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A new kind of city park has emerged in the early twenty-first century. Postindustrial parks transform the derelict remnants of an urban past into distinctive public spaces that meld repurposed infrastructure, wild-looking green space, and landscape architecture. For their proponents, they present an opportunity to turn disused areas into neighborhood anchors, with a host of environmental and community benefits. Yet there are clear economic motives as well—successful parks have helped generate billions of dollars of city tax revenues and real estate development.
In Parks for Profit: Selling Nature in the City (Columbia University Press, 2022) Dr. Kevin Loughran explores the High Line in New York, the Bloomingdale Trail/606 in Chicago, and Buffalo Bayou Park in Houston to offer a critical perspective on the rise of the postindustrial park. He reveals how elites deploy the popularity and seemingly benign nature of parks to achieve their cultural, political, and economic goals. As urban economies have become restructured around finance, real estate, tourism, and cultural consumption, parks serve as civic shields for elite-oriented investment. Tracing changing ideas about cities and nature and underscoring the centrality of race and class, Dr. Loughran argues that postindustrial parks aestheticize past disinvestment while serving as green engines of gentrification.
A wide-ranging investigation of the political, cultural, and economic forces shaping park development, Parks for Profit reveals the social inequalities at the heart of today’s new urban landscape.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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What we see through our windshields reflects ideas about our national identity, consumerism, and infrastructure.
For better or worse, windshields have become a major frame for viewing the nonhuman world. The view from the road is one of the main ways in which we experience our environments. These vistas are the result of deliberate historical forces, and humans have shaped them as they simultaneously sought to be transformed by them. In Consuming Landscapes: What We See When We Drive and Why It Matters (Johns Hopkins UP, 2022), Thomas Zeller explores how what we see while driving reflects how we view our societies and ourselves, the role that consumerism plays in our infrastructure, and ideas about reshaping the environment in the twentieth century.
Zeller breaks new ground by comparing the driving experience and the history of landscaped roads in the United States and Germany, two major automotive countries. He focuses specifically on the Blue Ridge Parkway in the United States and the German Alpine Road as case studies. When the automobile was still young, an early twentieth-century group of designers―landscape architects, civil engineers, and planners―sought to build scenic infrastructures, or roads that would immerse drivers in the landscapes that they were traversing. As more Americans and Europeans owned cars and drove them, however, they became less interested in enchanted views; safety became more important than beauty.
Clashes between designers and drivers resulted in different visions of landscapes made for automobiles. As strange as it may seem to twenty-first-century readers, many professionals in the early twentieth century envisioned cars and roads, if properly managed, as saviors of the environment. Consuming Landscapes illustrates how the meaning of infrastructures changed as a result of use and consumption. Such changes indicate a deep ambivalence toward the automobile and roads, prompting the question: can cars and roads bring us closer to nature while deeply altering it at the same time?”
Eric Grube is a Visiting Assistant Professor in the Department of History at Boston College. He also received his PhD from Boston College in the summer of 2022. He studies modern German and Austrian history, with a special interest in right-wing paramilitary organizations across interwar Bavaria and Austria. His publications include:
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Kristin J. Jacobson In her new book, The American Adrenaline Narrative (University of Georgia Press), Kristin Jacobson considers the nature of perilous outdoor adventure tales, their gendered biases, and how they simultaneously promote and hinder ecological sustainability.
To explore these themes, Jacobson defines and compares adrenaline narratives by a range of American authors published after the first Earth Day in 1970, a time frame selected as a watershed moment for the contemporary American environmental movement. The forty-plus years since that day also mark the rise in the popularity and marketing of many things as "extreme," including sports, jobs, travel, beverages, gum, makeovers, laundry detergent, and even the environmental movement itself.
Jacobson maps the American eco-imagination via adrenaline narratives, surveying a range of popular and lesser-known primary texts by American authors, including best-sellers such as Jon Krakauer's Into Thin Air and Aron Ralston's Between a Rock and a Hard Place. She also covers lesser-known novels as well as stories found in all types of media ranging from magazines, feature-length and short films, television shows, amateur videos, social media posts, advertising, and blogs.
Jacobson argues for recognizing adrenaline narratives as a distinctive genre because, unlike traditional nature, travel, and sports writing, adrenaline narratives sustain heightened risk or the element of the "extreme" within a natural setting. Additionally, these narratives provide important insight into the American environmental imagination's connection to masculinity and adventure––knowledge that helps us grasp the current climate crisis and see how narrative understanding provides a needed intervention.
