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Alex Nathanson's book A History of Solar Power Art and Design (Routledge, 2021) examines the history of creative applications of photovoltaic (PV) solar power, including sound art, wearable technology, public art, industrial design, digital media, building integrated design, and many others.
The growth in artists and designers incorporating solar power into their work reflects broader social, economic, and political events. As the cost of PV cells has come down, they have become more accessible and have found their way into a growing range of design applications and artistic practices. As climate change continues to transform our environment and becomes a greater public concern, the importance of integrating sustainable energy technologies into our culture grows as well.
The book will be of interest to scholars working in art history, design history, design studies, environmental studies, environmental humanities, and sustainable energy design.
Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. btoepfer@toepferarchitecture
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How we relate to orphaned space matters. Voids, marginalia, empty spaces—from abandoned gas stations to polluted waterways—are created and maintained by politics, and often go unquestioned. In Loving Orphaned Space: The Art and Science of Belonging to Earth (Temple UP, 2022), Mrill Ingram provides a call to action to claim and to cherish these neglected spaces and make them a source of inspiration through art and/or remuneration.
Ingram advocates not only for “urban greening” and “green planning,” but also for “radical caring.” These efforts create awareness and understanding of ecological connectivity and environmental justice issues—from the expropriation of land from tribal nations, to how race and class issues contribute to creating orphaned space. Case studies feature artists, scientists, and community collaborations in Chicago, New York, and Fargo, ND, where grounded and practical work of a fundamentally feminist nature challenges us to build networks of connection and care.
The work of environmental artists who venture into and transform these disconnected sites of infrastructure allow us to rethink how to manage the enormous amount of existing overlooked and abused space. Loving Orphaned Space provides new ways humans can negotiate being better citizens of Earth.
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Can spiritually and religiously inspired environmental movements in Asia help reach the global goal of environmental sustainability? This question lies at the heart of the research project “Transcendence and Sustainability: Asian Visions with Global Promise” that we focus on in this episode. Also known as TRANSSUSTAIN, the project builds on the observation that scholars, activists, and even politicians in many Asian countries have found inspiration in traditional knowledge and in the premodern texts and practices of, for instance, Daoist, Buddhist, Hindu, and Confucian traditions to envision more ecologically sustainable futures. Exploring the mobilization and recalibration of such traditional Asian religio-philosophical ideas in response to the global environmental crisis, the project seeks to assess the potential of Asian environmental movements for helping us build sustainable global futures.
Mette Halskov Hansen is professor of China Studies at the University of Oslo.
Amita Baviskar is professor of Environmental Studies and Sociology and Anthropology at Ashoka University.
Lu Chen is a Doctoral Research Fellow at the University of Oslo.
Kenneth Bo Nielsen is an Associate Professor at the dept. of Social Anthropology at the University of Oslo and one of the leaders of the Norwegian Network for Asian Studies.
The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, and Asianettverket at the University of Oslo.
We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.
About NIAS: www.nias.ku.dk
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We know that plants are important. They maintain the atmosphere by absorbing carbon dioxide and producing oxygen. They nourish other living organisms and supply psychological benefits to humans as well, improving our moods and beautifying the landscape around us. But plants don't just passively provide. They also take action.
Beronda L. Montgomery explores the vigorous, creative lives of organisms often treated as static and predictable. In fact, plants are masters of adaptation. They "know" what and who they are, and they use this knowledge to make a way in the world. Plants experience a kind of sensation that does not require eyes or ears. They distinguish kin, friend, and foe, and they are able to respond to ecological competition despite lacking the capacity of fight-or-flight. Plants are even capable of transformative behaviors that allow them to maximize their chances of survival in a dynamic and sometimes unfriendly environment.
Lessons from Plants (Harvard UP, 2021) enters into the depth of botanic experience and shows how we might improve human society by better appreciating not just what plants give us but also how they achieve their own purposes. What would it mean to learn from these organisms, to become more aware of our environments and to adapt to our own worlds by calling on perception and awareness? Montgomery's meditative study puts before us a question with the power to reframe the way we live: What would a plant do?
