The compelling vision of religious life and practice found in Hasidic sources has made it the most enduring and successful Jewish movement of spiritual renewal of all time. In Laws of the Spirit: Ritual, Mysticism, and the Commandments in Early Hasidism (Stanford UP, 2024), Ariel Evan Mayse grapples with one of Hasidism's most vexing questions: how did a religious movement known for its radical views about immanence, revelation, and the imperative to serve God with joy simultaneously produce strict adherence to the structures and obligations of Jewish law? Exploring the movement from its emergence in the mid-1700s until 1815, Mayse argues that the exceptionality of Hasidism lies not in whether its leaders broke or upheld rabbinic norms, but in the movement's vivid attempt to rethink the purpose of Jewish ritual and practice. Rather than focusing on the commandments as law, he turns to the methods and vocabulary of ritual studies as a more productive way to reckon with the contradictions and tensions of this religious movement as well as its remarkable intellectual vitality.

Mayse examines the full range of Hasidic texts from the eighteenth and early nineteenth centuries, from homilies and theological treatises to hagiography, letters, and legal writings, reading them together with contemporary theories of ritual. Arguing against the notion that spiritual integrity requires unshackling oneself from tradition, Laws of the Spirit is a sweeping attempt to rethink the meaning and significance of religious practice in early Hasidism.

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Writing in Red: Literature and Revolution Across Turkey and the Soviet Union (Columbia UP, 2024) examines political relations and literary translations between Turkey and the Soviet Union from the mid-1920s through to the 1960s. By drawing on a wide range of texts – from erotic comedy, historical fiction and film, to socialist realist novels and theatre – Ertürk argues that these works belong simultaneously to modern Turkish literature, a transnational Soviet republic of letters, and the global literary archive of world revolution. A unique textual exploration, Writing in Red offers a new account of global revolutionary literary culture.

Nergis Ertürk is Associate Professor of comparative literature at Pennsylvania State University. She is the author of Grammatology and Literary Modernity in Turkey (2011), which received the Modern Language Association Prize for a First Book, and editor of the Comparative Literature Studies journal.

Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans.

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Domestic Service in the Soviet Union: Women's Emancipation and the Gendered Hierarchy of Labor (Cambridge University Press, 2024) by Dr. Alissa Klots is the first to explore the evolution of domestic service in the Soviet Union, set against the background of changing discourses on women, labour, and socialist living. Even though domestic service conflicted with the Bolsheviks' egalitarian message, the regime embraced paid domestic labor as a temporary solution to the problem of housework.

Analyzing sources ranging from court cases to oral interviews, Dr. Klots demonstrates how the regime both facilitated and thwarted domestic workers' efforts to reinvent themselves as equal members of Soviet society. Here, a desire to make maids and nannies equal participants in the building of socialism clashed with a gendered ideology where housework was women's work. This book serves not only as a window into class and gender inequality under socialism, but as a vantage point to examine the power of state initiatives to improve the lives of household workers in the modern world.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Today I talked to Mie Nakachi about Replacing the Dead: The Politics of Reproduction in the Postwar Soviet Union (Oxford UP, 2021)

In 1920, the Soviet Union became the first country in the world to legalize abortion on demand. But in 1936, the Soviet leadership criminalized abortion: the collectivization of the early 1930s was followed by famine that took the lives of millions of people, and the government grew eager to recover the population. Drawing on an amazing wealth of archival material, Nakachi traces the dynamic of Soviet reproductive policies that were invariably guided by pronatalist goals but almost always had damaging consequences. The 1944 Family Law, aimed at making up for the enormous human losses of World War II (27 million people died, 20 million of them men), relieved men of parental responsibilities, legal or financial, thereby encouraging them to father children out of wedlock. Given the devastation of the war and inadequate levels of government support, many women sought to avoid such births. Their only recourse was abortion, which remained illegal and, as a result, often led to grave medical complications or even death—on top of being criminally punishable. Doctors were generally sympathetic to the women’s plight but they could not challenge the system. It was only in the mid-1950s that abortion was decriminalized, but until the end of the Soviet Union, modern contraception was barely available and abortion remained the primary method of birth control.

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Spaces of Treblinka: Retracing a Death Camp (U Nebraska Press, 2024) utilizes testimonies, oral histories, and recollections from Jewish, German, and Polish witnesses to create a holistic representation of the Treblinka death camp during its operation. This narrative rejects the historical misconception that Treblinka was an isolated Nazi extermination camp with few witnesses and fewer survivors. Rather than the secret, sanitized site of industrial killing Treblinka was intended to be, Jacob Flaws argues, Treblinka’s mass murder was well known to the nearby townspeople who experienced the sights, sounds, smells, people, bodies, and train cars the camp ejected into the surrounding world.

Through spatial reality, Flaws portrays the conceptions, fantasies, ideological assumptions, and memories of Treblinka from witnesses in the camp and surrounding towns. To do so he identifies six key spaces that once composed the historical site of Treblinka: the ideological space, the behavioral space, the space of life and death, the interactional space, the sensory space, and the extended space. By examining these spaces Flaws reveals that there were more witnesses to Treblinka than previously realized, as the transnational groups near and within the camp overlapped and interacted. Spaces of Treblinka provides a staggering and profound reassessment of the relationship between knowing and not knowing and asks us to confront the timely warning that we, in our modern, interconnected world, can all become witnesses.