Kristin Jacobson is a professor of American literature, American Studies, and Women’s, Gender and Sexuality Studies at Stockton University in New Jersey. She completed her Ph.D. at Penn State, her M.A. at the University of Colorado-Boulder, and her B.A. at Carthage College in Kenosha, WI.
Carrie Lynn Evans is a PhD student at Université Laval in Quebec City.
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Locusts of Power: Borders, Empire, and Environment in the Modern Middle East (Cambridge UP, 2023) focuses on the intersections of three entities otherwise deemed marginal in historical scholarship: the Jazira region, the borderlands of today’s Iraq, Syria, and Turkey; the mobile peoples within this region, from nomadic pastoralists to deportees and refugees; and locusts. Sam Dolbee’s research traces the movements of people and insects within this region, and how the social “problem” of mobile peoples and the environmental problem of pests were conflated in the eyes of the Ottoman and post-Ottoman states. Following the path of the locust across this region reveals how the desert of the Jazira and its inhabitants were bordered, transformed by, and participated in both environmental and political projects.
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In Singaporean Creatures: Histories of Humans and Other Animals in the Garden City (NUS Press, 2024), historian Tim Barnard and his colleagues offer an edited volume of historical and ecological analysis, in which various institutions, perspectives and events involving animals provide insight into the development of Singapore as a modern, urban nation-state, highlighting some of the challenges of planning and development. The book asks the reader to see Singapore's myriad creatures not as mere objects of human action, but as active participants in the making of Singapore’s urban future and will be of interest to scholars of environmental history and lovers of Singapore's nature.
Isobel Akerman is a History PhD student at the University of Cambridge studying biodiversity and botanic gardens.
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American Aurora: Environment and Apocalypse in the Life of Johannes Kelpius (Oxford UP, 2024) explores the impact of climate change on early modern radical religious groups during the height of the Little Ice Age in the seventeenth century. Focusing on the life and legacy of Johannes Kelpius (1667-1707), an enormously influential but comprehensively misunderstood theologian who settled outside of Philadelphia from 1604 to 1707, Timothy Grieve-Carlson explores the Hermetic and alchemical dimensions of Kelpius's Christianity before turning to his legacy in American religion and literature.
This engaging analysis showcases Kelpius's forgotten theological intricacies, spiritual revelations, and cosmic observations, illuminating the complexity and foresight of an important colonial mystic. As radical Protestants during Kelpius's lifetime struggled to understand their changing climate and a seemingly eschatological cosmos, esoteric texts became crucial sources of meaning. Grieve-Carlson presents original translations of Kelpius's university writings, which have never been published in English, along with analyses and translations of other important sources from the period in German and Latin. Ultimately, American Aurora points toward a time and place when climate change caused an eruption of esoteric thought and practice and how this moment has been largely forgotten.
Timothy Grieve-Carlson is an Assistant Professor of Religion at Westminster College.
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In this episode, I talk to Samuel Dolbee, Assistant Professor of History at Vanderbilt University. His book, Locusts of Power: Borders, Empire, and Environment in the Modern Middle East (Cambridge University Press, 2023).
In this highly original environmental history, Samuel Dolbee sheds new light on borders and state formation by following locusts and revealing how they shaped both the environment and people's imaginations from the late Ottoman Empire to the Second World War. Drawing on a wide range of archival research in multiple languages, Dolbee details environmental, political, and spatial transformations in the region's history by tracing the movements of locusts and their intimate relationship to people in motion, including Arab and Kurdish nomads, Armenian deportees, and Assyrian refugees, as well as states of the region. With locusts and moving people at center stage, surprising continuities and ruptures appear in the Jazira, the borderlands of today's Iraq, Syria, and Turkey. Transcending approaches focused on the collapse of the Ottoman Empire or the creation of nation states, Dolbee provides a new perspective on the modern Middle East grounded in environmental change, state violence, and popular resistance.
Deren Ertas is a PhD Candidate in History and Middle Eastern Studies at Harvard University.