Marshall Poe is the founder and editor of the New Books Network. He can be reached at [email protected].
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By most accounts, the twentieth century was not kind to utopian thought. The violence of two world wars, Cold War anxieties, and a widespread sense of crisis after the 1973 global oil shock appeared to doom dreams of a better world. The eventual victory of capitalism and, seemingly, liberal democracy relieved some fears but exchanged them for complacency and cynicism.
Not, however, in West Germany. In Sustainable Utopias: The Art and Politics of Hope in Germany (Harvard UP, 2022), Jennifer Allen showcases grassroots activism of the 1980s and 1990s that envisioned a radically different society based on community-centered politics―a society in which the democratization of culture and power ameliorated alienation and resisted the impotence of end-of-history narratives. Berlin’s History Workshop liberated research from university confines by providing opportunities for ordinary people to write and debate the story of the nation. The Green Party made the politics of direct democracy central to its program. Artists changed the way people viewed and acted in public spaces by installing objects in unexpected environments, including the Stolpersteine: paving stones, embedded in residential sidewalks, bearing the names of Nazi victims. These activists went beyond just trafficking in ideas. They forged new infrastructures, spaces, and behaviors that gave everyday people real agency in their communities. Undergirding this activism was the environmentalist concept of sustainability, which demanded that any alternative to existing society be both enduring and adaptable.
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In this episode, Troy Vettese talks with us about neoliberalism. It turns out the neoliberals aren’t actually a secret cabal of dastardly villains, but a group of right wing public intellectuals who want to be taken seriously by the academic establishment, and who have been remarkably successful in reshaping the world in their image.
In the episode, Troy references the work of Quinn Slobodian, Philip Mirowski, and Dieter Plehwe on the history of neoliberalism. They have written a book together on the Nine Lives of Neoliberalism (Verso, 2020). He also points out that the Mont Pelerin Society, the “secret society” of the neoliberals, which isn’t so secret at all, has a website: www.montpelerin.org
Troy recently co-authored a book with Drew Pendergrass called Half-Earth Socialism: A Plan to Save the Future from Extinction, Climate Change and Pandemics (Verso, 2022). They also made a game, in collaboration with some super cool game designers, where you can make your own plan to avoid ecological catastrophe. You can find it at play.half.earth.
Eco-Marxists are a rare breed. Troy Vettese is an environmental historian, who writes about animal studies and energy history in addition to penning proposals to save the world. He received his PhD in 2019 from NYU and is currently a Max Weber Postdoctoral Fellow at the European University Institute. He also has very curly hair.
This episode’s image is a diagram in ISOTYPE, a picture language popularized by a socialist planner named Otto Neurath, who appears in the book and the episode. It is taken from a statistical world atlas made by Neurath, held by the David Rumsey Map Collection, David Rumsey Map Center, Stanford Libraries, and available in a digital form through archive.org.
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In Narrative in the Anthropocene (Ohio State UP, 2022), Erin James poses two complementary questions: What can narrative teach us about our current geological epoch, defined and marked by the irrevocable activity of humans on the Earth’s geology and ecosystems? and What can our current geological epoch teach us about narrative? Drawing from a wide range of sources—including Jane Austen’s Mansfield Park,Maria Popova’s collective biography Figuring, Richard McGuire’s graphic novel Here,Indigenous and Afrofuturist speculative fiction, and more—James argues that a richer understanding of the forms and functions of narrative in the Anthropocene provides us with invaluable insight into how stories shape our world. At the same time, she contends that the Anthropocene alters the very nature of narrative. Throughout her exploration of these themes, James lays the groundwork for an “Anthropocene narrative theory,” introducing new modes of reading narrative in the Anthropocene; new categories of narrative time, space, narration, and narrativity; and a new definition of narrative itself as a cognitive and rhetorical tool for purposeful worldbuilding.
