leftists, the shtetl was a pathetic symbol of Jewish backwardness. Others cherished it as a place of real Jewishness, that fixed point that gave Jews in the diaspora the feeling of being home. The destruction of the Holocaust encouraged this nostalgia for the lost shtetl, especially as many Jews in the post-war world, newly comfortable and secure in their new homes, showed a new interest in their ethnic roots.

In this lecture, YIVO Visiting Research Historian Samuel Kassow will explore the “real shtetl” and the “imagined shtetl,” which both formed an integral part of Eastern European Jewish peoplehood.

Jonathan Brent is the Executive Director and CEO of YIVO.

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Using public storytelling as a driving force, Moral Storytelling in 1920s New York, Odessa, and Bombay: Sex, Crime, Violence, and Nightlife in the Modern City (Bloomsbury, 2026) by Dr. Mark D. Steinberg explores everyday social moralities relating to stories of sex, crime, violence, and nightlife in the 1920s city space. Focusing on capitalist New York, communist Odessa, and colonial Bombay, Dr. Steinberg taps into the global dimension of complex everyday moral anxiety that was prevalent in a vital and troubled decade.
Moral Storytelling in 1920s New York, Odessa, and Bombay compares and connects stories of the street in three compelling cosmopolitan port cities. It offers novel insights into significant and varied areas of study, including city life, sex, prostitution, jazz, dancing, gangsters, criminal undergrounds, cinema, ethnic and racial experiences and conflicts, prohibition and drinking, street violence, 'hooliganism' and other forms of 'deviance' in the contexts of capitalism, colonialism, communism, and nationalism.
The book tells the stories of moralizers: empowered and insistent critics of deviance driven to investigate, interpret, and interfere with how people lived and played. Beside them, not always comfortably, were the policemen and journalists who enforced and documented these efforts. It also reveals the histories of women and men, mostly working class and young, who were observed and categorized: those judged to be wayward, disreputable, disorderly, debauched, and wild. Dr. Steinberg explores this global culture war and the everyday moral improvisations-shaped by experiences of class, generation, gender, ethnicity, and race-that came with it.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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The invasion of Ukraine in 2022 began a new episode in history and was surrounded by a miscellany of historical claims. The Short History of Russia: Returning to Another Country (Amberley, 2026) is a succinct, up-to-date guide to the histories on offer about and from Russia, one that seeks to make sense of present issues and future prospects, as well as of the past. There is a heavy emphasis on war and international relations, but that is appropriate not only for the past but also for a present in which both are to the fore. Peter the Great (r. 1689-1725), an eager moderniser, was viewed as an un-Russian evil phenomenon in light of his denial of the divine identity of traditional Russian monarchy, his blasphemy, his theft of time from God when he changed the calendar, and his sacrilegious violation of the image of God in man when he forced men to cut off their beards.

Vladimir Putin cuts off no beards, he is no moderniser; the fall of the Berlin Wall left him with an abiding mistrust of democracy and ‘People’s Power’. At Davos in 2000, American journalist Trudy Rubin asked a panel of top Russian officials: ‘Who is Mr Putin?’ None of them could answer, except to say: ‘He is the President of Russia.’ How did this KGB foreign intelligence officer become (temporarily) Trump’s favourite running dog of capitalism? To answer the question, we have to understand what Russia was. There is a continuity that will give us a clue about what it is and will become.

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There have long been whispers, coming from the castle; from the village square; from the dark woods. The great lady-a countess, from one of Europe's oldest families-is a vicious killer. Some even say she bathes in the blood of her victims. When the king's men force their way into her manor house, she has blood on her hands, caught in the act of murdering yet another of her maids. She is walled up in a tower and never seen again, except in the uppermost barred window, where she broods over the countryside, cursing all those who dared speak up against her.

Told and retold in many languages, the legend of the Blood Countess has consumed cultural imaginations around the world. But despite claims that Elizabeth Bathory tortured and killed as many as 650 girls, some have wondered if the Countess was herself a victim- of one of the most successful disinformation campaigns known to history. So, was Elizabeth Bathory a monster, a victim, or a bit of both? With the breathlessness of a whodunit, drawing upon new archival evidence and questioning old assumptions, in The Blood Countess: Murder, Betrayal, and the Making of a Monster (Bloomsbury, 2026) Shelley Puhak traces the Countess's downfall, bringing to life an assertive woman leader in a world sliding into anti-scientific, reactionary darkness-a world where nothing is ever as it seems. In this exhilarating narrative, Puhak renders a vivid portrait of history's most dangerous woman and her tumultuous time, revealing just how far we will go to destroy a woman in power.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states.

For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text.

The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states.

Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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During the First World War, Russia relied on the mass mobilization of its peasant population. In the summer of 1914, approximately four million peasants answered the state’s call to arms, while the millions who remained at home donated labour and other resources to the cause. Within three short years these same peasants were refusing to pay taxes or turn over their grain, dooming the autocracy to collapse.
The Peasants’ War: Russia's Home Front in the First World War and the End of the Autocracy (McGill-Queen's UP, 2025) argues that the experience of total war convinced peasants that the measure of a state’s legitimacy was its ability to safeguard the wellbeing of its subjects. When the autocracy failed to meet this standard, peasants rejected its authority by challenging four areas of wartime policy: the prohibition of vodka, the conscription of peasant families’ only workers, the redistribution of land belonging to enemy subjects, and the provisioning of the home front. The war awakened peasants to the reciprocal nature of the relationship between a state and its people. Colleen Moore investigates how peasants leveraged their wartime service to negotiate with the state for improved rights and privileges and how they used this power to shape the contours and legitimize the authority of the world’s first socialist state.
The Peasants’ War charts the timing and success of the 1917 Russian Revolution by showing how total war flipped the script on peasant-state relations, transforming the state from something that peasants existed to serve into something that existed to serve peasants.

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Prague entered the First World War as the third city of the Habsburg empire, but emerged in 1918 as the capital of a brand new nation-state, Czechoslovakia. In Streetscapes of War and Revolution: Prague, 1914–1920 (Cambridge UP, 2024), Dr. Claire Morelon explores what this transition looked, sounded and felt like at street level.

Through deep archival research, she has carefully reconstructed the sensorial texture of the city, from the posters plastered on walls, to the shop windows' displays, the badges worn by passers-by, and the crowds gathering for protest or celebration. The result is both an atmospheric account of life amid war and regime change, and a fresh interpretation of imperial collapse from below, in which the experience of life on the Habsburg home-front is essential to understanding the post-Versailles world order that followed. Prague is the perfect case study for examining the transition from empire to nation-statehood, hinging on revolutionary dreams of fairer distribution and new forms of political participation.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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In the 1920s, Józef Piłsudski was a household name not just in Poland, but across Europe and across the Atlantic Ocean as well. Yet this complex and contradictory figure – a socialist and a nationalist, a clandestine agitator and a legendary military strategist, protector of Jews and other national minorities on Polish soil who was nonetheless often accused of imperialism – has eluded serious biographical treatment in English until now. Yeshiva University professor Joshua D. Zimmerman offers a nuanced, readable, and definitive account of the man who re-founded the independent state of Poland in 1918. Jozef Pilsudski: Founding Father of Modern Poland (Harvard University Press, 2022) could not be more timely, given the lessons to be learned from Piłsudski’s career by today’s opponents of far-right populism in Eastern Europe, and even more urgently – by English-language readers seeking to understand the imperative of preserving an independent Ukrainian state in the face of Russian aggression.

Piotr H. Kosicki is Associate Professor of History at the University of Maryland, College Park. He is the author of Catholics on the Barricades (Yale, 2018) and editor, among others, of Political Exile in the Global Twentieth Century (with Wolfram Kaiser).

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Soviet Samizdat: Imagining a New Society (Cornell UP, 2022) traces the emergence and development of samizdat, a significant and distinctive phenomenon of the late Soviet era that provided an uncensored system for making and sharing texts. In bringing together research into the underground journals, bulletins, art folios, and other periodicals produced in the Soviet Union from the mid-1950s to the mid-1980s, Ann Komaromi reveals how samizdat helped to foster new forms of imagined community among Soviet citizens. Komaromi’s approach combines literary analysis, historical research, and sociological theory to show that samizdat was not simply a tool of opposition to a defunct regime, but a platform for developing informal communities of knowledge. In this way, samizdat foreshadowed the various ways in which alternative perspectives are expressed to challenge the authority of institutions around the world today.

Ann Komaromi is a Professor within the Department of Slavic Languages and Literatures and Acting Director of the Centre for Comparative Literature at the University of Toronto. Her interests include alternative publishing, underground networks and nonconformist literature and art, especially in the Soviet Union after Stalin.

Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans.

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A cutting-edge investigation of how Russia makes war.

Russian strategy in the twenty-first century has been described in terms of 'hybrid' warfare, an approach characterised by measures short of war, such as cyberattacks and disinformation campaigns. But as the invasion of Ukraine has brutally demonstrated, conventional armed violence remains a key element of Russian power.

In Blitzkrieg and the Russian Art of War (Manchester UP, 2025), Andrew Monaghan offers a high-level view of Russian thinking about warfare. Drawing on extensive Russian sources, he addresses important questions that have been overlooked by most Western commentators: what is the military leadership's distinctive idea of twenty-first-century blitzkrieg? How does it understand holistic territorial defence? How does it manage the shifting balance between offence and defence?

Introducing key concepts from Russian military thinking, Blitzkrieg and the Russian art of war is a crucial resource for understanding Russia's resurgent role on the global stage and the devastating threat the country poses to the international order.

Andrew Monaghan is Academic Visitor at St Antony's College, Oxford and a Senior Research Fellow in the Russia and Eurasia Programme at The Royal Institute of International Affairs, Chatham House. 

Stephen Satkiewicz is an independent scholar with research areas spanning Civilizational Sciences, Social Complexity, Big History, Historical Sociology, Military History, War Studies, International Relations, Geopolitics, and Russian and East European history. He served as the editor of the International Society for the Comparative Study of Civilizations (ISCSC) newsletter from 2016 to 2018 and is currently the Book Review Editor for Comparative Civilizations Review.

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