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Today, the mention of Patagonia and Tierra del Fuego conjures images of idyllic landscapes untouched by globalisation. Creatures of Fashion: Animals, Global Markets, and the Transformation of Patagonia (University of North Carolina Press, 2024) by Dr. John Soluri upends this, revealing how the exploitation of animals—terrestrial and marine, domesticated and wild, living and dead—was central to the region's transformation from Indigenous lands into the national territories of Argentina and Chile. Drawing on evidence from archives and digital repositories, Dr, Soluri traces the circulation of furs and fibers to explore how the power of fashion stretched far beyond Europe’s houses of haute couture to entangle the fates of Indigenous hunters, migrant workers, and textile manufacturers with those of fur seals, guanacos, and sheep at the "end of the world."
From the nineteenth-century rise of commercial hunting to twentieth-century sheep ranching to contemporary conservation-based tourism, Dr, Soluri's narrative explains how struggles for control over the production of commodities and the reproduction of animals drove the social and environmental changes that tied Patagonia to global markets, empires, and wildlife conservation movements. By exposing seams in national territories and global markets knit together by force, this book provides perspectives and analyses vital for understanding contemporary conflicts over mass consumption, the conservation of biodiversity, and struggles for environmental justice in Patagonia and beyond.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies
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Previously ranked among the hemisphere’s poorest countries, Guyana is becoming a global leader in per capita oil production, a shift which promises to profoundly transform the nation. This sea change presents a unique opportunity to dissect both the environmental impacts of modern-world resource extraction and the obscured yet damaging ways in which intersectional race and gender formations circumscribe Caribbean women’s lives.
Drawing from archival research and oral history, and examining mass-mediated flashpoints across the African and Indian diasporas―including Rihanna’s sonic routes, ethnic conflict reportage, HBO’s Lovecraft Country, and Netflix’s Indian Matchmaking―Global Guyana: Shaping Race, Gender, and Environment in the Caribbean and Beyond (NYU Press, 2024) repositions this marginalized nation as a nexus of social and economic activity which drives popular culture and ideas about sexuality while reshaping the geopolitical and literal topography of the Caribbean region. Oneka LaBennett employs the powerful analytic of the pointer broom to disentangle the symbiotic relationship between Guyanese women’s gendered labor and global racial capitalism. She illuminates how both oil extraction and sand export are implicated in a well-established practice of pillaging the Caribbean’s natural resources while masking the ecological consequences that disproportionately affect women and children.
Global Guyana uncovers how ecological erosion and gendered violence are entrenched in extractive industries emanating from this often-effaced but pivotal country. Sounding the alarm on the portentous repercussions that ambitious development spells out for the nation’s people and its geographical terrain, LaBennett issues a warning for all of us about the looming threat of global environmental calamity.
Oneka LaBennett is Associate Professor of American Studies and Ethnicity and Gender and Sexuality Studies at the University of Southern California. She’s the author of She’s Mad Real: Popular Culture and West Indian Girls in Brooklyn and co-editor of Racial Formation in the Twenty-First Century.
Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
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Life on Earth is facing a mass extinction event of our own making. Human activity is changing the biology and the meaning of extinction. What Is Extinction?: A Natural and Cultural History of Last Animals (Fordham UP, 2023) examines several key moments that have come to define the terms of extinction over the past two centuries, exploring instances of animal and human finitude and the cultural forms used to document and interpret these events.
Offering a critical theory for the critically endangered, Joshua Schuster proposes that different discourses of limits and lastness appear in specific extinction events over time as a response to changing attitudes toward species frailty. Understanding these extinction events also involves examining what happens when the conceptual and cultural forms used to account for species finitude are pressed to their limits as well. Schuster provides close readings of several case studies of extinction that bring together environmental humanities and multispecies methods with media-specific analyses at the terminus of life.
What Is Extinction? delves into the development of last animal photography, the anthropological and psychoanalytic fascination with human origins and ends, the invention of new literary genres of last fictions, the rise of new extreme biopolitics in the Third Reich that attempted to change the meaning of extinction, and the current pursuit of de-extinction technologies. Schuster offers timely interpretations of how definitions and visions of extinction have changed in the past and continue to change in the present.
Joshua Schuster is an associate professor of English and core faculty member of the Centre for the Study of Theory and Criticism at Western University. He is the author of The Ecology of Modernism: American Environments and Avant-Garde Poetics and co-author of Calamity Theory: Three Critiques of Existential Risk.
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