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The opening of classified documents from the Soviet era has been dubbed the "archival revolution" due to its unprecedented scale, drama, and impact. With a storyteller's sensibility, in Reading the Archival Revolution: Declassified Stories and Their Challenges (Stanford University Press, 2024), Cristina Vatulescu identifies and takes on the main challenges of reading in these archives.

This transnational study foregrounds peripheral Eastern European perspectives and the ethical stakes of archival research. In so doing, it contributes to the urgent task of decolonizing the field of Eastern European and Russian studies at this critical moment in the region's history. Drawing on diverse work ranging from Mikhail Bakhtin to Tina Campt, the book enters into broader conversations about the limits and potential of reading documents, fictions, and one another. Pairing one key reading challenge with a particularly arresting story, Vatulescu in turn investigates Michel Foucault's traces in Polish secret police archives; tackles the files, reenactment film, and photo albums of a socialist bank heist; pits autofiction against disinformation in the secret police files of Nobel Prize laureate Herta Müller; and takes on the digital remediation of Soviet-era archives by analyzing contested translations of the Iron Curtain trope from its 1946 origins to the current war in Ukraine. The result is a bona fide reader's guide to Eastern Europe's ongoing archival revolution.

Cristina Vatulescu is Associate Professor, Department of Comparative Literature, New York University and the author of Police Aesthetics: Literature, Film, and the Secret Police Archives in Soviet Times (Stanford, 2010).

Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.

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In 1941, the Franco regime established the Spanish Division of Volunteers to take part in the Russian campaign as a unit integrated into the German Wehrmacht. Recruited by both the Fascist Party ( Falange) and the Spanish army, around 47,000 Spanish volunteers joined what would become known as the "Blue Division."

The Spanish Blue Division on the Eastern Front, 1941–1945: War, Occupation, Memory (U Toronto Press, 2022) explores an intimate history of the Blue Division "from below," using personal war diaries, letters, and memoirs, as well as official documents from military archives in Spain, Germany, Britain, and Russia. In addition to describing the Spanish experience on the Eastern Front, Xosé M. Núñez Seixas takes on controversial topics including the Blue Division's proximity to the Holocaust and how members of the Blue Division have been remembered and commemorated. Addressing issues such as the behaviour of the Spaniards as occupiers, their perception by the Russians, their witnessing of the Holocaust, their commitment to the war aims of Nazi Germany, and their narratives on the war after 1945, this book illuminates the experience of Spanish combatants and occupied civilians.

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The Destruction of Jewish Cemeteries in Poland (Academic Studies Press, 2024) in Poland offers a comprehensive examination of the history of Jewish cemeteries in Poland, shedding light on an overlooked aspect of Holocaust history. Beginning with the settlement of Jewish communities in Poland, the book covers the establishment and subsequent destruction of over 1,200 Jewish cemeteries within the country's present borders. Krzysztof Bielawski draws on meticulous research and firsthand experience to explore the complex dynamics behind the destruction, exposing the roles played by various actors. Through a detailed analysis of texts, iconographic sources, and archival materials, the book not only documents the destruction but also seeks to identify the perpetrators, challenging common misconceptions and offering a nuanced perspective on this dark chapter in history.

You may support the Foundation for the Preservation of Jewish Heritage, where the author works, at www.fodz.pl.

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Was migration to Germany a blessing or a curse? The main argument of this book is that the Greek state conceived labor migration as a traineeship into Europeanization with its shiny varnish of progress. Jumping on a fully packed train to West Germany meant leaving the past behind. However, the tensed Cold War realities left no space for illusions; specters of the Nazi past and the Greek Civil War still haunted them all. 

Adopting a transnational approach, The Greek Gastarbeiter in the Federal Republic of Germany (1960–1974) (de Gruyter, 2024) retargets attention to the sending state by exploring how the Greek Gastarbeiter’s welfare was intrinsically connected with their homeland through its exercise of long-distance nationalism. Apart from its fresh take in postwar migration, the book also addresses methodological challenges in creative ways. The narrative alternates between the macro- and the micro-level, including subnational and transnational actors and integrating a diverse set of primary sources and voices. Avoiding the trap of exceptionalism, it contextualizes the Greek case in the Mediterranean and Southeast European experience.

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Johanna Drucker’s Iliazd: A Meta-Biography of a Modernist (Johns Hopkins University Press, 2020) uncovers the enigmatic life and work of Ilia Zdanevich, better known as Iliazd, a revolutionary figure in modernist art and literature.

The book explores Iliazd’s journey from his beginnings in the Russian Futurist avant-garde to his later experiments with artist books in Paris, where he collaborated with icons like Picasso and Matisse. Drucker’s work delves into Iliazd’s radical creativity, analyzing how his art blurred the boundaries between life and work. By shedding light on his largely overlooked contributions, the book reveals how Iliazd’s innovations helped redefine modernism for future generations.

We are Clavis Aurea: a dynamic team constantly looking for ways to make the academic publishing industry grow and to promote groundbreaking academic publications to scholars, students, and enthusiasts globally. Based in the renowned publishing city of Leiden, we eat, sleep, and breathe publishing!

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