Prof. Erin James teaches world literatures in English, Critical Theory and literatures of the Climate Crisis at the University of Idaho.
Gargi Binju is a researcher at the University of Tübingen.
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Today Julia Keblinska and I had the pleasure of talking to Assistant Professor Jerry Zee about his book, Continent in Dust: Experiments in a Chinese Weather System, published by University of California Press in 2022.
Continent in Dust offers a political anthropological account of strange weather. It is an ethnography of China’s meteorological contemporary - the transformed weather patterns whose formations and fallouts have accompanied decades of breakneck economic development. Focusing on intersections among statecraft, landscape, atmosphere and society, Jerry Zee’s research is beautifully articulated taking the reader on a journey from state engineering programs that attempt to choreograph the movement of mobile dunes in the interior, to newly reconfigured bodies and airspace in Beijing, and beyond. Timely and original, Continent in Dust considers contemporary China as a weather system to reconsider how we can better understand “the rise of China” literally, as the country itself rises into the air.
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The Accidental Ecosystem: People and Wildlife in American Cities (U California Press, 2022) tells the story of how cities across the United States went from having little wildlife to filling, dramatically and unexpectedly, with wild creatures. Today, many of these cities have more large and charismatic wild animals living in them than at any time in at least the past 150 years. Why have so many cities—the most artificial and human-dominated of all Earth’s ecosystems—grown rich with wildlife, even as wildlife has declined in most of the rest of the world? And what does this paradox mean for people, wildlife, and nature on our increasingly urban planet?
The Accidental Ecosystem is the first book to explain this phenomenon from a deep historical perspective, and its focus includes a broad range of species and cities. Cities covered include New York City, Los Angeles, San Francisco, Pittsburgh, Austin, Miami, Chicago, Seattle, San Diego, Atlanta, Philadelphia, and Baltimore. Digging into the natural history of cities and unpacking our conception of what it means to be wild, this book provides fascinating context for why animals are thriving more in cities than outside of them. Author Peter S. Alagona argues that the proliferation of animals in cities is largely the unintended result of human decisions that were made for reasons having little to do with the wild creatures themselves. Considering what it means to live in diverse, multispecies communities and exploring how human and non-human members of communities might thrive together, Alagona goes beyond the tension between those who embrace the surge in urban wildlife and those who think of animals as invasive or as public safety hazards. The Accidental Ecosystem calls on readers to reimagine interspecies coexistence in shared habitats, as well as policies that are based on just, humane, and sustainable approaches.
Peter S. Alagona is a Professor of Environmental Studies at the University of California, Santa Barbara.
Brady McCartney is an interdisciplinary environmental social scientist at the University of Florida. Email: [email protected]
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Animal lovers who feed meat to other animals are faced with a paradox: perhaps fewer animals would be harmed if they stopped feeding the ones they love. Animal diets do not raise problems merely for individuals. To address environmental crises, health threats, and harm to animals, we must change our food systems and practices. And in these systems, animals, too, are eaters.
Moving beyond what humans should eat and whether to count animals as food, Just Fodder: The Ethics of Feeding Animals (McGill-Queen's University Press, 2022) answers ethical and political questions arising from thinking about animals as eaters. Josh Milburn begins with practical dilemmas about feeding the animals closest to us, our pets or animal companions. The questions grow more complicated as he considers relationships with more distance – questions about whether and how to feed garden birds, farmland animals who would eat our crops, and wild animals. Milburn evaluates the nature and circumstances of our relationships with animals to generate a novel theory of animal rights.
Looking past arguments about what we can and cannot do to other beings, Just Fodder asks what we can, should, and must do for them, laying out a fuller range of our ethical obligations to other animals.
Kyle Johannsen is an academic philosopher who does research in animal and environmental ethics, and in political philosophy. His most recent book is Wild Animal Ethics: The Moral and Political Problem of Wild Animal Suffering (Routledge, 2021). You can follow him on Twitter @KyleJohannsen2.
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